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CHAPTER XVI
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 The art world of New York is peculiar1. It was then and for some time after, broken up into cliques2 with scarcely any unity3. There was a world of sculptors4, for instance, in which some thirty or forty sculptors had part—but they knew each other slightly, criticised each other severely5 and retired6 for the most part into a background of relatives and friends. There was a painting world, as distinguished7 from an illustrating8 world, in which perhaps a thousand alleged9 artists, perhaps more, took part. Most of these were men and women who had some ability—enough to have their pictures hung at the National Academy of Design exhibition—to sell some pictures, get some decorative10 work to do, paint some portraits. There were studio buildings scattered11 about various portions of the city; in Washington Square; in Ninth and Tenth Streets; in odd places, such as Macdougal Alley12 and occasional cross streets from Washington Square to Fifty-ninth Street, which were filled with painters, illustrators, sculptors and craftsmen13 in art generally. This painting world had more unity than the world of sculptors and, in a way, included the latter. There were several art clubs—the Salmagundi, the Kit-Kat and the Lotus—and there were a number of exhibitions, ink, water color, oil, with their reception nights where artists could meet and exchange the courtesies and friendship of their world. In addition to this there were little communal14 groups such as those who resided in the Tenth Street studios; the Twenty-third Street Y. M. C. A.; the Van Dyck studios, and so on. It was possible to find little crowds, now and then, that harmonized well enough for a time and to get into a group, if, to use a colloquialism15, one belonged. If you did not, art life in New York might be a very dreary16 thing and one might go a long time without finding just the particular crowd with which to associate.
 
Beside the painting world there was the illustrating world, made up of beginners and those who had established themselves firmly in editorial favor. These were not necessarily a part of the painting or sculpture worlds and yet, in spirit, were allied17 to them, had their clubs also, and their studios were in the various neighborhoods where the painters and sculptors were. The only difference was that in the case of the embryo18 illustrators they were to be found living three or four in one studio, partly  because of the saving in expense, but also because of the love of companionship and because they could hearten and correct one another in their work. A number of such interesting groups were in existence when Eugene arrived, but of course he did not know of them.
 
It takes time for the beginner to get a hearing anywhere. We all have to serve an apprenticeship19, whatever field we enter. Eugene had talent and determination, but no experience, no savoir faire, no circle of friends and acquaintances. The whole city was strange and cold, and if he had not immediately fallen desperately21 in love with it as a spectacle he would have been unconscionably lonely and unhappy. As it was the great fresh squares, such as Washington, union and Madison; the great streets, such as Broadway, Fifth Avenue and Sixth Avenue; the great spectacles, such as the Bowery at night, the East River, the water front, the Battery, all fascinated him with an unchanging glamor22.
 
He was hypnotized by the wonder of this thing—the beauty of it. Such seething23 masses of people! such whirlpools of life! The great hotels, the opera, the theatres, the restaurants, all gripped him with a sense of beauty. These lovely women in magnificent gowns; these swarms24 of cabs, with golden eyes, like monstrous25 insects; this ebb26 and surge of life at morning and evening, made him forget his loneliness. He had no money to spend, no immediate20 hope of a successful career, he could walk these streets, look in these windows, admire these beautiful women; thrill at the daily newspaper announcements of almost hourly successes in one field or another. Here and there in the news an author had made a great success with a book; a scientist with a discovery; a philosopher with a new theory; a financier with an investment. There was news of great plays being put on; great actors and actresses coming from abroad; great successes being made by débutantes in society; great movements forwarded generally. Youth and ambition had the call—he saw that. It was only a question of time, if you had talent, when you would get your hearing. He longed ardently27 for his but he had no feeling that it was coming to him quickly, so he got the blues28. It was a long road to travel.
 
One of his pet diversions these days and nights was to walk the streets in rain or fog or snow. The city appealed to him, wet or white, particularly the public squares. He saw Fifth Avenue once in a driving snowstorm and under sputtering29 arc lights, and he hurried to his easel next morning to see if he could not put it down in black and white. It was unsuccessful, or at least  he felt so, for after an hour of trying he threw it aside in disgust. But these spectacles were drawing him. He was wanting to do them—wanting to see them shown somewhere in color. Possible success was a solace30 at a time when all he could pay for a meal was fifteen cents and he had no place to go and not a soul with whom to talk.
 
It was an interesting phase of Eugene's character that he had a passion for financial independence. He might have written home from Chicago at times when he was hard pressed; he might have borrowed some money from his father now, but preferred to earn it—to appear to be further along than he was. If anyone had asked him he would have said he was doing fine. Practically he so wrote to Angela, giving as an excuse for further delay that he wanted to wait until he had ample means. He was trying all this time to make his two hundred dollars go as far as possible and to add to it by any little commissions he could get, however small. He figured his expenses down to ten dollars a week and managed to stay within that sum.
 
The particular building in which he had settled was really not a studio building but an old, run-down boarding and apartment house turned partially31 to uses of trade. The top floor contained three fair sized rooms and two hall bedrooms, all occupied by lonely individuals plying32 some craft or other. Eugene's next door neighbor chanced to be a hack33 illustrator, who had had his training in Boston and had set up his easel here in the hope of making a living. There were not many exchanges of courtesies between them at first, although, the door being open the second day he arrived, he saw that an artist worked there, for the easel was visible.
 
No models applying at first he decided34 to appeal to the Art Students' League. He called on the Secretary and was given the names of four, who replied to postal35 cards from him. One he selected, a young Swedish American girl who looked somewhat like the character in the story he had in mind. She was neat and attractive, with dark hair, a straight nose and pointed36 chin, and Eugene immediately conceived a liking37 for her. He was ashamed of his surroundings, however, and consequently diffident. This particular model was properly distant, and he finished his pictures with as much expedition and as little expense as he possibly could.
 
Eugene was not given to scraping odd acquaintances, though he made friends fast enough when the balance of intellect was right. In Chicago he had become friendly with several young artists as a result of working with them at the Institute, but here  he knew no one, having come without introductions. He did become acquainted with his neighbor, Philip Shotmeyer. He wanted to find out about local art life from him, but Shotmeyer was not brilliant, and could not supply him with more than minor38 details of what Eugene desired to know. Through him he learnt a little of studio regions, art personalities39; the fact that young beginners worked in groups. Shotmeyer had been in such a group the year before, though why he was alone now he did not say. He sold drawings to some of the minor magazines, better magazines than Eugene had yet had dealings with. One thing he did at once for Eugene which was very helpful: he admired his work. He saw, as had others before him, something of his peculiar distinction as an artist, attended every show and one day he gave him a suggestion which was the beginning of Eugene's successful magazine career. Eugene was working on one of his street scenes—a task which he invariably essayed when he had nothing else to do. Shotmeyer had drifted in and was following the strokes of his brush as he attempted to portray40 a mass of East Side working girls flooding the streets after six o'clock. There were dark walls of buildings, a flaring41 gas lamp or two, some yellow lighted shop windows, and many shaded, half seen faces—bare suggestions of souls and pulsing life.
 
"Say," said Shotmeyer at one point, "that kind o' looks like the real thing to me. I've seen a crowd like that."
 
"Have you?" replied Eugene.
 
"You ought to be able to get some magazine to use that as a frontispiece. Why don't you try Truth with that?"
 
"Truth" was a weekly which Eugene, along with many others in the West, had admired greatly because it ran a double page color insert every week and occasionally used scenes of this character. Somehow he always needed a shove of this kind to make him act when he was drifting. He put more enthusiasm into his work because of Shotmeyer's remark, and when it was done decided to carry it to the office of Truth. The Art Director approved it on sight, though he said nothing, but carried it in to the Editor.
 
"Here's a thing that I consider a find in its way."
 
He set it proudly upon the editorial desk.
 
"Say," said the Editor, laying down a manuscript, "that's the real thing, isn't it? Who did that?"
 
"A young fellow by the name of Witla, who has just blown in here. He looks like the real thing to me."
 
"Say," went on the Editor, "look at the suggestion of faces  back there! What? Reminds me just a little of the masses in Doré stuff—It's good, isn't it?"
 
"It's fine," echoed the Art Director. "I think he's a comer, if nothing happens to him. We ought to get a few centre pages out of him."
 
"How much does he want for this?"
 
"Oh, he doesn't know. He'll take almost anything. I'll give him seventy-five dollars."
 
"That's all right," said the Editor as the Art Director took the drawing down. "There's something new there. You ought to hang on to him."
 
"I will," replied his associate. "He's young yet. He doesn't want to be encouraged too much."
 
He went out, pulling a solemn countenance42.
 
"I like this fairly well," he said. "We may be able to find room for it. I'll send you a check shortly if you'll let me have your address."
 
Eugene gave it. His heart was beating a gay tattoo43 in his chest. He did not think anything of price, in fact it did not occur to him. All that was in his mind was the picture as a double page spread. So he had really sold one after all and to Truth! Now he could honestly say he had made some progress. Now he could write Angela and tell her. He could send her copies when it came out. He could really have something to point to after this and best of all, now he knew he could do street scenes.
 
He went out into the street treading not the grey stone pavement but air. He threw back his head and breathed deep. He thought of other scenes like this which he could do. His dreams were beginning to be realized—he, Eugene Witla, the painter of a double page spread in Truth! Already he was doing a whole series in his imagination, all he had ever dreamed of. He wanted to run and tell Shotmeyer—to buy him a good meal. He almost loved him, commonplace hack that he was—because he had suggested to him the right thing to do.
 
"Say, Shotmeyer," he said, sticking his head in that worthy's door, "you and I eat tonight. Truth took that drawing."
 
"Isn't that fine," said his floor-mate, without a trace of envy. "Well, I'm glad. I thought they'd like it."
 
Eugene could have cried. Poor Shotmeyer! He wasn't a good artist, but he had a good heart. He would never forget him.
 

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1 peculiar cinyo     
adj.古怪的,异常的;特殊的,特有的
参考例句:
  • He walks in a peculiar fashion.他走路的样子很奇特。
  • He looked at me with a very peculiar expression.他用一种很奇怪的表情看着我。
2 cliques 5c4ad705fea1aae5fc295ede865b8921     
n.小集团,小圈子,派系( clique的名词复数 )
参考例句:
  • All traitorous persons and cliques came to no good end. 所有的叛徒及叛徒集团都没好下场。 来自《简明英汉词典》
  • They formed cliques and carried arms expansion and war preparations. 他们拉帮结派,扩军备战。 来自互联网
3 unity 4kQwT     
n.团结,联合,统一;和睦,协调
参考例句:
  • When we speak of unity,we do not mean unprincipled peace.所谓团结,并非一团和气。
  • We must strengthen our unity in the face of powerful enemies.大敌当前,我们必须加强团结。
4 sculptors 55fe6a2a17f97fa90175d8545e7fd3e2     
雕刻家,雕塑家( sculptor的名词复数 ); [天]玉夫座
参考例句:
  • He is one of Britain's best-known sculptors. 他是英国最有名的雕塑家之一。
  • Painters and sculptors are indexed separately. 画家和雕刻家被分开,分别做了索引。
5 severely SiCzmk     
adv.严格地;严厉地;非常恶劣地
参考例句:
  • He was severely criticized and removed from his post.他受到了严厉的批评并且被撤了职。
  • He is severely put down for his careless work.他因工作上的粗心大意而受到了严厉的批评。
6 retired Njhzyv     
adj.隐退的,退休的,退役的
参考例句:
  • The old man retired to the country for rest.这位老人下乡休息去了。
  • Many retired people take up gardening as a hobby.许多退休的人都以从事园艺为嗜好。
7 distinguished wu9z3v     
adj.卓越的,杰出的,著名的
参考例句:
  • Elephants are distinguished from other animals by their long noses.大象以其长长的鼻子显示出与其他动物的不同。
  • A banquet was given in honor of the distinguished guests.宴会是为了向贵宾们致敬而举行的。
8 illustrating a99f5be8a18291b13baa6ba429f04101     
给…加插图( illustrate的现在分词 ); 说明; 表明; (用示例、图画等)说明
参考例句:
  • He upstaged the other speakers by illustrating his talk with slides. 他演讲中配上幻灯片,比其他演讲人更吸引听众。
  • Material illustrating detailed structure of graptolites has been etched from limestone by means of hydrofluoric acid. 表明笔石详细构造的物质是利用氢氟酸从石灰岩中侵蚀出来。
9 alleged gzaz3i     
a.被指控的,嫌疑的
参考例句:
  • It was alleged that he had taken bribes while in office. 他被指称在任时收受贿赂。
  • alleged irregularities in the election campaign 被指称竞选运动中的不正当行为
10 decorative bxtxc     
adj.装饰的,可作装饰的
参考例句:
  • This ware is suitable for decorative purpose but unsuitable for utility.这种器皿中看不中用。
  • The style is ornate and highly decorative.这种风格很华丽,而且装饰效果很好。
11 scattered 7jgzKF     
adj.分散的,稀疏的;散步的;疏疏落落的
参考例句:
  • Gathering up his scattered papers,he pushed them into his case.他把散乱的文件收拾起来,塞进文件夹里。
12 alley Cx2zK     
n.小巷,胡同;小径,小路
参考例句:
  • We live in the same alley.我们住在同一条小巷里。
  • The blind alley ended in a brick wall.这条死胡同的尽头是砖墙。
13 craftsmen craftsmen     
n. 技工
参考例句:
  • rugs handmade by local craftsmen 由当地工艺师手工制作的小地毯
  • The craftsmen have ensured faithful reproduction of the original painting. 工匠保证要复制一幅最接近原作的画。
14 communal VbcyU     
adj.公有的,公共的,公社的,公社制的
参考例句:
  • There was a communal toilet on the landing for the four flats.在楼梯平台上有一处公共卫生间供4套公寓使用。
  • The toilets and other communal facilities were in a shocking state.厕所及其他公共设施的状况极其糟糕。
15 colloquialism 0boyF     
n.俗话,白话,口语
参考例句:
  • The writer aerateed his writing with a persuasive colloquialism.作者用一种有说服力的口语体使他的文章显得生动。
  • Her speech is informal and filled with colloquialism.她的演讲是非正式的,很口语化。
16 dreary sk1z6     
adj.令人沮丧的,沉闷的,单调乏味的
参考例句:
  • They live such dreary lives.他们的生活如此乏味。
  • She was tired of hearing the same dreary tale of drunkenness and violence.她听够了那些关于酗酒和暴力的乏味故事。
17 allied iLtys     
adj.协约国的;同盟国的
参考例句:
  • Britain was allied with the United States many times in history.历史上英国曾多次与美国结盟。
  • Allied forces sustained heavy losses in the first few weeks of the campaign.同盟国在最初几周内遭受了巨大的损失。
18 embryo upAxt     
n.胚胎,萌芽的事物
参考例句:
  • They are engaging in an embryo research.他们正在进行一项胚胎研究。
  • The project was barely in embryo.该计划只是个雏形。
19 apprenticeship 4NLyv     
n.学徒身份;学徒期
参考例句:
  • She was in the second year of her apprenticeship as a carpenter. 她当木工学徒已是第二年了。
  • He served his apprenticeship with Bob. 他跟鲍勃当学徒。
20 immediate aapxh     
adj.立即的;直接的,最接近的;紧靠的
参考例句:
  • His immediate neighbours felt it their duty to call.他的近邻认为他们有责任去拜访。
  • We declared ourselves for the immediate convocation of the meeting.我们主张立即召开这个会议。
21 desperately cu7znp     
adv.极度渴望地,绝望地,孤注一掷地
参考例句:
  • He was desperately seeking a way to see her again.他正拼命想办法再见她一面。
  • He longed desperately to be back at home.他非常渴望回家。
22 glamor feSzv     
n.魅力,吸引力
参考例句:
  • His performance fully displayed the infinite glamor of Chinese dance.他的表演充分展示了中华舞蹈的无穷魅力。
  • The glamor of the East was brought to international prominence by the Russion national school.俄罗斯民族学派使东方的魅力产生了国际性的影响。
23 seething e6f773e71251620fed3d8d4245606fcf     
沸腾的,火热的
参考例句:
  • The stadium was a seething cauldron of emotion. 体育场内群情沸腾。
  • The meeting hall was seething at once. 会场上顿时沸腾起来了。
24 swarms 73349eba464af74f8ce6c65b07a6114c     
蜂群,一大群( swarm的名词复数 )
参考例句:
  • They came to town in swarms. 他们蜂拥来到城里。
  • On June the first there were swarms of children playing in the park. 6月1日那一天,这个公园里有一群群的孩子玩耍。
25 monstrous vwFyM     
adj.巨大的;恐怖的;可耻的,丢脸的
参考例句:
  • The smoke began to whirl and grew into a monstrous column.浓烟开始盘旋上升,形成了一个巨大的烟柱。
  • Your behaviour in class is monstrous!你在课堂上的行为真是丢人!
26 ebb ebb     
vi.衰退,减退;n.处于低潮,处于衰退状态
参考例句:
  • The flood and ebb tides alternates with each other.涨潮和落潮交替更迭。
  • They swam till the tide began to ebb.他们一直游到开始退潮。
27 ardently 8yGzx8     
adv.热心地,热烈地
参考例句:
  • The preacher is disserveing the very religion in which he ardently believe. 那传教士在损害他所热烈信奉的宗教。 来自辞典例句
  • However ardently they love, however intimate their union, they are never one. 无论他们的相爱多么热烈,无论他们的关系多么亲密,他们决不可能合而为一。 来自辞典例句
28 blues blues     
n.抑郁,沮丧;布鲁斯音乐
参考例句:
  • She was in the back of a smoky bar singing the blues.她在烟雾弥漫的酒吧深处唱着布鲁斯歌曲。
  • He was in the blues on account of his failure in business.他因事业失败而意志消沉。
29 sputtering 60baa9a92850944a75456c0cb7ae5c34     
n.反应溅射法;飞溅;阴极真空喷镀;喷射v.唾沫飞溅( sputter的现在分词 );发劈啪声;喷出;飞溅出
参考例句:
  • A wick was sputtering feebly in a dish of oil. 瓦油灯上结了一个大灯花,使微弱的灯光变得更加阴暗。 来自汉英文学 - 家(1-26) - 家(1-26)
  • Jack ran up to the referee, sputtering protest. 贾克跑到裁判跟前,唾沫飞溅地提出抗议。 来自辞典例句
30 solace uFFzc     
n.安慰;v.使快乐;vt.安慰(物),缓和
参考例句:
  • They sought solace in religion from the harshness of their everyday lives.他们日常生活很艰难,就在宗教中寻求安慰。
  • His acting career took a nosedive and he turned to drink for solace.演艺事业突然一落千丈,他便借酒浇愁。
31 partially yL7xm     
adv.部分地,从某些方面讲
参考例句:
  • The door was partially concealed by the drapes.门有一部分被门帘遮住了。
  • The police managed to restore calm and the curfew was partially lifted.警方设法恢复了平静,宵禁部分解除。
32 plying b2836f18a4e99062f56b2ed29640d9cf     
v.使用(工具)( ply的现在分词 );经常供应(食物、饮料);固定往来;经营生意
参考例句:
  • All manner of hawkers and street sellers were plying their trade. 形形色色的沿街小贩都在做着自己的买卖。 来自《简明英汉词典》
  • It was rather Mrs. Wang who led the conversation, plying Miss Liu with questions. 倒是汪太太谈锋甚健,向刘小姐问长问短。 来自汉英文学 - 围城
33 hack BQJz2     
n.劈,砍,出租马车;v.劈,砍,干咳
参考例句:
  • He made a hack at the log.他朝圆木上砍了一下。
  • Early settlers had to hack out a clearing in the forest where they could grow crops.早期移民不得不在森林里劈出空地种庄稼。
34 decided lvqzZd     
adj.决定了的,坚决的;明显的,明确的
参考例句:
  • This gave them a decided advantage over their opponents.这使他们比对手具有明显的优势。
  • There is a decided difference between British and Chinese way of greeting.英国人和中国人打招呼的方式有很明显的区别。
35 postal EP0xt     
adj.邮政的,邮局的
参考例句:
  • A postal network now covers the whole country.邮路遍及全国。
  • Remember to use postal code.勿忘使用邮政编码。
36 pointed Il8zB4     
adj.尖的,直截了当的
参考例句:
  • He gave me a very sharp pointed pencil.他给我一支削得非常尖的铅笔。
  • She wished to show Mrs.John Dashwood by this pointed invitation to her brother.她想通过对达茨伍德夫人提出直截了当的邀请向她的哥哥表示出来。
37 liking mpXzQ5     
n.爱好;嗜好;喜欢
参考例句:
  • The word palate also means taste or liking.Palate这个词也有“口味”或“嗜好”的意思。
  • I must admit I have no liking for exaggeration.我必须承认我不喜欢夸大其词。
38 minor e7fzR     
adj.较小(少)的,较次要的;n.辅修学科;vi.辅修
参考例句:
  • The young actor was given a minor part in the new play.年轻的男演员在这出新戏里被分派担任一个小角色。
  • I gave him a minor share of my wealth.我把小部分财产给了他。
39 personalities ylOzsg     
n. 诽谤,(对某人容貌、性格等所进行的)人身攻击; 人身攻击;人格, 个性, 名人( personality的名词复数 )
参考例句:
  • There seemed to be a degree of personalities in her remarks.她话里有些人身攻击的成分。
  • Personalities are not in good taste in general conversation.在一般的谈话中诽谤他人是不高尚的。
40 portray mPLxy     
v.描写,描述;画(人物、景象等)
参考例句:
  • It is difficult to portray feelings in words.感情很难用言语来描写。
  • Can you portray the best and worst aspects of this job?您能描述一下这份工作最好与最坏的方面吗?
41 flaring Bswzxn     
a.火焰摇曳的,过份艳丽的
参考例句:
  • A vulgar flaring paper adorned the walls. 墙壁上装饰着廉价的花纸。
  • Goebbels was flaring up at me. 戈塔尔当时已对我面呈愠色。
42 countenance iztxc     
n.脸色,面容;面部表情;vt.支持,赞同
参考例句:
  • At the sight of this photograph he changed his countenance.他一看见这张照片脸色就变了。
  • I made a fierce countenance as if I would eat him alive.我脸色恶狠狠地,仿佛要把他活生生地吞下去。
43 tattoo LIDzk     
n.纹身,(皮肤上的)刺花纹;vt.刺花纹于
参考例句:
  • I've decided to get my tattoo removed.我已经决定去掉我身上的纹身。
  • He had a tattoo on the back of his hand.他手背上刺有花纹。


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