John walked up the flagged path of the churchyard. Sounds of work came to him through the little Norman doorway1—the beating of hammers, the rasping of saws, the jangle of buckets.
Arrived at the doorway he paused for a moment to look at the scene before him. It would seem almost incredible that order should ever be abstracted from the present chaos2, at all events in the space of time proposed. Doorless, windowless,—in the matter of glass,—it was a mere3 shell of a church, filled with scaffolding, planks4, barrows, buckets; echoing with the ceaseless sound of hammering, sawing, chiselling5, planing; while, within the shell, the creators of the various noises moved and worked like a handful of restless ants.
John looked towards the scaffolding surrounding the east window. Perched high on a narrow [Pg 40]planked platform was Corin, absorbed in his work, entirely7 lost to the sounds around him.
John picked his way among the scattered8 débris made for the chancel. Here there was a ladder roped against a lower platform, from whence, by means of a second ladder placed thereon, Corin’s eyrie might be gained. John had his foot on a rung of the first ladder in a trice, swarmed9 up it, and a second or so later was giving Corin warning of his approach by:
Corin turned.
“Oh, it’s you, is it? Well, just come and look.” There was suppressed exultation11 in his voice.
John scrambled12 on to the platform, came alongside Corin,—Corin who pointed13 with a triumphant14 chisel6.
Some half-dozen or so square yards of wall had been cleared of many coats of plaster, and there, on the original groundwork, stood out thin red lines vertical15 and horizontal, flowers in bold outline.
[Pg 41]
Now to the purely17 uninitiated, to the mere casual observer, the adverb might have appeared unduly18 extravagant19. What, such a one might have demanded, was there in a few crude brush lines to justify20 this mode of speech? Yet John, artist though he was not, understood, and not only understood, but endorsed21 to the full Corin’s rapture22. Here was the work of age-old centuries, the frank expression of some long-ago-forgotten painter, brought once more to the light of day. Fresh as when first limned23 the simple lines glowed crimson24 from the cream-coloured surface of the wall.
“It’s—it’s fine,” said John simply.
Corin, radiant, beaming, waved his chisel in a comprehensive sweep around the walls.
“And think,” cried he exultant25, “what more there may be, there assuredly is, to find. Think what further glories this plaster hides. Man, it’s hard to restrain one’s impatience26 and not hack27, which would be a truly disastrous28 proceeding29.”
John laughed.
Then, “Try another spot,” he urged. “Here, close by the east window. I’ll not divert the stroke of the chisel by the faintest whisper.”
[Pg 42]
Pretending to a half-reluctance, though at heart, truly, he was nothing loath30 to consent, Corin let himself be persuaded. He shifted his position. By the outer edge of the window splay he raised his chisel and set himself to work.
The outer coats of plaster fell in thick flakes31 before that same remorseless chisel; they crumbled32 on to the platform upon which Corin stood. Below the plaster was a thin substance lying on the wall like a film. Here the chisel came lightly into play; that film must be removed carefully, with touch as delicate as the touch of a butterfly’s wing. It entailed33 a suspension of breath, an excited prevention of the merest involuntary quivering of a muscle. The film broke and powdered at the lightest stroke, covering Corin’s hand and wrist with a soft grey dust. Breathless he pursued his work; then, suddenly, he stopped, his eyes gleaming with pleasure.
John bent34 forward. Here assuredly was novelty,—no longer the crimson masonry, but black chevrons35 set within two narrow black lines showed on the cream-coloured wall, and extending, it was evident, around the whole window.
“Ah!” breathed John.
[Pg 43]
Corin nodded, his chisel again raised.
In places the plaster adhered like glue to the walls; it had to be chipped away inch by inch, and through sheer force. Here it was that the work required the greatest skill and dexterity36. The pressure of the chisel by an extra hair’s breadth would have meant the cutting through of the film below the plaster, and destroying the painting that lay beneath. It required a fine strength of wrist, the calculation to a nicety of the depth to which to cut, above all, an infinity37 of patience. Yet, again, there were patches where not only the plaster, but the film with it, flaked38 away at the lightest stroke, and here the painting was at its freshest.
For full twenty minutes John gave close eye to the proceedings39. At the end of that time he sighed, a mere tiny sigh. If Corin heard, he heeded40 not. Stepping back a pace he regarded his work, head on one side, soul absorbed.
John took him firmly by the arm.
“I vowed41 I’d not divert the stroke of the chisel by the faintest whisper,” he announced. “At the moment shouting would be harmless. Therefore let me tell you in merely normal tones that I’m hungry.”
[Pg 44]
“Hungry!” Corin blinked at him. “What’s the time?”
Corin reluctantly laid down his chisel, turned for a final look at masonry, herb Robert, and chevrons.
“And to think,” he ejaculated, “that the plaster hides all this! There must be ten coats of plaster or thereabouts. After the first Goth, the first horrible Philistine43, plastered, no one can have known what was hidden, and they just went on plastering at intervals44. I’ve made out six plasters for certain,—grey, green, white adorned45 with awful scroll-work, purple, green again with more scroll-work, and then this dingy46 brown,” he waved his hand towards the walls. “There are other plasters so stuck together no one can distinguish them, and underneath47 it all, this.” He touched a flower in a kind of subdued48 and dreamy ecstasy49.
“It’s extremely beautiful,” he said in a tone conciliatory. “Presently you shall rhapsodize [Pg 45]again to your heart’s content and I’ll help you. At the moment,” he propelled him gently towards the ladder, “we leave ecstasy for the mundane51, the mere sordid52 occupation of eating.”
点击收听单词发音
1 doorway | |
n.门口,(喻)入门;门路,途径 | |
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2 chaos | |
n.混乱,无秩序 | |
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3 mere | |
adj.纯粹的;仅仅,只不过 | |
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4 planks | |
(厚)木板( plank的名词复数 ); 政纲条目,政策要点 | |
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5 chiselling | |
n.錾v.凿,雕,镌( chisel的现在分词 ) | |
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6 chisel | |
n.凿子;v.用凿子刻,雕,凿 | |
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7 entirely | |
ad.全部地,完整地;完全地,彻底地 | |
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8 scattered | |
adj.分散的,稀疏的;散步的;疏疏落落的 | |
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9 swarmed | |
密集( swarm的过去式和过去分词 ); 云集; 成群地移动; 蜜蜂或其他飞行昆虫成群地飞来飞去 | |
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10 cherub | |
n.小天使,胖娃娃 | |
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11 exultation | |
n.狂喜,得意 | |
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12 scrambled | |
v.快速爬行( scramble的过去式和过去分词 );攀登;争夺;(军事飞机)紧急起飞 | |
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13 pointed | |
adj.尖的,直截了当的 | |
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14 triumphant | |
adj.胜利的,成功的;狂欢的,喜悦的 | |
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15 vertical | |
adj.垂直的,顶点的,纵向的;n.垂直物,垂直的位置 | |
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16 masonry | |
n.砖土建筑;砖石 | |
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17 purely | |
adv.纯粹地,完全地 | |
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18 unduly | |
adv.过度地,不适当地 | |
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19 extravagant | |
adj.奢侈的;过分的;(言行等)放肆的 | |
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20 justify | |
vt.证明…正当(或有理),为…辩护 | |
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21 endorsed | |
vt.& vi.endorse的过去式或过去分词形式v.赞同( endorse的过去式和过去分词 );在(尤指支票的)背面签字;在(文件的)背面写评论;在广告上说本人使用并赞同某产品 | |
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22 rapture | |
n.狂喜;全神贯注;着迷;v.使狂喜 | |
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23 limned | |
v.画( limn的过去式和过去分词 );勾画;描写;描述 | |
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24 crimson | |
n./adj.深(绯)红色(的);vi.脸变绯红色 | |
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25 exultant | |
adj.欢腾的,狂欢的,大喜的 | |
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26 impatience | |
n.不耐烦,急躁 | |
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27 hack | |
n.劈,砍,出租马车;v.劈,砍,干咳 | |
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28 disastrous | |
adj.灾难性的,造成灾害的;极坏的,很糟的 | |
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29 proceeding | |
n.行动,进行,(pl.)会议录,学报 | |
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30 loath | |
adj.不愿意的;勉强的 | |
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31 flakes | |
小薄片( flake的名词复数 ); (尤指)碎片; 雪花; 古怪的人 | |
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32 crumbled | |
(把…)弄碎, (使)碎成细屑( crumble的过去式和过去分词 ); 衰落; 坍塌; 损坏 | |
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33 entailed | |
使…成为必要( entail的过去式和过去分词 ); 需要; 限定继承; 使必需 | |
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34 bent | |
n.爱好,癖好;adj.弯的;决心的,一心的 | |
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35 chevrons | |
n.(警察或士兵所佩带以示衔级的)∧形或∨形标志( chevron的名词复数 ) | |
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36 dexterity | |
n.(手的)灵巧,灵活 | |
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37 infinity | |
n.无限,无穷,大量 | |
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38 flaked | |
精疲力竭的,失去知觉的,睡去的 | |
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39 proceedings | |
n.进程,过程,议程;诉讼(程序);公报 | |
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40 heeded | |
v.听某人的劝告,听从( heed的过去式和过去分词 );变平,使(某物)变平( flatten的过去式和过去分词 ) | |
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41 vowed | |
起誓,发誓(vow的过去式与过去分词形式) | |
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42 luncheon | |
n.午宴,午餐,便宴 | |
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43 philistine | |
n.庸俗的人;adj.市侩的,庸俗的 | |
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44 intervals | |
n.[军事]间隔( interval的名词复数 );间隔时间;[数学]区间;(戏剧、电影或音乐会的)幕间休息 | |
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45 adorned | |
[计]被修饰的 | |
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46 dingy | |
adj.昏暗的,肮脏的 | |
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47 underneath | |
adj.在...下面,在...底下;adv.在下面 | |
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48 subdued | |
adj. 屈服的,柔和的,减弱的 动词subdue的过去式和过去分词 | |
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49 ecstasy | |
n.狂喜,心醉神怡,入迷 | |
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50 kindly | |
adj.和蔼的,温和的,爽快的;adv.温和地,亲切地 | |
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51 mundane | |
adj.平凡的;尘世的;宇宙的 | |
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52 sordid | |
adj.肮脏的,不干净的,卑鄙的,暗淡的 | |
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