George and Marguerite looked at each other happily. They both were inspired by the feeling that life was a grand thing, and that they had reached suddenly one of the summits of existence. George, observing the excitement in her eyes, thought how wonderful it was that she too should be excited.
"What was that piece?" she asked.
"I don't quite know," he said. "There don't appear to be any programmes about." He wished he had been able to identify the piece, but he was too content to be ashamed of his ignorance. Moreover, his ignorance was hers also, and he liked that.
The music resumed. He listened, ready to put himself into the mood of admiration21 if it was the Glazounov item. Was it Glazounov? He could not be certain. It sounded fine. Surely it sounded Russian. Then he had a glimpse of a programme held by a man standing22 near, and he peered at it. "No. 4. Elgar—Sea-Pictures." No. 5 was the Glazounov.
"It's only the Elgar," he said, with careless condescension23, perceiving at once, by the mere24 virtue25 of a label, that the music was not fine and not Russian. He really loved music, but he happened to be at that age, from which some people never emerge, at which the judgment26 depends almost completely on extraneous27 suggestion.
"Oh!" murmured Marguerite indifferently, responding to his tone.
"Glazounov's next," he said.
"I suppose we couldn't sit down," she suggested.
"We'll find something," he said, with his usual assurance. And in the corridor that surrounded the hemicycle they climbed up on to a narrow ledge28 in the wall and sat side by side in perfect luxury, not dreaming that they were doing anything unusual or undignified. As a fact, they were not. Other couples were perched on other ledges29, and still others on the cold steam-pipes. A girl with a big face and heavy red lips sat alone, lounging, her head aslant30. She had an open copy of Home Notes in one hand. Elgar had sent the simple creature into an ecstasy31, and she never stirred; probably she did not know anyone named Enwright. Promenaders promenaded32 in and out of the corridor, and up and down the corridor, and nobody troubled to glance twice either at the heavy-lipped, solitary33 girl or at the ledged34 couples.
"This is the best seat in the hall," George observed proudly. Marguerite smiled at him.
When the "Sea-Pictures" were finished she gave a sigh of appreciation37, having forgotten, it seemed, that persons who had come to admire Glazounov ought not to relish38 Elgar. And George, too, reflecting upon the sensations produced within him by Elgar, was ready to admit that, though Elgar could of course not be classed with the foreigner, there might be something to be said for him after all.
"This is just what I needed," she murmured.
"Oh?"
"Were you?" He had not noticed it.
"Yes. They've cut down my price from a pound to seventeen and six." 'They' were the employing bookbinders, and the price was the fixed40 price for a design—side and back.
He was shocked, and he felt guilty. How was it that he had noticed nothing in her demeanour? He had been full of the misfortune of the firm, and she had made the misfortune her own, keeping silence about the grinding harshness of bookbinders. He was an insensible egotist, and girls were wondrous41. At any rate this girl was wondrous. He had an intense desire to atone42 for his insensibility and his egotism by protecting her, spoiling her, soothing43 her into forgetfulness of her trouble.... Ah! He understood now what she meant when she had replied to his suggestion as to visiting the cathedral: "It might do me good."
"How rotten!" he exclaimed, expressing his sympathy by means of disgust. "Couldn't you tell them to go to the dickens?"
"You have to take what they'll give," she answered. "Especially when they begin to talk about bad trade and that sort of thing."
"Well, it's absolutely rotten!"
It was not the arbitrary reduction of her earnings44 that he resented, but the fact of her victimhood. Scandalous, infamous45, that this rare and delicate creature should be defenceless against commercial brutes46!
The Glazounov ballet music, "The Seasons," started. Knowing himself justified47, he surrendered himself to it, to its exoticism, to its Russianism, to its wilful48 and disconcerting beauty. And there was no composer like Glazounov. Beneath the sensory49 spell of the music, his memory wandered about through the whole of his life. He recalled days in his mother's boarding-house at Brighton; musical evenings, at which John Orgreave was present, at his stepfather's house in the Five Towns; and in all kinds of scenes at the later home at Ladderedge Hall—scenes in which his mother again predominated, becoming young again and learning sports and horsewomanship as a girl might have learnt them.... And they were all beautiful beneath the music. The music softened50; the fountain was heard; the striking of matches was heard.... Still, all was beautiful. Then he touched Marguerite's hand as it rested a little behind her on the ledge. The effect of contact was surprising. With all his other thoughts he had not ceased to think of the idea of shielding and enveloping51 her. But now this idea utterly52 possessed53 him. The music grew louder, and as it were under cover of the music he put his hand round her hand. It was a venturesome act with such a girl; he was afraid.... The hand lay acquiescent54 within his! He tightened55 the pressure. The hand lay acquiescent; it accepted. The flashing realization56 of her compliance57 overwhelmed him. He was holding the very symbol of wild purity, and there was no effort to be free. None guessed. None could see. They two had the astonishing, the incredible secret between them. He looked at her profile, taking precautions. No sign of alarm or disturbance58. Her rapt glance was fixed steadily59 on the orchestra framed in the arched doorway.... Incredible, the soft, warm delicacy60 of the cotton glove!
The applause at the end of the number awoke them. He released her hand. She slipped neatly61 down from the ledge.
"I think I ought to be going back home.... Father ..." she murmured. She met his eyes; but his embarrassed eyes would not meet hers.
"Certainly!" he agreed quickly, though they had been in the hall little more than half an hour. He would have agreed to any suggestion from her. It seemed to him that the least he could do at that moment was to fulfil unquestioningly her slightest wish. Then she looked away, and he saw that a deep blush gradually spread over her lovely face. This was the supreme62 impressive phenomenon. Before the blush he was devotional.
点击收听单词发音
1 forth | |
adv.向前;向外,往外 | |
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2 brass | |
n.黄铜;黄铜器,铜管乐器 | |
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3 onward | |
adj.向前的,前进的;adv.向前,前进,在先 | |
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4 maze | |
n.迷宫,八阵图,混乱,迷惑 | |
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5 climax | |
n.顶点;高潮;v.(使)达到顶点 | |
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6 erect | |
n./v.树立,建立,使竖立;adj.直立的,垂直的 | |
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7 tinkle | |
vi.叮当作响;n.叮当声 | |
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8 enchanted | |
adj. 被施魔法的,陶醉的,入迷的 动词enchant的过去式和过去分词 | |
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9 hush | |
int.嘘,别出声;n.沉默,静寂;v.使安静 | |
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10 inflamed | |
adj.发炎的,红肿的v.(使)变红,发怒,过热( inflame的过去式和过去分词 ) | |
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11 collapse | |
vi.累倒;昏倒;倒塌;塌陷 | |
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12 plumes | |
羽毛( plume的名词复数 ); 羽毛饰; 羽毛状物; 升上空中的羽状物 | |
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13 homage | |
n.尊敬,敬意,崇敬 | |
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14 pointed | |
adj.尖的,直截了当的 | |
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15 humility | |
n.谦逊,谦恭 | |
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16 naught | |
n.无,零 [=nought] | |
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17 reigned | |
vi.当政,统治(reign的过去式形式) | |
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18 accomplished | |
adj.有才艺的;有造诣的;达到了的 | |
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19 promenade | |
n./v.散步 | |
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20 promenades | |
n.人行道( promenade的名词复数 );散步场所;闲逛v.兜风( promenade的第三人称单数 ) | |
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21 admiration | |
n.钦佩,赞美,羡慕 | |
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22 standing | |
n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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23 condescension | |
n.自以为高人一等,贬低(别人) | |
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24 mere | |
adj.纯粹的;仅仅,只不过 | |
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25 virtue | |
n.德行,美德;贞操;优点;功效,效力 | |
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26 judgment | |
n.审判;判断力,识别力,看法,意见 | |
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27 extraneous | |
adj.体外的;外来的;外部的 | |
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28 ledge | |
n.壁架,架状突出物;岩架,岩礁 | |
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29 ledges | |
n.(墙壁,悬崖等)突出的狭长部分( ledge的名词复数 );(平窄的)壁架;横档;(尤指)窗台 | |
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30 aslant | |
adv.倾斜地;adj.斜的 | |
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31 ecstasy | |
n.狂喜,心醉神怡,入迷 | |
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32 promenaded | |
v.兜风( promenade的过去式和过去分词 ) | |
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33 solitary | |
adj.孤独的,独立的,荒凉的;n.隐士 | |
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34 ledged | |
有壁架的,有突出物的,有暗礁的 | |
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35 doorway | |
n.门口,(喻)入门;门路,途径 | |
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36 auditorium | |
n.观众席,听众席;会堂,礼堂 | |
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37 appreciation | |
n.评价;欣赏;感谢;领会,理解;价格上涨 | |
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38 relish | |
n.滋味,享受,爱好,调味品;vt.加调味料,享受,品味;vi.有滋味 | |
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39 depressed | |
adj.沮丧的,抑郁的,不景气的,萧条的 | |
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40 fixed | |
adj.固定的,不变的,准备好的;(计算机)固定的 | |
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41 wondrous | |
adj.令人惊奇的,奇妙的;adv.惊人地;异乎寻常地;令人惊叹地 | |
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42 atone | |
v.赎罪,补偿 | |
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43 soothing | |
adj.慰藉的;使人宽心的;镇静的 | |
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44 earnings | |
n.工资收人;利润,利益,所得 | |
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45 infamous | |
adj.声名狼藉的,臭名昭著的,邪恶的 | |
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46 brutes | |
兽( brute的名词复数 ); 畜生; 残酷无情的人; 兽性 | |
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47 justified | |
a.正当的,有理的 | |
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48 wilful | |
adj.任性的,故意的 | |
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49 sensory | |
adj.知觉的,感觉的,知觉器官的 | |
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50 softened | |
(使)变软( soften的过去式和过去分词 ); 缓解打击; 缓和; 安慰 | |
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51 enveloping | |
v.包围,笼罩,包住( envelop的现在分词 ) | |
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52 utterly | |
adv.完全地,绝对地 | |
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53 possessed | |
adj.疯狂的;拥有的,占有的 | |
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54 acquiescent | |
adj.默许的,默认的 | |
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55 tightened | |
收紧( tighten的过去式和过去分词 ); (使)变紧; (使)绷紧; 加紧 | |
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56 realization | |
n.实现;认识到,深刻了解 | |
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57 compliance | |
n.顺从;服从;附和;屈从 | |
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58 disturbance | |
n.动乱,骚动;打扰,干扰;(身心)失调 | |
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59 steadily | |
adv.稳定地;不变地;持续地 | |
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60 delicacy | |
n.精致,细微,微妙,精良;美味,佳肴 | |
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61 neatly | |
adv.整洁地,干净地,灵巧地,熟练地 | |
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62 supreme | |
adj.极度的,最重要的;至高的,最高的 | |
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