“A painter,” my master, Miraut, used to say, “should only think brush in hand.” It is my opinion, from numerous illustrious examples including Miraut himself, that he should not think at all. But I know only too well, I am but half a painter, an artist in intention rather than in temperament3, the outline of a Fromentin of 6the twelfth rank. That is a singular feeling of sadness too: the feeling that one is but an inferior double of another, a small and poor proof of a block already printed, a sample of humanity in the likeness4 of a model who has already lived, and in whose destiny it is possible to read beforehand one’s own destiny! But not all one’s own destiny! For I am only too well aware that I suffer from the same failings as Fromentin without possessing his brilliance5. But the brush was not sufficient for this complex and elaborate master. He wanted, with the nervous hand which transmitted colours to canvas, to put ink upon paper, and what was the result? We other painters said his painting was too literary, and literary men said his literature was too technical, too pictorial6, and not intellectual enough.
In my own case at each exhibition of my work for years past my fellow-painters’ reserve, and their praise particularly, have signified to me that I lack a real artist’s original and visionary nature. But I do not require my fellow artists’ judgment7; what does my own conscience say? If I really expressed myself with my brush alone, should I have brought back from Spain, Morocco, Italy and Egypt as many pages of notes as sketches8? I have for fifteen years, wandered between numberless contradictory9 forms of art and mind. I have wandered from country to country seeking the sun and health; from museum to museum seeking ?sthetic revelations, and later from art school to art school seeking an artist’s creed10, and from 7dream to dream in search of a love. My affairs of the heart have all been incipient11 and abortive12 for the same reason as my affairs of the mind: my irremediable incapacity to make up my mind and stand firm, in which to-day I recognize the strange originality13 of my character.
When we see with what infrangible conditions nature surrounds us, is it not best to accept them? At least, I have made up my mind upon an essential point, my work. That is something. I have promised myself to fret14 no more over vain ambitions. I will be a mediocre15 painter; that is all. In that case why should I deny myself the pleasure of writing, a thing which formerly16 discipline forbade? As it is certain that the name of M. Vincent la Croix will never shine in the sky of glory with the names of Gustave Moreau, of Puvis de Chavannes, and of Burne-Jones, why should M. Vincent la Croix deprive himself of this compensation: wasting his time after his own fashion, like the rich amateur, the dilettante17 and the critic he is? That is the reason why, when about to live over again in thought the episodes of a real little romance, into which chance introduced me, I have prepared paper, a pen, and ink. Here is a fresh proof that I shall always lack spontaneous and gushing18 geniality19; I have gone out of my way to explain my motives20 at the beginning of this story, instead of starting it simply and boldly. I can see its most minute details before me, so what need have I of excusing in my own eyes a work which tempts21 me? I shall be at liberty to destroy 8it if I am too ashamed of it when it is finished. Many a time have I painted out a canvas which I considered bad! This time two logs in the fireplace and a match will suffice. That is one of the unspeakable superiorities of literature over painting.
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1 irony | |
n.反语,冷嘲;具有讽刺意味的事,嘲弄 | |
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2 standing | |
n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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3 temperament | |
n.气质,性格,性情 | |
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4 likeness | |
n.相像,相似(之处) | |
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5 brilliance | |
n.光辉,辉煌,壮丽,(卓越的)才华,才智 | |
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6 pictorial | |
adj.绘画的;图片的;n.画报 | |
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7 judgment | |
n.审判;判断力,识别力,看法,意见 | |
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8 sketches | |
n.草图( sketch的名词复数 );素描;速写;梗概 | |
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9 contradictory | |
adj.反驳的,反对的,抗辩的;n.正反对,矛盾对立 | |
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10 creed | |
n.信条;信念,纲领 | |
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11 incipient | |
adj.起初的,发端的,初期的 | |
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12 abortive | |
adj.不成功的,发育不全的 | |
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13 originality | |
n.创造力,独创性;新颖 | |
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14 fret | |
v.(使)烦恼;(使)焦急;(使)腐蚀,(使)磨损 | |
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15 mediocre | |
adj.平常的,普通的 | |
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16 formerly | |
adv.从前,以前 | |
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17 dilettante | |
n.半瓶醋,业余爱好者 | |
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18 gushing | |
adj.迸出的;涌出的;喷出的;过分热情的v.喷,涌( gush的现在分词 );滔滔不绝地说话 | |
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19 geniality | |
n.和蔼,诚恳;愉快 | |
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20 motives | |
n.动机,目的( motive的名词复数 ) | |
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21 tempts | |
v.引诱或怂恿(某人)干不正当的事( tempt的第三人称单数 );使想要 | |
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