The stage scene flamed extravagantly1 with crude orange and viridian light, a rectangle of bedazzling illumination; on the boards, in the midst of great width, with great depth behind them and arching height above, tiny squeaking2 figures ogled3 the primeval passion in gesture and innuendo4. From the arc of the upper circle convergent5 beams of light pierced through gloom and broke violently on this group of the half-clad lovely and the swathed grotesque6. The group did not quail7. In fullest publicity8 it was licensed9 to say that which in private could not be said where men and women meet, and that which could not be printed. It gave a voice to the silent appeal of pictures and posters and illustrated10 weeklies all over the town; it disturbed the silence of the most secret groves11 in the vast, undiscovered hearts of men and women young and old. The half-clad lovely were protected from the satyrs in the audience by an impalpable screen made of light and of ascending12 music in which strings13, brass14, and concussion15 exemplified the naïve sensuality of lyrical niggers. The guffaw16 which, occasionally leaping sharply out of the dim, mysterious auditorium17, surged round the silhouetted18 conductor and drove like a cyclone19 between the barriers of plush and gilt20 and fat cupids on to the stage—this huge guffaw seemed to indicate what might have happened if the magic protection of the impalpable screen had not been there.
Behind the audience came the restless Promenade21, where was the reality which the stage reflected. There it was, multitudinous, obtainable, seizable, dumbly imploring22 to be carried off. The stage, very daring, yet dared no more than hint at the existence of the bright and joyous23 reality. But there it was, under the same roof.
Christine entered with Madame Larivaudière. Between shoulders and broad hats, as through a telescope, she glimpsed in the far distance the illusive24, glowing oblong of the stage; then the silhouetted conductor and the tops of instruments; then the dark, curved concentric rows of spectators. Lastly she took in the Promenade, in which she stood. She surveyed the Promenade with a professional eye. It instantly shocked her, not as it might have shocked one ignorant of human nature and history, but by reason of its frigidity25, its constraint26, its solemnity, its pretence27. In one glance she embraced all the figures, moving or stationary28, against the hedge of shoulders in front and against the mirrors behind—all of them: the programme girls, the cigarette girls, the chocolate girls, the cloak-room girls, the waiters, the overseers, as well as the vivid courtesans and their clientèle in black, tweed, or khaki. With scarcely an exception they all had the same strange look, the same absence of gesture. They were northern, blond, self-contained, terribly impassive. Christine impulsively29 exclaimed—and the faint cry was dragged out of her, out of the bottom of her heart, by what she saw:
"My god! How mournful it is!"
Lise Larivaudière, a stout30 and benevolent31 Bruxelloise, agreed with uncomprehending indulgence. The two chatted together for a few moments, each ceremoniously addressing the other as "Madame," "Madame," and then they parted, insinuating32 themselves separately into the slow, confused traffic of the Promenade.
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1 extravagantly | |
adv.挥霍无度地 | |
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2 squeaking | |
v.短促地尖叫( squeak的现在分词 );吱吱叫;告密;充当告密者 | |
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3 ogled | |
v.(向…)抛媚眼,送秋波( ogle的过去式和过去分词 ) | |
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4 innuendo | |
n.暗指,讽刺 | |
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5 convergent | |
adj.会聚的 | |
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6 grotesque | |
adj.怪诞的,丑陋的;n.怪诞的图案,怪人(物) | |
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7 quail | |
n.鹌鹑;vi.畏惧,颤抖 | |
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8 publicity | |
n.众所周知,闻名;宣传,广告 | |
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9 licensed | |
adj.得到许可的v.许可,颁发执照(license的过去式和过去分词) | |
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10 illustrated | |
adj. 有插图的,列举的 动词illustrate的过去式和过去分词 | |
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11 groves | |
树丛,小树林( grove的名词复数 ) | |
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12 ascending | |
adj.上升的,向上的 | |
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13 strings | |
n.弦 | |
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14 brass | |
n.黄铜;黄铜器,铜管乐器 | |
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15 concussion | |
n.脑震荡;震动 | |
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16 guffaw | |
n.哄笑;突然的大笑 | |
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17 auditorium | |
n.观众席,听众席;会堂,礼堂 | |
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18 silhouetted | |
显出轮廓的,显示影像的 | |
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19 cyclone | |
n.旋风,龙卷风 | |
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20 gilt | |
adj.镀金的;n.金边证券 | |
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21 promenade | |
n./v.散步 | |
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22 imploring | |
恳求的,哀求的 | |
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23 joyous | |
adj.充满快乐的;令人高兴的 | |
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24 illusive | |
adj.迷惑人的,错觉的 | |
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25 frigidity | |
n.寒冷;冷淡;索然无味;(尤指妇女的)性感缺失 | |
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26 constraint | |
n.(on)约束,限制;限制(或约束)性的事物 | |
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27 pretence | |
n.假装,作假;借口,口实;虚伪;虚饰 | |
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28 stationary | |
adj.固定的,静止不动的 | |
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29 impulsively | |
adv.冲动地 | |
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31 benevolent | |
adj.仁慈的,乐善好施的 | |
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32 insinuating | |
adj.曲意巴结的,暗示的v.暗示( insinuate的现在分词 );巧妙或迂回地潜入;(使)缓慢进入;慢慢伸入 | |
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