PREFACE

Paul Bourget was born in the cathedral city of Amiens about fifty years ago, but there are a number of other interesting things to say about him. Like so many famous authors, he began, in 1873, with verse. Probably the verse did not bring him the instant fame that we all desire with our first book, for he soon turned to prose, which of course as Saltus has hinted, is more difficult. Again, it is probable that verse and prose are not really so very far apart, but are related, as an angel is related to a saint, or a lovely sister to her handsome but very masculine brother. Essays followed Bourget’s lyrics¹, then a triumphal procession of novels and travels, till, in 1904, he became a poet again by wearing the blue and gold costume of the French Academy.

For about ten years now the writings of Paul Bourget have had great success in London’s capitol, Mayfair, among a certain set or circle of ladies whose minds are as carefully tended as are their beautiful bodies. They have read him, even as they have read Anatole France and Marcel Prévost, because of notes of distinction in the writings, the lack of discord², the evidences of balanced, graceful³, 4well-valeted life. Bourget belongs to the group of writers who are sometimes termed Salon-writers. I imagine it is a German classification; it brings before the vision one writing with a gold pen using a silver standish upon a table of sycamore. Perhaps if we say in English “the kid-glove school” the phrase will describe, if it does not please. This note of refinement⁴ in style, distinction in utterance⁵, is certainly represented best in France by Bourget, in Italy by D’Annunzio, in Holland by Couperus, in America by Saltus. Of course other countries have claims too. There has been very little written about Bourget in English, not because he writes French, but because he writes. In a conte charmingly named A Bouquet⁶ of Illusions Bourget himself is one of the characters, the protagonist⁷ part in fact. The conte is written by Saltus and is worthy⁸ of both novelists.

G. F. MONKSHOOD.
London,
1908.

1 lyrics   

n.歌词

参考例句：

• music and lyrics by Rodgers and Hart 由罗杰斯和哈特作词作曲
• The book contains lyrics and guitar tablatures for over 100 songs. 这本书有100多首歌的歌词和吉他奏法谱。

2 discord   

n.不和，意见不合，争论，（音乐）不和谐

参考例句：

• These two answers are in discord.这两个答案不一样。
• The discord of his music was hard on the ear.他演奏的不和谐音很刺耳。

3 graceful   

adj.优美的，优雅的；得体的

参考例句：

• His movements on the parallel bars were very graceful.他的双杠动作可帅了!
• The ballet dancer is so graceful.芭蕾舞演员的姿态是如此的优美。

4 refinement   

n.文雅；高尚；精美；精制；精炼

参考例句：

• Sally is a woman of great refinement and beauty. 莎莉是个温文尔雅又很漂亮的女士。
• Good manners and correct speech are marks of refinement.彬彬有礼和谈吐得体是文雅的标志。

5 utterance   

n.用言语表达，话语，言语

参考例句：

• This utterance of his was greeted with bursts of uproarious laughter.他的讲话引起阵阵哄然大笑。
• My voice cleaves to my throat,and sob chokes my utterance.我的噪子哽咽，泣不成声。

6 bouquet   

n.花束，酒香

参考例句：

• This wine has a rich bouquet.这种葡萄酒有浓郁的香气。
• Her wedding bouquet consisted of roses and ivy.她的婚礼花篮包括玫瑰和长春藤。

7 protagonist   

n.(思想观念的)倡导者；主角，主人公

参考例句：

• The protagonist reforms in the end and avoids his proper punishment.戏剧主角最后改过自新并避免了他应受的惩罚。
• He is the model for the protagonist in the play.剧本中的主人公就是以他为模特儿创作的！

8 worthy   

adj.(of)值得的，配得上的；有价值的

参考例句：

• I did not esteem him to be worthy of trust.我认为他不值得信赖。
• There occurred nothing that was worthy to be mentioned.没有值得一提的事发生。