And Audrey was now of the Quarter. Many simple sojourners in the Quarter tried to imply the Latin Quarter when they said the Quarter. But the Quarter was only the Montparnasse Quarter. Nevertheless, it sufficed. It had its own boulevards, restaurants, cafés, concerts, theatres, palaces, shops, gardens, museums, and churches. There was no need to leave it, and if you were a proper amateur of the Quarter, you never did leave it save to scoff4 at other Quarters. Sometimes you fringed the Latin Quarter in the big cafés of the Boulevard St. Michel, and sometimes you strolled northwards as far as the Seine, and occasionally even crossed the Seine in order to enter the Louvre, which lined the other bank, but you did not go any farther. Why should you?
Audrey had become so acclimatised to the Quarter that Miss Nickall’s studio seemed her natural home. It was very typically a woman’s studio of the Quarter. About thirty feet each way and fourteen feet high, with certain irregularities of shape, it was divided into corners. There were the two bed-corners, which were lounge-corners during the day; the afternoon-tea corner, with a piece or two of antique furniture and some old silk hangings, where on high afternoons tea was given to droves of visitors; and there was the culinary corner, with spirit-lamps, gas-rings, kettles, and a bowl or two over which you might spend a couple of arduous5 hours in ineffectually whipping up a mayonnaise for an impromptu6 lunch. Artistic7 operations were carried out in the middle of the studio, not too far from the stove, which never went out from November to May. A large mirror hung paramount8 on one wall. The remaining spaces of the studio were filled with old easels, canvases, old frames, old costumes and multifarious other properties for pictures, trunks, lamps, boards, tables, and bric-à-brac bought at the Ham-and-Old-Iron Fair. There were a million objects in the studio, and their situations had to be, and were, learnt off by heart. The scene of the toilette was a small attached chamber10.
The housekeeping combined the simplicity11 of the early Christians12 with the efficient organising of the twentieth century. It began at about half-past seven, when unseen but heard beings left fresh rolls and the New York Herald13 or the Daily Mail at the studio door. You made your own bed, just as you cleaned your own boots or washed your own face. The larder14 consisted of tins of coffee, tea, sugar, and cakes, with an intermittent15 supply of butter and lemons. The infusing of tea and coffee was practised in perfection. It mattered not in the least whether toilette or breakfast came first, but it was exceedingly important that the care of the stove should precede both. Between ten and eleven the concierge16’s wife arrived with tools and utensils17; she swept and dusted under a considerable percentage of the million objects—and the responsibilities of housekeeping were finished until the next day, for afternoon tea, if it occurred, was a diversion and not a toil9.
A great expanse of twelve to fifteen hours lay in front of you. It was not uncomfortably and unchangeably cut into fixed18 portions by the incidence of lunch and dinner. You ate when you felt inclined to eat, and nearly always at restaurants where you met your acquaintances. Meals were the least important happenings of the day. You had no reliable watch, and you needed none, for you had no fixed programme. You worked till you had had enough of work. You went forth19 into the world exactly when the idea took you. If you were bored, you found a friend and went to sit in a café. You were ready for anything. The word “rule” had been omitted from your dictionary. You retired20 to bed when the still small voice within murmured that there was naught21 else to do. You woke up in the morning amid cups and saucers, lingerie, masterpieces, and boots. And the next day was the same. All the days were the same. Weeks passed with inexpressible rapidity, and all things beyond the Quarter had the quality of vague murmurings and noises behind the scenes.
May had come. Audrey and Miss Ingate had lived in the studio for six months before they realised that they had settled down there and that habits had been formed. Still, they had accomplished22 something. Miss Ingate had gone back into oils and was attending life classes, and Audrey, by terrible application and by sitting daily at the feet of an oldish lady in black, and by refusing to speak English between breakfast and dinner, had acquired a good accent and much fluency23 in the French tongue. Now, when she spoke24 French, she thought in French, and she was extremely proud of the achievement. Also she was acquainted with the names and styles of all known modern painters from pointillistes to cubistes, and, indeed, with the latest eccentricities25 in all the arts. She could tell who was immortal26, and she was fully27 aware that there was no real painting in England. In brief, she was perhaps more Parisian even than she had hoped. She had absorbed Paris into her system. It was still not the Paris of her early fancy; in particular, it lacked elegance28; but it richly satisfied her.
She had on this afternoon of young May an appointment with a young man. And the appointment seemed quite natural, causing no inward disturbance29. Less than ever could she understand her father’s ukases against young men and against every form of self-indulgence. Now, when she had the idea of doing a thing, she merely did it. Her instincts were her only guide, and, though her instincts were often highly complex, they seldom puzzled her. The old instinct that the desire to do a thing was a sufficient reason against doing it, had expired. For many weeks she had lived with a secret fear that such unbridled conduct must lead to terrible catastrophes30, but as nothing happened this fear also expired. She was constantly with young men, and often with men not young; she liked it, but just as much she liked being with women. She never had any difficulties with men. Miss Thompkins insinuated31 at intervals32 that she flirted33, but she had the sharpest contempt for flirtation34, and as a practice put it on a level with embezzlement35 or arson36. Miss Thompkins, however, kept on insinuating37. Audrey regarded herself as decidedly wiser than Miss Thompkins. Her opinions on vital matters changed almost weekly, but she was always absolutely sure that the new opinion was final and incontrovertible. Her scorn of the old English Audrey, though concealed38, was terrific.
And it is to be remembered that she was a widow. She was never half a second late, now, in replying when addressed as “Mrs. Moncreiff.” Frequently she thought that she in fact was a widow. Widowhood was a very advantageous39 state. It had a free pass to all affairs of interest. It opened wide the door of the world. It recked nothing of girlish codes. It abolished discussions concerning conventional propriety40. Its chief defect, for Audrey, was that if she met another widow, or even a married woman, she had to take heed41 lest she stumbled. Fortunately, neither widows nor wives were very prevalent in the Quarter. And Audrey had attained42 skill in the use of the state of widowhood. She told no more infantile perilous43 tales about husbands who ate peas with a knife. In her thankfulness that the tyrannic Rosamund had gone to Germany, and that Madame Piriac had vanished back into unknown Paris, Audrey was at pains to take to heart the lesson of a semi-hysterical blunder.
She descended44 the dark, dusty oak stairs utterly45 content. And at the door of the gloomy den3 of the concierge the concierge’s wife was standing46. She was a new wife, the young mate of a middle-aged47 husband, and she had only been illuminating48 the den (which was kitchen, parlour, and bedroom in a space of ten feet by eight) for about a month. She was plump and pretty, and also she was fair, which was unusual for a Frenchwoman. She wore a striped frock and a little black apron49, and her yellow hair was waved with art. Audrey offered her the key of the studio with a smile, and, as Audrey expected, the concierge’s wife began to chatter50. The concierge’s wife loved to chatter with Anglo-Saxon tenants51, and she specially52 enjoyed chattering53 with Audrey, because of the superior quality of Audrey’s French and of her tips. Audrey listened, proud because she could understand so well and answer so fluently.
The sun, which in May shone on the courtyard for about forty minutes in the afternoon on clear days, caught these two creatures in the same beam. They made a delicious sight—Audrey dark, with her large forehead and negligible nose, and the concierge’s wife rather doll-like in the regularity54 of her features. They were delicious not only because of their varied55 charm, but because they were so absurdly wise and omniscient56, and because they had come to settled conclusions about every kind of worldly problem. Youth and vitality57 equalised their ranks, and the fact that Audrey possessed58 many ascertained59 ancestors, and a part of the earth’s surface, and much money, and that the concierge’s wife possessed nothing but herself and a few bits of furniture, was not of the slightest importance.
The concierge’s wife, after curiosity concerning tennis, grew confidential60 about herself, and more confidential. And at last she lowered her tones, and with sparkling eyes communicated information to Audrey in a voice that was little more than a whisper.
“Oh! truly? I must go,” hastily said Audrey, blushing, and off she ran, reduced in an instant to the schoolgirl. Her departure was a retreat. These occasional discomfitures made a faint blot61 on the excellence62 of being a widow.
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1 extremity | |
n.末端,尽头;尽力;终极;极度 | |
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2 suite | |
n.一套(家具);套房;随从人员 | |
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3 den | |
n.兽穴;秘密地方;安静的小房间,私室 | |
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4 scoff | |
n.嘲笑,笑柄,愚弄;v.嘲笑,嘲弄,愚弄,狼吞虎咽 | |
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5 arduous | |
adj.艰苦的,费力的,陡峭的 | |
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6 impromptu | |
adj.即席的,即兴的;adv.即兴的(地),无准备的(地) | |
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7 artistic | |
adj.艺术(家)的,美术(家)的;善于艺术创作的 | |
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8 paramount | |
a.最重要的,最高权力的 | |
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9 toil | |
vi.辛劳工作,艰难地行动;n.苦工,难事 | |
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10 chamber | |
n.房间,寝室;会议厅;议院;会所 | |
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11 simplicity | |
n.简单,简易;朴素;直率,单纯 | |
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12 Christians | |
n.基督教徒( Christian的名词复数 ) | |
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13 herald | |
vt.预示...的来临,预告,宣布,欢迎 | |
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14 larder | |
n.食物贮藏室,食品橱 | |
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15 intermittent | |
adj.间歇的,断断续续的 | |
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16 concierge | |
n.管理员;门房 | |
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17 utensils | |
器具,用具,器皿( utensil的名词复数 ); 器物 | |
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18 fixed | |
adj.固定的,不变的,准备好的;(计算机)固定的 | |
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19 forth | |
adv.向前;向外,往外 | |
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20 retired | |
adj.隐退的,退休的,退役的 | |
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21 naught | |
n.无,零 [=nought] | |
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22 accomplished | |
adj.有才艺的;有造诣的;达到了的 | |
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23 fluency | |
n.流畅,雄辩,善辩 | |
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24 spoke | |
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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25 eccentricities | |
n.古怪行为( eccentricity的名词复数 );反常;怪癖 | |
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26 immortal | |
adj.不朽的;永生的,不死的;神的 | |
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27 fully | |
adv.完全地,全部地,彻底地;充分地 | |
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28 elegance | |
n.优雅;优美,雅致;精致,巧妙 | |
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29 disturbance | |
n.动乱,骚动;打扰,干扰;(身心)失调 | |
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30 catastrophes | |
n.灾祸( catastrophe的名词复数 );灾难;不幸事件;困难 | |
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31 insinuated | |
v.暗示( insinuate的过去式和过去分词 );巧妙或迂回地潜入;(使)缓慢进入;慢慢伸入 | |
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32 intervals | |
n.[军事]间隔( interval的名词复数 );间隔时间;[数学]区间;(戏剧、电影或音乐会的)幕间休息 | |
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33 flirted | |
v.调情,打情骂俏( flirt的过去式和过去分词 ) | |
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34 flirtation | |
n.调情,调戏,挑逗 | |
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35 embezzlement | |
n.盗用,贪污 | |
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36 arson | |
n.纵火,放火 | |
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37 insinuating | |
adj.曲意巴结的,暗示的v.暗示( insinuate的现在分词 );巧妙或迂回地潜入;(使)缓慢进入;慢慢伸入 | |
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38 concealed | |
a.隐藏的,隐蔽的 | |
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39 advantageous | |
adj.有利的;有帮助的 | |
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40 propriety | |
n.正当行为;正当;适当 | |
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41 heed | |
v.注意,留意;n.注意,留心 | |
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42 attained | |
(通常经过努力)实现( attain的过去式和过去分词 ); 达到; 获得; 达到(某年龄、水平、状况) | |
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43 perilous | |
adj.危险的,冒险的 | |
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44 descended | |
a.为...后裔的,出身于...的 | |
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45 utterly | |
adv.完全地,绝对地 | |
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46 standing | |
n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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47 middle-aged | |
adj.中年的 | |
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48 illuminating | |
a.富于启发性的,有助阐明的 | |
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49 apron | |
n.围裙;工作裙 | |
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50 chatter | |
vi./n.喋喋不休;短促尖叫;(牙齿)打战 | |
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51 tenants | |
n.房客( tenant的名词复数 );佃户;占用者;占有者 | |
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52 specially | |
adv.特定地;特殊地;明确地 | |
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53 chattering | |
n. (机器振动发出的)咔嗒声,(鸟等)鸣,啁啾 adj. 喋喋不休的,啾啾声的 动词chatter的现在分词形式 | |
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54 regularity | |
n.规律性,规则性;匀称,整齐 | |
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55 varied | |
adj.多样的,多变化的 | |
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56 omniscient | |
adj.无所不知的;博识的 | |
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57 vitality | |
n.活力,生命力,效力 | |
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58 possessed | |
adj.疯狂的;拥有的,占有的 | |
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59 ascertained | |
v.弄清,确定,查明( ascertain的过去式和过去分词 ) | |
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60 confidential | |
adj.秘(机)密的,表示信任的,担任机密工作的 | |
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61 blot | |
vt.弄脏(用吸墨纸)吸干;n.污点,污渍 | |
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62 excellence | |
n.优秀,杰出,(pl.)优点,美德 | |
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