THE CAR TO TAKE ME to the television studios arrives promptly1 at seven-thirty the next morning. When the doorbell rings, Mum, Dad, and I all jump, even though we’ve been waiting in a tense silence for ten minutes.
“Well,” says Dad gruffly, glancing at his watch. “They’re here, anyway.”
Ever since I told him about the arrangements, Dad’s been predicting that the car won’t turn up and that he’ll have to drive me to the studios himself. He even worked out a route last night, and phoned up Uncle Malcolm as a standby. (To be honest, I think he was quite looking forward to it.)
“Oh, Becky,” says Mum in a trembling voice. “Good luck, darling.” She looks at me, then shakes her head. “Our little Becky, on television. I can’t believe it.”
I start to get up, but Dad puts out a restraining arm.
“Now, before you answer the door, Becky,” he says. “You are sure, aren’t you? About the risk you’re taking.” He glances at Mum, who bites her lip.
“I’ll be fine!” I say, trying to sound as soothing2 as possible. “Honestly, Dad, we’ve been over it all.”
Last night, it suddenly occurred to Dad that if I went on the telly, my stalker would know where I was. At first he was adamant3 I’d have to call the whole thing off—and it took an awful lot of persuasion4 to convince him and Mum I’d be perfectly5 safe in the TV studios. They were even talking about hiring a body-guard, can you believe it? I mean, what on earth would I look like, turning up with a bodyguard6?
Actually I’d look pretty cool and mysterious, wouldn’t I? That might have been quite a good idea.
The doorbell rings again and I leap to my feet.
“Well,” says Dad. “You just be careful.”
“I will, don’t worry!” I say, picking up my bag. I walk to the door calmly, trying not to give away how excited I feel. Inside I feel as light as a bubble.
I just can’t believe how well everything’s going. Not only am I going to be on the telly, but everyone’s being so nice to me! Yesterday I had several phone conversations with an assistant producer ofMorning Coffee, who’s a really sweet girl called Zelda. We went over exactly what I was going to say on the program, then she arranged for a car to come and pick me up—and when I told her I was at my parents’ house with none of my clothes handy, she thought for a bit—then said I could choose something to wear from the wardrobe. I mean, how cool is that? Choosing any outfit7 I like from the wardrobe! Maybe they’ll let me keep it afterward8, too.
As I open the front door, my stomach gives an excited leap. There, waiting in the drive, is a portly, middle-aged9 man in a blue blazer and cap, standing10 next to a shiny black car. My own private chauffeur11! This just gets better and better.
“Miss Bloomwood?” says the driver.
“Yes,” I say, unable to stop myself from grinning in delight. I’m about to reach for the door handle—but he gets there before me, opens the car door with a flourish, and stands to attention, waiting for me to get in. God, this is like being a film star or something!
I glance back toward the house and see Mum and Dad stand-ing on the front step, both looking utterly12 gobsmacked.
“Well—bye then!” I say, trying to sound casual, as though I always ride around in a chauffeur-driven car. “See you later!”
“Becky, is that you?” comes a voice from next door, and Janice appears on the other side of the hedge in her dressing13 gown. Her eyes grow large as they take in the car and she glances at Mum, who raises her shoulders, as though to say “I know, isn’t it unbelievable?”
“Morning, Janice,” says Dad.
“Morning, Graham,” says Janice dazedly14. “Oh, Becky! I’ve never seen anything like it. In all the years . . . If Tom could only see you . . .” She breaks off and looks at Mum. “Have you taken any photographs?”
“We haven’t!” says Mum in dismay. “It didn’t even occur to us. Graham, quick—go and get the camera.”
“No, wait, I’ll get our camcorder!” says Janice. “It won’t take me two ticks. We could have the car arriving in the drive, and Becky walking out of the front door . . . and maybe we could useThe Four Seasons as the soundtrack, and then cut straight to . . .”
“No!” I say hastily, seeing a flicker15 of amusement pass across the face of the driver. And I was doing so well at looking noncha-lant and professional. “We haven’t got time for any pictures. I have to get to the studios!”
“Yes,” says Janice, suddenly looking anxious. “Yes, you don’t want to be late.” She glances fearfully at her watch, as though afraid the program might already have started. “It’s on at eleven, isn’t it?”
“Eleven o’clock the program starts,” says Dad. “Set the video for five to, that’s what I’ve been telling people.”
“That’s what we’ll do,” says Janice. “Just in case.” She gives a little sigh. “I shan’t dare to go to the loo all morning, just in case I miss it!”
There’s an awed16 silence as I get into the car. The driver closesthe door smartly, then walks around to the driver’s door. I press the button to lower my window and grin out at Mum and Dad.
“Becky, darling, what will you do afterward?” says Mum. “Come back here or go back to the flat?”
Immediately I feel my smile falter17, and look down, pretend-ing to fiddle18 with the window controls. I don’t want to think about afterward.
In fact, I can’t even visualize19 afterward. I’m going to be on the telly . . . and that’s as far as it goes. The rest of my life is shut securely away in a box at the back of my head and I don’t even want to remember it’s there.
“I . . . I’m not sure,” I say. “I’ll see what happens.”
“They’ll probably take you out to lunch afterward,” says Dad knowledgeably20 “These showbiz types are always having lunch with each other.”
“Liquid lunches,” puts in Janice, and gives a little laugh.
“At The Ivy,” says Mum. “That’s where all the actors meet up, isn’t it?”
“The Ivy’s old hat!” retorts Dad. “They’ll take her to the Groucho Club.”
“The Groucho Club!” says Janice, clasping her hands. “Isn’t that where Kate Moss21 goes?”
This is getting ridiculous.
“We’d better go,” I say, and the driver nods.
“Good luck, sweetheart,” calls Dad. I close the window and lean back, and the car purrs out of the drive.
For a while, we drive in silence. I keep casually22 glancing out of the window to see if anyone’s looking at me in my chauffeur-driven car and wondering who I am (that new girl onEastEnders , perhaps). Although we’re whizzing along the highway so fast, I probably look like a blur23.
“So,” says the driver after a while. “You’re appearing onMorning Coffee, are you?”
“Yes, I am,” I say, and immediately feel a joyful24 smile plaster itself over my face. God, I muststop this. I bet Jeremy Paxman doesn’t start grinning inanely25 every time someone asks him if he’s appearing onUniversity Challenge.
“So what’re you on for?” says the driver, interrupting my thoughts.
I’m about to reply “To be famous and maybe get some free clothes,” when I realizewhat he means.
“A financial story,” I say coolly. “I wrote a piece inThe Daily World, and the producers read it and wanted me on the show.”
“Been on television before?”
“No,” I admit reluctantly. “No, I haven’t.”
We pull up at some lights and the driver turns round in his seat to survey me.
“You’ll be fine,” he says. “Just don’t let the nerves get to you.”
“Nerves?” I say, and give a little laugh. “I’m not nervous! I’m just. . . looking forward to it.”
“Glad to hear it,” says the driver, turning back. “You’ll be OK, then. Some people, they get onto that sofa, thinking they’re fine, relaxed, happy as a clam26 . . . then they see that red light, and it hits them that 2.5 million people around the country are all watching them. Makes some people start to panic.”
“Oh,” I say after a slight pause. “Well . . . I’m nothing like them! Ill be fine!”
“Good,” says the driver.
“Good,” I echo, a little less certainly, and look out of the window.
I’ll be fine. Of course I will. I’ve never been nervous in my life before, and I’m certainly not going to start . . .
Two point five million people.
Gosh. When you think about it—that is quite a lot, isn’t it? Two point five million people, all sitting at home, staring at the screen. Staring at my face. Waiting for what I’m going to say next.
OK, don’t think about it. The important thing is just to keep remembering how well prepared I am. I rehearsed for ages infront of the mirror last night and I know what I’m going to say practically by heart.
It all has to be very basic and simple, Zelda said—because apparently27 76 percent of theMorning Coffee audience are house-wives looking after toddlers, who have very short attention spans. She kept apologizing for what she called the “dumbing-down effect” and saying a financial expert like myself must feel really frustrated28 by it—and of course, I agreed with her.
But to be honest, I’m quite relieved. In fact, the more dumbed down the better, as far as I’m concerned. I mean, writing aDaily World article with all my notes to hand was one thing, but answering tricky29 questions on live TV is quite another.
So anyway, I’m going to start off by saying “If you were offered a choice between a carriage clock and ￡20,000, which would you choose?” Rory or Emma will reply, “Twenty thousand pounds, of course!” and I’ll say, “Exactly. Twenty thousand pounds.” I’ll pause briefly30, to let that figure sink into the audience’s mind, and then I’ll say, “Unfortunately, when Flagstaff Life offered their customers a carriage clock to transfer their savings31, they didn’t tell them that if they did so, they wouldlose a ￡20,000 windfall!”
That sounds quite good, don’t you think? Rory and Emma will ask a few very easy questions like “What can people do to protect themselves?” and I’ll give nice simple answers. And right at the end, just to keep it light, we’re going to talk about all the different things you could buy with ￡20,000.
Actually, that’s the bit I’m looking forward to most of all. I’ve already thought of loads of things. Did you know, with ￡20,000 you could buy forty Gucci watches,and have enough left over for a bag?
TheMorning Coffee studios are in Maida Vale, and as we draw near to the gates, familiar from the opening credits of the show, I feel a dart32 of excitement. I’m actually going to be on tele-vision!
The doorman waves us through the barrier, we pull up outside a pair of huge double doors, and the driver opens the door for me. As I get out, my legs are shaking slightly, but I force myself to walk confidently up the steps, into the reception hall, and up to the desk.
“I’m here forMorning Coffee,” I say, and give a little laugh as I realize what I’ve just said. “I mean . . .”
“I know what you mean,” says the receptionist, kindly33 but wearily. She looks up my name on a list, jabs a number into her phone, and says, “Jane? Rebecca Bloomwood’s here.” Then she gestures to a row of squashy chairs and says, “Someone will be with you shortly.”
I walk over to the seating area and sit down opposite a middle-aged woman with lots of wild dark hair and a big amber34 necklace round her neck. She’s lighting35 up a cigarette, and even though I don’t really smoke anymore, I suddenly feel as though I could do with one myself.
Not that I’m nervous or anything. I just fancy a cigarette.
“Excuse me,” calls the receptionist. “This is a no-smoking area.”
“Damn,” says the woman in a raspy voice. She takes a long drag, then stubs the cigarette out on a saucer and smiles at me conspiratorially36 “Are you a guest on the show?” she says.
“Yes,” I say. “Are you?”
The woman nods. “Promoting my new novel,Blood Red Sunset .” She lowers her voice to a thrilling throb37. “A searing tale of love, greed, and murder, set in the ruthless world of South American money launderers.”
“Gosh,” I say. “That sounds really—”
“Let me give you a copy,” interrupts the woman. She reaches into a Mulberry holdall by her side and pulls out a vividly39 colored hardback book. “Remind me of your name?”
Remind her?
“It’s Rebecca,” I say. “Rebecca Bloomwood.”
“To Becca,” the woman says aloud, as she scrawls40 inside the front page. “With love and great affection.” She signs with a flour-ish and hands the book to me.
“Thanks very much . . .” Quickly I look at the cover. “Elisabeth.”
Elisabeth Plover41. To be honest, I’ve never heard of her.
“I expect you’re wondering how I came to know such a lot about such a violent, dangerous world,” says Elisabeth. She leans forward and gazes at me with huge green eyes. “The truth is, I lived with a money launderer38 for three long months. I loved him; I learned from him . . . and then I betrayed him.” Her voice dies to a trembling whisper. “I still remember the look he gave me as the police dragged him away. He knew what I’d done. He knew I was his Judas Iscariot. And yet, in a strange kind of way, I think he loved me for it.”
“Wow,” I say, impressed in spite of myself. “Did all this happen in South America?”
“Brighton,” she says after a slight pause. “But money launder-ers are the same the world over.”
“Rebecca?” says a voice, before I can think of a reply to this, and we both look up to see a girl with smooth dark hair, in jeans and a black polo neck, walking swiftly toward us. “I’m Zelda. We spoke42 yesterday?”
“Zelda!” exclaims Elisabeth, getting to her feet. “How have you been, my darling?” She holds out her arms, and Zelda stares at her.
“I’m sorry,” she says, “have we—” She stops as her gaze falls on my copy ofBlood Red Sunset. “Oh yes, that’s right. Elisabeth Plover. One of the researchers will be down for you in a minute. Meanwhile, do help yourself to coffee.” She flashes her a smile, then turns to me. “Rebecca, are you ready?”
“Yes!” I say eagerly, leaping up from my chair. (I have to admit, I feel quite flattered that Zelda’s come down to get me her-self. I mean, she obviously doesn’t come down for everyone.)
“Great to meet you,” says Zelda, shaking my hand. “Great to have you on the show. Now, as usual, we’re completely frantic—so if it’s OK by you, I thought we’d just head straight off to hair and makeup43 and we can talk on the way.”
“Absolutely,” I say, trying not to sound too excited. “Good idea.”
Hair and makeup! This is so cool!
“There’s been a slight change of plan which I need to fill you in on,” says Zelda.“Nothing to worry about . . . Any word from Bella yet?” she adds to the receptionist.
The receptionist shakes her head, and Zelda mutters some-thing which sounds like “Stupid cow.”
“OK, let’s go,” she says, heading off toward a pair of swing doors. “I’m afraid it’s even more crazy than usual today. One of our regulars has let us down, so we’re searching for a replace-ment, and there’s been an accident in the kitchen . . .” She pushes through the swing doors and now we’re striding along a green-carpeted corridor buzzing with people. “Plus, we’ve got Heaven Sent 7 in today,” she adds over her shoulder. “Which means the switchboard gets jammed with fans calling in, and we have to find dressing room space for seven enormous egos44.”
“Right,” I say nonchalantly. But underneath45 I’m jumping with excitement. Heaven Sent 7? But I mean . . . they’re really famous! And I’m appearing on the same show as them! I mean—I’ll get to meet them and everything, won’t I? Maybe we’ll all go out for a drink afterward and become really good friends. They’re all a bit younger than me, but that won’t matter. I’ll be like their older sister.
Or maybe I’llgo out with one of them! God, yes. That nice one with the dark hair. Nathan. (Or is it Ethan? Whatever he’s called.) He’ll catch my eye after the show and quietly ask me out to dinner without the others. We’ll go to some tiny little restau-rant, and at first it’ll be all quiet and discreet46, but then the press will find out and we’ll become one of those really famous couples who go to premieres all the time. And I’ll wear . . .
“OK, here we are,” says Zelda, and I look up dazedly.
We’re standing in the doorway47 of a room lined with mirrors and spotlights48. Three people are sitting in chairs in front of the mirrors, wearing capes50 and having makeup applied51 by trendy-looking girls in jeans; another is having her hair blow-dried. Music is playing in the background, there’s a friendly level of chatter52, and in the air are the mingled53 scents54 of hair spray, face powder, and coffee.
It’s basically my idea of heaven.
“So,” says Zelda, leading me toward a girl with red hair. “Chloe will do your makeup, and then we’ll pop you along to wardrobe. OK?”
“Fine,” I say, my eyes widening as I take in Chloe’s collection of makeup. There’s about a zillion brushes, pots, and tubes littered over the counter in front of us, all really good brands like Chanel and MAC.
“Now, about your slot,” continues Zelda as I sit down on a swivel chair. “As I say, we’ve gone for a rather different format55 from the one we talked about previously56 . . .”
“Zelda!” comes a man’s voice from outside. “Bella’s on the line for you!”
“Oh shit,” says Zelda. “Look, Rebecca, I’ve got to go and take this call, but I’ll come back as soon as I can. OK?”
“Fine!” I say happily, as Chloe drapes a cape49 round me and pulls my hair back into a wide towel band. In the background, the radio’s playing my favorite song by Lenny Kravitz.
“I’ll just cleanse57 and tone, and then give you a base,” says Chloe. “If you could shut your eyes . . .”
I close my eyes and, after a few seconds, feel a cool, creamy liquid being massaged58 into my face. It’s the most delicious sensa-tion in the world. I could sit here all day.
“So,” says Chloe after a while. “What are you on the show for?”
“Errm . . . finance,” I say vaguely59. “A piece on finance.”
To be honest, I’m feeling so relaxed, I can hardly remember what I’m doing here.
“Oh, yeah,” says Chloe, efficiently60 smoothing foundation over my face. “They were talking earlier about some financial thing.” She reaches for a palette of eyeshadows, blends a couple of colors together, then picks up a brush. “So, are you a financial expert, then?”
“Well,” I say, a little awkwardly. “You know.”
“Wow,” says Chloe, starting to apply eyeshadow to my eyelids61. “I don’t understand the first thing about money.”
“Me neither!” chimes in a dark-haired girl from across the room. “My accountant’s given up trying to explain it all to me. As soon he says the word ‘tax-year,’ my mind glazes62 over.”
I’m about to reply sympathetically “Me too!” and launch into a nice girly chat—but then I stop myself. The memory of Janice and Martin is a bit too raw for me to be flippant.
“You probably know quite a lot more about your finances than you realize,” I say instead. “If youreally don’t know . . . then you should take advice from someone who does.”
“You mean a financial expert like you?” says the girl.
I smile back, trying to look confident—but all this talk of my being a “financial expert” is unnerving me. I feel as though any minute now, someone’s going to walk in, ask me an impossible question about South African bond yields, and then denounce me as a fraud. Thank goodness I know exactly what I’m going to say on air.
“Sorry, Rebecca,” says Chloe, “I’m going to have to interrupt. Now, I was thinking a raspberry red for the lips. Is that OK by you?”
What with all this chatting, I haven’t really been paying atten-tion to what she’s been doing to my face. But as I look at my reflection properly, I can’t quite believe it. My eyes are huge; I’ve suddenly got amazing cheekbones . . . honestly, I look like a different person. Why on earth don’t I wear makeup like this every day?
“Wow!” I breathe.
“It’s easier because you’re so calm,” observes Chloe, reachinginto a black vanity case. “We get some people in here, really trem-bling with nerves. Even celebrities63. We can hardly do their makeup.”
“Really?” I say, and lean forward, ready to hear some insider gossip. But Zelda’s voice interrupts us.
“Sorry about that, Rebecca!” she exclaims. “Right, how are we doing? Makeup looks good. What about hair?”
“It’s nicely cut,” says Chloe, picking up a few strands64 of my hair and dropping them back down again, just like Nicky Clarke on a makeover. “I’ll just give it a blow-dry for sheen.”
“Fine,” says Zelda. “And then we’ll get her along to ward-robe.” She glances at something on her clipboard, then sits down on a swivel chair next to me. “OK, so, Rebecca, we need to talk about your item.”
“Excellent,” I say, matching her businesslike tone. “Well, I’ve prepared it all just as you wanted. Really simple and straight-forward.”
“Yup,” says Zelda. “Well, that’s the thing. We had a talk at the meeting yesterday, and you’ll be glad to hear, we don’t need it too basic, after all.” She smiles. “You’ll be able to get as technical as you like!”
“Oh, right,” I say, taken aback. “Well . . . good! That’s great! Although I might still keep it fairly low—”
“We want to avoid talking down to the audience. I mean, they’re not morons65!” Zelda lowers her voice slightly. “Plus we had some new audience research in yesterday, and apparently 80 percent of our viewers feel patronized by some or all of the show’s content. Basically, we need to redress66 that balance. So we’ve had a complete change of plan for your item!” She beams at me. “What we thought is, instead of a simple interview, we’d have more of a high-powered debate.”
“A high-powered debate?” I echo, trying not to sound as alarmed as I feel.
“Absolutely!” says Zelda. “What we want is a really heated discussion! Opinions flying, voices raised. That kind of thing.”
Opinions?
“So is that OK?” says Zelda, frowning at me. “You look a bit—”
“I’m fine!” I force myself to smile brightly. “Just . . . looking forward to it! A nice high-powered debate. Great!” I clear my throat. “And . . . and who will I be debating with?”
“A representative from Flagstaff Life,” says Zelda trium-phantly. “Head-to-head with the enemy. It’ll make great tele-vision!”
“Zelda!” comes a voice from outside the room. “Bella again!”
“Oh, for Christ’s sake!” says Zelda, leaping up. “Rebecca, I’ll be back in a sec.”
“Fine,” I manage. “See you in a minute.”
“OK,” says Chloe cheerfully. “While she’s gone, let me put on that lipstick67.”
She reaches for a long brush and begins to paint in my lips, and I stare at my reflection, trying to keep calm, trying not to panic. But my throat’s so tight, I can’t swallow. I’ve never felt so frightened in all my life.
I can’t talk in a high-powered debate!
Whydid I ever want to be on television?
“Rebecca, could you try to keep your lips still?” says Chloe with a puzzled frown. “They’re really shaking.”
“Sorry,” I whisper, staring at my reflection like a frozen rabbit. She’s right, I’m trembling all over. Oh God, this is no good. I’ve got to calm down. Think happy thoughts. Think Zen.
In an effort to distract myself, I focus on the reflection in the mirror. In the background I can see Zelda standing in the corri-dor, talking into a phone with a furious expression on her face.
“Yup,” I can hear her saying curtly68. “Yup. But the point is, Bella, we pay you a retainer tobe available. What the fuck am I supposed to do now?” She looks up, sees someone, and lifts a hand in greeting. “OK, Bella, I do see that . . .”
A blond woman and two men appear in the corridor, andZelda nods to them apologetically. I can’t see their faces, but they’re all wearing smart overcoats and holding briefcases69, and one of the men is holding a folder70 bulging71 with papers. The blond woman’s coat is actually rather nice, I find myself thinking. And she’s got agorgeous Louis Vuitton bag. I wonder who she is.
“Yup,” Zelda’s saying. “Yup. Well, ifyou can suggest an alter-native phone-in subject . . .”
She raises her eyebrows72 at the blond woman, who shrugs73 and turns away to look at a poster on the wall. And as she does so, my heart nearly stops dead.
Because I recognize her. It’s Alicia. Alicia from Brandon Communications is standing five yards away from me.
I almost want to laugh at the incongruity74 of it. What’s she doing here? What’s Alicia Bitch Long-legs doing here, for God’s sake?
One of the men turns round to say something to her—and as I see his face, I think I recognize him, too. He’s another one of the Brandon C lot, isn’t he? One of those young, eager, baby-faced types.
But what on earth are they all doing here? What’s going on? Surely it can’t be—
They can’t all be here because of—
No. Oh no. Suddenly I feel rather cold.
“Luke!” comes Zelda’s voice from the corridor, and I feel a swoop75 of dismay. “So glad you could make it. We always love having you on the show. You know, I had no idea you represented Flagstaff Life, until Sandy said . . .”
This isn’t happening. Please tell me this isn’t happening.
“The journalist who wrote the piece is already here,” Zelda’s saying, “and I’ve primed her on what’s happening. I think it’s going to make really great television, the two of you arguing away!”
She starts moving down the corridor, and in the mirror I see Alicia and the eager young man begin to follow her. Then thethird overcoated man starts to come into view. And although my stomach’s churning painfully, I can’t stop myself. I slowly turn my head as he passes the door.
I meet Luke Brandon’s grave, dark eyes and he meets mine, and for a few still seconds, we just stare at each other. Then abruptly76 he looks away and strides off down the corridor. And I’m left, gazing helplessly at my painted reflection, feeling sick with panic
POINTS FOR TELEVISION INTERVIEW
SIMPLE AND BASIC FINANCIAL ADVICE
Prefer clock/twenty grand? Obvious.
Flagstaff Life ripped off innocent customers. Beware.
Ermm. . .
Always be very careful with your money.
Don’t put it all in one investment but diversify77.
Don’t lose it by mistake
Don’t
THINGS YOU CAN BUY WITH ￡20,000
Nice car; e.g., small BMW
Pearl and diamond necklace from Aspreys plus big
diamond ring
3 couture evening dresses; e.g., from John Galliano
Steinway grand piano
5 gorgeous leather sofas from the Conran shop
40 Gucci watches, plus bag
Flowers delivered every month for 42 years
55 pedigree Labrador puppies
80 cashmere jumpers
666 Wonderbras
454 pots Helena Rubinstein moisturizer
800 bottles of champagne
2,860 Fiorentina pizzas
15,384 tubes of Pringles
90,909 packets of Polo mints
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promptly
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soothing
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adamant
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persuasion
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perfectly
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bodyguard
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outfit
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afterward
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middle-aged
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standing
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chauffeur
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utterly
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dressing
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dazedly
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flicker
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awed
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| adj.充满敬畏的，表示敬畏的v.使敬畏，使惊惧( awe的过去式和过去分词 ) | |
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falter
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| vi.(嗓音)颤抖，结巴地说；犹豫；蹒跚 | |
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18
fiddle
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| n.小提琴；vi.拉提琴；不停拨弄，乱动 | |
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visualize
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| vt.使看得见，使具体化，想象，设想 | |
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knowledgeably
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| adj.知识渊博地，有见识地 | |
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moss
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| n.苔，藓，地衣 | |
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casually
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| adv.漠不关心地，无动于衷地，不负责任地 | |
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blur
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| n.模糊不清的事物；vt.使模糊，使看不清楚 | |
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joyful
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| adj.欢乐的，令人欢欣的 | |
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inanely
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clam
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| n.蛤，蛤肉 | |
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apparently
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| adv.显然地；表面上，似乎 | |
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frustrated
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| adj.挫败的，失意的，泄气的v.使不成功( frustrate的过去式和过去分词 )；挫败；使受挫折；令人沮丧 | |
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tricky
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| adj.狡猾的，奸诈的；(工作等)棘手的，微妙的 | |
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briefly
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| adv.简单地，简短地 | |
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savings
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| n.存款，储蓄 | |
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dart
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| v.猛冲，投掷；n.飞镖，猛冲 | |
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kindly
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| adj.和蔼的，温和的，爽快的；adv.温和地，亲切地 | |
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amber
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| n.琥珀；琥珀色；adj.琥珀制的 | |
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lighting
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| n.照明，光线的明暗，舞台灯光 | |
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conspiratorially
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throb
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| v.震颤，颤动；(急速强烈地)跳动，搏动 | |
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launderer
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| [医]洗衣工 | |
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vividly
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| adv.清楚地，鲜明地，生动地 | |
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scrawls
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| 潦草的笔迹( scrawl的名词复数 ) | |
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plover
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| n.珩，珩科鸟，千鸟 | |
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42
spoke
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| n.（车轮的）辐条；轮辐；破坏某人的计划；阻挠某人的行动 v.讲，谈（speak的过去式）；说；演说；从某种观点来说 | |
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makeup
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| n.组织；性格；化装品 | |
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egos
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| 自我，自尊，自负( ego的名词复数 ) | |
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underneath
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| adj.在...下面，在...底下；adv.在下面 | |
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discreet
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| adj.(言行)谨慎的；慎重的；有判断力的 | |
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doorway
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| n.门口，(喻)入门；门路，途径 | |
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spotlights
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| n.聚光灯（的光）( spotlight的名词复数 )；公众注意的中心v.聚光照明( spotlight的第三人称单数 )；使公众注意，使突出醒目 | |
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cape
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| n.海角，岬；披肩，短披风 | |
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capes
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| 碎谷； 斗篷( cape的名词复数 )； 披肩； 海角； 岬 | |
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applied
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| adj.应用的；v.应用，适用 | |
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chatter
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| vi.／n.喋喋不休；短促尖叫；(牙齿)打战 | |
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53
mingled
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| 混合，混入( mingle的过去式和过去分词 )； 混进，与…交往[联系] | |
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54
scents
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| n.香水( scent的名词复数 )；气味；（动物的）臭迹；（尤指狗的）嗅觉 | |
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format
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| n.设计，版式；[计算机]格式，DOS命令:格式化(磁盘)，用于空盘或使用过的磁盘建立新空盘来存储数据；v.使格式化，设计，安排 | |
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previously
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| adv.以前，先前（地） | |
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cleanse
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| vt.使清洁，使纯洁，清洗 | |
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massaged
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| 按摩，推拿( massage的过去式和过去分词 ) | |
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vaguely
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| adv.含糊地，暖昧地 | |
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efficiently
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| adv.高效率地，有能力地 | |
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eyelids
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| n.眼睑( eyelid的名词复数 )；眼睛也不眨一下；不露声色；面不改色 | |
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glazes
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| n.上釉的表面( glaze的名词复数 )；釉料；（浇在糕点上增加光泽的）蛋浆v.装玻璃( glaze的第三人称单数 )；上釉于，上光；（目光）变得呆滞无神 | |
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celebrities
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| n.（尤指娱乐界的）名人( celebrity的名词复数 )；名流；名声；名誉 | |
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strands
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| n.（线、绳、金属线、毛发等的）股( strand的名词复数 )；缕；海洋、湖或河的)岸；（观点、计划、故事等的）部份v.使滞留，使搁浅( strand的第三人称单数 ) | |
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morons
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| 傻子( moron的名词复数 )； 痴愚者（指心理年龄在8至12岁的成年人） | |
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redress
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| n.赔偿，救济，矫正；v.纠正，匡正，革除 | |
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lipstick
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| n.口红，唇膏 | |
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curtly
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| adv.简短地 | |
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briefcases
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| n.公文[事]包( briefcase的名词复数 ) | |
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folder
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| n.纸夹，文件夹 | |
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71
bulging
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| 膨胀； 凸出（部）； 打气； 折皱 | |
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eyebrows
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| 眉毛( eyebrow的名词复数 ) | |
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shrugs
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| n.耸肩（以表示冷淡，怀疑等）( shrug的名词复数 ) | |
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74
incongruity
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| n.不协调，不一致 | |
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75
swoop
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| n.俯冲，攫取；v.抓取，突然袭击 | |
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76
abruptly
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| adv.突然地，出其不意地 | |
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diversify
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| v.（使）不同，（使）变得多样化 | |
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