I RESTED FOR THREE MORE DAYS, until most of my wounds had healed.
Then Emilie knocked on the door, seeming excited. She inquired as to my health. Are you able to walk?
Yes, of course. I hopped1 out of bed to show her, though still a bit impaired2.
That'll do. She seemed pleased. Then come along with me.
She marched to the door and I hurried, with a slight limp, to keep up with her. She led me through the halls, wide and arched and adorned3 with beautiful tapestries4, then down a steep flight of stone stairs.
Where are we going? I asked, pushing to keep up. It felt good to be out of my sickroom.
To view your new pretext5, I hope, she said.
We traveled to a different part of the castle. I had never been so close to the abode6 of royals before.
On the main floor there were large rooms, with long rows of tables and huge hearths7, guarded by uniformed soldiers at every door. Knights8 milled about in their casual tunics10, trading stories and rolling dice11. Mounted torches lit the halls.
Then we passed the kitchen, with an inviting12 smell of garlic in the air, maids and porters shuffling13 around, casks of wine and ale.
Still we traveled, down a narrow corridor leading beneath the ground. Here the walls were of coarsely laid stone. The air grew stale and damp. We were in some sort of keep now. In the womb of the castle. Where was Emilie taking me? What did she mean by my new pretext?
Finally, when the halls were so ill-lit and dank that the only living thing must be some slumbering14 beast, Emilie stopped in front of a large wooden door.
My new pretext is a mole15, I said with a laugh.
Do not be rude, she said, and knocked.
Come in, groaned16 a voice from deep inside. Come, come. Hurry before I change my mind.
Curious, I followed Emilie as we stepped into a cool room. It was more of a cell, or a dungeon17, but large and candlelit; on the walls were shelves filled with what I took to be toys and props18.
In the rear, on an ornately carved chair, sat a hunched19 man in a red tunic9, green tights, and a patchwork20 skirt.
He lowered a yellowy eye toward Emilie. Come in, auntie. May I have a lick? Just a lick would do...
Oh,shut up , Norbert, Emilie retorted, though not crossly. This is the man I spoke21 of. His name is Hugh. Hugh, this is Norbert, the lord's fool.
Egad. Norbert leaped out of his chair. He was squat22 and gnomelike, yet he moved with startling speed. He sprang up to me, almost smothering23 my red hair with his huge eyes, placing a hand on my head, then swiftly pulling it back. Do you intend to burn me, ma'am? What is he, torch or man?
What he is, is no fool, Norbert, Emilie cautioned. I think you'll have your work cut out for you.
I looked at Emilie with consternation24. Mypretext is a jester, my lady?
And why not? Emilie replied. You say you have a knack25 for amusing people. What better role? Norbert informs me that the jester at Treille is as old as vinegar.
And his wit even more sour, the jester croaked26.
And that he has lost the favor of your liege there, Baldwin. It should be no great feat27 for a youthful up-and-comer like yourself to gain his ear. Easier, I would think, than storming his castle in a fit of rage.
I started to stammer28. I had just come back from the war, where I had fought as bravely as any man. I was looking to avenge29 a misery30 that cut to my core. I did not think of myself as a hero. But ajester? I can't dispute your reasoning, lady, but...I am no fool.
Oh, you think it's a natural thing to act this way? The gnomelike man hopped up to me. Unpracticed, not learned... ? You think, carrot-top -he stroked my face with his rough hands and batted his wide eyes- that I was never as young and fair as you?
He sprang back, narrowing his gaze. Just because you play the fool, boy, doesn't mean you must be thick inside. The lady's plan is well-conceived.If you have the knack to carry it out.
Nothing motivates me more than the will to find my wife, I insisted.
I didn't say thewill , boy. I said theknack. The lady says you have a way about yourself. That you fancy yourself a jongleur.Jongleurs... oh, they can soften31 the blood of blushing maidens32 and patrons drunk on ale. But the real trick is, can you walk into a room filled with scoundrels and schemers and make an ill-tempered king smile?
I looked at Emilie. She was right. I did need some way to gain access to Baldwin's castle. Sophie, if she was alive, wouldn't be dressed up in the royal court, would she? I needed to snoop around, gain some trust....
Perhaps I can learn, I replied.
1 hopped | |
跳上[下]( hop的过去式和过去分词 ); 单足蹦跳; 齐足(或双足)跳行; 摘葎草花 | |
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2 impaired | |
adj.受损的;出毛病的;有(身体或智力)缺陷的v.损害,削弱( impair的过去式和过去分词 ) | |
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3 adorned | |
[计]被修饰的 | |
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4 tapestries | |
n.挂毯( tapestry的名词复数 );绣帷,织锦v.用挂毯(或绣帷)装饰( tapestry的第三人称单数 ) | |
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5 pretext | |
n.借口,托词 | |
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6 abode | |
n.住处,住所 | |
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7 hearths | |
壁炉前的地板,炉床,壁炉边( hearth的名词复数 ) | |
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8 knights | |
骑士; (中古时代的)武士( knight的名词复数 ); 骑士; 爵士; (国际象棋中)马 | |
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9 tunic | |
n.束腰外衣 | |
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10 tunics | |
n.(动植物的)膜皮( tunic的名词复数 );束腰宽松外衣;一套制服的短上衣;(天主教主教等穿的)短祭袍 | |
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11 dice | |
n.骰子;vt.把(食物)切成小方块,冒险 | |
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12 inviting | |
adj.诱人的,引人注目的 | |
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13 shuffling | |
adj. 慢慢移动的, 滑移的 动词shuffle的现在分词形式 | |
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14 slumbering | |
微睡,睡眠(slumber的现在分词形式) | |
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15 mole | |
n.胎块;痣;克分子 | |
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16 groaned | |
v.呻吟( groan的过去式和过去分词 );发牢骚;抱怨;受苦 | |
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17 dungeon | |
n.地牢,土牢 | |
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18 props | |
小道具; 支柱( prop的名词复数 ); 支持者; 道具; (橄榄球中的)支柱前锋 | |
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19 hunched | |
(常指因寒冷、生病或愁苦)耸肩弓身的,伏首前倾的 | |
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20 patchwork | |
n.混杂物;拼缝物 | |
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21 spoke | |
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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22 squat | |
v.蹲坐,蹲下;n.蹲下;adj.矮胖的,粗矮的 | |
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23 smothering | |
(使)窒息, (使)透不过气( smother的现在分词 ); 覆盖; 忍住; 抑制 | |
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24 consternation | |
n.大为吃惊,惊骇 | |
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25 knack | |
n.诀窍,做事情的灵巧的,便利的方法 | |
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26 croaked | |
v.呱呱地叫( croak的过去式和过去分词 );用粗的声音说 | |
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27 feat | |
n.功绩;武艺,技艺;adj.灵巧的,漂亮的,合适的 | |
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28 stammer | |
n.结巴,口吃;v.结结巴巴地说 | |
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29 avenge | |
v.为...复仇,为...报仇 | |
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30 misery | |
n.痛苦,苦恼,苦难;悲惨的境遇,贫苦 | |
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31 soften | |
v.(使)变柔软;(使)变柔和 | |
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32 maidens | |
处女( maiden的名词复数 ); 少女; 未婚女子; (板球运动)未得分的一轮投球 | |
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