7:30 AM
FOR an instant, Toni froze.
Kit1 stood beside her, an expression of rage on his face, looking up the stairs. With a twisted mouth he said, "Get her, Daisy!"
Miranda was falling down the stairs, her pink nightdress billowing up to reveal plump white thighs2.
Running after her was an ugly young woman with a shaved head and Gothic eye makeup3, dressed in leather.
And Mother was in the bathroom.
In a flash of comprehension, Toni understood what was happening. Thieves with guns were here, Miranda had said. There could not be two such gangs operating in this remote area on the same night. These must be the people who had robbed the Kremlin. The bald woman at the top of the stairs would be the blonde Toni had seen on the security video— her wig4 had been found in the getaway van. Toni's mind raced ahead: Kit seemed to be in league with them—which would explain how they had defeated the security system—
As that thought struck her, Kit hooked his arm around her neck and pulled, trying to yank her off her feet. At the same time, he yelled: "Nigel!"
She elbowed him forcefully in the ribs5, and had the satisfaction of hearing him grunt6 with pain. His grip on her neck eased, and she was able to turn and hit him again, this time a punch in the midriff with her left fist. He lashed7 out at her, but she easily dodged8 the blow.
She drew back her right arm for a real knockout punch but, before she could strike, Miranda reached the foot of the stairs and crashed into the back of Toni's legs. Because Toni was leaning back, ready to hit Kit, she fell backwards9. A moment later, the woman in leather tripped over Miranda and Toni and collided with Kit, and all four of them ended up in a heap on the flagstone floor.
Toni realized she could not win this fight. She was up against Kit and the woman he had called Daisy, and soon she might have others to contend with. She had to get away from these people, catch her breath, and figure out what to do.
She wriggled10 out of the scrum and rolled over.
Kit was flat on his back. Miranda was curled up in a ball, appearing bruised11 and winded but not seriously injured. As Toni looked, Daisy got to her knees and, apparently12 in a fury, punched Miranda, striking her on the arm with a fist encased, peculiarly, in ladylike tan suede13 gloves.
Toni leaped to her feet. She jumped over Kit, reached the front door, and threw it open. Kit grabbed her ankle with one hand, holding her back. She twisted, and kicked at his arm with the other foot. She connected with his elbow. He cried out in pain and released his grip. Toni jumped out through the doorway14 and slammed the door behind her.
She turned right and dashed along the track made by the snowplow. She heard a gunshot, and a crash as a pane15 of glass shattered in a window near her. Someone was shooting at her from inside the house. But the bullet missed.
She ran to the garage and turned onto the concrete apron16 in front of the doors, where the snowplow had cleared a space. Now the garage block was between her and the person with the gun.
The snowplow, with its two police officers in the cab, had departed at normal speed along the cleared road with its blade raised. That meant that by now the truck was too far away for her to catch it on foot. What was she going to do? While she was on the cleared path, she could easily be followed by someone from the house. But where could she hide? She glanced over to the woods. Plenty of cover there, but she had no coat— she had taken off her flying jacket just before Miranda yelled her warning—so she would not last long in the open. The garage itself would be almost as cold.
She ran to the other end of the building and looked around the corner. A few yards away, she could see the door to the barn. Did she dare to risk crossing the courtyard, in view of the house? She had no other choice.
As she was about to set off, the barn door opened.
She hesitated. What now?
A small boy emerged wearing a coat over Spider-Man pajamas17 and a pair of rubber boots too big for his feet. Toni recognized Tom, the son of Miranda. He did not look around, but turned left and trudged18 through the deep snow. Toni assumed he was heading for the house, and asked herself whether she should stop him; but after a moment she realized that her assumption was wrong. Instead of crossing the courtyard to the main house, he went to the guest cottage. Toni willed him to hurry, to get out of the way before trouble started. She imagined he was looking for his mother to ask if he could open his presents. In fact, his mother was in the main house, being punched by a woman gangster19 in tan suede gloves. But perhaps the stepfather was in the cottage. Toni thought it wiser to leave the boy to find out. The cottage door was not locked, and Tom disappeared inside.
Still Toni hesitated. Was there someone behind one of the house windows, covering the courtyard with a nine-millimeter Browning automatic pistol? She was about to find out.
She set off at a run but, as soon as she hit the deep snow, she fell. She lay there for a second, waiting for a gunshot, but none came. She struggled to her feet, cold snow chilling her through her jeans and sweater, and pressed on, walking more carefully but more slowly. She looked fearfully at the house. She could see no one at any of the windows, It could not take more than a minute to cross the courtyard, but each big step took painfully long. At last she reached the barn, stepped inside, and swung the door closed behind her, shaking with relief that she was still alive.
A small lamp revealed a billiard table, an assortment20 of elderly couches, a large-screen television set, and two camp beds, both empty. There appeared to be no one else in the room, though a ladder led to a loft21. Toni made herself stop shaking and climbed the ladder. When she was halfway22 up, she peeped over the top. She was startled by several pairs of small red eyes staring at her: Caroline's rats. She climbed the rest of the way. There were two more beds here. The somnolent23 lump in one was Caroline. The other had not been slept in.
It would not be long before the gang in the house came looking for Toni. She had to get help fast. She reached for her mobile phone.
Then she realized she did not have it.
She shook her clenched24 fists at the ceiling in frustration25. Her phone was in the pocket of the flying jacket, which she had hung up in the hall.
What was she going to do now?
* * *
"WE'VE got to get after her," Nigel said. "She could be on the phone to the police already."
"Wait," Kit said. He stepped across the hall to the hat stand. He was rubbing his left elbow where Toni had kicked him, but he stopped in order to search her jacket. Triumphantly26, he produced a phone from one of her pockets. "She can't call the police."
"Thank God for that." Nigel looked around the hall. Daisy had Miranda face down on the floor with her arm bent27 behind her back. Elton stood in the kitchen doorway. Nigel said, "Elton, get some more rope so Daisy can tie up this fat cow." He turned back to Kit. "Your sisters are a right bloody28 pair."
"Never mind that," Kit said. "We can get away now, can't we? We don't have to wait for daylight or fetch the four-wheel drive. We can use any car, and take the path cleared by the snowplow."
"Your man said there were coppers29 in that snowplow."
"The one place they won't look for us is right behind them."
Nigel nodded. "Clever. But the snowplow's not going all the way to ... where we need to be. What do we do when it turns off our route?"
Kit suppressed his impatience30. They had to get away from Steepfall at any cost, but Nigel had not yet figured that out. "Look out of the window," he said. "The snow has stopped. It will start to thaw31 soon, the forecast said."
"We could still get stuck."
"We're in worse danger here, now that the road has been cleared. Toni Gallo might not be the only visitor to show up."
Elton returned with a length of electric cable. "Kit's right," he said. "We can easily get there by ten o'clock, barring accidents." He handed the cable to Daisy, who tied Miranda's hands behind her back.
"Okay," Nigel said. "But first we have to round everyone up, including kids, and make sure they can't call for help for the next few hours."
Daisy dragged Miranda through the kitchen and shoved her into the pantry.
Kit said, "Miranda's phone must be in the cottage, otherwise she would have used it by now. Her boyfriend, Ned, is there."
Nigel said, "Elton, go to the cottage."
Kit went on: "There's a phone in the Ferrari. I suggest Daisy goes to the garage to make sure no one is trying to use it."
"What about the barn?"
"Leave it till last. Caroline, Craig, and Tom don't have phones. I'm not sure about Sophie, but she's only fourteen."
"All right," Nigel said. "Let's get it done as fast as possible."
The bathroom door opened and Toni Gallo's mother came out, still wearing her hat.
Kit and Nigel stared at her for a moment. Kit had forgotten she was in there.
Then Nigel said, "Stick her in the pantry with the others."
"Oh, no," the old woman said. "I think I'd rather sit by the Christmas tree." She crossed the hall and went into the living room.
Kit looked at Nigel, who shrugged32.
* * *
CRAIG opened the door of the boot cupboard a crack. Peeping out, he saw that the lobby was empty. He was about to step out when one of the gangsters33, Elton, came in from the kitchen. Craig pulled the door an inch toward himself and held his breath.
It had been like this for a quarter of an hour.
One of the gang was always in view. The cupboard smelled mustily of damp anoraks and old boots. He worried about Sophie, sitting in Luke's Ford34 in the garage, getting cold. He tried to wait patiently. His chance would surely come soon.
A few minutes ago Nellie had barked, which must have meant someone at the door. Craig's heart had lifted in hope; but Nigel and Elton had stood inches away from Craig, talking in whispers that he could not quite make out. They must have been hiding from the visitor, Craig decided35. He wanted to burst out of the cupboard and run to the door yelling for help, but he knew he would be seized and silenced the instant he revealed himself. It was maddeningly frustrating36.
There was a banging from upstairs, as if someone was trying to bash a door down. Then there was a different bang, more like a firework—or a gun going off. It was followed instantly by the sound of breaking glass. Craig was dismayed and frightened. Until this moment, the gang had used guns only to threaten. Now that they had started shooting, where would it end? The family was in terrible danger.
At the gunshot, Nigel and Elton went, but left the door open, and Elton remained in sight at the far end of the kitchen, talking urgently to someone in the hall. Then he returned, but went out the back way, leaving the door wide open.
At last Craig could move without being seen. The others were in the hall. This was his chance. He stepped out of the cupboard.
He flipped37 open the key box and snatched the Ferrari keys. This time they came off the hook without snagging.
In two strides he was out of the door.
The snow had stopped. Somewhere beyond the clouds dawn was
breaking, and he could see in black-and-white. To his left was Elton, trudging38 through the snow, heading for the guest cottage. Elton's back was turned and he did not see Craig. Craig went the other way and turned the corner, so that the house hid him from Elton.
He was shocked to see Daisy only yards away.
Fortunately she, too, had her back to him. She had obviously come out of the front door and was walking away from him. There was a cleared path, and he realized that a snowplow had been here while he was hiding in the boot cupboard. Daisy was heading for the garage—and Sophie.
He ducked behind his father's Mercedes. Peeping around the wing, he saw Daisy reach the end of the building, leave the cleared path, and turn the corner of the house, disappearing from view.
He went after her. Moving as fast as he could, he went along the front of the house. He passed the dining room, where Nellie stood with her forepaws on the windowsill; then the front door, which was shut; then the living room with its flashing Christmas tree. He was astonished to see an old lady sitting by the tree with a puppy in her lap. He did not pause to wonder who she was.
He reached the corner and looked around. Daisy was heading straight for the side door of the garage. If she went in there, she would find Sophie sitting in Luke's Ford.
She reached into the pocket of her black leather jacket and took out her gun.
Craig watched, helpless, as she opened the door.
收听单词发音 |
1
kit
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| n.用具包，成套工具；随身携带物 | |
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thighs
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| n.股，大腿( thigh的名词复数 )；食用的鸡（等的）腿 | |
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3
makeup
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| n.组织；性格；化装品 | |
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4
wig
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| n.假发 | |
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ribs
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| n.肋骨( rib的名词复数 )；（船或屋顶等的）肋拱；肋骨状的东西；（织物的）凸条花纹 | |
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6
grunt
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| v.嘟哝；作呼噜声；n.呼噜声，嘟哝 | |
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7
lashed
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| adj.具睫毛的v.鞭打( lash的过去式和过去分词 )；煽动；紧系；怒斥 | |
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8
dodged
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| v.闪躲( dodge的过去式和过去分词 )；回避 | |
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backwards
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| adv.往回地，向原处，倒，相反，前后倒置地 | |
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10
wriggled
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| v.扭动，蠕动，蜿蜒行进( wriggle的过去式和过去分词 )；（使身体某一部位）扭动；耍滑不做，逃避（应做的事等） | |
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11
bruised
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| [医]青肿的，瘀紫的 | |
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12
apparently
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| adv.显然地；表面上，似乎 | |
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13
suede
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| n.表面粗糙的软皮革 | |
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14
doorway
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| n.门口，(喻)入门；门路，途径 | |
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15
pane
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| n.窗格玻璃，长方块 | |
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16
apron
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| n.围裙；工作裙 | |
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pajamas
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| n.睡衣裤 | |
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18
trudged
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| vt.& vi.跋涉，吃力地走（trudge的过去式与过去分词形式） | |
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19
gangster
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| n.匪徒，歹徒，暴徒 | |
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20
assortment
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| n.分类，各色俱备之物，聚集 | |
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21
loft
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| n.阁楼，顶楼 | |
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22
halfway
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| adj.中途的，不彻底的，部分的；adv.半路地，在中途，在半途 | |
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23
somnolent
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| adj.想睡的，催眠的；adv.瞌睡地；昏昏欲睡地；使人瞌睡地 | |
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24
clenched
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| v.紧握，抓紧，咬紧( clench的过去式和过去分词 ) | |
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25
frustration
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| n.挫折，失败，失效，落空 | |
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26
triumphantly
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| ad.得意洋洋地；得胜地；成功地 | |
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27
bent
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| n.爱好，癖好；adj.弯的；决心的，一心的 | |
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28
bloody
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| adj.非常的的；流血的；残忍的；adv.很；vt.血染 | |
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29
coppers
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| 铜( copper的名词复数 )； 铜币 | |
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30
impatience
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| n.不耐烦，急躁 | |
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31
thaw
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| v.（使）融化，（使）变得友善；n.融化，缓和 | |
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32
shrugged
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| vt.耸肩（shrug的过去式与过去分词形式） | |
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33
gangsters
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| 匪徒，歹徒( gangster的名词复数 ) | |
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34
Ford
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| n.浅滩，水浅可涉处；v.涉水，涉过 | |
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35
decided
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| adj.决定了的，坚决的；明显的，明确的 | |
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36
frustrating
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| adj.产生挫折的，使人沮丧的，令人泄气的v.使不成功( frustrate的现在分词 )；挫败；使受挫折；令人沮丧 | |
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37
flipped
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| 轻弹( flip的过去式和过去分词 )； 按（开关）； 快速翻转； 急挥 | |
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38
trudging
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| vt.& vi.跋涉，吃力地走（trudge的现在分词形式） | |
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