[Pg 1]On the road to the Kennebec, below the town of Bath, in the State of Maine, might have been seen, on a certain autumnal afternoon, a one-horse wagon1, in which two persons were sitting. One was an old man, with the peculiarly hard but expressive3 physiognomy which characterizes the seafaring population of the New England shores. A clear blue eye, evidently practiced in habits of keen observation, white hair, bronzed, weather-beaten cheeks, and a face deeply lined with the furrows4 of shrewd thought and anxious care, were points of the portrait that made themselves felt at a glance.
By his side sat a young woman of two-and-twenty, of a marked and peculiar2 personal appearance. Her hair was black, and smoothly5 parted on a broad forehead, to which a pair of penciled dark eyebrows6 gave a striking and definite outline. Beneath, lay a pair of large black eyes, remarkable7 for tremulous expression of melancholy8 and timidity. The cheek was white and bloodless as a snowberry, though with the clear and perfect oval of good health; the mouth was delicately formed, with a certain sad quiet in its lines, which indicated a habitually9 repressed and sensitive nature.
The dress of this young person, as often happens in New England, was, in refinement10 and even elegance11, a marked[Pg 2] contrast to that of her male companion and to the humble12 vehicle in which she rode. There was not only the most fastidious neatness, but a delicacy13 in the choice of colors, an indication of elegant tastes in the whole arrangement, and the quietest suggestion in the world of an acquaintance with the usages of fashion, which struck one oddly in those wild and dreary14 surroundings. On the whole, she impressed one like those fragile wild-flowers which in April cast their fluttering shadows from the mossy crevices15 of the old New England granite,—an existence in which colorless delicacy is united to a sort of elastic16 hardihood of life, fit for the rocky soil and harsh winds it is born to encounter.
The scenery of the road along which the two were riding was wild and bare. Only savins and mulleins, with their dark pyramids or white spires17 of velvet18 leaves, diversified19 the sandy wayside; but out at sea was a wide sweep of blue, reaching far to the open ocean, which lay rolling, tossing, and breaking into white caps of foam20 in the bright sunshine. For two or three days a northeast storm had been raging, and the sea was in all the commotion21 which such a general upturning creates.
The two travelers reached a point of elevated land, where they paused a moment, and the man drew up the jogging, stiff-jointed old farm-horse, and raised himself upon his feet to look out at the prospect22.
There might be seen in the distance the blue Kennebec sweeping23 out toward the ocean through its picturesque24 rocky shores, docked with cedars25 and other dusky evergreens26, which were illuminated27 by the orange and flame-colored trees of Indian summer. Here and there scarlet28 creepers swung long trailing garlands over the faces of the dark rock, and fringes of goldenrod above swayed with the brisk blowing wind that was driving the blue waters seaward, in face of the up-coming ocean tide,—a conflict[Pg 3] which caused them to rise in great foam-crested waves. There are two channels into this river from the open sea, navigable for ships which are coming in to the city of Bath; one is broad and shallow, the other narrow and deep, and these are divided by a steep ledge29 of rocks.
Where the spectators of this scene were sitting, they could see in the distance a ship borne with tremendous force by the rising tide into the mouth of the river, and encountering a northwest wind which had succeeded the gale30, as northwest winds often do on this coast. The ship, from what might be observed in the distance, seemed struggling to make the wider channel, but was constantly driven off by the baffling force of the wind.
"There she is, Naomi," said the old fisherman, eagerly, to his companion, "coming right in." The young woman was one of the sort that never start, and never exclaim, but with all deeper emotions grow still. The color slowly mounted into her cheek, her lips parted, and her eyes dilated31 with a wide, bright expression; her breathing came in thick gasps32, but she said nothing.
The old fisherman stood up in the wagon, his coarse, butternut-colored coat-flaps fluttering and snapping in the breeze, while his interest seemed to be so intense in the efforts of the ship that he made involuntary and eager movements as if to direct her course. A moment passed, and his keen, practiced eye discovered a change in her movements, for he cried out involuntarily,—
"Don't take the narrow channel to-day!" and a moment after, "O Lord! O Lord! have mercy,—there they go! Look! look! look!"
And, in fact, the ship rose on a great wave clear out of the water, and the next second seemed to leap with a desperate plunge33 into the narrow passage; for a moment there was a shivering of the masts and the rigging, and she went down and was gone.[Pg 4]
"They're split to pieces!" cried the fisherman. "Oh, my poor girl—my poor girl—they're gone! O Lord, have mercy!"
The woman lifted up no voice, but, as one who has been shot through the heart falls with no cry, she fell back,—a mist rose up over her great mournful eyes,—she had fainted.
The story of this wreck34 of a home-bound ship just entering the harbor is yet told in many a family on this coast. A few hours after, the unfortunate crew were washed ashore35 in all the joyous36 holiday rig in which they had attired37 themselves that morning to go to their sisters, wives, and mothers.
This is the first scene in our story.
点击收听单词发音
1 wagon | |
n.四轮马车,手推车,面包车;无盖运货列车 | |
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2 peculiar | |
adj.古怪的,异常的;特殊的,特有的 | |
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3 expressive | |
adj.表现的,表达…的,富于表情的 | |
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4 furrows | |
n.犁沟( furrow的名词复数 );(脸上的)皱纹v.犁田,开沟( furrow的第三人称单数 ) | |
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5 smoothly | |
adv.平滑地,顺利地,流利地,流畅地 | |
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6 eyebrows | |
眉毛( eyebrow的名词复数 ) | |
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7 remarkable | |
adj.显著的,异常的,非凡的,值得注意的 | |
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8 melancholy | |
n.忧郁,愁思;adj.令人感伤(沮丧)的,忧郁的 | |
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9 habitually | |
ad.习惯地,通常地 | |
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10 refinement | |
n.文雅;高尚;精美;精制;精炼 | |
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11 elegance | |
n.优雅;优美,雅致;精致,巧妙 | |
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12 humble | |
adj.谦卑的,恭顺的;地位低下的;v.降低,贬低 | |
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13 delicacy | |
n.精致,细微,微妙,精良;美味,佳肴 | |
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14 dreary | |
adj.令人沮丧的,沉闷的,单调乏味的 | |
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15 crevices | |
n.(尤指岩石的)裂缝,缺口( crevice的名词复数 ) | |
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16 elastic | |
n.橡皮圈,松紧带;adj.有弹性的;灵活的 | |
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17 spires | |
n.(教堂的) 塔尖,尖顶( spire的名词复数 ) | |
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18 velvet | |
n.丝绒,天鹅绒;adj.丝绒制的,柔软的 | |
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19 diversified | |
adj.多样化的,多种经营的v.使多样化,多样化( diversify的过去式和过去分词 );进入新的商业领域 | |
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20 foam | |
v./n.泡沫,起泡沫 | |
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21 commotion | |
n.骚动,动乱 | |
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22 prospect | |
n.前景,前途;景色,视野 | |
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23 sweeping | |
adj.范围广大的,一扫无遗的 | |
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24 picturesque | |
adj.美丽如画的,(语言)生动的,绘声绘色的 | |
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25 cedars | |
雪松,西洋杉( cedar的名词复数 ) | |
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26 evergreens | |
n.常青树,常绿植物,万年青( evergreen的名词复数 ) | |
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27 illuminated | |
adj.被照明的;受启迪的 | |
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28 scarlet | |
n.深红色,绯红色,红衣;adj.绯红色的 | |
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29 ledge | |
n.壁架,架状突出物;岩架,岩礁 | |
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30 gale | |
n.大风,强风,一阵闹声(尤指笑声等) | |
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31 dilated | |
adj.加宽的,扩大的v.(使某物)扩大,膨胀,张大( dilate的过去式和过去分词 ) | |
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32 gasps | |
v.喘气( gasp的第三人称单数 );喘息;倒抽气;很想要 | |
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33 plunge | |
v.跳入,(使)投入,(使)陷入;猛冲 | |
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34 wreck | |
n.失事,遇难;沉船;vt.(船等)失事,遇难 | |
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35 ashore | |
adv.在(向)岸上,上岸 | |
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36 joyous | |
adj.充满快乐的;令人高兴的 | |
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37 attired | |
adj.穿着整齐的v.使穿上衣服,使穿上盛装( attire的过去式和过去分词 ) | |
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