My hands are innocent of this man's blood.
There's not an honest man would 'scape the law;
For every act bears two interpretations--
One good, one bad--so that our enemies
Use that which fits in best with their desires,
As evil witness 'gainst our true intents."
There is no doubt that peril4 sharpens the wits of all, therefore Mrs. Belswin, in her interview with the Italian, proved herself such an able diplomatist, that after some difficulty she obtained what she wanted. According, therefore, to the arrangement she made with Ferrari, he was to tell Maxwell as much as possible of his doings at Deswarth without mentioning the name of Mrs. Belswin.
On first hearing of Maxwell's accusation5, Ferrari wanted to fly, as he plainly said it would be difficult for him to defend himself against such a charge, although he swore on the crucifix that he was perfectly6 innocent. Mrs. Belswin dissuaded7 him from this course, as she pointed8 out, that if he acknowledged the truth of the accusation by flight, Maxwell would immediately inform the police, and he would be arrested before he could leave England. On the contrary, however, if he faced the charge boldly, and explained the presence of the diamond scarf-pin on the terrace to the satisfaction of the young man, he would not only by doing so clear his own character, but might possibly lead to the capture of the true criminal.
Ferrari agreed, therefore, to grant the interview desired by Maxwell, and tell the truth without betraying Mrs. Belswin's true position towards the dead man in any way; but during this very curious conversation, both the man and the woman asked each other the same question, "Are you guilty?" Mrs. Belswin solemnly swore that she was innocent, and told Ferrari the same story as she had told Dombrain concerning her doings on that night. This explanation satisfied the Italian, and then in response to Mrs. Belswin's question as to his innocence9, he gave an account of how he had passed the night.
"After you departed, carissima," he said, volubly, "I went to seek you, but the time was darkness. Cospetto! how black. I knew not the villaggio, so I returned to the osteria in one few minutes."
"Were you in the hotel before eleven?" demanded Mrs. Belswin, artfully.
"Cara mia, you fled at ten hours. I went. I came back at ten and ten. So I could not have killed Il Marito."
Mrs. Belswin believed this story, as had he been out longer the landlord would certainly have talked about it, and Ferrari would have been arrested at once on suspicion. As it was she felt quite satisfied that he was innocent; and having thus come to a complete understanding with him, she departed.
Mrs. Belswin, therefore, declared that she was innocent.
Ferrari also declared his innocence.
If this were the case who was guilty?
Ah! that was to be revealed the next day to Archie Maxwell.
True to his promise the young man called for Mrs. Belswin at eleven o'clock the following morning; and after a short interview with Kaituna, to whom he talked on the most indifferent subjects, he departed with the companion. Mrs. Belswin was fearfully pale, as all her future depended upon the caution observed by Ferrari; and she was afraid lest, carried away by his impulsive10 southern nature, the Italian should reveal more than was desirable to Maxwell. She was not afraid of being accused of the crime, as Dombrain alone could give evidence as to her being in the room after the murder; and she had a perfect understanding with him; but she was terribly afraid of Maxwell's finding out her true relationship to Kaituna, in which case she would certainly lose the companionship of her child, to retain which she had fought so hard.
Maxwell was also somewhat preoccupied11, as in spite of his desire to think the best of Mrs. Belswin, all her conduct, her hesitations12, her equivocations, appeared so mysterious that he was forced to believe that she knew more than she chose to tell. Her conduct, however, in conducting him to a personal interview with Ferrari, was one argument in her favour, for it never for a moment struck this simple-minded young man that she had in any way prepared the ground beforehand. Perfectly honest and straightforward13 in himself, Maxwell foolishly supposed all other human beings to possess the same desirable qualities; and, in the hands of two practised diplomatists, like the Italian and Mrs. Belswin, he could not possibly hold his own. His life had always been a perfectly open one, and although he was not rich, he had never been put to any shifts for money in any way, consequently his wits had grown somewhat rusty14 from want of exercise. Mrs. Belswin and her friend, however, had led a reckless Bohemian existence, which called for craft, courage, coolness and dexterity15, in a very high degree; therefore they were thoroughly16 competent in dealing17 with a delicate affair like the present, which required subtle management. Still, a blundering blue-bottle often breaks the web spun18 by the craftiest19 spider; so Mrs. Belswin feared lest the straightforward honesty of the young man should rush through all her careful schemes, and by sheer boldness arrive at the truth.
On their arrival at Ferrari's chambers20 he was already waiting for them, and Mrs. Belswin having introduced him to Archie, the three sat down to talk. It was a fencing match, and the third fencer was Maxwell, who not only had two opponents against him, but those same opponents were gifted with powers of attack and parry of which he was completely ignorant.
"You speak English, I see," said Archie to Ferrari, after the first greetings had passed.
"Certainly, signor," replied the Italian, showing his white teeth. "I have been long from Italy? Oh, yes. The estates of America."
"Where I had the pleasure of meeting Signor Ferrari," observed Mrs. Belswin, ceremoniously.
At this the signor bowed, but made no remark, so Maxwell, seeing that he would not commit himself to speech unless questioned, began at once on the main object of the interview.
"Mrs. Belswin, I presume, told you I wished to see you, Signor Ferrari?"
The Italian bowed.
"About an article of jewellery belonging to you?"
Ferrari bowed again.
"Which was found on the terrace at Thornstream, the residence of the late Sir Rupert Pethram?"
The signor bowed for the third time and Maxwell, hot-blooded in all things, began to lose his temper at this persistent21 silence.
"Well, sir," he said, sharply, "perhaps you will be kind enough to inform me how this scarf-pin came to be on the terrace in question."
"One moment," said Ferrari, politely lifting his hand. "Will you kindly22 tell me who found what you have?"
Maxwell hesitated a moment, but seeing no reason why he should conceal23 the part Mrs. Belk had taken in the affair, spoke24 out boldly.
"A woman you don't know--Mrs. Belk."
"Dio!"
"Great Heavens!"
These ejaculations proceeded, the first from Ferrari, the second from Mrs. Belswin, and in hearing them Maxwell looked suspiciously from the one to the other.
"You seem surprised."
"So will you be surprised," said Mrs. Belswin, gloomily, "when you hear what the signor has to tell you."
"I am at Signor Ferrari's service."
"Per Bacco! it is most strange," cried Ferrari, throwing himself back on his sky-blue sofa. "Alfieri himself could have thought nothing so terrible."
"The story, sir, the story."
"Eh, signor, I excite your wonder," said the Italian, equably. "Is it not so? Dio, I myself am lost in fear. Signor, I will tell all."
Maxwell bit his nether25 lip with impatience26 at the leisurely27 way in which Ferrari was acting28, as he saw from the agitation29 of Mrs. Belswin that the name of the woman who had found the scarf-pin moved her powerfully.
"Signor," said Ferrari, gracefully30, "I departed with the signora here to the villagio on the day you saw me. Myself I waited at the osteria you know of, I doubt not. The signora departed to the casa of Il----"
"Of Sir Rupert," interrupted Mrs. Belswin, quickly.
"Grazia, signora. To the casa of Seer Ruperts. I am alone, and I weary of being myself at the osteria. See, then, signor, I take a leetle walk for amusement. I come to the ground of Seer Ruperts, and there I meet a galantuomo, handsome as the Apollo."
"Samson Belk?"
"Yes, the signora tells me that is his name. Well, this large one orders me away from the place. I say 'no,' and he would fight me--the box, signor, you understand. I am not afraid, and I tell him I am not afraid. Then he says, 'I will put you in prison because you are on the estate of Seer Ruperts.' At this I fear. I know not the English laws, so I say, 'Addio, I will go,' but he, signor, answers, 'Not so.' Then what am I to do? I cannot fight that large man; I have not the box. I do not know the English laws, and he may truly place me in prison for being on the grounds of Seer Ruperts. Then, signor, I think, 'Aha, the money!' but not he refuses the money. Again I say, 'Signor, I will give you my pin of diamonds if you let me depart.' He says, 'Alright.' I give him the pin of diamonds. I go away; and that, signor, is all I am informed of."
"But, signor," cried Maxwell, jumping to his feet in a state of uncontrollable agitation, "by this story the diamond pin was in the possession of Belk."
"Cospetto! I believe so!"
"And Belk must have lost it on the terrace."
"Doubtless, signor."
"Great heavens!" said Archie, violently, "his own mother found it. If he committed the crime he is betrayed to the law by his own mother."
"Through ignorance," interposed Mrs. Belswin, quickly.
"Nevertheless it hands her son over to justice. Oh, it's horrible! it's horrible!" and the young man covered his face with his hands.
"I regret this sorrow, signor," said Ferrari, composedly. "Dio, it is a tragedy like Lucrezia Borgia. But I have told you the truth."
"Yes, yes!" muttered Maxwell, resuming his seat; "you could not make up such a horrible thing."
"As to myself, signor," resumed Ferrari, quietly, "if you think a doubt of me, the man of the osteria will tell you I was in the casa on that night."
"But I do not understand, signor," said the Italian, in a perplexed32 tone, looking inquiringly at Mrs. Belswin.
"Oh yes, he can prove an alibi," said that lady, quickly. "The landlord of The Chequers can give evidence as to his being in the house all night."
"I did take a leetle walk."
"A walk!" ejaculated Maxwell, lifting his head.
"But I returned at ten hours," finished Ferrari, triumphantly33. "No, signor, I have nothing to do with this death. I can swear it to your police. The man I spoke to had my diamond. It is found on the terrace. Ebbene! He alone can have lost it there."
"Eh, who knows?"
Mrs. Belswin said nothing. Her eyes were cast down, and she was tapping the ground nervously36 with her foot. The fact is she was in a state of considerable trepidation37, as she fancied she knew the motive Belk had in killing Sir Rupert--a motive of which all but herself were ignorant. Belk loved her. He was in intelligence little raised above the brute38 of the fields; so if he had overheard the interview between herself and Sir Rupert, and seen how ignominiously39 she was treated, he might have--but no, it was too horrible; and with a cry she covered her face with her hands.
"What is the matter, Mrs. Belswin?" asked Maxwell, looking at her quickly.
Mrs. Belswin at once told a lie.
"It's so horrible to think of a mother being the means of her son's death."
"We don't know if he is guilty yet."
"Then how can he explain his presence on the terrace on that night?"
"His presence there does not mean that he committed the crime. He may be able to explain as well as Signor Ferrari."
"You doubt me, signor," cried Ferrari, wrathfully, starting to his feet.
"I have not said so."
"But you think. Dio, I am not blind. Well, if you doubt, bring me to this man, signor. I will make him tell all to you before me."
"Will you, then, come down to Deswarth with me on Sunday?"
"That is to-morrow! eh! yes, signor, I will come."
"And I too, Mr. Maxwell."
"You, Mrs. Belswin?"
"Yes; I cannot believe this horrible thing of that poor young man," said Mrs. Belswin, hurriedly. "I will also come. Do you intend to have Belk arrested on Sunday?"
"No!" cried Maxwell, vehemently40. "I want to hear what he has to say first."
"I'm afraid your nature is too soft for a detective, Mr. Maxwell," said Mrs. Belswin cruelly.
"Do you think so," he answered angrily. "No! But look, Mrs. Belswin, at the horrible position of the case. A mother betrays unconsciously to death the son whom she adores. Oh! it's terrible."
"He may be innocent."
"Per Bacco, I hope so," cried Ferrari, anxiously. "I myself think it is too much a tragedy."
"I will not speak to the police," said Maxwell, taking up his hat. "We three will go to Deswarth together and confront this man. If he is innocent so much the better. If he is guilty----"
"Well?" asked Mrs. Belswin, seeing him pause.
"I will do nothing!"
"Nothing?"
"No. If I took advantage of what Mrs. Belk told me to hang her son, I should never have a moment's peace for the rest of my life!"
"But Kaituna?"
"She will think the same as I do," said Maxwell, quickly. "And you, Mrs. Belswin--surely you would not counsel otherwise?"
"No; I am a mother, and I know how a mother feels for her only child."
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1
nay
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| adv.不；n.反对票，投反对票者 | |
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judgment
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| n.审判；判断力，识别力，看法，意见 | |
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3
heed
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| v.注意，留意；n.注意，留心 | |
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4
peril
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| n.(严重的)危险；危险的事物 | |
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5
accusation
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| n.控告，指责，谴责 | |
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6
perfectly
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| adv.完美地，无可非议地，彻底地 | |
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7
dissuaded
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| 劝（某人）勿做某事，劝阻( dissuade的过去式和过去分词 ) | |
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8
pointed
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| adj.尖的，直截了当的 | |
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9
innocence
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| n.无罪；天真；无害 | |
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10
impulsive
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| adj.冲动的，刺激的；有推动力的 | |
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11
preoccupied
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| adj.全神贯注的，入神的；被抢先占有的；心事重重的v.占据（某人）思想，使对…全神贯注，使专心于( preoccupy的过去式) | |
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12
hesitations
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| n.犹豫( hesitation的名词复数 )；踌躇；犹豫（之事或行为）；口吃 | |
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13
straightforward
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| adj.正直的，坦率的；易懂的，简单的 | |
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14
rusty
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| adj.生锈的；锈色的；荒废了的 | |
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15
dexterity
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| n.(手的)灵巧，灵活 | |
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16
thoroughly
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| adv.完全地，彻底地，十足地 | |
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17
dealing
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| n.经商方法，待人态度 | |
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18
spun
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| v.纺，杜撰，急转身 | |
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19
craftiest
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| 狡猾的，狡诈的( crafty的最高级 ) | |
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20
chambers
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| n.房间( chamber的名词复数 )；（议会的）议院；卧室；会议厅 | |
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21
persistent
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| adj.坚持不懈的，执意的；持续的 | |
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22
kindly
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| adj.和蔼的，温和的，爽快的；adv.温和地，亲切地 | |
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conceal
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| v.隐藏，隐瞒，隐蔽 | |
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spoke
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| n.（车轮的）辐条；轮辐；破坏某人的计划；阻挠某人的行动 v.讲，谈（speak的过去式）；说；演说；从某种观点来说 | |
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25
nether
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| adj.下部的，下面的；n.阴间；下层社会 | |
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impatience
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| n.不耐烦，急躁 | |
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27
leisurely
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| adj.悠闲的；从容的，慢慢的 | |
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28
acting
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| n.演戏，行为，假装；adj.代理的，临时的，演出用的 | |
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agitation
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| n.搅动；搅拌；鼓动，煽动 | |
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30
gracefully
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| ad.大大方方地；优美地 | |
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31
alibi
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| n.某人当时不在犯罪现场的申辩或证明；借口 | |
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32
perplexed
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| adj.不知所措的 | |
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triumphantly
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| ad.得意洋洋地；得胜地；成功地 | |
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motive
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| n.动机，目的；adv.发动的，运动的 | |
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killing
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| n.巨额利润；突然赚大钱，发大财 | |
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36
nervously
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| adv.神情激动地，不安地 | |
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trepidation
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| n.惊恐，惶恐 | |
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brute
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| n.野兽，兽性 | |
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ignominiously
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| adv.耻辱地，屈辱地，丢脸地 | |
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vehemently
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| adv. 热烈地 | |
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sublime
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| adj.崇高的，伟大的；极度的，不顾后果的 | |
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