"But you must come in and see us often," said Lillie. "It occurs to me that the by-laws admit you."
"How many will you be?" murmured Silverdale, heartbroken.
"I don't know yet. I am waiting for the thing to get about. I have been in communication with the first candidate, and expect her any moment. She is a celebrated2 actress."
"And who elects her?"
"I, of course!" said Lillie, with an imperial flash in her passionate3 brown eyes. She was a brunette, and her face sometimes looked like a handsome thunder-cloud. "I am the President and the Committee and the Oldest Old Maid. Isn't one of the rules that candidates shall not believe in Women's Rights? None of the members will have any voice whatever."
"Well, if your actress is a comic opera star, she won't have any voice whatever."
"Lord Silverdale," said Lillie sharply, "I hate puns. They spoiled the Bachelors' Club."
His lordship, who was the greatest punster of the peers, and the peer of the greatest punsters, muttered savagely4 that he would like to spoil the Old Maids' Club. Lillie punned herself sometimes, but he dared not tell her of it.
"And what will be the subscription5?" he said aloud.
"Ah, that will never do! Half the pleasure of belonging to a club is the feeling that you have not paid your subscription. And how about grub?"
"Grub! We are not men. We do not fulfil missions by eating."
"Unjust creature! Men sometimes fulfil missions by being eaten."
"Well, papa will supply buns, lemonade and ices. Turple the magnificent, will always be within call to hand round the things."
"May I send you in a hundred-weight of chocolate creams?"
"Certainly. Why should weddings have a monopoly of presents? This is not the only way in which you can be of service to me, if you will."
"Only discover it for me, my dear Miss Dulcimer. Where there's a way there's a will."
"Well, I should like you to act as Trier."
"Eh! I beg your pardon?"
"Don't apologize; to try the candidates who wish to be Old Maids."
"Try them! No, no! I'm afraid I should be prejudiced against bringing them in innocent."
"Don't be silly. You know what I mean. I could not tell so well as you whether they possessed7 the true apostolic spirit. You are a man—your instinct would be truer than mine. Whenever a new candidate applies, I want you to come up and see her."
"Really, Miss Dulcimer, I—I can't tell by looking at her!"
"No, but you can by her looking at you."
"You exaggerate my insight."
"Not at all. It is most important that something of the kind should be done. By the rules, all the Old Maids must be young and beautiful. And it requires a high degree of will and intelligence——"
"To be both!"
"For such to give themselves body and soul to the cause. Every Old Maid is double-faced till she has been proved single-hearted."
"And must I talk to them?"
"In plain English——"
"It's the only language I speak plainly."
"Flirt?" said Silverdale, aghast. "What! With young and beautiful girls?"
"I know it is hard, Lord Silverdale, but you will do it for my sake!" They were sitting on an ottoman, and the lovely face which looked pleadingly up into his was very near. The young man got up and walked up and down.
"Hang it!" he murmured disconsolately10. "Can't you try them on Turple the magnificent. Or why not get a music-master or a professor of painting?"
"Music-masters touch the wrong chord, and professors of painting are mostly old masters. You are young and polished and can flirt with tact11 and taste."
"Thank you," said the poor young peer, making a wry12 face. "And therefore I'm to be a flirtation13 machine."
"An electric battery if you like. I don't desire to mince14 my words. There's no gain in not calling a spade a spade."
"And less in people calling a battery a rake."
"Is that a joke? I thought you clubmen enjoyed being called rakes."
"That is all most of us do enjoy. Take it from me that the last thing a rake does is to sow wild oats."
"I know enough of agriculture not to be indebted to you for the information. But I certainly thought you were a rake," said the little girl, looking up at him with limpid15 brown eyes.
"You flatter me," he said with a mock bow; "you are young enough to know better."
"But you have seen Society (and theatres) in a dozen capitals!"
"I have been behind the scenes of both," he answered simply. "That is the thing to keep a man steady."
"It does. Only one begins manhood with his head screwed the wrong way on. Homœopathy is the sole curative principle in morals. Excuse this sudden discharge of copy-book mottoes. I sometimes go off that way, but you mustn't take me for a Maxim17 gun. I am not such a bore, I hope."
Lillie flew off at a feminine tangent.
"All of which only proves the wisdom of my choice in selecting you."
"What! To pepper them with pellets of platitude18?" he said, dropping despairingly into an arm-chair.
"No. With eyeshot. Take care!"
"What's the matter?"
"You're sitting on an epigram."
The young man started up as if stung, and removed the antimacassar, without, however, seeing the point.
[pg 23] "I hope you don't mind my inquiring whether you have any morals," said Lillie.
"I have as many as Æsop. The strictest investigation19 courted. References given and exchanged," said the peer lightly.
"Do be serious. You know I have an insatiable curiosity to know everything about everything—to feel all sensations, think all thoughts. That is the note of my being." The brown eyes had an eager, wistful look.
"Oh, yes—a note of interrogation."
"O that I were a man! What do men think?"
"What do you think? Men are human beings first and masculine afterwards. And I think everybody is like a suburban20 Assembly Hall—to-day a temperance lecture, to-morrow a dance, next day an oratorio21, then a farcical comedy, and on Sunday a religious service. But about this appointment?"
"Well, let us settle it one way or another," Lillie said. "Here is my proposal——"
"I have an alternative proposal," he said desperately22.
"I cannot listen to any other. Will you, or will you not, become Honorary Trier of the Old Maids' Club?"
"I'll try," he said at last.
"Yes or no?"
"Shall you be present at the trials?"
"Certainly, but I shall cultivate myopia."
"It's a short-sighted policy, Miss Dulcimer. Still, sustained by your presence, I feel I could flirt with the most beautiful and charming girl in the world. I could do it, even unsustained by the presence of the other girl."
"Oh, no! You must not flirt with me. I am the only Old Maid with whom flirtation is absolutely taboo24."
"Then I consent," said Silverdale with apparent irrelevance25. And seating himself on the piano stool, after carefully removing an epigram from the top of the instrument, he picked out "The Last Rose of Summer" with a facile forefinger26.
Thus admonished27, the nobleman took down Lillie's banjo, which was hanging on the wall, and struck a few passionate chords.
"Do you know," he said, "I always look on the banjo as the American among musical instruments. It is the guitar with a twang. Wasn't it invented in the States? Anyhow it is the most appropriate instrument to which to sing you my Fin8 de Siècle Love Song."
"For Heaven's sake, don't use that poor overworked phrase!"
AD CHLOEN.—A Valedictory30.
O Chloe, you are very, very dear,
And far above your rivals in the town,
Who all in vain essay to beat you down,
Too high you are for lowly me, I fear.
You would not stoop to pick up e'en a crown,
Though in men's eyes far fairer to appear.
At half-penny per word—it should be less—
To Chloe, telegraphical address
Of Messrs. Robinson, De Vere & Co.,
Costumers, 90, Ludgate Hill, E. C.
Lillie laughed. "My actress's name is something like Chloe. It is Clorinda—Clorinda Bell. She tells me she is very celebrated."
"Oh, yes, I've heard of her," he said.
"The very woman for an Old Maid! She is beautiful, too."
"Is she? I thought she was one of those actresses who reserve their beauty for the stage."
"Oh, no. She always wears it. Here is her photograph. Isn't that a lovely face?"
[pg 26] "It is a lovely photograph. Does she hope to achieve recognition by it, I wonder?"
"Sceptic!"
"I doubt all charms but yours."
"Well, you shall see her."
"All right, but mention her name clearly when you introduce me. Women are such changing creatures—to-day pretty, to-morrow plain, yesterday ugly. I have to be reintroduced to most of my female acquaintances three times a week. May I wait to see Clorinda?"
"No, not to-day. She has to undergo the Preliminary Exam. Perhaps she may not even matriculate. Where you come in is at the graduation stage."
"I see. To pass them as Bachelors—I mean Old Maids. I say, how will you get them to wear stuff gowns?"
The bell rang loudly. "That may be she. Good-bye, Lord Silverdale. Remember you are Honorary Trier of the Old Maids' Club, and don't forget those chocolate creams."
点击收听单词发音
1 forestalled | |
v.先发制人,预先阻止( forestall的过去式和过去分词 ) | |
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2 celebrated | |
adj.有名的,声誉卓著的 | |
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3 passionate | |
adj.热情的,热烈的,激昂的,易动情的,易怒的,性情暴躁的 | |
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4 savagely | |
adv. 野蛮地,残酷地 | |
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5 subscription | |
n.预订,预订费,亲笔签名,调配法,下标(处方) | |
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6 premises | |
n.建筑物,房屋 | |
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7 possessed | |
adj.疯狂的;拥有的,占有的 | |
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8 fin | |
n.鳍;(飞机的)安定翼 | |
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9 flirt | |
v.调情,挑逗,调戏;n.调情者,卖俏者 | |
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10 disconsolately | |
adv.悲伤地,愁闷地;哭丧着脸 | |
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11 tact | |
n.机敏,圆滑,得体 | |
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12 wry | |
adj.讽刺的;扭曲的 | |
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13 flirtation | |
n.调情,调戏,挑逗 | |
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14 mince | |
n.切碎物;v.切碎,矫揉做作地说 | |
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15 limpid | |
adj.清澈的,透明的 | |
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16 musingly | |
adv.沉思地,冥想地 | |
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17 maxim | |
n.格言,箴言 | |
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18 platitude | |
n.老生常谈,陈词滥调 | |
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19 investigation | |
n.调查,调查研究 | |
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20 suburban | |
adj.城郊的,在郊区的 | |
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21 oratorio | |
n.神剧,宗教剧,清唱剧 | |
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22 desperately | |
adv.极度渴望地,绝望地,孤注一掷地 | |
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23 lute | |
n.琵琶,鲁特琴 | |
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24 taboo | |
n.禁忌,禁止接近,禁止使用;adj.禁忌的;v.禁忌,禁制,禁止 | |
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25 irrelevance | |
n.无关紧要;不相关;不相关的事物 | |
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26 forefinger | |
n.食指 | |
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27 admonished | |
v.劝告( admonish的过去式和过去分词 );训诫;(温和地)责备;轻责 | |
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28 sonnet | |
n.十四行诗 | |
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29 strings | |
n.弦 | |
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30 valedictory | |
adj.告别的;n.告别演说 | |
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31 embittered | |
v.使怨恨,激怒( embitter的过去式和过去分词 ) | |
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32 haughtiness | |
n.傲慢;傲气 | |
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33 austere | |
adj.艰苦的;朴素的,朴实无华的;严峻的 | |
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34 cede | |
v.割让,放弃 | |
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35 kindly | |
adj.和蔼的,温和的,爽快的;adv.温和地,亲切地 | |
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36 economize | |
v.节约,节省 | |
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37 sneer | |
v.轻蔑;嘲笑;n.嘲笑,讥讽的言语 | |
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38 virtuous | |
adj.有品德的,善良的,贞洁的,有效力的 | |
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