The idea of the book is said to have originated in the celebrated8 French painting by Gericault, "the Wreck5 of the Medusa," now in the Louvre gallery. The Medusa was a French frigate9 wrecked10 off the coast of Africa in 1816. Some of the survivors, escaping on a raft, were rescued by a passing ship after many days of torture. Verne, however, seems also to have drawn11 upon the terrifying experiences of the British ship Sarah Sands in 1857, her story being fresh in the public mind at the time he wrote. The Sarah Sands caught fire off the African coast while on a voyage to India carrying British troops. There was gunpowder12 aboard liable to blow up at any moment. Some of it did indeed explode, tearing a huge hole in the vessel13's side. A storm added to the terror, and the waters entering the breach14 caused by the explosion, combated with the fire. After ten days of desperate struggle, the charred15 and sinking vessel reached a port.
The extreme length of life which Verne allows his people in their starving, thirsting condition is proven possible by medical science and recent "fasting"' experiments. The dramatic climax16 of the tale wherein the castaways find fresh water in the ocean is based upon a fact, one of those odd geographical17 facts of which the author made such frequent, skillful and instructive use.
"Michael Strogoff" which, through its use as a stage play, has become one of the best known books of all the world, was first published in 1876. Its vivid, powerful story has made it a favorite with every red-blooded reader. Its two well-drawn female characters, the courageous18 heroine, and the stern, endurant, yearning19 mother, show how well Verne could depict20 the tenderer sex when he so willed. Though usually the rapid movement and adventure of his stories leave women in subordinate parts.
As to the picture drawn in "Michael Strogoff" of Russia and Siberia, it is at once instructive and sympathetic. The horrors are not blinked at, yet neither is Russian patriotism21 ignored. The loyalty22 of some of the Siberian exiles to their mother country is a side of life there which is too often ignored by writers who dwell only on the darker view.
The Czar, in our author's hands, becomes the hero figure to the erection of which French "hero worship" is ever prone23. The sarcasms24 thrown occasionally at the British newspaper correspondent of the story, show the changing attitude of Verne toward England, and reflect the French spirit of his day.
The Survivors of the Chancellor
by Jules Verne
该作者的其它作品
《Around the World In 80 Days八十天环游地球》
《气球上的五星期 Five Weeks in a Balloon》
《海底两万里 Twenty Thousand Leagues Under The Sea》
《Robur the Conqueror征服者罗布尔》
该作者的其它作品
《Around the World In 80 Days八十天环游地球》
《气球上的五星期 Five Weeks in a Balloon》
《海底两万里 Twenty Thousand Leagues Under The Sea》
《Robur the Conqueror征服者罗布尔》
点击收听单词发音
1 survivors | |
幸存者,残存者,生还者( survivor的名词复数 ) | |
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2 chancellor | |
n.(英)大臣;法官;(德、奥)总理;大学校长 | |
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3 shipwrecks | |
海难,船只失事( shipwreck的名词复数 ); 沉船 | |
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4 shipwreck | |
n.船舶失事,海难 | |
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5 wreck | |
n.失事,遇难;沉船;vt.(船等)失事,遇难 | |
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6 devoted | |
adj.忠诚的,忠实的,热心的,献身于...的 | |
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7 epic | |
n.史诗,叙事诗;adj.史诗般的,壮丽的 | |
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8 celebrated | |
adj.有名的,声誉卓著的 | |
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9 frigate | |
n.护航舰,大型驱逐舰 | |
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10 wrecked | |
adj.失事的,遇难的 | |
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11 drawn | |
v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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12 gunpowder | |
n.火药 | |
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13 vessel | |
n.船舶;容器,器皿;管,导管,血管 | |
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14 breach | |
n.违反,不履行;破裂;vt.冲破,攻破 | |
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15 charred | |
v.把…烧成炭( char的过去式);烧焦 | |
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16 climax | |
n.顶点;高潮;v.(使)达到顶点 | |
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17 geographical | |
adj.地理的;地区(性)的 | |
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18 courageous | |
adj.勇敢的,有胆量的 | |
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19 yearning | |
a.渴望的;向往的;怀念的 | |
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20 depict | |
vt.描画,描绘;描写,描述 | |
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21 patriotism | |
n.爱国精神,爱国心,爱国主义 | |
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22 loyalty | |
n.忠诚,忠心 | |
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23 prone | |
adj.(to)易于…的,很可能…的;俯卧的 | |
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24 sarcasms | |
n.讥讽,讽刺,挖苦( sarcasm的名词复数 ) | |
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