I THE AUTHOR TO THE READER

 A la sueur de ton visaige

Tu gagnerois ta pauvre vie,

Après long travail¹ et usaige,

Voicy la mort qui te convie.

 

The quatrain in old French written below one of Holbein's pictures is profoundly sad in its simplicity². The engraving³ represents a ploughman driving his plough through a field. A vast expanse of country stretches away in the distance, with some poor cabins here and there; the sun is setting behind the hill. It is the close of a hard day's work. The peasant is a short, thick-set man, old, and clothed in rags. The four horses that he urges forward are thin and gaunt; the ploughshare is buried in rough, unyielding soil. A single figure is joyous⁴ and alert in that scene of sweat and toil⁵. It is a fantastic personage, a skeleton armed with a whip, who runs in the furrow⁶ beside the terrified horses and belabors⁷ them, thus serving the old husbandman as ploughboy. This spectre, which Holbein has introduced allegorically in the succession of philosophical⁸ and religious subjects, at once lugubrious⁹ and burlesque¹⁰, entitled the Dance of Death, is Death itself.

 

In that collection, or rather in that great book, in which Death, playing his part on every page, is the connecting link and the dominant¹¹ thought, Holbein has marshalled sovereigns, pontiffs, lovers, gamblers, drunkards, nuns¹², courtesans, brigands¹³, paupers¹⁴, soldiers, monks¹⁵, Jews, travellers, the whole world of his day and of ours; and everywhere the spectre of Death mocks and threatens and triumphs. From a single picture only, is it absent. It is that one in which Lazarus, the poor man, lying on a dunghill at the rich man's door, declares that he does not fear Death, doubtless because he has nothing to lose and his life is premature¹⁶ death.

 

Is that stoicist idea of the half-pagan Christianity of the Renaissance¹⁷ very comforting, and do devout¹⁸ souls find consolation¹⁹ therein? The ambitious man, the rascal²⁰, the tyrant²¹, the rake, all those haughty²² sinners who abuse life, and whom Death holds by the hair, are destined²³ to be punished, without doubt; but are the blind man, the beggar, the madman, the poor peasant, recompensed for their long life of misery²⁴ by the single reflection that death is not an evil for them? No! An implacable melancholy²⁵, a ghastly fatality²⁶, overshadows the artist's work. It resembles a bitter imprecation upon the fate of mankind.

 

There truly do we find the grievous satire²⁷, the truthful²⁸ picture of the society Holbein had under his eyes. Crime and misfortune, those are what impressed him; but what shall we depict²⁹, we artists of another age? Shall we seek in the thought of death the reward of mankind in the present day? Shall we invoke³⁰ it as the punishment of injustice³¹ and the guerdon of suffering?

 

No, we have no longer to deal with Death, but with Life. We no longer believe either in the nothingness of the tomb or in salvation³² purchased by obligatory³³ renunciation; we want life to be good because we want it to be fruitful. Lazarus must leave his dunghill, so that the poor may no longer rejoice at the death of the rich. All must be happy, so that the happiness of some may not be a crime and accursed of God. The husbandman as he sows his grain must know that he is working at the work of life, and not rejoice because Death is walking beside him. In a word, death must no longer be the punishment of prosperity or the consolation of adversity. God did not destine death as a punishment or a compensation for life; for he blessed life, and the grave should not be a refuge to which it is permitted to send those who cannot be made happy.

 

Certain artists of our time, casting a serious glance upon their surroundings, strive to depict grief, the abjectness³⁴ of poverty, Lazarus's dunghill. That may be within the domain³⁵ of art and philosophy; but, by representing poverty as so ugly, so base, and at times so vicious and criminal a thing, do they attain³⁶ their end, and is the effect as salutary as they could wish? We do not dare to say. We may be told that by pointing out the abyss that yawns beneath the fragile crust of opulence³⁷, they terrify the wicked rich man, as, in the time of the Danse Macabre³⁸, they showed him its yawning ditch, and Death ready to wind its unclean arms about him. To-day, they show him the thief picking his lock, the assassin watching until he sleeps. We confess that we do not clearly understand how they will reconcile him with the humanity he despises, how they will move his pity for the sufferings of the poor man whom he fears, by showing him that same poor man in the guise³⁹ of the escaped felon⁴⁰ and the burglar. Ghastly Death, gnashing his teeth and playing the violin in the productions of Holbein and his predecessors⁴¹, found it impossible in that guise to convert the perverse⁴² and to comfort their victims. Is it not a fact that the literature of our day is in this respect following to some extent in the footsteps of the artists of the Middle Ages and the Renaissance?

 

Holbein's drunkards fill their glasses in a sort of frenzied⁴³ desire to put aside the thought of Death, who, unseen by them, acts as their cup-bearer. The wicked rich men of to-day demand fortifications and cannon⁴⁴ to put aside the thought of a rising of the Jacquerie, whom art shows them at work in the shadow, separately awaiting the moment to swoop⁴⁵ down upon society. The Church of the Middle Ages answered the terrors of the powerful ones of the earth by selling indulgences. The government of to-day allays⁴⁶ the anxiety of the rich by making them pay for many gendarmes⁴⁷ and jailers, bayonets and prisons.

 

Albert Dürer, Michael Angelo, Holbein, Callot, Goya, produced powerful satires⁴⁸ upon the evils of their age and their country. They are immortal⁴⁹ works, historical pages of unquestionable value; we do not undertake, therefore, to deny artists the right to probe the wounds of society and lay them bare before our eyes; but is there nothing better to be done to-day than to depict the terrifying and the threatening? In this literature of mysteries of iniquity⁵⁰, which talent and imagination have made fashionable, we prefer the mild, attractive figures to the villains⁵¹ for dramatic effect. The former may undertake and effect conversions⁵², the others cause fear, and fear does not cure egoism, but increases it.

 

We believe that the mission of art is a mission of sentiment and love, that the novel of to-day ought to replace the parable⁵³ and the fable⁵⁴ of simpler times, and that the artist has a broader and more poetic⁵⁵ task than that of suggesting a few prudential and conciliatory measures to lessen⁵⁶ the alarm his pictures arouse. His object should be to make the objects of his solicitude⁵⁷ lovable, and I would not reproach him for flattering them a little, in case of need. Art is not a study of positive reality, it is a quest for ideal truth, and the Vicar of Wakefield was a more useful and healthy book for the mind than the Paysan Perverti or the Liaisons⁵⁸ Dangereuses.

 

Reader, pardon these reflections, and deign⁵⁹ to accept them by way of preface. There will be no other to the little tale I propose to tell you, and it will be so short and so simple that I felt that I must apologize beforehand by telling you what I think of terrifying tales.

 

I allowed myself to be drawn⁶⁰ into this digression apropos⁶¹ of a ploughman. It is the story of a ploughman that I set out to tell you, and will tell you forthwith.

1 travail   

n.阵痛；努力

参考例句：

• Mothers know the travail of giving birth to a child.母亲们了解分娩时的痛苦。
• He gained the medal through his painful travail.他通过艰辛的努力获得了奖牌。

2 simplicity   

n.简单，简易；朴素；直率，单纯

参考例句：

• She dressed with elegant simplicity.她穿着朴素高雅。
• The beauty of this plan is its simplicity.简明扼要是这个计划的一大特点。

3 engraving   

n.版画；雕刻（作品）；雕刻艺术；镌版术v.在（硬物）上雕刻（字，画等）( engrave的现在分词 )；将某事物深深印在（记忆或头脑中）

参考例句：

• He collected an old engraving of London Bridge. 他收藏了一张古老的伦敦桥版画。 来自辞典例句
• Some writing has the precision of a steel engraving. 有的字体严谨如同钢刻。 来自辞典例句

4 joyous   

adj.充满快乐的；令人高兴的

参考例句：

• The lively dance heightened the joyous atmosphere of the scene.轻快的舞蹈给这场戏渲染了欢乐气氛。
• They conveyed the joyous news to us soon.他们把这一佳音很快地传递给我们。

5 toil   

vi.辛劳工作，艰难地行动；n.苦工，难事

参考例句：

• The wealth comes from the toil of the masses.财富来自大众的辛勤劳动。
• Every single grain is the result of toil.每一粒粮食都来之不易。

6 furrow   

n.沟；垄沟；轨迹；车辙；皱纹

参考例句：

• The tractor has make deep furrow in the loose sand.拖拉机在松软的沙土上留下了深深的车辙。
• Mei did not weep.She only bit her lips,and the furrow in her brow deepened.梅埋下头，她咬了咬嘴唇皮，额上的皱纹显得更深了。

7 belabors   

vt.毒打一顿（belabor的第三人称单数形式）

参考例句：

8 philosophical   

adj.哲学家的，哲学上的，达观的

参考例句：

• The teacher couldn't answer the philosophical problem.老师不能解答这个哲学问题。
• She is very philosophical about her bad luck.她对自己的不幸看得很开。

9 lugubrious   

adj.悲哀的，忧郁的

参考例句：

• That long,lugubrious howl rose on the night air again!夜空中又传来了那又长又凄凉的狗叫声。
• After the earthquake,the city is full of lugubrious faces.地震之后，这个城市满是悲哀的面孔。

10 burlesque   

v.嘲弄，戏仿；n.嘲弄，取笑，滑稽模仿

参考例句：

• Our comic play was a burlesque of a Shakespearean tragedy.我们的喜剧是对莎士比亚一出悲剧的讽刺性模仿。
• He shouldn't burlesque the elder.他不应模仿那长者。

11 dominant   

adj.支配的，统治的；占优势的；显性的；n.主因，要素，主要的人(或物)；显性基因

参考例句：

• The British were formerly dominant in India.英国人从前统治印度。
• She was a dominant figure in the French film industry.她在法国电影界是个举足轻重的人物。

12 nuns   

n.（通常指基督教的）修女， （佛教的）尼姑( nun的名词复数 )

参考例句：

• Ah Q had always had the greatest contempt for such people as little nuns. 小尼姑之流是阿Q本来视如草芥的。 来自《现代汉英综合大词典》
• Nuns are under vows of poverty, chastity and obedience. 修女须立誓保持清贫、贞洁、顺从。 来自辞典例句

13 brigands   

n.土匪，强盗( brigand的名词复数 )

参考例句：

• They say there are brigands hiding along the way. 他们说沿路隐藏着土匪。 来自《简明英汉词典》
• The brigands demanded tribute from passing vehicles. 土匪向过往车辆勒索钱财。 来自辞典例句

14 paupers   

n.穷人( pauper的名词复数 )；贫民；贫穷

参考例句：

• The garment is expensive, paupers like you could never afford it! 这件衣服很贵，你这穷鬼根本买不起！ 来自互联网
• Child-friendliest among the paupers were Burkina Faso and Malawi. 布基纳法索，马拉维，这俩贫穷国家儿童友善工作做得不错。 来自互联网

15 monks   

n.修道士，僧侣( monk的名词复数 )

参考例句：

• The monks lived a very ascetic life. 僧侣过着很清苦的生活。
• He had been trained rigorously by the monks. 他接受过修道士的严格训练。 来自《简明英汉词典》

16 premature   

adj.比预期时间早的；不成熟的，仓促的

参考例句：

• It is yet premature to predict the possible outcome of the dialogue.预言这次对话可能有什么结果为时尚早。
• The premature baby is doing well.那个早产的婴儿很健康。

17 renaissance   

n.复活，复兴，文艺复兴

参考例句：

• The Renaissance was an epoch of unparalleled cultural achievement.文艺复兴是一个文化上取得空前成就的时代。
• The theme of the conference is renaissance Europe.大会的主题是文艺复兴时期的欧洲。

18 devout   

adj.虔诚的，虔敬的，衷心的 (n.devoutness)

参考例句：

• His devout Catholicism appeals to ordinary people.他对天主教的虔诚信仰感染了普通民众。
• The devout man prayed daily.那位虔诚的男士每天都祈祷。

19 consolation   

n.安慰，慰问

参考例句：

• The children were a great consolation to me at that time.那时孩子们成了我的莫大安慰。
• This news was of little consolation to us.这个消息对我们来说没有什么安慰。

20 rascal   

n.流氓；不诚实的人

参考例句：

• If he had done otherwise,I should have thought him a rascal.如果他不这样做，我就认为他是个恶棍。
• The rascal was frightened into holding his tongue.这坏蛋吓得不敢往下说了。

21 tyrant   

n.暴君，专制的君主，残暴的人

参考例句：

• The country was ruled by a despotic tyrant.该国处在一个专制暴君的统治之下。
• The tyrant was deaf to the entreaties of the slaves.暴君听不到奴隶们的哀鸣。

22 haughty   

adj.傲慢的，高傲的

参考例句：

• He gave me a haughty look and walked away.他向我摆出傲慢的表情后走开。
• They were displeased with her haughty airs.他们讨厌她高傲的派头。

23 destined   

adj.命中注定的；(for)以…为目的地的

参考例句：

• It was destined that they would marry.他们结婚是缘分。
• The shipment is destined for America.这批货物将运往美国。

24 misery   

n.痛苦，苦恼，苦难；悲惨的境遇，贫苦

参考例句：

• Business depression usually causes misery among the working class.商业不景气常使工薪阶层受苦。
• He has rescued me from the mire of misery.他把我从苦海里救了出来。

25 melancholy   

n.忧郁，愁思；adj.令人感伤（沮丧）的，忧郁的

参考例句：

• All at once he fell into a state of profound melancholy.他立即陷入无尽的忧思之中。
• He felt melancholy after he failed the exam.这次考试没通过，他感到很郁闷。

26 fatality   

n.不幸，灾祸，天命

参考例句：

• She struggle against fatality in vain.她徒然奋斗反抗宿命。
• He began to have a growing sense of fatality.他开始有一种越来越强烈的宿命感。

27 satire   

n.讽刺，讽刺文学，讽刺作品

参考例句：

• The movie is a clever satire on the advertising industry.那部影片是关于广告业的一部巧妙的讽刺作品。
• Satire is often a form of protest against injustice.讽刺往往是一种对不公正的抗议形式。

28 truthful   

adj.真实的，说实话的，诚实的

参考例句：

• You can count on him for a truthful report of the accident.你放心，他会对事故作出如实的报告的。
• I don't think you are being entirely truthful.我认为你并没全讲真话。

29 depict   

vt.描画，描绘；描写，描述

参考例句：

• I don't care to see plays or films that depict murders or violence.我不喜欢看描写谋杀或暴力的戏剧或电影。
• Children's books often depict farmyard animals as gentle,lovable creatures.儿童图书常常把农场的动物描写得温和而可爱。

30 invoke   

v.求助于(神、法律)；恳求，乞求

参考例句：

• Let us invoke the blessings of peace.让我们祈求和平之福。
• I hope I'll never have to invoke this clause and lodge a claim with you.我希望我永远不会使用这个条款向你们索赔。

31 injustice   

n.非正义，不公正，不公平，侵犯（别人的）权利

参考例句：

• They complained of injustice in the way they had been treated.他们抱怨受到不公平的对待。
• All his life he has been struggling against injustice.他一生都在与不公正现象作斗争。

32 salvation   

n.（尤指基督）救世，超度，拯救，解困

参考例句：

• Salvation lay in political reform.解救办法在于政治改革。
• Christians hope and pray for salvation.基督教徒希望并祈祷灵魂得救。

33 obligatory   

adj.强制性的，义务的，必须的

参考例句：

• It is obligatory for us to obey the laws.我们必须守法。
• It is obligatory on every citizen to safeguard our great motherland.保卫我们伟大的祖国是每一个公民应尽的义务。

34 abjectness   

凄惨； 绝望； 卑鄙； 卑劣

参考例句：

35 domain   

n.(活动等)领域，范围；领地，势力范围

参考例句：

• This information should be in the public domain.这一消息应该为公众所知。
• This question comes into the domain of philosophy.这一问题属于哲学范畴。

36 attain   

vt.达到，获得，完成

参考例句：

• I used the scientific method to attain this end. 我用科学的方法来达到这一目的。
• His painstaking to attain his goal in life is praiseworthy. 他为实现人生目标所下的苦功是值得称赞的。

37 opulence   

n.财富，富裕

参考例句：

• His eyes had never beheld such opulence.他从未见过这样的财富。
• He owes his opulence to work hard.他的财富乃辛勤工作得来。

38 macabre   

adj.骇人的，可怖的

参考例句：

• He takes a macabre interest in graveyards.他那么留意墓地，令人毛骨悚然。
• Mr Dahl was well-known for his macabre adult stories called 'Tales of the Unexpected'.达尔先生以成人恐怖小说集《意料之外的故事》闻名于世。

39 guise   

n.外表，伪装的姿态

参考例句：

• They got into the school in the guise of inspectors.他们假装成视察员进了学校。
• The thief came into the house under the guise of a repairman.那小偷扮成个修理匠进了屋子。

40 felon   

n.重罪犯；adj.残忍的

参考例句：

• He's a convicted felon.他是个已定罪的重犯。
• Hitler's early "successes" were only the startling depredations of a resolute felon.希特勒的早期“胜利 ”，只不过是一个死心塌地的恶棍出人意料地抢掠得手而已。

41 predecessors   

n.前任( predecessor的名词复数 )；前辈；（被取代的）原有事物；前身

参考例句：

• The new government set about dismantling their predecessors' legislation. 新政府正着手废除其前任所制定的法律。 来自《简明英汉词典》
• Will new plan be any more acceptable than its predecessors? 新计划比原先的计划更能令人满意吗？ 来自《简明英汉词典》

42 perverse   

adj.刚愎的；坚持错误的，行为反常的

参考例句：

• It would be perverse to stop this healthy trend.阻止这种健康发展的趋势是没有道理的。
• She gets a perverse satisfaction from making other people embarrassed.她有一种不正常的心态，以使别人难堪来取乐。

43 frenzied   

a.激怒的；疯狂的

参考例句：

• Will this push him too far and lead to a frenzied attack? 这会不会逼他太甚，导致他进行疯狂的进攻？
• Two teenagers carried out a frenzied attack on a local shopkeeper. 两名十几岁的少年对当地的一个店主进行了疯狂的袭击。

44 cannon   

n.大炮，火炮；飞机上的机关炮

参考例句：

• The soldiers fired the cannon.士兵们开炮。
• The cannon thundered in the hills.大炮在山间轰鸣。

45 swoop   

n.俯冲，攫取；v.抓取，突然袭击

参考例句：

• The plane made a swoop over the city.那架飞机突然向这座城市猛降下来。
• We decided to swoop down upon the enemy there.我们决定突袭驻在那里的敌人。

46 allays   

v.减轻，缓和( allay的第三人称单数 )

参考例句：

• This leads to better leak integrity and allays contamination concerns. 这导致了更好的泄露完整性，减少了对污染的担心。 来自互联网
• And from a security standpoint the act raises as many fears as allays. 而从安全角度来说，该法案消除恐惧的同时也增加了担忧。 来自互联网

47 gendarmes   

n.宪兵，警官( gendarme的名词复数 )

参考例句：

• Of course, the line of prisoners was guarded at all times by armed gendarmes. 当然，这一切都是在荷枪实弹的卫兵监视下进行的。 来自百科语句
• The three men were gendarmes;the other was Jean Valjean. 那三个人是警察，另一个就是冉阿让。 来自互联网

48 satires   

讽刺，讥讽( satire的名词复数 )； 讽刺作品

参考例句：

• Some of Aesop's Fables are satires. 《伊索寓言》中有一些是讽刺作品。
• Edith Wharton continued writing her satires of the life and manners of the New York aristocracy. 伊迪丝·沃顿继续写讽刺纽约贵族生活和习俗的作品。

49 immortal   

adj.不朽的；永生的，不死的；神的

参考例句：

• The wild cocoa tree is effectively immortal.野生可可树实际上是不会死的。
• The heroes of the people are immortal!人民英雄永垂不朽！

50 iniquity   

n.邪恶；不公正

参考例句：

• Research has revealed that he is a monster of iniquity.调查结果显示他是一个不法之徒。
• The iniquity of the transaction aroused general indignation.这笔交易的不公引起了普遍的愤怒。

51 villains   

n.恶棍( villain的名词复数 )；罪犯；（小说、戏剧等中的）反面人物；淘气鬼

参考例句：

• The impression of villains was inescapable. 留下恶棍的印象是不可避免的。 来自《简明英汉词典》
• Some villains robbed the widow of the savings. 有几个歹徒将寡妇的积蓄劫走了。 来自《现代英汉综合大词典》

52 conversions   

变换( conversion的名词复数 )； （宗教、信仰等）彻底改变； （尤指为居住而）改建的房屋； 橄榄球（触地得分后再把球射中球门的）附加得分

参考例句：

• He kicked a penalty goal and two conversions, ie in Rugby football. 他一次罚球得分，两次触地后射门得分（在橄榄球赛中）。
• Few of the intermediates or enzymes involved in these conversions have been isolated from higher plants. 在这些转变中包含的少数中间产物或酶已经从高等植物中分离出来。

53 parable   

n.寓言，比喻

参考例句：

• This is an ancient parable.这是一个古老的寓言。
• The minister preached a sermon on the parable of the lost sheep.牧师讲道时用了亡羊的比喻。

54 fable   

n.寓言；童话；神话

参考例句：

• The fable is given on the next page. 这篇寓言登在下一页上。
• He had some motive in telling this fable. 他讲这寓言故事是有用意的。

55 poetic   

adj.富有诗意的，有诗人气质的，善于抒情的

参考例句：

• His poetic idiom is stamped with expressions describing group feeling and thought.他的诗中的措辞往往带有描写群体感情和思想的印记。
• His poetic novels have gone through three different historical stages.他的诗情小说创作经历了三个不同的历史阶段。

56 lessen   

vt.减少，减轻；缩小

参考例句：

• Regular exercise can help to lessen the pain.经常运动有助于减轻痛感。
• They've made great effort to lessen the noise of planes.他们尽力减小飞机的噪音。

57 solicitude   

n.焦虑

参考例句：

• Your solicitude was a great consolation to me.你对我的关怀给了我莫大的安慰。
• He is full of tender solicitude towards my sister.他对我妹妹满心牵挂。

58 liaisons   

n.联络( liaison的名词复数 )；联络人；（尤指一方或双方已婚的）私通；组织单位间的交流与合作

参考例句：

• She embarked on a series of sexual liaisons with society figures. 她开始接二连三地与社会名流有染。 来自辞典例句
• One of Wentworth's favorite movies is Dangerous Liaisons. went最喜欢的电影之一是《危险关系》。 来自互联网

59 deign   

v. 屈尊, 惠允 ( 做某事)

参考例句：

• He doesn't deign to talk to unimportant people like me. 他不肯屈尊和像我这样不重要的人说话。
• I would not deign to comment on such behaviour. 这种行为不屑我置评。

60 drawn   

v.拖，拉，拔出；adj.憔悴的，紧张的

参考例句：

• All the characters in the story are drawn from life.故事中的所有人物都取材于生活。
• Her gaze was drawn irresistibly to the scene outside.她的目光禁不住被外面的风景所吸引。

61 apropos   

adv.恰好地；adj.恰当的；关于

参考例句：

• I thought he spoke very apropos.我认为他说得很中肯。
• He arrived very apropos.他来得很及时。