He had decided27 to write a novel. Having failed in short stories and in essays, it seemed to him likely that the novel, a form which he had not so far seriously attempted, might suit his idiosyncrasy better. He had once sketched28 out the plot of a short novel, a tale of adventure in modern London, and on examination this struck him as ingenious and promising29. Moreover, it would appeal—like Stevenson's "New Arabian Nights," which in Richard's mind it distantly resembled—both to the general and to the literary public. He determined30 to write five hundred words of it a day, five days a week; at this rate of progress he calculated that the book would be finished in four months; allowing two months further for revision, it ought to be ready for a publisher at the end of June.
He drew his chair up to the blazing fire, and looked down the vista31 of those long, lamplit evenings during which the novel was to grow under his hands. How different he from the average clerk, who with similar opportunities was content to fritter away those hours which would lead himself, perhaps, to fame! He thought of Adeline, and smiled. What, after all, did such as he want with women? He was in a position to marry, and if he met a clever girl of sympathetic temperament32, he emphatically would marry (it did not occur to him to add the clause, "Provided she will have me"); but otherwise he would wait. He could afford to wait,—to wait till he had made a reputation, and half a score of women, elegant and refined, were only too willing to envelop33 him in an atmosphere of adoration34.
It was part of his plan for economy to dine always at the Crabtree, where one shilling was the price of an elaborate repast, and he went there on New Year's Day. As he walked up Charing35 Cross Road, his thoughts turned naturally to Miss Roberts. Would she be as cordial as when he had met her on the omnibus, or would she wear the polite mask of the cashier, treating him merely as a frequenter of the establishment? She was engaged when he entered the dining-room, but she noticed him and nodded. He looked towards her several times during his meal, and once her eyes caught his and she smiled, not withdrawing them for a few moments; then she bent36 over her account book.
His fellow-diners seemed curiously37 to have degenerated38, to have grown still narrower in their sympathies, still more careless in their eating, still more peculiar39 or shabbier in their dress. The young women of masculine aspect set their elbows on the table more uncompromisingly than ever, and the young men with soiled wristbands or no wristbands at all were more than ever tedious in their murmured conversations. It was, indeed, a bizarre company that surrounded him! Then he reflected that these people had not altered. The change was in himself. He had outgrown40 them; he surveyed them now as from a tower. He was a man with a future, using this restaurant because it suited him temporarily to do so, while they would use it till the end, never deviating41, never leaving the rut.
"So you have come at last!" Miss Roberts said to him when he presented his check. "I was beginning to think you had deserted42 us."
"But it's barely a week since I saw you," he protested. "Let me wish you a happy New Year."
"The same to you." She flushed a little, and then: "What do you think of our new decorations? Aren't they pretty?"
He praised them perfunctorily, even without glancing round. His eyes were on her face. He remembered the reiterated43 insinuations of Jenkins, and wondered whether they had any ground of fact.
"By the way, has Jenkins been here to-day?" he inquired, by way of introducing the name.
"Is that the young man who used to come with you sometimes? No."
There was no trace of self-consciousness in her bearing, and Richard resolved to handle Jenkins with severity. Another customer approached the pay-desk.
"Well, good afternoon." He lingered.
"Good afternoon." Her gaze rested on him softly. "I suppose you'll be here again some time." She spoke44 low, so that the other customer should not hear.
"I'm coming every day now, I think," he answered in the same tone, with a smothered45 laugh. "Ta-ta."
That night at half-past seven he began his novel. The opening chapter was introductory, and the words came without much effort. This being only a draft, there was no need for polish; so that when a sentence refused to run smoothly46 at the first trial, he was content to make it grammatical and leave it. He seemed to have been working for hours when a desire took him to count up what was already written. Six hundred words! He sighed the sigh of satisfaction, and looked at his watch, to find that it was exactly half-past eight. The discovery somewhat damped his felicity. He began to doubt whether stuff composed at the rate of ten words a minute could have any real value. Pooh! Sometimes one wrote quickly, and sometimes slowly. The number of minutes occupied was no index of quality. Should he continue writing? Yes, he would.... No.... Why should he? He had performed the task self-allotted for the day, and more; and now he was entitled to rest. True, the actual time of labour had been very short; but then, another day the same amount of work might consume three or four hours. He put away his writing-things, and searched about for something to read, finally lighting47 on "Paradise Lost." But "Paradise Lost" wanted actuality. He laid it aside. Was there any valid48 reason why he should not conclude the evening at the theatre? None. The frost had returned with power, and the reverberation49 of the streets sounded invitingly50 through his curtained windows. He went out, and walked briskly up Park Side. At Hyde Park Corner he jumped on an omnibus.
It was the first night of a new ballet at the Ottoman. "Standing-room only," said the man at the ticket-office. "All right," said Richard, and, entering, was greeted with soft music, which came to him like a fitful zephyr51 over a sea of heads.
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ornaments
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n.装饰( ornament的名词复数 );点缀;装饰品;首饰v.装饰,点缀,美化( ornament的第三人称单数 ) | |
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entirely
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ad.全部地,完整地;完全地,彻底地 | |
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engendered
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v.产生(某形势或状况),造成,引起( engender的过去式和过去分词 ) | |
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propensity
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n.倾向;习性 | |
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squander
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v.浪费,挥霍 | |
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justify
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vt.证明…正当(或有理),为…辩护 | |
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expenditure
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n.(时间、劳力、金钱等)支出;使用,消耗 | |
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contemplated
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adj. 预期的 动词contemplate的过去分词形式 | |
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worthily
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重要地,可敬地,正当地 | |
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celebrated
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adj.有名的,声誉卓著的 | |
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quaint
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adj.古雅的,离奇有趣的,奇怪的 | |
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luxurious
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adj.精美而昂贵的;豪华的 | |
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divan
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n.长沙发;(波斯或其他东方诗人的)诗集 | |
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marvelled
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v.惊奇,对…感到惊奇( marvel的过去式和过去分词 ) | |
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contrived
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adj.不自然的,做作的;虚构的 | |
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complacently
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adv. 满足地, 自满地, 沾沾自喜地 | |
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harmonious
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adj.和睦的,调和的,和谐的,协调的 | |
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inviting
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adj.诱人的,引人注目的 | |
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briefly
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adv.简单地,简短地 | |
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benevolence
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n.慈悲,捐助 | |
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rosy
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adj.美好的,乐观的,玫瑰色的 | |
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larch
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n.落叶松 | |
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prodigiously
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adv.异常地,惊人地,巨大地 | |
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possessed
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adj.疯狂的;拥有的,占有的 | |
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thoroughly
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adv.完全地,彻底地,十足地 | |
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effaced
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v.擦掉( efface的过去式和过去分词 );抹去;超越;使黯然失色 | |
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decided
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adj.决定了的,坚决的;明显的,明确的 | |
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sketched
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v.草拟(sketch的过去式与过去分词形式) | |
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promising
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adj.有希望的,有前途的 | |
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determined
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adj.坚定的;有决心的 | |
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vista
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n.远景,深景,展望,回想 | |
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temperament
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n.气质,性格,性情 | |
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envelop
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vt.包,封,遮盖;包围 | |
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adoration
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n.爱慕,崇拜 | |
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charing
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n.炭化v.把…烧成炭,把…烧焦( char的现在分词 );烧成炭,烧焦;做杂役女佣 | |
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bent
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n.爱好,癖好;adj.弯的;决心的,一心的 | |
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curiously
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adv.有求知欲地;好问地;奇特地 | |
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degenerated
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衰退,堕落,退化( degenerate的过去式和过去分词 ) | |
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peculiar
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adj.古怪的,异常的;特殊的,特有的 | |
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outgrown
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长[发展] 得超过(某物)的范围( outgrow的过去分词 ); 长[发展]得不能再要(某物); 长得比…快; 生长速度超过 | |
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deviating
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v.偏离,越轨( deviate的现在分词 ) | |
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deserted
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adj.荒芜的,荒废的,无人的,被遗弃的 | |
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reiterated
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反复地说,重申( reiterate的过去式和过去分词 ) | |
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spoke
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n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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smothered
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(使)窒息, (使)透不过气( smother的过去式和过去分词 ); 覆盖; 忍住; 抑制 | |
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smoothly
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adv.平滑地,顺利地,流利地,流畅地 | |
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lighting
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n.照明,光线的明暗,舞台灯光 | |
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valid
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adj.有确实根据的;有效的;正当的,合法的 | |
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reverberation
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反响; 回响; 反射; 反射物 | |
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invitingly
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adv. 动人地 | |
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51
zephyr
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n.和风,微风 | |
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