He is the only man in the play who does not swallow all the villain2 tells him and believe it, and come up with his mouth open for more. He is the only man who can see through the disguise of an overcoat and a new hat.
There is something very wonderful about the disguising power of cloaks and hats upon the stage. This comes from the habit people on the stage have of recognizing their friends, not by their faces and voices, but by their cloaks and hats.
A married man on the stage knows his wife, because he knows she wears a blue ulster and a red bonnet3. The moment she leaves off that blue ulster and red bonnet he is lost and does not know where she is.
She puts on a yellow cloak and a green hat, and coming in at another door says she is a lady from the country, and does he want a housekeeper4?
Having lost his beloved wife, and feeling that there is no one now to keep the children quiet, he engages her. She puzzles him a good deal, this new housekeeper. There is something about her that strangely reminds him of his darling Nell—maybe her boots and dress, which she has not had time to change.
Sadly the slow acts pass away until one day, as it is getting near closing-time, she puts on the blue ulster and the red bonnet again and comes in at the old original door.
Then he recognizes her and asks her where she has been all these cruel years.
Even the bad people, who as a rule do possess a little sense—indeed, they are the only persons in the play who ever pretend to any—are deceived by singularly thin disguises.
The detective comes in to their secret councils, with his hat drawn5 down over his eyes, and followed by the hero speaking in a squeaky voice; and the villains6 mistake them for members of the band and tell them all their plans.
If the villains can't get themselves found out that way, then they go into a public tea-garden and recount their crimes to one another in a loud tone of voice.
They evidently think that it is only fair to give the detective a chance.
The detective must not be confounded with the policeman. The stage policeman is always on the side of the villain; the detective backs virtue7.
The stage detective is, in fact, the earthly agent of a discerning and benevolent8 Providence9. He stands by and allows vice10 to be triumphant11 and the good people to be persecuted12 for awhile without interference. Then when he considers that we have all had about enough of it (to which conclusion, by the bye, he arrives somewhat late) he comes forward, handcuffs the bad people, sorts out and gives back to the good people all their various estates and wives, promises the chief villain twenty years' penal13 servitude, and all is joy.
该作者的其它作品
《同病相怜 Three Men in a Boat》
《懒人闲思录 The Idle Thoughts of An Idle Fellow》
《Idle Ideas in 1905》
该作者的其它作品
《同病相怜 Three Men in a Boat》
《懒人闲思录 The Idle Thoughts of An Idle Fellow》
《Idle Ideas in 1905》
点击收听单词发音
1 machiavellian | |
adj.权谋的,狡诈的 | |
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2 villain | |
n.反派演员,反面人物;恶棍;问题的起因 | |
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3 bonnet | |
n.无边女帽;童帽 | |
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4 housekeeper | |
n.管理家务的主妇,女管家 | |
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5 drawn | |
v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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6 villains | |
n.恶棍( villain的名词复数 );罪犯;(小说、戏剧等中的)反面人物;淘气鬼 | |
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7 virtue | |
n.德行,美德;贞操;优点;功效,效力 | |
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8 benevolent | |
adj.仁慈的,乐善好施的 | |
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9 providence | |
n.深谋远虑,天道,天意;远见;节约;上帝 | |
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10 vice | |
n.坏事;恶习;[pl.]台钳,老虎钳;adj.副的 | |
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11 triumphant | |
adj.胜利的,成功的;狂欢的,喜悦的 | |
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12 persecuted | |
(尤指宗教或政治信仰的)迫害(~sb. for sth.)( persecute的过去式和过去分词 ); 烦扰,困扰或骚扰某人 | |
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13 penal | |
adj.刑罚的;刑法上的 | |
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