SIXTH DAY
MATINS
In which the princes sederunt, and Malachi slumps1 to the ground.
We went down to matins. That last part of the night, virtually the first part of the imminent2 new day, was still foggy. As I crossed the cloister3 the dampness penetrat?ed to my bones, aching after my uneasy sleep. Al?though the church was cold, I knelt under those vaults4 with a sigh of relief, sheltered from the elements, comforted by the warmth of other bodies, and by prayer.
The chanting of the psalms5 had just begun when William pointed6 to the stalls opposite us: there was an empty place in between Jorge and Pacificus of Tivoli. It was the place of Malachi, who always sat beside the blind man. Nor were we the only ones who had noticed the absence. On one side I caught a worried glance from the abbot, all too well aware, surely, that those vacancies7 always heralded8 grim news. And on the other I noticed that old Jorge was unusually agitated9. His face, as a rule so inscrutable because of those white, blank eyes, was plunged10 almost entirely11 in darkness; but his hands were nervous and restless. In fact, more than once he groped at the seat beside him, as if to see whether it was occupied. He repeated that gesture again and again, at regular intervals12, as if hoping that the absent man would appear at any moment but fearing not to find him.
“Where can the librarian be?” I whispered to William.
“Malachi,” William answered, “is by now the sole possessor of the book. If he is not guilty of the crimes, then he may not know the dangers that book involves. ...”
There was nothing further to be said. We could only wait. And we waited: William and I, the abbot, who continued to stare at the empty place, and Jorge, who never stopped questioning the darkness with his hands.
When we reached the end of the office, the abbot reminded monks13 and novices15 that it was necessary to prepare for the Christmas High Mass; therefore, as was the custom, the time before lauds16 would be spent assaying the accord of the whole community in the performance of some chants prescribed for the occasion. That assembly of devout17 men was in effect trained as a single body, a single harmonious18 voice; through a pro19?cess that had gone on for years, they acknowledged their unification, into a single soul, in their singing.
The abbot invited them to chant the “Sederunt”:
Sederunt principes
et adversus me
loquebantur, iniqui
persecuti sunt me.
Adiuva me, Domine
Deus meus, salvum me
fac propter magnam misericordiam tuam.
I asked myself whether the abbot had not chosen deliberately20 that gradual to be chanted on that particu?lar night, the cry to God of the persecuted21, imploring22 help against wicked princes. And there, the princes’ envoys23 were still present at the service, to be reminded of how for centuries our order had been prompt to resist the persecution24 of the powerful, thanks to its special bond with the Lord, God of hosts. And indeed the beginning of the chant created an impression of great power.
On the first syllable25, a slow and solemn chorus began, dozens and dozens of voices, whose bass26 sound filled the naves27 and floated over our heads and yet seemed to rise from the heart of the earth. Nor did it break off, because as other voices began to weave, over that deep and continuing line, a series of vocalises and melismas, it—telluric—continued to dominate and did not cease for the whole time that it took a speaker to repeat twelve “Ave Maria”s in a slow and cadenced28 voice. And as if released from every fear by the confidence that the prolonged syllable, allegory of the duration of eternity29, gave to those praying, the other voices (and especially the novices’) on that rock-solid base raised cusps; columns, pinnacles30 of liquescent and underscored neumae. And as my heart was dazed with sweetness at the vibration31 of a climacus or a porrectus, a torculus or a salicus, those voices seemed to say to me that the soul (of those praying, and my own as I listened to them), unable to bear the exuberance32 of feeling, was lacerated through them to express joy, grief, praise, love, in an impetus33 of sweet sounds. Meanwhile, the obstinate34 insistence35 of the chthonian voices did not let up, as if the threatening presence of enemies, of the powerful who persecuted the people of the Lord, remained unresolved. Until that Neptunian roiling36 of a single note seemed overcome, or at least convinced and enfolded, by the rejoicing hallelujahs of those who opposed it, and all dissolved on a majestic37 and perfect chord and on a resupine neuma.
Once the “sederunt” had been uttered with a kind of stubborn difficulty, the “principes” rose in the air with grand and seraphic calm. I no longer asked myself who were the mighty38 who spoke39 against me (against us); the shadow of that seated, menacing ghost had dissolved, had disappeared.
And other ghosts, I also believed, dissolved at that point, because on looking again at Malachi’s stall, after my attention had been absorbed by the chant, I saw the figure of the librarian among the others in prayer, as if he had never been missing. I looked at William and saw a hint of relief in his eyes, the same relief that I noted40 from the distance in the eyes of the abbot. As for Jorge, he had once more extended his hands and, encountering his neighbor’s body, had withdrawn41 them promptly43. But I could not say what feelings stirred him.
Now the choir44 was festively45 chanting the “Adiuva me,” whose bright a swelled46 happily through the church, and even the u did not seem grim as that to “sederunt,” but full of holy vigor47. The monks and the novices sang, as the rule of chant requires, with body erect48, throat free, head looking up, the book almost at shoulder height so they could read without having to lower their heads and thus causing the breath to come from the chest with less force. But it was still night, and though the trumpets49 of rejoicing blared, the haze50 of sleep trapped many of the singers, who, lost perhaps in the production of a long note, trusting the very wave of the chant, nodded at times, drawn42 by sleepiness. Then the wakers, even in that situation, explored the faces with a light, one by one, to bring them back to wakefulness of body and of soul.
So it was a waker who first noticed Malachi sway in a curious fashion, as if he had suddenly plunged back into the Cimmerian fog of a sleep that he had probably not enjoyed during the night. The waker went over to him with the lamp, illuminating51 his face and so attracting my attention. The librarian had no reaction. The man touched him, and Malachi slumped52 forward heavily. The waker barely had time to catch him before he fell.
The chanting slowed down, the voices died, there was brief bewilderment. William had jumped immediately from his seat and rushed to the place where Pacificus of Tivoli and the waker were now laying Malachi on the ground, unconscious.
We reached them almost at the same time as the abbot, and in the light of the lamp we saw the poor man’s face. I have already described Malachi’s counten?ance, but that night, in that glow, it was the very image of death: the sharp nose, the hollow eyes, the sunken temples, the white, wrinkled ears with lobes53 turned outward, the skin of the face now rigid54, taut55, and dry; the color of the cheeks yellowish and suffused56 with a dark shadow. The eyes were still open and a labored57 breathing escaped those parched58 lips. He opened his mouth, and as I stooped behind William, who had bent59 over him, I saw a now blackish tongue stir within the cloister of his teeth. William, his arm around Malachi’s shoulders, raised him, wiping away with his free hand a film of sweat that blanche his brow. Malachi felt a touch, a presence; he stared straight ahead, surely not seeing, certainly not recognizing who was before him. He raised a trembling hand, grasped William by the chest, drawing his face down until they almost touched, then faintly and hoarsely60 he uttered some words: “He told me ... truly. ... It had the power of a thousand scorpions61. …”
“Who told you?” William asked him. “Who?”
Malachi tried again to speak. But he was seized by a great trembling and his head fell backward. His face lost all color, all semblance62 of life. He was dead.
William stood up. He noticed the abbot- beside him, but did not say a word to him. Then, behind the abbot, he saw Bernard Gui.
“My lord Bernard,” William asked, “who killed this man, after you so cleverly found and confined the murderers?”
“Do not ask me,” Bernard said. “I have never said I had consigned63 to the law all the criminals loose in this abbey. I would have done so gladly, had I been able.” He looked at William. “But the others I now leave to the severity-or the excessive indulgence of my lord abbot.” The abbot blanched64 and remained silent. Then Bernard left.
At that moment we heard a kind of whimpering, a choked sob65. It was Jorge, on his kneeling bench, supported by a monk14 who must have described to him what had happened.
“It will never end ...” he said in a broken voice. “O Lord, forgive us all!”
William bent over the corpse66 for another moment. He grasped the wrists, turned the palms of the hands toward the light. The pads of the first three fingers of the right hand were darkened.
1 slumps | |
萧条期( slump的名词复数 ); (个人、球队等的)低潮状态; (销售量、价格、价值等的)骤降; 猛跌 | |
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2 imminent | |
adj.即将发生的,临近的,逼近的 | |
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3 cloister | |
n.修道院;v.隐退,使与世隔绝 | |
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4 vaults | |
n.拱顶( vault的名词复数 );地下室;撑物跳高;墓穴 | |
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5 psalms | |
n.赞美诗( psalm的名词复数 );圣诗;圣歌;(中的) | |
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6 pointed | |
adj.尖的,直截了当的 | |
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7 vacancies | |
n.空房间( vacancy的名词复数 );空虚;空白;空缺 | |
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8 heralded | |
v.预示( herald的过去式和过去分词 );宣布(好或重要) | |
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9 agitated | |
adj.被鼓动的,不安的 | |
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10 plunged | |
v.颠簸( plunge的过去式和过去分词 );暴跌;骤降;突降 | |
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11 entirely | |
ad.全部地,完整地;完全地,彻底地 | |
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12 intervals | |
n.[军事]间隔( interval的名词复数 );间隔时间;[数学]区间;(戏剧、电影或音乐会的)幕间休息 | |
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13 monks | |
n.修道士,僧侣( monk的名词复数 ) | |
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14 monk | |
n.和尚,僧侣,修道士 | |
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15 novices | |
n.新手( novice的名词复数 );初学修士(或修女);(修会等的)初学生;尚未赢过大赛的赛马 | |
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16 lauds | |
v.称赞,赞美( laud的第三人称单数 ) | |
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17 devout | |
adj.虔诚的,虔敬的,衷心的 (n.devoutness) | |
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18 harmonious | |
adj.和睦的,调和的,和谐的,协调的 | |
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19 pro | |
n.赞成,赞成的意见,赞成者 | |
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20 deliberately | |
adv.审慎地;蓄意地;故意地 | |
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21 persecuted | |
(尤指宗教或政治信仰的)迫害(~sb. for sth.)( persecute的过去式和过去分词 ); 烦扰,困扰或骚扰某人 | |
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22 imploring | |
恳求的,哀求的 | |
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23 envoys | |
使节( envoy的名词复数 ); 公使; 谈判代表; 使节身份 | |
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24 persecution | |
n. 迫害,烦扰 | |
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25 syllable | |
n.音节;vt.分音节 | |
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26 bass | |
n.男低音(歌手);低音乐器;低音大提琴 | |
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27 naves | |
n.教堂正厅( nave的名词复数 );本堂;中央部;车轮的中心部 | |
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28 cadenced | |
adj.音调整齐的,有节奏的 | |
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29 eternity | |
n.不朽,来世;永恒,无穷 | |
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30 pinnacles | |
顶峰( pinnacle的名词复数 ); 顶点; 尖顶; 小尖塔 | |
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31 vibration | |
n.颤动,振动;摆动 | |
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32 exuberance | |
n.丰富;繁荣 | |
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33 impetus | |
n.推动,促进,刺激;推动力 | |
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34 obstinate | |
adj.顽固的,倔强的,不易屈服的,较难治愈的 | |
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35 insistence | |
n.坚持;强调;坚决主张 | |
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36 roiling | |
v.搅混(液体)( roil的现在分词 );使烦恼;使不安;使生气 | |
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37 majestic | |
adj.雄伟的,壮丽的,庄严的,威严的,崇高的 | |
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38 mighty | |
adj.强有力的;巨大的 | |
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39 spoke | |
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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40 noted | |
adj.著名的,知名的 | |
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41 withdrawn | |
vt.收回;使退出;vi.撤退,退出 | |
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42 drawn | |
v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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43 promptly | |
adv.及时地,敏捷地 | |
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44 choir | |
n.唱诗班,唱诗班的席位,合唱团,舞蹈团;v.合唱 | |
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45 festively | |
adv.节日地,适合于节日地 | |
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46 swelled | |
增强( swell的过去式和过去分词 ); 肿胀; (使)凸出; 充满(激情) | |
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47 vigor | |
n.活力,精力,元气 | |
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48 erect | |
n./v.树立,建立,使竖立;adj.直立的,垂直的 | |
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49 trumpets | |
喇叭( trumpet的名词复数 ); 小号; 喇叭形物; (尤指)绽开的水仙花 | |
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50 haze | |
n.霾,烟雾;懵懂,迷糊;vi.(over)变模糊 | |
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51 illuminating | |
a.富于启发性的,有助阐明的 | |
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52 slumped | |
大幅度下降,暴跌( slump的过去式和过去分词 ); 沉重或突然地落下[倒下] | |
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53 lobes | |
n.耳垂( lobe的名词复数 );(器官的)叶;肺叶;脑叶 | |
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54 rigid | |
adj.严格的,死板的;刚硬的,僵硬的 | |
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55 taut | |
adj.拉紧的,绷紧的,紧张的 | |
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56 suffused | |
v.(指颜色、水气等)弥漫于,布满( suffuse的过去式和过去分词 ) | |
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57 labored | |
adj.吃力的,谨慎的v.努力争取(for)( labor的过去式和过去分词 );苦干;详细分析;(指引擎)缓慢而困难地运转 | |
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58 parched | |
adj.焦干的;极渴的;v.(使)焦干 | |
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59 bent | |
n.爱好,癖好;adj.弯的;决心的,一心的 | |
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60 hoarsely | |
adv.嘶哑地 | |
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61 scorpions | |
n.蝎子( scorpion的名词复数 ) | |
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62 semblance | |
n.外貌,外表 | |
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63 consigned | |
v.把…置于(令人不快的境地)( consign的过去式和过去分词 );把…托付给;把…托人代售;丟弃 | |
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64 blanched | |
v.使变白( blanch的过去式 );使(植物)不见阳光而变白;酸洗(金属)使有光泽;用沸水烫(杏仁等)以便去皮 | |
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65 sob | |
n.空间轨道的轰炸机;呜咽,哭泣 | |
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66 corpse | |
n.尸体,死尸 | |
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