WE RAN TO the front door. I tried the knob. Bolted. Milo pounded, rang the bell. "Mr. Abbot! It's the police!"
No answer. The space to the right of the house was blocked by a ficus hedge. To the left was an azalea-lined flagstone pathway that led to the kitchen door. Also locked, but a ground-floor window was half open.
"Alarm screen's in place," said Milo. "Doesn't look like it's been breached1. Wait here." Unholstering his gun, he ran around to the back, returned moments later. "No obvious forced entry, but something's wrong." Replacing the weapon and snapping the holster cover, he flipped2 the screen on the partially3 open window, shouted in: "Mr. Abbot? Anyone home?" Silence.
"There's the alarm register," he said, glancing at a side wall. "System's off. Okay, boost me." I cupped my hands, felt the crush of his weight for a second, then he hoisted4 himself in and disappeared. "You stay put, I'm going to check it out."
I waited, listening to suburban5 quiet, taking in what I could see of the backyard: a blue corner of swimming pool, teak furniture, old-growth trees screening out the neighboring property, pretty olive green shadows patching a lawn skinned in preparation for fertilizer. . . . Someone had plans for a verdant6 spring. Eight minutes passed, ten, twelve. Why was he taking so long? Should I return to the car and call for help? What would I tell the dispatcher?
As I thought about it, the kitchen door opened and Milo beckoned7 me in. Sweat stains had leaked through the armpits of his jacket. His face was white.
"What's going on?" I said.
Instead of answering he showed me his back and led me through the kitchen. Blue granite8 counters were bare but for a carton of orange juice. We hurried through a floral-papered breakfast nook, a butler's pantry, the dining room, past all that art, and Milo ran past the elevator into the living room, where Melville Abbot's trophies9 were gloomed by blackout drapes.
He vaulted10 up the stairs, and I followed.
When I was halfway11 up, I heard the whimpering.
Abbot sat propped12 in bed, cushioned by a blue velvet13 bed husband, hairless skull14 reflecting light from an overhead chandelier, slack lips shellacked with drool.
The room was huge, stale, someone's vision of Versailles. Gold plush carpeting, mustard-and-crimson tapestry15 curtains tied back elaborately and topped by fringed valances, French Provincial16 replica17 furniture arranged haphazardly18.
The bed was king-sized and seemed to swallow Abbot. The bed husband had slipped low against a massive swirl19 of rococo20 headboard of tufted yellow silk. Lots of satin pillows on the bed, several more on the carpet. The chandelier was Murano glass, a snarl21 of yellow tendrils crowned by multicolored glass birds. A small Picasso hung askew22 above the crest23 of the headboard, next to a dark landscape that could've been a Corot. A folded wheelchair filled one corner.
The straggling white puffs24 of Melville Abbot's hair had been battened down by sweat. The old man's eyes were vacant and frightened, lashes25 encrusted with greenish scum. He wore maroon26 silk pajamas27 with white piping and LAPD-issue handcuffs around his wrists.
To his left, a few feet from the bed, red-brown splotches Rorschached the gold carpet. The largest stain spread from under Jane Abbot's body.
She lay on her left side, left arm stretched forward, legs drawn29 upward,ash hair loose and fanned across the thick pile. A silver peignoir had ridden up, exposing still-sleek legs, a sliver30 of buttock swelling31 beneath black panties. Bare feet. Pink toenails. Graying flesh, green-tinged, purplish suggestions of lividity at ankles and wrists and thighs32, as dead blood pooled internally.
Her eyes were half open, filmed, the lids swollen33 and blueing. Her mouth gaped34, and her tongue was a gray garden slug curling inward. One ruby-crusted hole blemished35 her left cheek; a second punctuated36 the hairline of her left temple.
Milo pointed37 to the floor next to the nightstand. A gun, not unlike his 9 mm, near the draperies. He drew the clip from his trouser pocket, put it back.
"When I got here, he was holding it."
Abbot gave no indication of hearing. Or comprehension. Saliva38 trickled39 down his chin, and he mumbled40.
"What are you saying, sir?" said Milo, drawing closer to the bed.
Abbot's eyes rolled back, reappeared, focused on nothing.
Milo turned to me. "I walk in and he points the damn thing at me. I almost shot him, but when he saw me he let go of it. I kept trying to find out what happened, but all he does is babble41. From the looks of her, she's been dead several hours. I'm not pushing him without a lawyer present. It's Van Nuys's case. I called them. We should have company soon enough."
"Just hold on, sir."
The old man's arms shot out. He shook his wrists, and the cuffs28 jangled. "Hurts."
"They're as loose as they can be, sir."
The chocolate eyes turned black. "I'm Mr. Abbot. Who the hell arc you?"
"Detective Sturgis."
Abbot stared at him. "Sherlock Bones?"
"Something like that, sir."
"Constabulary," said Abbot. "State trooper stops a man on the highway—have you heard this one?"
"Probably," said Milo.
"Aw," said Abbot. "You're no fun."
1 breached | |
攻破( breach的现在分词 ); 破坏,违反 | |
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2 flipped | |
轻弹( flip的过去式和过去分词 ); 按(开关); 快速翻转; 急挥 | |
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3 partially | |
adv.部分地,从某些方面讲 | |
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4 hoisted | |
把…吊起,升起( hoist的过去式和过去分词 ) | |
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5 suburban | |
adj.城郊的,在郊区的 | |
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6 verdant | |
adj.翠绿的,青翠的,生疏的,不老练的 | |
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7 beckoned | |
v.(用头或手的动作)示意,召唤( beckon的过去式和过去分词 ) | |
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8 granite | |
adj.花岗岩,花岗石 | |
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9 trophies | |
n.(为竞赛获胜者颁发的)奖品( trophy的名词复数 );奖杯;(尤指狩猎或战争中获得的)纪念品;(用于比赛或赛跑名称)奖 | |
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10 vaulted | |
adj.拱状的 | |
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11 halfway | |
adj.中途的,不彻底的,部分的;adv.半路地,在中途,在半途 | |
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12 propped | |
支撑,支持,维持( prop的过去式和过去分词 ) | |
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13 velvet | |
n.丝绒,天鹅绒;adj.丝绒制的,柔软的 | |
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14 skull | |
n.头骨;颅骨 | |
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15 tapestry | |
n.挂毯,丰富多采的画面 | |
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16 provincial | |
adj.省的,地方的;n.外省人,乡下人 | |
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17 replica | |
n.复制品 | |
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18 haphazardly | |
adv.偶然地,随意地,杂乱地 | |
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19 swirl | |
v.(使)打漩,(使)涡卷;n.漩涡,螺旋形 | |
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20 rococo | |
n.洛可可;adj.过分修饰的 | |
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21 snarl | |
v.吼叫,怒骂,纠缠,混乱;n.混乱,缠结,咆哮 | |
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22 askew | |
adv.斜地;adj.歪斜的 | |
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23 crest | |
n.顶点;饰章;羽冠;vt.达到顶点;vi.形成浪尖 | |
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24 puffs | |
n.吸( puff的名词复数 );(烟斗或香烟的)一吸;一缕(烟、蒸汽等);(呼吸或风的)呼v.使喷出( puff的第三人称单数 );喷着汽(或烟)移动;吹嘘;吹捧 | |
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25 lashes | |
n.鞭挞( lash的名词复数 );鞭子;突然猛烈的一击;急速挥动v.鞭打( lash的第三人称单数 );煽动;紧系;怒斥 | |
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26 maroon | |
v.困住,使(人)处于孤独无助之境;n.逃亡黑奴;孤立的人;酱紫色,褐红色;adj.酱紫色的,褐红色的 | |
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27 pajamas | |
n.睡衣裤 | |
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28 cuffs | |
n.袖口( cuff的名词复数 )v.掌打,拳打( cuff的第三人称单数 ) | |
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29 drawn | |
v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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30 sliver | |
n.裂片,细片,梳毛;v.纵切,切成长片,剖开 | |
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31 swelling | |
n.肿胀 | |
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32 thighs | |
n.股,大腿( thigh的名词复数 );食用的鸡(等的)腿 | |
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33 swollen | |
adj.肿大的,水涨的;v.使变大,肿胀 | |
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34 gaped | |
v.目瞪口呆地凝视( gape的过去式和过去分词 );张开,张大 | |
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35 blemished | |
v.有损…的完美,玷污( blemish的过去式 ) | |
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36 punctuated | |
v.(在文字中)加标点符号,加标点( punctuate的过去式和过去分词 );不时打断某事物 | |
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37 pointed | |
adj.尖的,直截了当的 | |
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38 saliva | |
n.唾液,口水 | |
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39 trickled | |
v.滴( trickle的过去式和过去分词 );淌;使)慢慢走;缓慢移动 | |
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40 mumbled | |
含糊地说某事,叽咕,咕哝( mumble的过去式和过去分词 ) | |
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41 babble | |
v.含糊不清地说,胡言乱语地说,儿语 | |
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42 groaned | |
v.呻吟( groan的过去式和过去分词 );发牢骚;抱怨;受苦 | |
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