I PUSHED THE SITUATION with Jill to the back of my mind as best I could; I phoned and managed to catch Roger Lemouz in his office. We spoke1 briefly2 and he agreed to see me.
Just getting out of the Hall was a breath of fresh air. These days, I rarely went over to this part of the bay. I parked my Explorer near the stadium off of Telegraph Avenue and headed past the street rats hawking3 pot and bumper4 stickers. The sun was beating onto Sproul Plaza5, students in back-packs and sandals sitting around, reading on the steps.
Lemouz's office was in Dwinelle Hall, an official-looking concrete structure just off the main quad6. "Please, it's open," a strong, Mediterranean7 accent answered my knock. A hint of something more formal, educated. British?
Professor Lemouz leaned back behind a chaotic8 desk in the small office cluttered9 with books and papers. He was large-shouldered and swarthy, with curly black hair falling over his forehead, a shadowy growth on his face.
"Ah, Police Inspector10 Boxer," he said. "Please sit, be my guest. Sorry the surroundings are not so plush." The room was musty and smelled of books and smoke. An ashtray11 and a pack of unfiltered Rothmans were on the desk.
I lowered myself into a seat across from him and pulled out my pad. I handed him a card.
"Homicide," Lemouz read, bunching his lips, seemingly impressed. "So I suspect it's not some rogue12 etymological13 nuance14 that brings you here?"
"Perhaps another interest of yours," I said. "You're aware, of course, of the events going on across the bay?"
He sighed. "Yes. Even a man with his nose in his books most of the time brings it out now and then. Tragic15. Totally counterproductive. Fanon said, `Violence is its own judge and jury.' Yet, one cannot find it completely surprising."
Lemouz's phony sympathy appealed to me about as much as a dentist's drill. "You mind telling me just what you mean by that, Mr. Lemouz?"
"Of course, Madam Inspector, if you would be so kind as to tell me just why you are here."
"It's Lieutenant16," I corrected him. "I head up the Homicide detail. And I was given your name as someone who might have some firsthand knowledge of what's going on here. The ideological17 scene. People who might find blowing up three sleeping people and almost killing18 two innocent children as well as virtually imploding19 someone's vascular20 system an acceptable form of protest."
"By `over here,' I assume you mean the peaceful, academic groves21 of Berkeley," Lemouz said.
"By `over here,' I mean wherever someone would want to do these awful things, Mr. Lemouz."
"Professor," he replied. "The Lance Hart Professor of Romance Languages" - I saw the glimmer22 of a smile - "as long as we're spouting23 credentials24."
"You said you didn't find these murders surprising."
"Why should they be?" Lemouz shrugged25. "Should the patient be surprised he is ill when his body is covered in lesions? Our society is infected, Lieutenant, and the very people who transmit the disease look around and go, `Who, me?'
"Do you know," he said, raising his eyes, "that the power-ful multinational26 corporations now have an output larger than the GNP of ninety percent of the countries around the globe? They have supplanted27 governments as the system of social responsibility in our world.
"Why is it," he laughed cynically28, "we are so quick to rail against the moral outrage29 of apartheid when it threatens our racial sensibilities, but are so asleep to recognize it when it is economic. It is because we do not see it through the eyes of the subjugated30. We see it through the culture of the power-ful. The corporation. On TV."
"Excuse me," I interrupted, "but I'm here about four gruesome murders. People are dying."
"Yes they are, Lieutenant. That's exactly my point."
There was a part of me that would like to have grabbed Lemouz by the lapels and shaken him. Instead, I pulled out the photo of the au pair on Wendy Raymore's ID and a police artist's sketch31 of the woman videotaped walking into the Clift Hotel with George Bengosian. "Do you know either of these women, Professor?"
Lemouz almost started to laugh. "Why would I want to help you? It's the state who is the architect of this injustice32, not these two women. Please tell me, who has committed the larger injustice? The two women suspects" - he threw the front page of the Chronicle across the desk at me - "or these sparkling examples of our system?"
I was staring at photos of Lightower and Bengosian.
"If these people are signaling the start of a war," Lemouz laughed, "I say, let it unfold. What is the new phrase, Lieu-tenant?" He smiled. "The one Americans have embraced with all their moral imperative33? Let's roll."
I picked up the pictures, closed my pad, and placed it back in my bag. I stood up, feeling tired and soiled. I walked out on the Lance Hart Professor of Romance Languages before I blew him up.
1 spoke | |
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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2 briefly | |
adv.简单地,简短地 | |
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3 hawking | |
利用鹰行猎 | |
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4 bumper | |
n.(汽车上的)保险杠;adj.特大的,丰盛的 | |
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5 plaza | |
n.广场,市场 | |
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6 quad | |
n.四方院;四胞胎之一;v.在…填补空铅 | |
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7 Mediterranean | |
adj.地中海的;地中海沿岸的 | |
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8 chaotic | |
adj.混沌的,一片混乱的,一团糟的 | |
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9 cluttered | |
v.杂物,零乱的东西零乱vt.( clutter的过去式和过去分词 );乱糟糟地堆满,把…弄得很乱;(以…) 塞满… | |
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10 inspector | |
n.检查员,监察员,视察员 | |
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11 ashtray | |
n.烟灰缸 | |
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12 rogue | |
n.流氓;v.游手好闲 | |
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13 etymological | |
adj.语源的,根据语源学的 | |
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14 nuance | |
n.(意义、意见、颜色)细微差别 | |
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15 tragic | |
adj.悲剧的,悲剧性的,悲惨的 | |
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16 lieutenant | |
n.陆军中尉,海军上尉;代理官员,副职官员 | |
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17 ideological | |
a.意识形态的 | |
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18 killing | |
n.巨额利润;突然赚大钱,发大财 | |
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19 imploding | |
v.(使)向心聚爆( implode的现在分词 ) | |
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20 vascular | |
adj.血管的,脉管的 | |
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21 groves | |
树丛,小树林( grove的名词复数 ) | |
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22 glimmer | |
v.发出闪烁的微光;n.微光,微弱的闪光 | |
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23 spouting | |
n.水落管系统v.(指液体)喷出( spout的现在分词 );滔滔不绝地讲;喋喋不休地说;喷水 | |
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24 credentials | |
n.证明,资格,证明书,证件 | |
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25 shrugged | |
vt.耸肩(shrug的过去式与过去分词形式) | |
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26 multinational | |
adj.多国的,多种国籍的;n.多国籍公司,跨国公司 | |
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27 supplanted | |
把…排挤掉,取代( supplant的过去式和过去分词 ) | |
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28 cynically | |
adv.爱嘲笑地,冷笑地 | |
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29 outrage | |
n.暴行,侮辱,愤怒;vt.凌辱,激怒 | |
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30 subjugated | |
v.征服,降伏( subjugate的过去式和过去分词 ) | |
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31 sketch | |
n.草图;梗概;素描;v.素描;概述 | |
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32 injustice | |
n.非正义,不公正,不公平,侵犯(别人的)权利 | |
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33 imperative | |
n.命令,需要;规则;祈使语气;adj.强制的;紧急的 | |
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