Strangers used to leisurely6 appraisals7 upon their own thoroughfares are apt to believe that Fifth Avenue notices nothing; but they are mistaken; it is New York that is preoccupied8, not Fifth Avenue. The Fifth Avenue eye, like a policeman's, familiar with a variety of types, catalogues you and replaces you upon the shelf with such automatic rapidity that you are not aware you have been taken down. Fifth Avenue is secretly populous9 with observers who take note of everything.
Of course, among these peregrinate great numbers almost in a stupor10 so far as what is closest around them is concerned; and there are those, too, who are so completely busied with either the consciousness of being noticed, or the hope of being noticed, or the hatred11 of it, that they take note of nothing else. Fifth Avenue expressions are a filling meal for the prowling lonely joker; but what will most satisfy his cannibal appetite is the passage of the self-conscious men and women. For here, on a good day, he cannot fail to relish12 some extreme cases of their whimsical disease: fledgling young men making believe to be haughty13 to cover their dreadful symptoms, the mask itself thus revealing what it seeks to conceal14; timid young ladies, likewise treacherously15 exposed by their defenses; and very different ladies, but in similar case, being retouched ladies, tinted16 ladies; and ladies who know that they are pretty at first sight, ladies who chat with some obscured companion only to offer the public a treat of graceful17 gestures; and poor ladies making believe to be rich ladies; and rich ladies making believe to be important ladies; and many other sorts of conscious ladies. And men—ah, pitiful!—pitiful the wretch18 whose hardihood has involved him in cruel and unusual great gloss19 and unsheltered tailed coat. Any man in his overcoat is wrapped in his castle; he fears nothing. But to this hunted creature, naked in his robin's tail, the whole panorama20 of the Avenue is merely a blurred21 audience, focusing upon him a vast glare of derision; he walks swiftly, as upon fire, pretends to careless sidelong interest in shop-windows as he goes, makes play with his unfamiliar22 cane23 only to be horror-stricken at the flourishings so evoked24 of his wild gloves; and at last, fairly crawling with the eyes he feels all over him, he must draw forth25 his handkerchief and shelter behind it, poor man, in the dishonourable affectation of a sneeze!
Piquant26 contrast to these obsessions27, the well-known expression of Talbot Potter lifted him above the crowd to such high serenity28 his face might have been that of a young Pope, with a dash of Sydney Carton. His glance fixed29 itself, in its benign30 detachment, upon the misty31 top of the Flatiron, far down the street, and the more frequent the plainly visible recognitions among the north-bound people, the less he seemed aware of them. And yet, whenever the sieving32 current of pedestrians33 brought momentarily face to face with him a girl or woman, apparently34 civilized35 and in the mode, who obviously had never seen him before and seemed not to care if it should be her fate never to repeat the experience, Talbot Potter had a certain desire. If society had established a rule that all men must instantly obey and act upon every fleeting36 impulse, Talbot Potter would have taken that girl or woman by the shoulders and said to her: “What's the matter with you!”
At Forty-second Street he crossed over, proceeded to the middle of the block, and halted dreamily on the edge of the pavement, his back to the crowd. His face was toward the Library, with its two annoyed pet lions, typifying learning, and he appeared to study the great building. One or two of the passersby37 had seen him standing38 on that self-same spot before;—in fact, he always stopped there whenever he walked down the Avenue.
For a little time (not too long) he stood there; and thus absorbed he was, as they say, a Picture. Moreover, being such a popular one, he attracted much interest. People paused to observe him; and all unaware39 of their attention, he suddenly smiled charmingly, as at some gentle pleasantry in his own mind—something he had remembered from a book, no doubt. It was a wonderful smile, and vanished slowly, leaving a rapt look; evidently he was lost in musing40 upon architecture and sculpture and beautiful books. A girl whisking by in an automobile41 had time to guess, reverently42, that the phrase in his mind was: “A Stately Home for Beautiful Books!” Dinner-tables would hear, that evening, how Talbot Potter stood there, oblivious43 of everything else, studying the Library!
This slight sketch44 of artistic45 reverie completed, he went on, proceeding46 a little more rapidly down the Avenue; presently turned over to the stage door of Wallack's, made his way through the ensuing passages, and appeared upon the vasty stage of the old theatre, where his company of actors awaited his coming to begin the rehearsal of a new play.
点击收听单词发音
1 climax | |
n.顶点;高潮;v.(使)达到顶点 | |
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2 dulcet | |
adj.悦耳的 | |
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3 throbbing | |
a. 跳动的,悸动的 | |
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4 rehearsal | |
n.排练,排演;练习 | |
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5 northward | |
adv.向北;n.北方的地区 | |
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6 leisurely | |
adj.悠闲的;从容的,慢慢的 | |
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7 appraisals | |
估计,估量,评价( appraisal的名词复数 ) | |
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8 preoccupied | |
adj.全神贯注的,入神的;被抢先占有的;心事重重的v.占据(某人)思想,使对…全神贯注,使专心于( preoccupy的过去式) | |
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9 populous | |
adj.人口稠密的,人口众多的 | |
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10 stupor | |
v.昏迷;不省人事 | |
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11 hatred | |
n.憎恶,憎恨,仇恨 | |
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12 relish | |
n.滋味,享受,爱好,调味品;vt.加调味料,享受,品味;vi.有滋味 | |
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13 haughty | |
adj.傲慢的,高傲的 | |
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14 conceal | |
v.隐藏,隐瞒,隐蔽 | |
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15 treacherously | |
背信弃义地; 背叛地; 靠不住地; 危险地 | |
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16 tinted | |
adj. 带色彩的 动词tint的过去式和过去分词 | |
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17 graceful | |
adj.优美的,优雅的;得体的 | |
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18 wretch | |
n.可怜的人,不幸的人;卑鄙的人 | |
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19 gloss | |
n.光泽,光滑;虚饰;注释;vt.加光泽于;掩饰 | |
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20 panorama | |
n.全景,全景画,全景摄影,全景照片[装置] | |
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21 blurred | |
v.(使)变模糊( blur的过去式和过去分词 );(使)难以区分;模模糊糊;迷离 | |
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22 unfamiliar | |
adj.陌生的,不熟悉的 | |
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23 cane | |
n.手杖,细长的茎,藤条;v.以杖击,以藤编制的 | |
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24 evoked | |
[医]诱发的 | |
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25 forth | |
adv.向前;向外,往外 | |
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26 piquant | |
adj.辛辣的,开胃的,令人兴奋的 | |
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27 obsessions | |
n.使人痴迷的人(或物)( obsession的名词复数 );着魔;困扰 | |
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28 serenity | |
n.宁静,沉着,晴朗 | |
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29 fixed | |
adj.固定的,不变的,准备好的;(计算机)固定的 | |
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30 benign | |
adj.善良的,慈祥的;良性的,无危险的 | |
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31 misty | |
adj.雾蒙蒙的,有雾的 | |
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32 sieving | |
筛(选),筛分(法) | |
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33 pedestrians | |
n.步行者( pedestrian的名词复数 ) | |
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34 apparently | |
adv.显然地;表面上,似乎 | |
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35 civilized | |
a.有教养的,文雅的 | |
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36 fleeting | |
adj.短暂的,飞逝的 | |
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37 passersby | |
n. 过路人(行人,经过者) | |
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38 standing | |
n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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39 unaware | |
a.不知道的,未意识到的 | |
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40 musing | |
n. 沉思,冥想 adj. 沉思的, 冥想的 动词muse的现在分词形式 | |
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41 automobile | |
n.汽车,机动车 | |
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42 reverently | |
adv.虔诚地 | |
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43 oblivious | |
adj.易忘的,遗忘的,忘却的,健忘的 | |
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44 sketch | |
n.草图;梗概;素描;v.素描;概述 | |
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45 artistic | |
adj.艺术(家)的,美术(家)的;善于艺术创作的 | |
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46 proceeding | |
n.行动,进行,(pl.)会议录,学报 | |
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