He whistled as he took up the manuscript, as a boy whistles when going into a dark cellar. The first three pages were read punctiliously14, every word of them, but soon he grew hasty, rushing to the next paragraph ere the previous one was grasped; then he began shamelessly to skip; and then he stopped, and his heart seemed to stop also. The lack of homogeneity, of sequence, of dramatic quality, of human interest; the loose syntax; and the unrelieved mediocrity of it all, horrified15 him. The thing was dry bones, a fiasco. The certainty that he had once more failed swept over him like a cold, green wave of the sea, and he had a physical feeling of sickness in the stomach.... It was with much ado that he refrained from putting the whole manuscript upon the fire, and crushing it venomously into the flames with a poker16. Then he steadied himself. His self-confidence was going, almost gone; he must contrive17 to recover it, and he sought for a way. (Where were now the rash exultations of the New Year?) It was impossible that his work should be irredeemably bad. He remembered having read somewhere that the difference between a fine and a worthless novel was often a difference of elaboration simply. A conscientious18 re-writing, therefore, might probably bring about a surprising amelioration. He must immediately make the experiment. But he had long since solemnly vowed19 not to commence the second writing till the draft was done; the moral value of finishing even the draft had then seemed to him priceless. No matter! Under stress of grievous necessity, that oath must be forsworn. No other course could save him from collapse20.
He went out into the streets. The weather, fine and bright, suggested the earliest infancy21 of spring, and Piccadilly was full of all classes and all ages of women. There were regiments22 of men, too, but the gay and endless stream of women obsessed23 him. He saw them sitting in hansoms and private carriages and on the tops of omnibuses, niched in high windows, shining in obscurity of shops, treading the pavements with fairy step, either unattended or by the side of foolish, unappreciative males. Every man in London seemed to have the right to a share of some woman's companionship, except himself. As for those men who walked alone, they had sweethearts somewhere, or mothers and sisters, or they were married and even now on the way to wife and hearth24. Only he was set apart.
A light descended25 upon him that afternoon. The average man and the average woman being constantly thrown into each other's society, custom has staled for them the exquisite27 privilege of such intercourse28. The rustic29 cannot share the townsman's enthusiasm for rural scenery; he sees no matter for ecstasy30 in the view from his cottage door; and in the same way the average man and the average woman dine together, talk together, walk together, and know not how richly they are therein blessed. But with solitaries31 like Richard it is different. Debarred from fellowship with the opposite sex by circumstances and an innate32 diffidence which makes the control of circumstance impossible, their starved sensibilities acquire certain morbid33 tenderness. (Doubtless the rustic discerns morbidity34 in the attitude of the townsman towards the view from his cottage door.) Richard grasped this. In a luminous35 moment of self-revelation, he was able to trace the growth of the malady36. From its first vague and fugitive37 symptoms, it had so grown that now, on seeing an attractive woman, he could not be content to say, "What an attractive woman!" and have done with it, but he needs must build a house, furnish a room in the house, light a fire in the room, place a low chair by the fire, put the woman in the chair, with a welcoming smile on her upturned lips—and imagine that she was his wife. And it was not only attractive women that laid the spell upon him. The sight of any living creature in petticoats was liable to set his hysterical38 fancy in motion. Every woman he met was Woman.... Of the millions of women in London, why was he not permitted to know a few? Why was he entirely39 cut off? There they were: their silk skirts brushed him as they passed; they thanked him for little services in public vehicles; they ministered to him in restaurants; they sang to him at concerts, danced for him at theatres; touched his existence at every side—and yet they were remoter than the stars, unattainable as the moon.... He rebelled. He sank in despair, and rose to frenzies40 of anger. Then he was a pathetic figure, and extended to himself his own pity, smiling sardonically41 at fate. Fate was the harder to bear because he was convinced that, at the heart of him, he was essentially42 a woman's man. None could enjoy the feminine atmosphere more keenly, more artistically43 than he. Other men, who had those delicious rights for which he longed in vain, assessed them meanly, or even scorned them.... He looked back with profound regret to his friendship with Adeline. He dreamt that she had returned, that he had fallen in love with her and married her, that her ambitions were leading him forward to success. Ah! Under the incentive44 of a woman's eyes, of what tremendous efforts is a clever man not capable, and deprived of it to what deeps of stagnations will he not descend26! Then he awoke again to the fact that he knew no woman in London.
Yes, he knew one, and his thoughts began to play round her caressingly45, idealising and ennobling her. She only gave him his change daily at the Crabtree, but he knew her; there existed between them a kind of intimacy46. She was a plain girl, possessing few attractions, except the supreme47 one of being a woman. She was below him in station; but had she not her refinements48? Though she could not enter into his mental or emotional life, did she not exhale49 for him a certain gracious influence? His heart went forth50 to her. Her flirtations with Mr. Aked, her alleged51 dalliance with Jenkins? Trifles, nothings! She had told him that she lived with her mother and father and a younger brother, and on more than one occasion she had mentioned the Wesleyan chapel52; he had gathered that the whole family was religious. In theory he detested53 religious women, and yet—religion in a woman ... what was it? He answered the question with a man's easy laugh. And if her temperament54 was somewhat lymphatic, he divined that, once roused, she was capable of the most passionate55 feeling. He had always had a predilection56 for the sleeping-volcano species of woman.
点击收听单词发音
1 decided | |
adj.决定了的,坚决的;明显的,明确的 | |
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2 mere | |
adj.纯粹的;仅仅,只不过 | |
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3 misgivings | |
n.疑虑,担忧,害怕;疑虑,担心,恐惧( misgiving的名词复数 );疑惧 | |
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4 surmise | |
v./n.猜想,推测 | |
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5 mischief | |
n.损害,伤害,危害;恶作剧,捣蛋,胡闹 | |
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6 reassured | |
adj.使消除疑虑的;使放心的v.再保证,恢复信心( reassure的过去式和过去分词) | |
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7 negligently | |
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8 stimulating | |
adj.有启发性的,能激发人思考的 | |
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9 drooping | |
adj. 下垂的,无力的 动词droop的现在分词 | |
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10 complacent | |
adj.自满的;自鸣得意的 | |
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11 tempted | |
v.怂恿(某人)干不正当的事;冒…的险(tempt的过去分词) | |
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12 hazardous | |
adj.(有)危险的,冒险的;碰运气的 | |
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13 perusal | |
n.细读,熟读;目测 | |
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14 punctiliously | |
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15 horrified | |
a.(表现出)恐惧的 | |
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16 poker | |
n.扑克;vt.烙制 | |
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17 contrive | |
vt.谋划,策划;设法做到;设计,想出 | |
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18 conscientious | |
adj.审慎正直的,认真的,本着良心的 | |
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19 vowed | |
起誓,发誓(vow的过去式与过去分词形式) | |
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20 collapse | |
vi.累倒;昏倒;倒塌;塌陷 | |
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21 infancy | |
n.婴儿期;幼年期;初期 | |
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22 regiments | |
(军队的)团( regiment的名词复数 ); 大量的人或物 | |
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23 obsessed | |
adj.心神不宁的,鬼迷心窍的,沉迷的 | |
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24 hearth | |
n.壁炉炉床,壁炉地面 | |
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25 descended | |
a.为...后裔的,出身于...的 | |
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26 descend | |
vt./vi.传下来,下来,下降 | |
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27 exquisite | |
adj.精美的;敏锐的;剧烈的,感觉强烈的 | |
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28 intercourse | |
n.性交;交流,交往,交际 | |
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29 rustic | |
adj.乡村的,有乡村特色的;n.乡下人,乡巴佬 | |
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30 ecstasy | |
n.狂喜,心醉神怡,入迷 | |
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31 solitaries | |
n.独居者,隐士( solitary的名词复数 ) | |
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32 innate | |
adj.天生的,固有的,天赋的 | |
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33 morbid | |
adj.病的;致病的;病态的;可怕的 | |
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34 morbidity | |
n.病态;不健全;发病;发病率 | |
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35 luminous | |
adj.发光的,发亮的;光明的;明白易懂的;有启发的 | |
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36 malady | |
n.病,疾病(通常做比喻) | |
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37 fugitive | |
adj.逃亡的,易逝的;n.逃犯,逃亡者 | |
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38 hysterical | |
adj.情绪异常激动的,歇斯底里般的 | |
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39 entirely | |
ad.全部地,完整地;完全地,彻底地 | |
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40 frenzies | |
狂乱( frenzy的名词复数 ); 极度的激动 | |
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41 sardonically | |
adv.讽刺地,冷嘲地 | |
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42 essentially | |
adv.本质上,实质上,基本上 | |
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43 artistically | |
adv.艺术性地 | |
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44 incentive | |
n.刺激;动力;鼓励;诱因;动机 | |
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45 caressingly | |
爱抚地,亲切地 | |
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46 intimacy | |
n.熟悉,亲密,密切关系,亲昵的言行 | |
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47 supreme | |
adj.极度的,最重要的;至高的,最高的 | |
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48 refinements | |
n.(生活)风雅;精炼( refinement的名词复数 );改良品;细微的改良;优雅或高贵的动作 | |
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49 exhale | |
v.呼气,散出,吐出,蒸发 | |
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50 forth | |
adv.向前;向外,往外 | |
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51 alleged | |
a.被指控的,嫌疑的 | |
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52 chapel | |
n.小教堂,殡仪馆 | |
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53 detested | |
v.憎恶,嫌恶,痛恨( detest的过去式和过去分词 ) | |
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54 temperament | |
n.气质,性格,性情 | |
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55 passionate | |
adj.热情的,热烈的,激昂的,易动情的,易怒的,性情暴躁的 | |
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56 predilection | |
n.偏好 | |
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