Laura was in the room below. A servant brought in some letters, and she glanced them over. One was the note from herself to Maumbry, informing him that she was unable to endure life with him any longer and was about to elope with Vannicock. Having read the letter she took it upstairs to where the dead man was, and slipped it into his coffin. The next day she buried him.
She was now free.
She shut up his house at Durnover Cross and returned to her lodgings3 at Creston. Soon she had a letter from Vannicock, and six weeks after her husband’s death her lover came to see her.
‘I forgot to give you back this—that night,’ he said presently, handing her the little bag she had taken as her whole luggage when leaving.
Laura received it and absently shook it out. There fell upon the carpet her brush, comb, slippers4, nightdress, and other simple necessaries for a journey. They had an intolerably ghastly look now, and she tried to cover them.
‘I can now,’ he said, ‘ask you to belong to me legally—when a proper interval5 has gone—instead of as we meant.’
There was languor6 in his utterance7, hinting at a possibility that it was perfunctorily made. Laura picked up her articles, answering that he certainly could so ask her—she was free. Yet not her expression either could be called an ardent8 response. Then she blinked more and more quickly and put her handkerchief to her face. She was weeping violently.
He did not move or try to comfort her in any way. What had come between them? No living person. They had been lovers. There was now no material obstacle whatever to their union. But there was the insistent9 shadow of that unconscious one; the thin figure of him, moving to and fro in front of the ghastly furnace in the gloom of Durnover Moor10.
Yet Vannicock called upon Laura when he was in the neighbourhood, which was not often; but in two years, as if on purpose to further the marriage which everybody was expecting, the ---st Foot returned to Budmouth Regis.
Thereupon the two could not help encountering each other at times. But whether because the obstacle had been the source of the love, or from a sense of error, and because Mrs. Maumbry bore a less attractive look as a widow than before, their feelings seemed to decline from their former incandescence11 to a mere12 tepid13 civility. What domestic issues supervened in Vannicock’s further story the man in the oriel never knew; but Mrs. Maumbry lived and died a widow.
1900.
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1 pestilence | |
n.瘟疫 | |
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2 coffin | |
n.棺材,灵柩 | |
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3 lodgings | |
n. 出租的房舍, 寄宿舍 | |
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4 slippers | |
n. 拖鞋 | |
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5 interval | |
n.间隔,间距;幕间休息,中场休息 | |
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6 languor | |
n.无精力,倦怠 | |
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7 utterance | |
n.用言语表达,话语,言语 | |
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8 ardent | |
adj.热情的,热烈的,强烈的,烈性的 | |
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9 insistent | |
adj.迫切的,坚持的 | |
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10 moor | |
n.荒野,沼泽;vt.(使)停泊;vi.停泊 | |
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11 incandescence | |
n.白热,炽热;白炽 | |
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12 mere | |
adj.纯粹的;仅仅,只不过 | |
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13 tepid | |
adj.微温的,温热的,不太热心的 | |
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