Lallie sang at the concert, and received a tremendous ovation2. She had, herself, set to music four verses of Kipling's--
"Let us now praise famous men,
Men of little showing"--
and the tune3, stately yet jubilant, marched in swinging measure to a triumphant4 conclusion. Not one word in the whole four verses did the audience miss, and the boys yelled "encore" with one prodigious5 voice.
The programme was a long one, encores were "strictly6 forbidden," and the restriction7 was perfectly8 reasonable; but the boys simply refused to let the next item on the programme begin. Hamchester School had made up its mind that it wanted Lallie to sing again, and no power on earth can stop six hundred boys with good lungs when they fairly get going.
Dr. Wentworth was annoyed; Tony Bevan was furious, for his house had never before really got out of hand, and there was no doubt whatever that it was ringleader in the tremendous din9 that followed Lallie's singing. Of course she was radiant; this flying in the face of all authority was after her own heart. She was trembling with excitement when at last, in sheer desperation, Dr. Wentworth led her up on to the platform to give the boys their way.
She chose as her song, "Should he upbraid," and sang at the Principal in the most bare-faced manner. A ripple10 of mirth ran over the audience, and then, as the liquid, seductive notes rolled out so smoothly11 and soothingly12, Dr. Wentworth's annoyance13 subsided14 and he actually turned and beamed at his boisterous15 boys. Tony's grim face relaxed, and by the time the song was ended the masters had recovered their good humour and the boys were forgiven.
Next day the school went home, the bulk of the boys by a special train at mid-day. Miss Foster was to leave at tea-time, and Lallie by an afternoon train for Woolwich, where she was to stay with a certain general and his wife, old friends of her father.
Tony Bevan had made no plans. He had half promised to go and shoot with Paddy over in Kerry, but he was not sufficiently16 sure of himself to make up his mind. He felt slack and tired, old and depressed17.
When the last batch18 of boys had filled the last long string of cabs, Lallie went up to the matron's room. That much-tried woman was sitting exhausted19 at her table, turning over some of her interminable lists. Lallie sat down opposite to her and laid her hand on the one that held the list.
"You've done enough for one morning," she said. "Rest now for a minute and listen to me. You've been endlessly good to me, Matron, dear, and I don't know how to thank you. I have been so happy here, and now it has all come to an end I feel very sad. I really think B. House is the nicest place on earth, and I'm frightfully sorry to go."
"But you're coming back next term, Miss Clonmell--why, we'll all be together again in no time. There's no need to look so melancholy20 about it."
Lallie shook her head.
"I'm not at all sure that I'll come back. It seems to me, especially lately, that my being here is rather a worry to Tony. I seem to vex21 him without meaning to--and I suppose I am a bit in the way. It has lately begun to dawn upon me that Miss Foster is perfectly right. You don't want 'stray girls' in a house like this."
The matron looked mysterious, she nodded her head thrice, and there was an "I-could-an'-I-would" air about her extremely provocative22 of curiosity.
"Why do you look like that, Matron, dear? I won't rest till you tell me. Why do you wag your head so solemnly?"
"Have you no idea, Miss Clonmell, what is the matter with Mr. Bevan?"
"I don't know that there's anything the matter with him except that he's a bit tired of term, and perhaps of me, and having to be Uncle Emileen for such a long stretch of country."
"You're very fond of Mr. Bevan, aren't you, Miss Clonmell?"
"Fond of Tony? I adore Tony! there's nobody like him."
"Has it never occurred to you that perhaps Mr. Bevan----"
Matron paused. She was the soul of discretion23, and in view of the daring step she contemplated24, she stopped short aghast.
"Perhaps what--What about Tony?"
"Has it never struck you that perhaps Mr. Bevan may be feeling like some of those other young gentlemen who are so much taken up with you--only in his case, being older, it's a much more serious matter."
The lovely colour flooded Lallie's face. Her hand tightened25 on Matron's, and she gazed at her in breathless silence for a full minute.
"Do you mean," she whispered, "that you think Tony cares for me like that?"
"I am perfectly sure of it," said Matron; "and if you are sure you can never care for him 'like that'; I certainly think it would be kinder of you not to come back next term."
Lallie's eyes were shining; she was very pale again as she suddenly leant across the little table and kissed the matron.
Without another word she went out of the room.
She had lunch alone with Tony and Miss Foster. It was a very quiet meal, and when it was over she followed Tony into the study to receive some last instructions about her journey. He was to see her off at the train, and being a methodical person he had made all arrangements for her journey to Ireland as well. He gave her marked time-tables and her tickets, and then looking down at her as she stood small and meek26 and receptive at his side, he said:
"Ballinger has been at me again, Lallie. He really does seem tremendously in earnest; and I think that if you don't intend to have anything more to do with him you should make it clearer than you have as yet. It would be kinder to put him out of suspense27."
"Short of knocking him on the head like a gamekeeper with a rabbit, I don't see what more I can do."
"Perhaps if he had it in black and white he'd realise that you mean what you say."
"But I can't write to him if he doesn't write to me. It's you he bothers, not me. He has never said one syllable28 to me that all the world mightn't hear, since I came back from the Chesters. You can't expect me to go out of my way to refuse a man who has never asked me. 'He either fears his fate too much'----"
"Perhaps he's pretty certain he'd 'lose it all' poor chap," said Tony gently; "I can sympathise with him."
Lallie made no answer.
He took her to the station, bought her papers, spoke29 to the guard, and compassed her about with all the thousand-and-one observances that men love to lavish30 on women for whom they care.
As the train began to move, Lallie leant out of the window.
"If you look," she began, then crimsoned31 to the roots of her hair, and the train bore her from his sight.
"If you look--" Tony repeated over and over again as he walked slowly home--what could she have been going to say?
He went into the town and restlessly did several quite unnecessary errands at various shops. It was tea-time when he got back, and he had it with Miss Foster in the drawing-room. When she had gone he went into his study and sat down at his desk.
On his blotting-pad lay a volume of Shakespeare. It was not one of his own little leather edition that he always used, but a fat, calf-bound book from the set in the drawing-room.
He lifted it and saw that it contained one of Lallie's markers--a piece of white ribbon with a green four-leaved shamrock embroidered32 at each end. He opened it at the place marked, and there was a faint pencil line against the following passage:
"O, by your leave, I pray you;
I bade you never speak again of him:
But, would you undertake another suit,
I had rather hear you to solicit33 that,
Than music from the spheres."
The College Shakespeare Society had read Twelfth Night at B. House only a fortnight before, and Lallie had pestered34 Tony to let her read Viola, but only boys and masters were permitted to perform.
Tony laid the book down on his desk and put the marker in his breast pocket. He looked at his watch and wrote a telegram to an old Hamchestrian who was one of the Under Officers at the Shop.
"If you possibly can, get me a ticket for the dance to-night. Can't get there till eleven; leave it with sergeant35 at door."
He rang furiously for Ford36 and told her to pack his bag. He was unexpectedly called away.
He caught the six-fifteen, which reached Paddington soon after nine, drove to a hotel, dressed, dined, and went down by train to Woolwich.
The porters marvelled37 at his lavish tips, and the cabman who drove him from the Arsenal38 station to the Shop came to the conclusion that the gentleman was undoubtedly39 drunk when he surveyed his fare.
His ticket awaited him, on production of his visiting card, and he was allowed to make his way to the gym., where the ball was held.
As he surveyed the brilliant scene his heart failed him for the first time that night. There were not half a dozen black coats in the crowded room, and just for a moment Tony again felt old and plain and uninteresting. He was far too big, however, to remain unnoticeable. One after another of his old boys found him and gave him astonished but hearty40 greeting.
At last he caught sight of Lallie. She was waltzing with Paddy--conspicuously handsome Paddy; and even at that ball, where good dancing is the rule and not the exception, there was something harmoniously41 distinguished42 in the dancing of these two.
Lallie looked white and tired. Presently Paddy felt her sway in his arms. "Stop!" she cried breathlessly; "am I mad, or is that Tony standing43 on the other side of the room?"
Paddy piloted her skilfully44 over to Tony. One glance at their faces was enough for that astute45 youth.
"How ripping of you to come!" he exclaimed; "but Lallie's a mean little minx not to tell me you were coming."
"She didn't know. I didn't know myself five hours ago. But I have something very important to say to Lallie--something that couldn't possibly wait."
Paddy chuckled46.
"You may have the rest of this dance," he said; "and you may trust Lallie for knowing the best places for sitting out."
"Will you come?" asked Tony.
"To the end of the world," said Lallie, as she slipped her hand under his arm; "but I warn you, Tony, dear, with me you won't have altogether a tranquil47 journey."
The End
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1 gathering | |
n.集会,聚会,聚集 | |
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2 ovation | |
n.欢呼,热烈欢迎,热烈鼓掌 | |
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3 tune | |
n.调子;和谐,协调;v.调音,调节,调整 | |
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4 triumphant | |
adj.胜利的,成功的;狂欢的,喜悦的 | |
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5 prodigious | |
adj.惊人的,奇妙的;异常的;巨大的;庞大的 | |
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6 strictly | |
adv.严厉地,严格地;严密地 | |
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7 restriction | |
n.限制,约束 | |
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8 perfectly | |
adv.完美地,无可非议地,彻底地 | |
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9 din | |
n.喧闹声,嘈杂声 | |
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10 ripple | |
n.涟波,涟漪,波纹,粗钢梳;vt.使...起涟漪,使起波纹; vi.呈波浪状,起伏前进 | |
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11 smoothly | |
adv.平滑地,顺利地,流利地,流畅地 | |
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12 soothingly | |
adv.抚慰地,安慰地;镇痛地 | |
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13 annoyance | |
n.恼怒,生气,烦恼 | |
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14 subsided | |
v.(土地)下陷(因在地下采矿)( subside的过去式和过去分词 );减弱;下降至较低或正常水平;一下子坐在椅子等上 | |
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15 boisterous | |
adj.喧闹的,欢闹的 | |
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16 sufficiently | |
adv.足够地,充分地 | |
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17 depressed | |
adj.沮丧的,抑郁的,不景气的,萧条的 | |
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18 batch | |
n.一批(组,群);一批生产量 | |
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19 exhausted | |
adj.极其疲惫的,精疲力尽的 | |
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20 melancholy | |
n.忧郁,愁思;adj.令人感伤(沮丧)的,忧郁的 | |
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21 vex | |
vt.使烦恼,使苦恼 | |
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22 provocative | |
adj.挑衅的,煽动的,刺激的,挑逗的 | |
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23 discretion | |
n.谨慎;随意处理 | |
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24 contemplated | |
adj. 预期的 动词contemplate的过去分词形式 | |
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25 tightened | |
收紧( tighten的过去式和过去分词 ); (使)变紧; (使)绷紧; 加紧 | |
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26 meek | |
adj.温顺的,逆来顺受的 | |
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27 suspense | |
n.(对可能发生的事)紧张感,担心,挂虑 | |
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28 syllable | |
n.音节;vt.分音节 | |
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29 spoke | |
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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30 lavish | |
adj.无节制的;浪费的;vt.慷慨地给予,挥霍 | |
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31 crimsoned | |
变为深红色(crimson的过去式与过去分词形式) | |
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32 embroidered | |
adj.绣花的 | |
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33 solicit | |
vi.勾引;乞求;vt.请求,乞求;招揽(生意) | |
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34 pestered | |
使烦恼,纠缠( pester的过去式和过去分词 ) | |
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35 sergeant | |
n.警官,中士 | |
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36 Ford | |
n.浅滩,水浅可涉处;v.涉水,涉过 | |
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37 marvelled | |
v.惊奇,对…感到惊奇( marvel的过去式和过去分词 ) | |
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38 arsenal | |
n.兵工厂,军械库 | |
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39 undoubtedly | |
adv.确实地,无疑地 | |
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40 hearty | |
adj.热情友好的;衷心的;尽情的,纵情的 | |
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41 harmoniously | |
和谐地,调和地 | |
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42 distinguished | |
adj.卓越的,杰出的,著名的 | |
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43 standing | |
n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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44 skilfully | |
adv. (美skillfully)熟练地 | |
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45 astute | |
adj.机敏的,精明的 | |
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46 chuckled | |
轻声地笑( chuckle的过去式和过去分词 ) | |
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47 tranquil | |
adj. 安静的, 宁静的, 稳定的, 不变的 | |
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