As a child she had promised to be tall, but when she was sixteen she ceased to grow, and her stature1, like most other points in her composition, was not unusual.
She was strong, however, and properly made, and, fortunately, her health was excellent.
It has been noted2 that the Doctor was a philosopher, but I would not have answered for his philosophy if the poor girl had proved a sickly and suffering person.
Her appearance of health constituted her principal claim to beauty, and her clear, fresh complexion3, in which white and red were very equally distributed, was, indeed, an excellent thing to see. Her eye was small and quiet, her features were rather thick, her tresses brown and smooth.
A dull, plain girl she was called by rigorous critics--a quiet, ladylike girl by those of the more imaginative sort; but by neither class was she very elaborately discussed.
When it had been duly impressed upon her that she was a young lady--it was a good while before she could believe it--she suddenly developed a lively taste for dress:
a lively taste is quite the expression to use.
I feel as if I ought to write it very small, her judgement in this matter was by no means infallible; it was liable to confusions and embarrassments4.
Her great indulgence of it was really the desire of a rather inarticulate nature to manifest itself; she sought to be eloquent5 in her garments, and to make up for her diffidence of speech by a fine frankness of costume.
But if she expressed herself in her clothes it is certain that people were not to blame for not thinking her a witty6 person.
It must be added that though she had the expectation of a fortune--Dr. Sloper for a long time had been making twenty thousand dollars a year by his profession, and laying aside the half of it--the amount of money at her disposal was not greater than the allowance made to many poorer girls.
In those days in New York there were still a few altar-fires flickering7 in the temple of Republican simplicity8, and Dr. Sloper would have been glad to see his daughter present herself, with a classic grace, as a priestess of this mild faith.
It made him fairly grimace9, in private, to think that a child of his should be both ugly and overdressed.
For himself, he was fond of the good things of life, and he made a considerable use of them; but he had a dread10 of vulgarity, and even a theory that it was increasing in the society that surrounded him.
Moreover, the standard of luxury in the United States thirty years ago was carried by no means so high as at present, and Catherine's clever father took the old-fashioned view of the education of young persons.
He had no particular theory on the subject; it had scarcely as yet become a necessity of self-defence to have a collection of theories.
It simply appeared to him proper and reasonable that a well-bred young woman should not carry half her fortune on her back.
Catherine's back was a broad one, and would have carried a good deal; but to the weight of the paternal11 displeasure she never ventured to expose it, and our heroine was twenty years old before she treated herself, for evening wear, to a red satin gown trimmed with gold fringe; though this was an article which, for many years, she had coveted12 in secret.
It made her look, when she sported it, like a woman of thirty; but oddly enough, in spite of her taste for fine clothes, she had not a grain of coquetry, and her anxiety when she put them on was as to whether they, and not she, would look well.
It is a point on which history has not been explicit13, but the assumption is warrantable; it was in the royal raiment just mentioned that she presented herself at a little entertainment given by her aunt, Mrs. Almond.
The girl was at this time in her twenty-first year, and Mrs. Almond's party was the beginning of something very important.
Some three or four years before this Dr. Sloper had moved his household gods up town, as they say in New York.
He had been living ever since his marriage in an edifice14 of red brick, with granite15 copings and an enormous fanlight over the door, standing16 in a street within five minutes' walk of the City Hall, which saw its best days (from the social point of view) about 1820.
After this, the tide of fashion began to set steadily17 northward18, as, indeed, in New York, thanks to the narrow channel in which it flows, it is obliged to do, and the great hum of traffic rolled farther to the right and left of Broadway.
By the time the Doctor changed his residence the murmur19 of trade had become a mighty20 uproar21, which was music in the ears of all good citizens interested in the commercial development, as they delighted to call it, of their fortunate isle22.
Dr. Sloper's interest in this phenomenon was only indirect--though, seeing that, as the years went on, half his patients came to be overworked men of business, it might have been more immediate--and when most of his neighbours' dwellings23 (also ornamented24 with granite copings and large fanlights) had been converted into offices, warehouses25, and shipping26 agencies, and otherwise applied27 to the base uses of commerce, he determined28 to look out for a quieter home.
The ideal of quiet and of genteel retirement29, in 1835, was found in Washington Square, where the Doctor built himself a handsome, modern, wide-fronted house, with a big balcony before the drawing-room windows, and a flight of marble steps ascending30 to a portal which was also faced with white marble. This structure, and many of its neighbours, which it exactly resembled, were supposed, forty years ago, to embody31 the last results of architectural science, and they remain to this day very solid and honourable32 dwellings.
In front of them was the Square, containing a considerable quantity of inexpensive vegetation, enclosed by a wooden paling, which increased its rural and accessible appearance; and round the corner was the more august precinct of the Fifth Avenue, taking its origin at this point with a spacious33 and confident air which already marked it for high destinies.
I know not whether it is owing to the tenderness of early associations, but this portion of New York appears to many persons the most delectable34.
It has a kind of established repose35 which is not of frequent occurrence in other quarters of the long, shrill36 city; it has a riper, richer, more honourable look than any of the upper ramifications37 of the great longitudinal thoroughfare--the look of having had something of a social history.
It was here, as you might have been informed on good authority, that you had come into a world which appeared to offer a variety of sources of interest; it was here that your grandmother lived, in venerable solitude38, and dispensed39 a hospitality which commended itself alike to the infant imagination and the infant palate; it was here that you took your first walks abroad, following the nursery-maid with unequal step and sniffing40 up the strange odour of the ailantus-trees which at that time formed the principal umbrage41 of the Square, and diffused42 an aroma43 that you were not yet critical enough to dislike as it deserved; it was here, finally, that your first school, kept by a broad-bosomed, broad-based old lady with a ferule, who was always having tea in a blue cup, with a saucer that didn't match, enlarged the circle both of your observations and your sensations.
It was here, at any rate, that my heroine spent many years of her life; which is my excuse for this topographical parenthesis44.
Mrs. Almond lived much farther up town, in an embryonic45 street with a high number--a region where the extension of the city began to assume a theoretic air, where poplars grew beside the pavement (when there was one), and mingled46 their shade with the steep roofs of desultory47 Dutch houses, and where pigs and chickens disported48 themselves in the gutter49.
These elements of rural picturesqueness50 have now wholly departed from New York street scenery; but they were to be found within the memory of middle-aged51 persons, in quarters which now would blush to be reminded of them.
Catherine had a great many cousins, and with her Aunt Almond's children, who ended by being nine in number, she lived on terms of considerable intimacy52.
When she was younger they had been rather afraid of her; she was believed, as the phrase is, to be highly educated, and a person who lived in the intimacy of their Aunt Penniman had something of reflected grandeur53. Mrs. Penniman, among the little Almonds, was an object of more admiration54 than sympathy.
Her manners were strange and formidable, and her mourning robes--she dressed in black for twenty years after her husband's death, and then suddenly appeared one morning with pink roses in her cap--were complicated in odd, unexpected places with buckles55, bugles56, and pins, which discouraged familiarity.
She took children too hard, both for good and for evil, and had an oppressive air of expecting subtle things of them, so that going to see her was a good deal like being taken to church and made to sit in a front pew.
It was discovered after a while, however, that Aunt Penniman was but an accident in Catherine's existence, and not a part of its essence, and that when the girl came to spend a Saturday with her cousins, she was available for "follow-my-master," and even for leapfrog.
On this basis an understanding was easily arrived at, and for several years Catherine fraternised with her young kinsmen57.
I say young kinsmen, because seven of the little Almonds were boys, and Catherine had a preference for those games which are most conveniently played in trousers.
By degrees, however, the little Almonds' trousers began to lengthen58, and the wearers to disperse59 and settle themselves in life.
The elder children were older than Catherine, and the boys were sent to college or placed in counting- rooms.
Of the girls, one married very punctually, and the other as punctually became engaged.
It was to celebrate this latter event that Mrs. Almond gave the little party I have mentioned.
Her daughter was to marry a stout60 young stockbroker61, a boy of twenty; it was thought a very good thing.
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stature
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| n.（高度）水平，（高度）境界，身高，身材 | |
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noted
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| adj.著名的，知名的 | |
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complexion
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| n.肤色；情况，局面；气质，性格 | |
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embarrassments
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| n.尴尬( embarrassment的名词复数 )；难堪；局促不安；令人难堪或耻辱的事 | |
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eloquent
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| adj.雄辩的，口才流利的；明白显示出的 | |
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witty
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| adj.机智的，风趣的 | |
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flickering
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| adj.闪烁的，摇曳的，一闪一闪的 | |
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simplicity
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| n.简单，简易；朴素；直率，单纯 | |
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grimace
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| v.做鬼脸，面部歪扭 | |
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dread
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| vt.担忧，忧虑；惧怕，不敢；n.担忧，畏惧 | |
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paternal
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| adj.父亲的，像父亲的，父系的，父方的 | |
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coveted
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| adj.令人垂涎的；垂涎的，梦寐以求的v.贪求，觊觎(covet的过去分词)；垂涎；贪图 | |
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explicit
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| adj.详述的，明确的；坦率的；显然的 | |
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edifice
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| n.宏伟的建筑物(如宫殿，教室) | |
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granite
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| adj.花岗岩，花岗石 | |
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standing
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| n.持续，地位；adj.永久的，不动的，直立的，不流动的 | |
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steadily
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| adv.稳定地；不变地；持续地 | |
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northward
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| adv.向北；n.北方的地区 | |
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murmur
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| n.低语，低声的怨言；v.低语，低声而言 | |
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mighty
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| adj.强有力的；巨大的 | |
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uproar
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| n.骚动，喧嚣，鼎沸 | |
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isle
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| n.小岛，岛 | |
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dwellings
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| n.住处，处所( dwelling的名词复数 ) | |
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ornamented
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| adj.花式字体的v.装饰，点缀，美化( ornament的过去式和过去分词 ) | |
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warehouses
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| 仓库，货栈( warehouse的名词复数 ) | |
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shipping
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| n.船运（发货，运输，乘船） | |
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applied
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| adj.应用的；v.应用，适用 | |
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determined
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| adj.坚定的；有决心的 | |
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retirement
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| n.退休，退职 | |
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ascending
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| adj.上升的，向上的 | |
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embody
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| vt.具体表达，使具体化；包含，收录 | |
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honourable
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| adj.可敬的；荣誉的，光荣的 | |
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spacious
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| adj.广阔的，宽敞的 | |
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delectable
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| adj.使人愉快的；美味的 | |
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repose
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| v.(使)休息；n.安息 | |
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shrill
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| adj.尖声的；刺耳的；v尖叫 | |
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ramifications
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| n.结果，后果( ramification的名词复数 ) | |
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solitude
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| n. 孤独; 独居,荒僻之地,幽静的地方 | |
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dispensed
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| v.分配( dispense的过去式和过去分词 )；施与；配（药） | |
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sniffing
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| n.探查法v.以鼻吸气，嗅，闻( sniff的现在分词 )；抽鼻子（尤指哭泣、患感冒等时出声地用鼻子吸气）；抱怨，不以为然地说 | |
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umbrage
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| n.不快；树荫 | |
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diffused
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| 散布的，普及的，扩散的 | |
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aroma
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| n.香气，芬芳，芳香 | |
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parenthesis
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| n.圆括号，插入语，插曲，间歇，停歇 | |
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embryonic
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| adj.胚胎的 | |
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mingled
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| 混合，混入( mingle的过去式和过去分词 )； 混进，与…交往[联系] | |
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desultory
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| adj.散漫的，无方法的 | |
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disported
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| v.嬉戏，玩乐，自娱( disport的过去式和过去分词 ) | |
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gutter
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| n.沟，街沟，水槽，檐槽，贫民窟 | |
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picturesqueness
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middle-aged
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| adj.中年的 | |
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intimacy
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| n.熟悉，亲密，密切关系，亲昵的言行 | |
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grandeur
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| n.伟大，崇高，宏伟，庄严，豪华 | |
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admiration
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| n.钦佩，赞美，羡慕 | |
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55
buckles
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| 搭扣，扣环( buckle的名词复数 ) | |
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bugles
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| 妙脆角，一种类似薯片但做成尖角或喇叭状的零食； 号角( bugle的名词复数 )； 喇叭； 匍匐筋骨草； （装饰女服用的）柱状玻璃（或塑料）小珠 | |
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kinsmen
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| n.家属，亲属( kinsman的名词复数 ) | |
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58
lengthen
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| vt.使伸长，延长 | |
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disperse
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| vi.使分散；使消失；vt.分散；驱散 | |
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stockbroker
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| n.股票（或证券），经纪人（或机构） | |
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