Kind letters that betray the heart's deep history,
In which we feel the presence of a hand.
It is interesting to observe the differences in the hands of people. They show all kinds of vitality2, energy, stillness, and cordiality. I never realized how living the hand is until I saw those chill plaster images in Mr. Hutton's collection of casts. The hand I know in life has the fullness of blood in its veins3, and is elastic4 with spirit. How different dear Mr. Hutton's hand was from its dull, insensate image! To me the cast lacks the very form of the hand. Of the many casts in Mr. Hutton's collection I did not recognize any, not even my own. But a loving hand I never forget. I remember in my fingers the large hands of Bishop5 Brooks6, brimful of tenderness and a strong man's joy. If you were deaf and blind, and could have held Mr. Jefferson's hand, you would have seen in it a face and heard a kind voice unlike any other you have known. Mark Twain's hand is full of whimsies7 and the drollest humours, and while you hold it the drollery8 changes to sympathy and championship.
I am told that the words I have just written do not "describe" the hands of my friends, but merely endow them with the kindly9 human qualities which I know they possess, and which language conveys in abstract words. The criticism implies that I am not giving the primary truth of what I feel; but how otherwise do descriptions in books I read, written by men who can see, render the visible look of a face? I read that a face is strong, gentle; that it is full of patience, of intellect; that it is fine, sweet, noble, beautiful. Have I not the same right to use these words in describing what I feel as you have in describing what you see? They express truly what I feel in the hand. I am seldom conscious of physical qualities, and I do not remember whether the fingers of a hand are short or long, or the skin is moist or dry. No more can you, without conscious effort, recall the details of a face, even when you have seen it many times. If you do recall the features, and say that an eye is blue, a chin sharp, a nose short, or a cheek sunken, I fancy that you do not succeed well in giving the impression of the person,—not so well as when you interpret at once to the heart the essential moral qualities of the face—its humour, gravity, sadness, spirituality. If I should tell you in physical terms how a hand feels, you would be no wiser for my account than a blind man to whom you describe a face in detail. Remember that when a blind man recovers his sight, he does not recognize the commonest thing that has been familiar to his touch, the dearest face intimate to his fingers, and it does not help him at all that things and people have been described to him again and again. So you, who are untrained of touch, do not recognize a hand by the grasp; and so, too, any description I might give would fail to make you acquainted with a friendly hand which my fingers have often folded about, and which my affection translates to my memory.
I cannot describe hands under any class or type; there is no democracy of hands. Some hands tell me that they do everything with the maximum of bustle10 and noise. Other hands are fidgety and unadvised, with nervous, fussy11 fingers which indicate a nature sensitive to the little pricks12 of daily life. Sometimes I recognize with foreboding the kindly but stupid hand of one who tells with many words news that is no news. I have met a bishop with a jocose13 hand, a humourist with a hand of leaden gravity, a man of pretentious14 valour with a timorous15 hand, and a quiet, apologetic man with a fist of iron. When I was a little girl I was taken to see[A] a woman who was blind and paralysed. I shall never forget how she held out her small, trembling hand and pressed sympathy into mine. My eyes fill with tears as I think of her. The weariness, pain, darkness, and sweet patience were all to be felt in her thin, wasted, groping, loving hand.
Few people who do not know me will understand, I think, how much I get of the mood of a friend who is engaged in oral conversation with somebody else. My hand follows his motions; I touch his hand, his arm, his face. I can tell when he is full of glee over a good joke which has not been repeated to me, or when he is telling a lively story. One of my friends is rather aggressive, and his hand always announces the coming of a dispute. By his impatient jerk I know he has argument ready for some one. I have felt him start as a sudden recollection or a new idea shot through his mind. I have felt grief in his hand. I have felt his soul wrap itself in darkness majestically16 as in a garment. Another friend has positive, emphatic17 hands which show great pertinacity18 of opinion. She is the only person I know who emphasizes her spelled words and accents them as she emphasizes and accents her spoken words when I read her lips. I like this varied19 emphasis better than the monotonous20 pound of unmodulated people who hammer their meaning into my palm.
Some hands, when they clasp yours, beam and bubble over with gladness. They throb21 and expand with life. Strangers have clasped my hand like that of a long-lost sister. Other people shake hands with me as if with the fear that I may do them mischief22. Such persons hold out civil finger-tips which they permit you to touch, and in the moment of contract they retreat, and inwardly you hope that you will not be called upon again to take that hand of "dormouse valour." It betokens23 a prudish24 mind, ungracious pride, and not seldom mistrust. It is the antipode to the hand of those who have large, lovable natures.
The handshake of some people makes you think of accident and sudden death. Contrast this ill-boding hand with the quick, skilful25, quiet hand of a nurse whom I remember with affection because she took the best care of my teacher. I have clasped the hands of some rich people that spin not and toil26 not, and yet are not beautiful. Beneath their soft, smooth roundness what a chaos27 of undeveloped character!
I am sure there is no hand comparable to the physician's in patient skill, merciful gentleness and splendid certainty. No wonder that Ruskin finds in the sure strokes of the surgeon the perfection of control and delicate precision for the artist to emulate28. If the physician is a man of great nature, there will be healing for the spirit in his touch. This magic touch of well-being29 was in the hand of a dear friend of mine who was our doctor in sickness and health. His happy cordial spirit did his patients good whether they needed medicine or not.
As there are many beauties of the face, so the beauties of the hand are many. Touch has its ecstasies30. The hands of people of strong individuality and sensitiveness are wonderfully mobile. In a glance of their finger-tips they express many shades of thought. Now and again I touch a fine, graceful31, supple-wristed hand which spells with the same beauty and distinction that you must see in the handwriting of some highly cultivated people. I wish you could see how prettily32 little children spell in my hand. They are wild flowers of humanity, and their finger motions wild flowers of speech.
All this is my private science of palmistry, and when I tell your fortune it is by no mysterious intuition or gipsy witchcraft33, but by natural, explicable recognition of the embossed character in your hand. Not only is the hand as easy to recognize as the face, but it reveals its secrets more openly and unconsciously. People control their countenances34, but the hand is under no such restraint. It relaxes and becomes listless when the spirit is low and dejected; the muscles tighten35 when the mind is excited or the heart glad; and permanent qualities stand written on it all the time.
点击收听单词发音
1 perfectly | |
adv.完美地,无可非议地,彻底地 | |
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2 vitality | |
n.活力,生命力,效力 | |
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3 veins | |
n.纹理;矿脉( vein的名词复数 );静脉;叶脉;纹理 | |
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4 elastic | |
n.橡皮圈,松紧带;adj.有弹性的;灵活的 | |
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5 bishop | |
n.主教,(国际象棋)象 | |
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6 brooks | |
n.小溪( brook的名词复数 ) | |
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7 whimsies | |
n.怪念头( whimsy的名词复数 );异想天开;怪脾气;与众不同的幽默感 | |
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8 drollery | |
n.开玩笑,说笑话;滑稽可笑的图画(或故事、小戏等) | |
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9 kindly | |
adj.和蔼的,温和的,爽快的;adv.温和地,亲切地 | |
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10 bustle | |
v.喧扰地忙乱,匆忙,奔忙;n.忙碌;喧闹 | |
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11 fussy | |
adj.为琐事担忧的,过分装饰的,爱挑剔的 | |
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12 pricks | |
刺痛( prick的名词复数 ); 刺孔; 刺痕; 植物的刺 | |
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13 jocose | |
adj.开玩笑的,滑稽的 | |
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14 pretentious | |
adj.自命不凡的,自负的,炫耀的 | |
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15 timorous | |
adj.胆怯的,胆小的 | |
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16 majestically | |
雄伟地; 庄重地; 威严地; 崇高地 | |
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17 emphatic | |
adj.强调的,着重的;无可置疑的,明显的 | |
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18 pertinacity | |
n.执拗,顽固 | |
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19 varied | |
adj.多样的,多变化的 | |
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20 monotonous | |
adj.单调的,一成不变的,使人厌倦的 | |
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21 throb | |
v.震颤,颤动;(急速强烈地)跳动,搏动 | |
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22 mischief | |
n.损害,伤害,危害;恶作剧,捣蛋,胡闹 | |
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23 betokens | |
v.预示,表示( betoken的第三人称单数 ) | |
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24 prudish | |
adj.装淑女样子的,装规矩的,过分规矩的;adv.过分拘谨地 | |
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25 skilful | |
(=skillful)adj.灵巧的,熟练的 | |
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26 toil | |
vi.辛劳工作,艰难地行动;n.苦工,难事 | |
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27 chaos | |
n.混乱,无秩序 | |
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28 emulate | |
v.努力赶上或超越,与…竞争;效仿 | |
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29 well-being | |
n.安康,安乐,幸福 | |
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30 ecstasies | |
狂喜( ecstasy的名词复数 ); 出神; 入迷; 迷幻药 | |
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31 graceful | |
adj.优美的,优雅的;得体的 | |
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32 prettily | |
adv.优美地;可爱地 | |
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33 witchcraft | |
n.魔法,巫术 | |
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34 countenances | |
n.面容( countenance的名词复数 );表情;镇静;道义支持 | |
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35 tighten | |
v.(使)变紧;(使)绷紧 | |
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