And, indeed, the more Haskins thought about the matters the more difficult did it appear to set them straight. If he saw Rebb, and the Major held to the story of his ward's madness--as he assuredly would--Gerald felt that, for some time at all events, he could do nothing. Of course, if his theory about the will proved to be correct, and if he could be certain that Rebb was shutting up Mavis in order to enjoy an income which should rightfully be hers, then he could take steps to have the matter inquired into. To make any beginning at all, it was necessary to see Tod Macandrew, so Gerald determined2 to look him up. Just as he did so, the morning post brought a Sunday supper invitation from Mrs. Pelham Odin. This was what Tod would have called a coincidence, but Gerald, believing that nothing happened by chance, saw in the incident a sign pointing to the path he should tread. Directed by the Unseen Powers, who were, he believed, about to unravel3 the mystery, he had not to see Rebb or Mrs. Crosbie immediately, nor had he to proceed at once to Denleigh. His duty was to visit Mrs. Pelham Odin's flat and learn what he could about Charity Bird. If she was related in any way to Mavis Durham--and the marvelous likeness4 between the two girls hinted as much--he might learn from the old actress sufficient of her adopted daughter's past to give him a clue to the intrigues5 of Major Rebb.
It will be seen that Gerald had not proceeded to inquire into the mystery of the coral hand, or Bellaria's fear of the same. He could have learned somewhat about the matter of the trinket by seeing Signor Venosta, who, according to Mrs. Berch, had given the amulet6 to the widow. But Gerald did not know where Venosta lived, and could not make inquiries7 from Mrs. Crosbie without her wanting to know his reasons. Moreover, he desired to solve the mystery of Mavis and of her detention8 before searching into Bellaria's past. Certainly he had a shrewd idea that Mavis' detention, and Bellaria's dread9, and Major Rebb's behavior, and Mrs. Crosbie's possession of the coral hand, were all of a piece, but these were like the separate parts of a puzzle, and he could not fit them together. There was nothing for it but to see if he could find a clue into the labyrinth10 when visiting Mrs. Pelham Odin. He therefore dressed himself with great care, and proceeded in a hansom to Bloomsbury, where the old actress dwelt.
Her abode11 was scarcely a flat, in the accepted sense of the word, but rather a collection of rooms on the first floor of a fine old Georgian mansion12 in Caroline Street. A retired13 butler and his wife, who had been a cook, owned the house, and attended to the various people who dwelt therein. Mrs. Pelham Odin was thus spared the trouble of domestic details, for which--as she said herself--she had no head, and was very comfortably placed at a moderate charge. With the obstinacy14 of old age, she called her abode "my flat," and no argument could persuade her that the name was wrongly applied15.
Haskins entered the large square room with a painted ceiling which was Mrs. Pelham Odin's drawing-room. Adjoining was the dining-room, equally spacious16, while the two bedrooms occupied by the old lady and her adopted daughter were across the landing. The room looked pretty and picturesque17, as Mrs. Pelham Odin had great taste, and did not cram18 her apartments with furniture, or indulge in a multiplicity of patterns on carpet or walls, or on the upholstery of the chairs. A great quantity of flowers adorned19 the room, deftly20 arranged by Charity, and it was lighted with rose-shaded lamps on tall wrought-iron pedestals. On entering the door from the staircase three narrow windows could be seen opposite, opening on to a small balcony, but, as the night was a trifle cold, these were closed, and the yellow curtains were drawn21. The room looked comfortable, and Mrs. Pelham Odin was the most comfortable person in it. She fitted the apartment as a hermit-crab fits its shell.
The actress, with a great sense of the fitness of things, had grown old gracefully--that is, she had not resorted to dye and paint to improve her waning23 looks. She was a small woman, and very stout24, but her dignity was tremendous. In a black velvet25 gown trimmed with lace, that might, or might not have been priceless, with her silvery hair worn in the regal style of Marie Antoinette, with a somewhat massive set of features irradiated by a gracious smile, Mrs. Pelham Odin received her guest as a queen might have done. From a long experience in playing aristocratic old dames26 in comedy, and imperious heroines in tragedy, dignity had become a second nature to the clever old actress. It is said that Gibbon was so long in writing "The Decline and Fall" that he ended in believing himself to be the Roman Empire. In a like manner Mrs. Pelham Odin believed herself to be the Marchioness in Caste, or Helen Macgregor, or Volumnia--perhaps a mixture of the three. She certainly was tremendously dignified27, and no stage manager ever dare to take a liberty with her. She still appeared on the boards when she found a part worthy28 of her grandiose29 style.
"I am glad to see you, Mr. Haskins," said Mrs. Pelham Odin, apparently30 suppressing an inclination31 to use the royal "we," and proffered32 her hand to be shaken or kissed, as the visitor preferred.
Gerald, having something to gain from a little timely flattery, kissed the jeweled fingers. He knew that this old-world attention appealed to Mrs. Pelham Odin as nothing else did. "You are looking--like yourself," he said politely, "I can pay you no higher compliment."
Mrs. Pelham Odin laughed her celebrated33 silvery laugh, which critics always mentioned, and took the stage--that is, she walked the length of the drawing-room. "Ever a courtier, Mr. Haskins. Where did you--living in this present generation of hurry--learn such Versailles manners?"
"From the queen of the English stage, madam."
"From me?" Mrs. Pelham Odin fell into her famous startled fawn34 attitude--also much noticed by critics. "Oh no, no; I am but a humble35 survivor36 of the past."
"And you have survived to show us what grace and dignity once existed."
The old actress fluttered her fan with a gracious smile, and bowed her head to the compliment. "Neither grace nor dignity are necessary in this age of motor cars," she said, sighing. "However, we must take things as they are and be cheerful. You don't ask after Charity?"
"I am too much taken up with you at present, madam."
"Ah, you Irishmen, with your blarney. Well, Charity is in the dining-room with Mr. Macandrew. She is showing him some new photographs of herself, so will not be here for a few minutes, which is just as well."
"Why?" asked Gerald, taking the seat she indicated.
Mrs. Pelham Odin throned herself queenlike on a sofa. "What do you think of Mr. Macandrew?" she asked abruptly37.
"He is the best fellow in the world," replied Haskins promptly38, for he guessed why she asked the question, and was willing to act as Tod's trumpeter, "also he is very clever, and some day will be wealthy."
"Charity wants to marry him."
"And he wants to marry Charity. My dear lady, I knew that years ago."
Mrs. Pelham Odin nodded. "Of course, it is stale news. All the same, I asked you here to chat over the matter. Hitherto, I have set my face against such a marriage, as the match is not a good one for my girl."
Gerald dissented39. "If Miss Bird marries Macandrew she is a lucky young lady, to my mind. He is of good family; he is clever; he has a good profession; and he is an honest man. Certainly he has no money, but----"
"That's just it," interrupted the other, "he has come in lately for a legacy40 of two thousand pounds. That is something, but not much. Still, Charity is so bent41 upon this marriage, that--if you can really swear to all you say about Mr. Macandrew--I am willing to consent."
"I certainly should do so. Come, Mrs. Pelham Odin, don't part two hearts in this cruel way. Let your daughter marry Macandrew."
The actress sighed. "I think I shall have to," she said, after a pause, "circumstances and Charity's will are too strong for me. It shall be as you say." And she held out her hand.
Haskins kissed it again. "I am sure that you will have no cause to regret having taken my advice."
"I hope not, Mr. Haskins. And after all this may be one of those marriages which are said to be made in heaven. But Mr. Macandrew wants to marry Charity at once, and she has yet to fulfil one month's engagement at the Belver Theatre."
"Macandrew can wait for one month, surely."
"He must. Charity cannot break her engagement without paying forfeit42, and the managers will be sorry to lose her. Certainly she has only one dance in The Moon-Fay, but she is a great favorite with the public, and when she retires from the stage she will be greatly missed. I assure you, Mr. Haskins, that Charity is giving up a very brilliant career to become the wife of an obscure solicitor43."
"Macandrew will not always be obscure. He will rise high in his profession, and will make plenty of money."
"Of course Lady Euphemia is against the marriage."
"What of that? Macandrew is the chief person to be considered."
Mrs. Pelham Odin did not pay very strict attention to this speech. Her eyes were on the polished floor, and she was thinking deeply. "I can guess why Lady Euphemia Macandrew disapproves," she said hesitatingly: "my girl is a dancer, for one thing; and she is also a waif."
Haskins looked up suddenly. Mrs. Pelham Odin was touching44 on the very point which he wished to discuss. "You told Macandrew something about that?" he remarked eagerly.
"Yes. Because I wished Mr. Macandrew to know exactly what he was doing, and to tell you the truth, Mr. Haskins, as I did not wish the marriage to take place, I thought that the discovery of Charity's birth might put him off, since he is well born himself."
"Love laughs at rank," said Gerald. "I thought you knew nothing of Miss Bird's birth."
"Nor do I, save that I bought her from a native woman in Calcutta for a small sum. It sounds quite like 'Uncle Tom's Cabin,' doesn't it?" And Mrs. Pelham Odin laughed again in her silvery manner.
"Didn't the woman tell you where she got the child?"
"No--that is, she explained that she had taken over the child from an ayah at Simla. Charity was pretty, and I was sorry to see a European child with a juggler45 and his wife, so I took her with me, and have brought her up as my own daughter, although I did not give her my name."
"Do you ever hope to learn about her parents?"
"No. That is impossible, I fear. It is quite fifteen or sixteen years since I took possession of her. The native woman and the ayah may be dead. Quite a romance, isn't it?"
"I can tell you something even more romantic," said Gerald, "if you will promise to hold your tongue."
"How delightfully46 mysterious you are," cried Mrs. Pelham Odin, in her lively comedy manner. "I promise, of course. Well?"
Haskins thereupon, and without further preamble47, detailed48 the history of his love affair, and commented strongly on the wonderful likeness which existed between the two girls. Mrs. Pelham Odin interrupted him with little cries of astonishment49, but gave no opinion until he finished his recital50. "What do you think of it?" asked Haskins.
"It is like a play! like a melodrama51. But of course there are casual resemblances such as you describe."
"This is more than a casual resemblance," interrupted Gerald quickly: "the two girls might be twins."
"Oh, what a pity that Charity is leaving the stage," said Mrs. Pelham Odin, her theatrical52 instinct uppermost, "a comedy with twin girls in it would draw all the town. And that gives me an idea. I can assist you, if you can swear," she laid her hand on his arm, "that this Mavis Durham is not crazy."
"I can swear, certainly. Would I wish to marry her if she were?"
"Love may laugh at lunatic asylums53 as well as at rank," said the actress merrily, "but if you are certain that the girl is sane54, why not let her take Charity's place in The Moon-Fay?"
Haskins started to his feet. "Are you serious?"
"Of course I am. You want to run away with this girl. If you do, Major Rebb--I know him, and a nasty man he is--will follow you, and make himself unpleasant. What you want to do is to conceal55 the girl somewhere until you can prove that her guardian56 is shutting her up illegally. Well then, Major Rebb must know of the wonderful resemblance of Charity to Mavis. If Charity marries Mr. Macandrew quietly she can go with him to Switzerland for a month's honeymoon57, and even longer. I can teach Mavis the one dance which Charity performs in the ballet at the Belver Theatre, and she can take my girl's place."
"But the theatre people will guess."
"Oh, dear me, no," rejoined Mrs. Pelham Odin promptly. "I always go to the Belver myself to look after Charity. She scarcely speaks to a soul, my dear Mr. Haskins. I can take your Mavis there and back without anyone being the wiser, if the resemblance is as you say."
Gerald caressed58 his chin. "It certainly is an excellent idea," he murmured. "Major Rebb, not knowing of Miss Bird's marriage, would not suspect the substitution. Thank you, Mrs. Pelham Odin, I shall think over the matter. I go down to Devonshire next week, or rather this week."
"I know," the actress nodded; "one always does get mixed up about Sunday being the first day of the week. Well then, go down and make what arrangements you like. If you run away with the girl--and I quite think you should, if only to spite Major Rebb, whom I detest--you cannot conceal her better than in the way I suggest. It is quite a variation of Poe's 'Purloined59 Letter.' The scheme is so daring that it must succeed. But hush60!" she made a dramatic pause, and raised her finger, "here comes Romeo and Juliet. Not a word."
Before Haskins could reply Charity entered from the dining-room with Tod at her heels, and Gerald could not help starting when he saw how wonderfully she resembled the girl shut up in the Pixy's House. She had the same figure, the same coloring, the same graceful22 way of walking. Only in the manner of speaking and in the personality was there a difference, and that would not be noticed by a casual spectator. Charity was more worldly, more material, and--as Gerald thought--less lovable. But then he was prejudiced in favor of the young lady whom he wished to marry: Tod's opinion would have been quite the reverse.
"How are you, Mr. Haskins?" said Charity, offering her hand calmly, "you have not been to see us for years and years."
"All the same, I have been hearing about you," replied Gerald, glancing at Tod, who nodded gaily61. "I have to offer my congratulations."
"Well," said Charity slowly, and looking at Mrs. Pelham Odin, "I am not so sure of that. My mother doesn't----"
"Yes, she does," interposed the actress quickly, and took the girl's hand in her own. "Mr. Macandrew. I bestow62 upon you a priceless treasure," and joining the hands of the two lovers she sank back on the sofa with a tiny lace handkerchief to her eyes. It was very neatly63 done, and only needed limelight and applause to form an effective curtain.
"Oh," cried Tod, clasping Charity's hand convulsively. "Do you mean to say that we can marry?"
"Now that you have enough to keep the wolf from the door I do, my dear Mr. Macandrew, or shall I say James, since you are to be my adopted son-in-law?"
"Not James. Call me Tod."
"That is the Scottish for fox, and you are not foxy."
"Never mind, mother," cried Charity, whose eyes were dancing with delight, "the name of Tod suits him, and Toddy is the name of a Scottish drink."
"Come now; come now," protested Tod, "when I am so sober."
"You ought to be drunk with happiness," said Haskins, laughing.
"Perhaps the poor dear needs food," said Mrs. Pelham Odin, leading the way to the dining-room, "let us see what the cook has done in the way of supper."
"We can talk of these things later," said Mrs. Pelham Odin hurriedly, "in consequence of my age, I think the marriage will have to be a very quiet one."
"Yes," nodded Charity; "I don't want Lady Euphemia to forbid the banns."
"As if she could," cried Macandrew, in the highest spirits.
It was a very merry supper, and Mrs. Pelham Odin drank the health of the future bride and bridegroom in foaming65 champagne66. Also she winked67 in rather an undignified way at Gerald to intimate that she included himself and Mavis in the toast. Then she related various stage experiences connected with her own marriage, and eulogized the late Mr. Pelham Odin.
"He is an angel now," said the widow, and wept, until Gerald made her laugh again.
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1
thwarting
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| 阻挠( thwart的现在分词 )； 使受挫折； 挫败； 横过 | |
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determined
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| adj.坚定的；有决心的 | |
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unravel
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| v.弄清楚（秘密）；拆开，解开，松开 | |
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likeness
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| n.相像，相似（之处） | |
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intrigues
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| n.密谋策划( intrigue的名词复数 )；神秘气氛；引人入胜的复杂情节v.搞阴谋诡计( intrigue的第三人称单数 )；激起…的好奇心 | |
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amulet
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| n.护身符 | |
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inquiries
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| n.调查( inquiry的名词复数 )；疑问；探究；打听 | |
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detention
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| n.滞留，停留；拘留，扣留；(教育)留下 | |
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dread
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| vt.担忧，忧虑；惧怕，不敢；n.担忧，畏惧 | |
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labyrinth
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| n.迷宫；难解的事物；迷路 | |
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abode
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| n.住处，住所 | |
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mansion
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| n.大厦，大楼；宅第 | |
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retired
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| adj.隐退的，退休的，退役的 | |
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obstinacy
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| n.顽固；（病痛等）难治 | |
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applied
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| adj.应用的；v.应用，适用 | |
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spacious
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| adj.广阔的，宽敞的 | |
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picturesque
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| adj.美丽如画的，（语言）生动的，绘声绘色的 | |
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cram
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| v.填塞，塞满，临时抱佛脚，为考试而学习 | |
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adorned
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| [计]被修饰的 | |
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deftly
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| adv.灵巧地，熟练地，敏捷地 | |
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drawn
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| v.拖，拉，拔出；adj.憔悴的，紧张的 | |
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graceful
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| adj.优美的，优雅的；得体的 | |
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waning
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| adj.（月亮）渐亏的，逐渐减弱或变小的n.月亏v.衰落( wane的现在分词 )；（月）亏；变小；变暗淡 | |
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velvet
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| n.丝绒，天鹅绒；adj.丝绒制的，柔软的 | |
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dames
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| n.（在英国）夫人（一种封号），夫人（爵士妻子的称号）( dame的名词复数 )；女人 | |
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dignified
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| a.可敬的，高贵的 | |
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worthy
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| adj.(of)值得的，配得上的；有价值的 | |
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grandiose
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| adj.宏伟的，宏大的，堂皇的，铺张的 | |
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apparently
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| adv.显然地；表面上，似乎 | |
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inclination
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| n.倾斜；点头；弯腰；斜坡；倾度；倾向；爱好 | |
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proffered
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| v.提供，贡献，提出( proffer的过去式和过去分词 ) | |
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celebrated
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| adj.有名的，声誉卓著的 | |
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fawn
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| n.未满周岁的小鹿；v.巴结，奉承 | |
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humble
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| adj.谦卑的，恭顺的；地位低下的；v.降低，贬低 | |
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survivor
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| n.生存者，残存者，幸存者 | |
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abruptly
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| adv.突然地，出其不意地 | |
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promptly
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| adv.及时地，敏捷地 | |
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dissented
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| 不同意，持异议( dissent的过去式和过去分词 ) | |
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legacy
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| n.遗产，遗赠；先人(或过去)留下的东西 | |
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41
bent
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| n.爱好，癖好；adj.弯的；决心的，一心的 | |
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42
forfeit
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| vt.丧失；n.罚金，罚款，没收物 | |
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solicitor
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| n.初级律师，事务律师 | |
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44
touching
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| adj.动人的，使人感伤的 | |
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juggler
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| n. 变戏法者, 行骗者 | |
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46
delightfully
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| 大喜，欣然 | |
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preamble
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| n.前言；序文 | |
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48
detailed
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| adj.详细的，详尽的，极注意细节的，完全的 | |
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49
astonishment
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| n.惊奇，惊异 | |
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50
recital
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| n.朗诵，独奏会，独唱会 | |
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51
melodrama
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| n.音乐剧；情节剧 | |
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52
theatrical
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| adj.剧场的，演戏的；做戏似的，做作的 | |
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53
asylums
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| n.避难所( asylum的名词复数 )；庇护；政治避难；精神病院 | |
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54
sane
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| adj.心智健全的，神志清醒的，明智的，稳健的 | |
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55
conceal
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| v.隐藏，隐瞒，隐蔽 | |
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56
guardian
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| n.监护人；守卫者，保护者 | |
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57
honeymoon
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| n.蜜月（假期）；vi.度蜜月 | |
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58
caressed
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| 爱抚或抚摸…( caress的过去式和过去分词 ) | |
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59
purloined
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| v.偷窃( purloin的过去式和过去分词 ) | |
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60
hush
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| int.嘘，别出声；n.沉默，静寂；v.使安静 | |
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61
gaily
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| adv.欢乐地，高兴地 | |
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62
bestow
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| v.把…赠与，把…授予；花费 | |
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neatly
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| adv.整洁地，干净地，灵巧地，熟练地 | |
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64
giggled
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| v.咯咯地笑( giggle的过去式和过去分词 ) | |
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foaming
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| adj.布满泡沫的；发泡 | |
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champagne
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| n.香槟酒；微黄色 | |
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winked
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| v.使眼色( wink的过去式和过去分词 )；递眼色（表示友好或高兴等）；（指光）闪烁；闪亮 | |
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