The king, vexed1 to see Paris deprived for so long of its Opera, became as sorrowful as if the arrivals of grain had ceased, or bread had risen to more than seven sous the quartern loaf. It was melancholy2 to see the nobility, the army, and the citizens without their after-dinner amusement; and to see the promenades3 thronged4 with the unemployed5 divinities, from the chorus-singers to the prima donnas.
An architect was then introduced to the king, full of new plans, who promised so perfect a ventilation, that even in case of fire no one could be smothered6. He would make eight doors for exit, besides five large windows placed so low that any one could jump out of them. In the place of the beautiful hall of Moreau he was to erect7 a building with ninety-six feet of frontage towards the boulevard, ornamented8 with eight caryatides on pillars forming three entrance-doors, a bas-relief above the capitals, and a gallery with three windows. The stage was to be thirty-six feet wide, the theater seventy-two feet deep and eighty across, from one wall to the other. He asked only seventy-five days and nights before he opened it to the public.
This appeared to all a mere9 gasconade, and was much laughed at. The king, however, concluded the agreement with him. Lenoir set to work, and kept his word. But the public feared that a building so quickly erected10 could not be safe, and when it opened no one would go.
Even the few courageous11 ones who did go to the first representation of “Adéle de Ponthieu” made their wills first. The architect was in despair. He came to the king to consult him as to what was to be done.
It was just after the birth of the dauphin; all Paris was full of joy. The king advised him to announce a gratuitous12 performance in honor of the event, and give a ball after. Doubtless plenty would come, and if the theater stood, its safety was established.
“Thanks, sire,” said the architect.
“But reflect, first,” said the king, “if there be a crowd, are you sure of your building?”
“Sire, I am sure, and shall go there myself.”
“I will go to the second representation,” said the king.
The architect followed this advice. They played “Adéle de Ponthieu” to three thousand spectators, who afterwards danced. After this there could be no more fear. It was three years afterwards that Madame de la Motte and the cardinal13 went to the ball.
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1 vexed | |
adj.争论不休的;(指问题等)棘手的;争论不休的问题;烦恼的v.使烦恼( vex的过去式和过去分词 );使苦恼;使生气;详细讨论 | |
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2 melancholy | |
n.忧郁,愁思;adj.令人感伤(沮丧)的,忧郁的 | |
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3 promenades | |
n.人行道( promenade的名词复数 );散步场所;闲逛v.兜风( promenade的第三人称单数 ) | |
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4 thronged | |
v.成群,挤满( throng的过去式和过去分词 ) | |
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5 unemployed | |
adj.失业的,没有工作的;未动用的,闲置的 | |
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6 smothered | |
(使)窒息, (使)透不过气( smother的过去式和过去分词 ); 覆盖; 忍住; 抑制 | |
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7 erect | |
n./v.树立,建立,使竖立;adj.直立的,垂直的 | |
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8 ornamented | |
adj.花式字体的v.装饰,点缀,美化( ornament的过去式和过去分词 ) | |
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9 mere | |
adj.纯粹的;仅仅,只不过 | |
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10 ERECTED | |
adj. 直立的,竖立的,笔直的 vt. 使 ... 直立,建立 | |
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11 courageous | |
adj.勇敢的,有胆量的 | |
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12 gratuitous | |
adj.无偿的,免费的;无缘无故的,不必要的 | |
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13 cardinal | |
n.(天主教的)红衣主教;adj.首要的,基本的 | |
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