But I had hardly confided86 this letter to the muleteer postman who took our mail down to the town before I received a letter with an Egyptian stamp, addressed to me in an unknown hand. It read as follows: ‘You did not recognize it, did you? I mean the handwriting on the envelope? I confess that I chuckled87 as I addressed it to you, before beginning this letter: I could see your face all of a sudden with its expression of perplexity. I saw you turn the letter over in your fingers for a moment trying to guess who had sent it! ‘It is the first serious letter I have attempted, apart from short notes, with my new hand: this strange accessory -after the -fact with which the good Amaril has equipped me! I wanted it to become word -perfect before I wrote to you. Of course I was frightened and disgusted by it at first, as you can imagine. But I have come to respect it very much, this delicate and beautiful steel contrivance which lies beside me so quietly on the table in its green velvet88 glove! Nothing falls out as one imagines it. I could not have believed myself accepting it so completely — steel and rubber seem such strange allies for human flesh. But the hand has proved itself almost more competent even than an ordinary flesh -and -blood member! In fact its powers are so com prehensive that I am a little frightened of it. I can undertake the most delicate of tasks, even turning the pages of a book, as well as the coarser ones. But most important of all — ah! Darley I tremble as I write the words — IT can paint! ‘I have crossed the border and entered into the possession of my kingdom, thanks to the Hand. Nothing about this was pre meditated89. One day it took up a brush and lo! pictures of truly troubling originality90 and authority were born. I have five of them now. I stare at them with reverent91 wonder. Where did they come from? But I know that the Hand was responsible. And this new handwriting is also one of its new inventions, tall and purposeful and tender. Don’t think I boast. I am speaking with the utmost objectivity, for I know that I am not responsible. It is the Hand alone which has contrived92 to slip me through the barriers into the company of the Real Ones as Pursewarden used to say. Yet it is a bit frightening; the elegant velvet glove guards its secret perfectly93. If I wear both gloves a perfect anonymity94 is preserved! I watch with wonder and a certain distrust, as one might a beauti ful and dangerous pet like a panther, say. There is nothing, it seems, that it cannot do impressively better than I can. This will explain my silence and I hope excuse it. I have been totally absorbed in this new hand -language and the interior metamor phosis it has brought about. All the roads have opened before me, everything seems now possible for the first time. ‘On the table beside me as I write lies my steamship95 ticket to France; yesterday I knew with absolute certainty that I must go there. Do you remember how Pursewarden used to say that artists, like sick cats, knew by instinct exactly which herb they needed to effect a cure: and that the bitter -sweet herb of their self -discovery only grew in one place, France? Within ten days I shall be gone! And among so many new certainties there is one which has raised its head — the certainty that you will follow me there in your own good time. I speak of certainty not prophecy — I have done with fortune -tellers once and for all! ‘This, then, is simply to give you the dispositions96 which the Hand has imposed on me, and which I accept with eagerness and gratitude97 — with resignation also. This last week I have been paying a round of good -bye visits, for I think it will be some long time before I see Alexandria again. It has become stale and profitless to me. And yet how can we but help love the places which have made us suffer? Leave -takings are in the air; it’s as if the whole composition of our lives were being suddenly drawn98 away by a new current. For I am not the only person who is leaving the place — far from it. Mountolive, for example, will be leaving in a couple of months; by a great stroke of luck he has been given the plum post of his profession, Paris! With this news all the old uncertainties99 seem to have vanished; last week he was secretly married! You will guess to whom. ‘Another deeply encouraging thing is the return and recovery of dear old Pombal. He is back at the Foreign Office now in a senior post and seems to have recovered much of his old form to judge by the long exuberant100 letter he sent me. “How could I have forgotten” he writes “that there are no women in the world except French women? It is quite mysterious. They are the most lovely creation of the Almighty101. And yet … dear Clea, there are so very many of them, and each more perfect than the other. What is one poor man to do against so many, against such an army? For Godsake ask someone, anyone, to bring up reinforcements. Wouldn’t Darley like to help an old friend out for old times’ sake?” ‘I pass you the invitation for what it is worth. Amaril and Semira will have a child this month — a child with the nose I invented! He will spend a year in America on some job or other, taking them with him. Balthazar also is off on a visit to Smyrna and Venice. My most piquant102 piece of news, however, I have saved for the last. Justine! ‘This I do not expect you to believe. Nevertheless I must put it down. Walking down Rue84 Fuad at ten o’clock on a bright spring morning I saw her come towards me, radiant and beautifully turned out in a spring frock of eloquent103 design: and flop104 flop flop beside her on the dusty pavements, hopping105 like a toad106, the detested107 Memlik! Clad in elastic108 -sided boots with spats109. A cane110 with a gold knob. And a newly minted flower -pot on his fuzzy crown. I nearly collapsed111. She was leading him along like a poodle. One almost saw the cheap leather leash112 attached to his collar. She greeted me with effusive113 warmth and introduced me to her captive who shuffled114 shyly and greeted me in a deep groaning115 voice like a bass116 saxophone. They were on their way to meet Nessim at the Select. Would I go too? Of course would. You know how tirelessly curious I am. She kept shooting secret sparks of amusement at me without Memlik seeing. Her eyes were sparkling with delight, a sort of impish mockery. It was as if, like some powerful engine of destruction, she had suddenly switched on again. She has never looked happier or younger. When we absented ourselves to powder our noses I could only gasp117: “Justine! Memlik! What on earth?” She gave a peal118 of laughter and giving me a great hug said: “I have found his point faible. He is hungry for society. He wants to move in social circles in Alexandria and meet a lot of white women!” More laughter. “But what is the object?” I said in bewilderment. Here all at once she became serious, though her eyes sparkled with clever malevo lence. “We have started something, Nessim and I. We have made a break through at last. Clea, I am so happy, I could cry. It is something much bigger this time, international. We will have to go to Switzerland next year, probably for good. Nessim’s luck has suddenly changed. I can’t tell you any details.” ‘When we reached the table upstairs Nessim had already arrived and was talking to Memlik. His appearance staggered me, he looked so much younger, and so elegant and self possessed119. It gave me a queer pang120, too, to see the passionate121 way t h e y e m b r a c e d , N e s s i m a n d J u s t i n e , a s i f o b l iv i o u s t o t h e r e s t o f t h e w o r l d . R i g h t t h e r e i n t h e p a s s i o n t h a t I d i d n o t k n o w w h e r e t o l o o k . c a f é , w i t h s u c h e c s t a t i c ‘Memlik sat there with his expensive gloves on his knee, smiling gently. It was clear that he enjoyed the life of high society, and I could see from the way he offered me an ice that he also enjoyed the company of white women! ‘Ah! it is getting tired, this miraculous122 hand. I must catch the evening post with this letter. There are a hundred things to attend to before I start the bore of packing. As for you, wise one, I have a feeling that you too perhaps have stepped across the threshold into the kingdom of your imagination, to t a k e p o s s e s s i o n o f i t o n c e a n d f o r a l l . W r i t e a n d t e l l m e — o r s a v e i t f o r s o m e s m a l l c a f é u n d e r w e a t h e r , b y a c h e s t n u t -t r e e , i n s m o k y a u t u m n the Seine. ‘I wait, quite serene123 and happy, a real human being, an artist at last. ‘Clea.’
But it was to be a little while yet before the clouds parted before me to reveal the secret landscape of which she was writing, and which she would henceforward appropriate, brushstroke by slow brushstroke. It had been so long in forming inside me, this precious image, that I too was as unprepared as she had been. It came on a blue day, quite unpremeditated, quite unannounced, and with such ease I would not have believed it. I had been until then like some timid girl, scared of the birth of her first child. Yes, one day I found myself writing down with trembling fingers the four words (four letters! four faces!) with w h i c h e v e r y s t o r y -t e l l e r s i n c e t h e w o r l d b e g a n h a s s t a k e d h i s s l e n d e r c l a i m t o t h e a t t e n t i o n o f h i s f e l lo w -m e n . Wo r d s w h i c h p r e s a g e s i m p l y t h e o l d s to r y o f a n a r t i s t c o m i n g o f ag e . I w r o t e : ‘ O n c e u p o n a time….’ And I felt as if the whole universe had given me a nudge!
The End

点击 收听单词发音
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收听单词发音  | 1
     disquieted   | |
| v.使不安,使忧虑,使烦恼( disquiet的过去式和过去分词 ) | |
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| 2
     favourably   | |
| adv. 善意地,赞成地 =favorably | |
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| 3
     callous   | |
| adj.无情的,冷淡的,硬结的,起老茧的 | |
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| 4
     actively   | |
| adv.积极地,勤奋地 | |
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     metaphorically   | |
| adv. 用比喻地 | |
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| 6
     metaphor   | |
| n.隐喻,暗喻 | |
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     throbbing   | |
| a. 跳动的,悸动的 | |
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| 8
     acting   | |
| n.演戏,行为,假装;adj.代理的,临时的,演出用的 | |
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| 9
     consolation   | |
| n.安慰,慰问 | |
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     haven   | |
| n.安全的地方,避难所,庇护所 | |
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| 11
     inflated   | |
| adj.(价格)飞涨的;(通货)膨胀的;言过其实的;充了气的v.使充气(于轮胎、气球等)( inflate的过去式和过去分词 );(使)膨胀;(使)通货膨胀;物价上涨 | |
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| 12
     fabric   | |
| n.织物,织品,布;构造,结构,组织 | |
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     feudal   | |
| adj.封建的,封地的,领地的 | |
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     feuds   | |
| n.长期不和,世仇( feud的名词复数 ) | |
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     archaic   | |
| adj.(语言、词汇等)古代的,已不通用的 | |
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     unaware   | |
| a.不知道的,未意识到的 | |
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     inflict   | |
| vt.(on)把…强加给,使遭受,使承担 | |
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     cupidity   | |
| n.贪心,贪财 | |
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     jumble   | |
| vt.使混乱,混杂;n.混乱;杂乱的一堆 | |
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     warehouses   | |
| 仓库,货栈( warehouse的名词复数 ) | |
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     eastward   | |
| adv.向东;adj.向东的;n.东方,东部 | |
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     sentimental   | |
| adj.多愁善感的,感伤的 | |
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     scarlet   | |
| n.深红色,绯红色,红衣;adj.绯红色的 | |
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     volcanic   | |
| adj.火山的;象火山的;由火山引起的 | |
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     tremors   | |
| 震颤( tremor的名词复数 ); 战栗; 震颤声; 大地的轻微震动 | |
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     spine   | |
| n.脊柱,脊椎;(动植物的)刺;书脊 | |
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     bowling   | |
| n.保龄球运动 | |
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     industrious   | |
| adj.勤劳的,刻苦的,奋发的 | |
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     figs   | |
| figures 数字,图形,外形 | |
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     intrude   | |
| vi.闯入;侵入;打扰,侵扰 | |
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     rippling   | |
| 起涟漪的,潺潺流水般声音的 | |
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     dense   | |
| a.密集的,稠密的,浓密的;密度大的 | |
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     crouched   | |
| v.屈膝,蹲伏( crouch的过去式和过去分词 ) | |
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     crouch   | |
| v.蹲伏,蜷缩,低头弯腰;n.蹲伏 | |
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     moles   | |
| 防波堤( mole的名词复数 ); 鼹鼠; 痣; 间谍 | |
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     ass   | |
| n.驴;傻瓜,蠢笨的人 | |
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     wasps   | |
| 黄蜂( wasp的名词复数 ); 胡蜂; 易动怒的人; 刻毒的人 | |
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     membrane   | |
| n.薄膜,膜皮,羊皮纸 | |
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     ripening   | |
| v.成熟,使熟( ripen的现在分词 );熟化;熟成 | |
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     reminder   | |
| n.提醒物,纪念品;暗示,提示 | |
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     neurotic   | |
| adj.神经病的,神经过敏的;n.神经过敏者,神经病患者 | |
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     fiddling   | |
| 微小的 | |
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| 43
     random   | |
| adj.随机的;任意的;n.偶然的(或随便的)行动 | |
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     barley   | |
| n.大麦,大麦粒 | |
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     trudging   | |
| vt.& vi.跋涉,吃力地走(trudge的现在分词形式) | |
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     weird   | |
| adj.古怪的,离奇的;怪诞的,神秘而可怕的 | |
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     chaff   | |
| v.取笑,嘲笑;n.谷壳 | |
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| 48
     lizards   | |
| n.蜥蜴( lizard的名词复数 ) | |
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| 49
     ambush   | |
| n.埋伏(地点);伏兵;v.埋伏;伏击 | |
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| 50
     winking   | |
| n.瞬眼,目语v.使眼色( wink的现在分词 );递眼色(表示友好或高兴等);(指光)闪烁;闪亮 | |
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| 51
     folly   | |
| n.愚笨,愚蠢,蠢事,蠢行,傻话 | |
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     viper   | |
| n.毒蛇;危险的人 | |
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     apparently   | |
| adv.显然地;表面上,似乎 | |
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     pitcher   | |
| n.(有嘴和柄的)大水罐;(棒球)投手 | |
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| 55
     herds   | |
| 兽群( herd的名词复数 ); 牧群; 人群; 群众 | |
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| 56
     monk   | |
| n.和尚,僧侣,修道士 | |
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| 57
     kiln   | |
| n.(砖、石灰等)窑,炉;v.烧窑 | |
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| 58
     misty   | |
| adj.雾蒙蒙的,有雾的 | |
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     sketch   | |
| n.草图;梗概;素描;v.素描;概述 | |
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| 60
     exiguous   | |
| adj.不足的,太少的 | |
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     livelihood   | |
| n.生计,谋生之道 | |
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     cargo   | |
| n.(一只船或一架飞机运载的)货物 | |
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| 63
     valedictory   | |
| adj.告别的;n.告别演说 | |
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     mirage   | |
| n.海市蜃楼,幻景 | |
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     foundered   | |
| v.创始人( founder的过去式和过去分词 ) | |
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     westward   | |
| n.西方,西部;adj.西方的,向西的;adv.向西 | |
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     northward   | |
| adv.向北;n.北方的地区 | |
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     gratuity   | |
| n.赏钱,小费 | |
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     bondage   | |
| n.奴役,束缚 | |
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     decided   | |
| adj.决定了的,坚决的;明显的,明确的 | |
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     verdant   | |
| adj.翠绿的,青翠的,生疏的,不老练的 | |
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     highland   | |
| n.(pl.)高地,山地 | |
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     promontory   | |
| n.海角;岬 | |
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     fretted   | |
| 焦躁的,附有弦马的,腐蚀的 | |
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     shuffles   | |
| n.洗(纸牌)( shuffle的名词复数 );拖着脚步走;粗心地做;摆脱尘世的烦恼v.洗(纸牌)( shuffle的第三人称单数 );拖着脚步走;粗心地做;摆脱尘世的烦恼 | |
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| 76
     grove   | |
| n.林子,小树林,园林 | |
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     scrolls   | |
| n.(常用于录写正式文件的)纸卷( scroll的名词复数 );卷轴;涡卷形(装饰);卷形花纹v.(电脑屏幕上)从上到下移动(资料等),卷页( scroll的第三人称单数 );(似卷轴般)卷起;(像展开卷轴般地)将文字显示于屏幕 | |
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     ashen   | |
| adj.灰的 | |
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     charcoal   | |
| n.炭,木炭,生物炭 | |
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     jingle   | |
| n.叮当声,韵律简单的诗句;v.使叮当作响,叮当响,押韵 | |
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     trenches   | |
| 深沟,地沟( trench的名词复数 ); 战壕 | |
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     demons   | |
| n.恶人( demon的名词复数 );恶魔;精力过人的人;邪念 | |
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     speculative   | |
| adj.思索性的,暝想性的,推理的 | |
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     rue   | |
| n.懊悔,芸香,后悔;v.后悔,悲伤,懊悔 | |
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     lagoon   | |
| n.泻湖,咸水湖 | |
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| 86
     confided   | |
| v.吐露(秘密,心事等)( confide的过去式和过去分词 );(向某人)吐露(隐私、秘密等) | |
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| 87
     chuckled   | |
| 轻声地笑( chuckle的过去式和过去分词 ) | |
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| 88
     velvet   | |
| n.丝绒,天鹅绒;adj.丝绒制的,柔软的 | |
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| 89
     meditated   | |
| 深思,沉思,冥想( meditate的过去式和过去分词 ); 内心策划,考虑 | |
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| 90
     originality   | |
| n.创造力,独创性;新颖 | |
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| 91
     reverent   | |
| adj.恭敬的,虔诚的 | |
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| 92
     contrived   | |
| adj.不自然的,做作的;虚构的 | |
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     perfectly   | |
| adv.完美地,无可非议地,彻底地 | |
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| 94
     anonymity   | |
| n.the condition of being anonymous | |
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| 95
     steamship   | |
| n.汽船,轮船 | |
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| 96
     dispositions   | |
| 安排( disposition的名词复数 ); 倾向; (财产、金钱的)处置; 气质 | |
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| 97
     gratitude   | |
| adj.感激,感谢 | |
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| 98
     drawn   | |
| v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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| 99
     uncertainties   | |
| 无把握( uncertainty的名词复数 ); 不确定; 变化不定; 无把握、不确定的事物 | |
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| 100
     exuberant   | |
| adj.充满活力的;(植物)繁茂的 | |
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     almighty   | |
| adj.全能的,万能的;很大的,很强的 | |
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| 102
     piquant   | |
| adj.辛辣的,开胃的,令人兴奋的 | |
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| 103
     eloquent   | |
| adj.雄辩的,口才流利的;明白显示出的 | |
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| 104
     flop   | |
| n.失败(者),扑通一声;vi.笨重地行动,沉重地落下 | |
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| 105
     hopping   | |
| n. 跳跃 动词hop的现在分词形式 | |
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| 106
     toad   | |
| n.蟾蜍,癞蛤蟆 | |
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| 107
     detested   | |
| v.憎恶,嫌恶,痛恨( detest的过去式和过去分词 ) | |
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| 108
     elastic   | |
| n.橡皮圈,松紧带;adj.有弹性的;灵活的 | |
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| 109
     spats   | |
| n.口角( spat的名词复数 );小争吵;鞋罩;鞋套v.spit的过去式和过去分词( spat的第三人称单数 );口角;小争吵;鞋罩 | |
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| 110
     cane   | |
| n.手杖,细长的茎,藤条;v.以杖击,以藤编制的 | |
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| 111
     collapsed   | |
| adj.倒塌的 | |
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     leash   | |
| n.牵狗的皮带,束缚;v.用皮带系住 | |
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     effusive   | |
| adj.热情洋溢的;感情(过多)流露的 | |
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     shuffled   | |
| v.洗(纸牌)( shuffle的过去式和过去分词 );拖着脚步走;粗心地做;摆脱尘世的烦恼 | |
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| 115
     groaning   | |
| adj. 呜咽的, 呻吟的 动词groan的现在分词形式 | |
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| 116
     bass   | |
| n.男低音(歌手);低音乐器;低音大提琴 | |
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| 117
     gasp   | |
| n.喘息,气喘;v.喘息;气吁吁他说 | |
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| 118
     peal   | |
| n.钟声;v.鸣响 | |
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| 119
     possessed   | |
| adj.疯狂的;拥有的,占有的 | |
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| 120
     pang   | |
| n.剧痛,悲痛,苦闷 | |
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     passionate   | |
| adj.热情的,热烈的,激昂的,易动情的,易怒的,性情暴躁的 | |
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| 122
     miraculous   | |
| adj.像奇迹一样的,不可思议的 | |
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| 123
     serene   | |
| adj. 安详的,宁静的,平静的 | |
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