The boys kept their secret well.
One evening, towards the end of the week, Robert, after seeing Shargar disposed of for the night, proceeded to carry out a project which had grown in his brain within the last two days in consequence of an occurrence with which his relation to Shargar had had something to do. It was this:
The housing of Shargar in the garret had led Robert to make a close acquaintance with the place. He was familiar with all the outs and ins of the little room which he considered his own, for that was a civilized19, being a plastered, ceiled, and comparatively well-lighted little room, but not with the other, which was three times its size, very badly lighted, and showing the naked couples from roof-tree to floor. Besides, it contained no end of dark corners, with which his childish imagination had associated undefined horrors, assuming now one shape, now another. Also there were several closets in it, constructed in the angles of the place, and several chests—two of which he had ventured to peep into. But although he had found them filled, not with bones, as he had expected, but one with papers, and one with garments, he had yet dared to carry his researches no further. One evening, however, when Betty was out, and he had got hold of her candle, and gone up to keep Shargar company for a few minutes, a sudden impulse seized him to have a peep into all the closets. One of them he knew a little about, as containing, amongst other things, his father's coat with the gilt20 buttons, and his great-grandfather's kilt, as well as other garments useful to Shargar: now he would see what was in the rest. He did not find anything very interesting, however, till he arrived at the last. Out of it he drew a long queer-shaped box into the light of Betty's dip.
'Luik here, Shargar!' he said under his breath, for they never dared to speak aloud in these precincts—'luik here! What can there be in this box? Is't a bairnie's coffin21, duv ye think? Luik at it.'
In this case Shargar, having roamed the country a good deal more than Robert, and having been present at some merry-makings with his mother, of which there were comparatively few in that country-side, was better informed than his friend.
'That's buff an' styte (stuff and nonsense), Shargar. Do ye think I dinna ken a fiddle whan I see ane, wi' its guts24 ootside o' 'ts wame, an' the thoomacks to screw them up wi' an' gar't skirl?'
'Buff an' styte yersel'!' cried Shargar, in indignation, from the bed. 'Gie's a haud o' 't.'
Robert handed him the case. Shargar undid25 the hooks in a moment, and revealed the creature lying in its shell like a boiled bivalve.
'I tellt ye sae!' he exclaimed triumphantly26. 'Maybe ye'll lippen to me (trust me) neist time.'
'An' I tellt you,' retorted Robert, with an equivocation27 altogether unworthy of his growing honesty. 'I was cocksure that cudna be a fiddle. There's the fiddle i' the hert o' 't! Losh! I min' noo. It maun be my grandfather's fiddle 'at I hae heard tell o'.'
'No to ken a fiddle-case!' reflected Shargar, with as much of contempt as it was possible for him to show.
'I tell ye what, Shargar,' returned Robert, indignantly; 'ye may ken the box o' a fiddle better nor I do, but de'il hae me gin I dinna ken the fiddle itsel' raither better nor ye do in a fortnicht frae this time. I s' tak' it to Dooble Sanny; he can play the fiddle fine. An' I'll play 't too, or the de'il s' be in't.'
'Eh, man, that 'll be gran'!' cried Shargar, incapable29 of jealousy30. 'We can gang to a' the markets thegither and gaither baubees (halfpence).'
To this anticipation31 Robert returned no reply, for, hearing Betty come in, he judged it time to restore the violin to its case, and Betty's candle to the kitchen, lest she should invade the upper regions in search of it. But that very night he managed to have an interview with Dooble Sanny, the shoemaker, and it was arranged between them that Robert should bring his violin on the evening at which my story has now arrived.
Whatever motive32 he had for seeking to commence the study of music, it holds even in more important matters that, if the thing pursued be good, there is a hope of the pursuit purifying the motive. And Robert no sooner heard the fiddle utter a few mournful sounds in the hands of the soutar, who was no contemptible33 performer, than he longed to establish such a relation between himself and the strange instrument, that, dumb and deaf as it had been to him hitherto, it would respond to his touch also, and tell him the secrets of its queerly-twisted skull34, full of sweet sounds instead of brains. From that moment he would be a musician for music's own sake, and forgot utterly35 what had appeared to him, though I doubt if it was, the sole motive of his desire to learn—namely, the necessity of retaining his superiority over Shargar.
What added considerably36 to the excitement of his feelings on the occasion, was the expression of reverence, almost of awe37, with which the shoemaker took the instrument from its case, and the tenderness with which he handled it. The fact was that he had not had a violin in his hands for nearly a year, having been compelled to pawn38 his own in order to alleviate39 the sickness brought on his wife by his own ill-treatment of her, once that he came home drunk from a wedding. It was strange to think that such dirty hands should be able to bring such sounds out of the instrument the moment he got it safely cuddled under his cheek. So dirty were they, that it was said Dooble Sanny never required to carry any rosin with him for fiddler's need, his own fingers having always enough upon them for one bow at least. Yet the points of those fingers never lost the delicacy40 of their touch. Some people thought this was in virtue41 of their being washed only once a week—a custom Alexander justified42 on the ground that, in a trade like his, it was of no use to wash oftener, for he would be just as dirty again before night.
The moment he began to play, the face of the soutar grew ecstatic. He stopped at the very first note, notwithstanding, let fall his arms, the one with the bow, the other with the violin, at his sides, and said, with a deep-drawn respiration43 and lengthened44 utterance45:
'Eh!'
Then after a pause, during which he stood motionless:
Then, after another pause:
'She's a Straddle Vawrious at least! Hear till her. I never had sic a combination o' timmer and catgut atween my cleuks (claws) afore.'
As to its being a Stradivarius, or even a Cremona at all, the testimony47 of Dooble Sanny was not worth much on the point. But the shoemaker's admiration48 roused in the boy's mind a reverence for the individual instrument which he never lost.
From that day the two were friends.
Suddenly the soutar started off at full speed in a strathspey, which was soon lost in the wail49 of a Highland50 psalm-tune51, giving place in its turn to 'Sic a wife as Willie had!' And on he went without pause, till Robert dared not stop any longer. The fiddle had bewitched the fiddler.
'Come as aften 's ye like, Robert, gin ye fess this leddy wi' ye,' said the soutar.
And he stroked the back of the violin tenderly with his open palm.
'But wad ye hae ony objection to lat it lie aside ye, and lat me come whan I can?'
'Objection, laddie? I wad as sune objeck to lattin' my ain wife lie aside me.'
'Ay,' said Robert, seized with some anxiety about the violin as he remembered the fate of the wife, 'but ye ken Elspet comes aff a' the waur sometimes.'
Softened52 by the proximity53 of the wonderful violin, and stung afresh by the boy's words as his conscience had often stung him before, for he loved his wife dearly save when the demon54 of drink possessed55 him, the tears rose in Elshender's eyes. He held out the violin to Robert, saying, with unsteady voice:
'Hae, tak her awa'. I dinna deserve to hae sic a thing i' my hoose. But hear me, Robert, and lat hearin' be believin'. I never was sae drunk but I cud tune my fiddle. Mair by token, ance they fand me lyin' o' my back i' the Corrie, an' the watter, they say, was ower a' but the mou' o' me; but I was haudin' my fiddle up abune my heid, and de'il a spark o' watter was upo' her.'
'It's a pity yer wife wasna yer fiddle, than, Sanny,' said Robert, with more presumption56 than wit.
''Deed ye're i' the richt, there, Robert. Hae, tak' yer fiddle.'
''Deed no,' returned Robert. 'I maun jist lippen (trust) to ye, Sanders. I canna bide57 langer the nicht; but maybe ye'll tell me hoo to haud her the neist time 'at I come—will ye?'
'That I wull, Robert, come whan ye like. An' gin ye come o' ane 'at cud play this fiddle as this fiddle deserves to be playt, ye'll do me credit.'
'Ye min' what that sumph Lumley said to me the ither nicht, Sanders, aboot my grandfather?'
'Ay, weel eneuch. A dish o' drucken havers!'
'It was true eneuch aboot my great-grandfather, though.'
'No! Was't railly?'
'Ay. He was the best piper in 's regiment58 at Culloden. Gin they had a' fouchten as he pipit, there wad hae been anither tale to tell. And he was toon-piper forby, jist like you, Sanders, efter they took frae him a' 'at he had.'
'Na! heard ye ever the like o' that! Weel, wha wad hae thocht it? Faith! we maun hae you fiddle as weel as yer lucky-daiddy pipit.—But here's the King o' Bashan comin' efter his butes, an' them no half dune59 yet!' exclaimed Dooble Sanny, settling in haste to his awl60 and his lingel (Fr. ligneul). 'He'll be roarin' mair like a bull o' the country than the king o' 't.'
As Robert departed, Peter Ogg came in, and as he passed the window, he heard the shoemaker averring61:
'I haena risen frae my stule sin' ane o'clock; but there's a sicht to be dune to them, Mr. Ogg.'
Indeed, Alexander ab Alexandro, as Mr. Innes facetiously62 styled him, was in more ways than one worthy28 of the name of Dooble. There seemed to be two natures in the man, which all his music had not yet been able to blend.
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1 favourable | |
adj.赞成的,称赞的,有利的,良好的,顺利的 | |
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2 compassion | |
n.同情,怜悯 | |
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3 wont | |
adj.习惯于;v.习惯;n.习惯 | |
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4 pangs | |
突然的剧痛( pang的名词复数 ); 悲痛 | |
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5 procure | |
vt.获得,取得,促成;vi.拉皮条 | |
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6 reverence | |
n.敬畏,尊敬,尊严;Reverence:对某些基督教神职人员的尊称;v.尊敬,敬畏,崇敬 | |
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7 evading | |
逃避( evade的现在分词 ); 避开; 回避; 想不出 | |
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8 annoyance | |
n.恼怒,生气,烦恼 | |
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9 proceeding | |
n.行动,进行,(pl.)会议录,学报 | |
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10 reproof | |
n.斥责,责备 | |
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11 unwilling | |
adj.不情愿的 | |
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12 conjecture | |
n./v.推测,猜测 | |
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13 watchful | |
adj.注意的,警惕的 | |
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14 disappearance | |
n.消失,消散,失踪 | |
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15 odds | |
n.让步,机率,可能性,比率;胜败优劣之别 | |
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16 ravenous | |
adj.极饿的,贪婪的 | |
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17 devoured | |
吞没( devour的过去式和过去分词 ); 耗尽; 津津有味地看; 狼吞虎咽地吃光 | |
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18 domain | |
n.(活动等)领域,范围;领地,势力范围 | |
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19 civilized | |
a.有教养的,文雅的 | |
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20 gilt | |
adj.镀金的;n.金边证券 | |
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21 coffin | |
n.棺材,灵柩 | |
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22 ken | |
n.视野,知识领域 | |
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23 fiddle | |
n.小提琴;vi.拉提琴;不停拨弄,乱动 | |
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24 guts | |
v.狼吞虎咽,贪婪地吃,飞碟游戏(比赛双方每组5人,相距15码,互相掷接飞碟);毁坏(建筑物等)的内部( gut的第三人称单数 );取出…的内脏n.勇气( gut的名词复数 );内脏;消化道的下段;肠 | |
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25 Undid | |
v. 解开, 复原 | |
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26 triumphantly | |
ad.得意洋洋地;得胜地;成功地 | |
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27 equivocation | |
n.模棱两可的话,含糊话 | |
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28 worthy | |
adj.(of)值得的,配得上的;有价值的 | |
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29 incapable | |
adj.无能力的,不能做某事的 | |
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30 jealousy | |
n.妒忌,嫉妒,猜忌 | |
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31 anticipation | |
n.预期,预料,期望 | |
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32 motive | |
n.动机,目的;adv.发动的,运动的 | |
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33 contemptible | |
adj.可鄙的,可轻视的,卑劣的 | |
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34 skull | |
n.头骨;颅骨 | |
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35 utterly | |
adv.完全地,绝对地 | |
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36 considerably | |
adv.极大地;相当大地;在很大程度上 | |
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37 awe | |
n.敬畏,惊惧;vt.使敬畏,使惊惧 | |
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38 pawn | |
n.典当,抵押,小人物,走卒;v.典当,抵押 | |
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39 alleviate | |
v.减轻,缓和,缓解(痛苦等) | |
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40 delicacy | |
n.精致,细微,微妙,精良;美味,佳肴 | |
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41 virtue | |
n.德行,美德;贞操;优点;功效,效力 | |
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42 justified | |
a.正当的,有理的 | |
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43 respiration | |
n.呼吸作用;一次呼吸;植物光合作用 | |
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44 lengthened | |
(时间或空间)延长,伸长( lengthen的过去式和过去分词 ) | |
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45 utterance | |
n.用言语表达,话语,言语 | |
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46 crater | |
n.火山口,弹坑 | |
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47 testimony | |
n.证词;见证,证明 | |
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48 admiration | |
n.钦佩,赞美,羡慕 | |
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49 wail | |
vt./vi.大声哀号,恸哭;呼啸,尖啸 | |
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50 highland | |
n.(pl.)高地,山地 | |
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51 tune | |
n.调子;和谐,协调;v.调音,调节,调整 | |
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52 softened | |
(使)变软( soften的过去式和过去分词 ); 缓解打击; 缓和; 安慰 | |
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53 proximity | |
n.接近,邻近 | |
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54 demon | |
n.魔鬼,恶魔 | |
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55 possessed | |
adj.疯狂的;拥有的,占有的 | |
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56 presumption | |
n.推测,可能性,冒昧,放肆,[法律]推定 | |
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57 bide | |
v.忍耐;等候;住 | |
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58 regiment | |
n.团,多数,管理;v.组织,编成团,统制 | |
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59 dune | |
n.(由风吹积而成的)沙丘 | |
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60 awl | |
n.尖钻 | |
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61 averring | |
v.断言( aver的现在分词 );证实;证明…属实;作为事实提出 | |
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62 facetiously | |
adv.爱开玩笑地;滑稽地,爱开玩笑地 | |
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