As an infusion1 of fresh blood to Odo were Alfieri's meteoric2 returns toTurin. Life moved languidly in the strait-laced city, even to a younggentleman a-tiptoe for adventure and framed to elicit3 it as thehazel-wand draws water. Not that vulgar distractions4 were lacking. Thetown, as Cantapresto had long since advised him, had its secretleniencies, its posterns opening on clandestine5 pleasure; but there wasthat in Odo which early turned him from such cheap counterfeits6 ofliving. He accepted the diversions of his age, but with a clear sense oftheir worth; and the youth who calls his pleasures by their true namehas learned the secret of resisting them.
Alfieri's coming set deeper springs in motion. His follies7 andextravagances were on a less provincial8 scale than those of Odo's dailyassociates. The breath of a freer life clung to him and his allusionswere so many glimpses into a larger world. His political theories werebut the enlargement of his private grievances9, but the mere10 play ofcriticism on accepted institutions was an exercise more novel andexhilirating than the wildest ride on one of his half-tamedthorough-breds. Still chiefly a man of pleasure, and the slave, asalways, of some rash infatuation, Alfieri was already shaking off theintellectual torpor11 of his youth; and the first stirrings of hiscuriosity roused an answering passion in Odo. Their tastes were indeeddivergent, for to that external beauty which was to Odo the very bloomof life, Alfieri remained insensible; while of its imaginativecounterpart, its prolongation in the realm of thought and emotion, hehad but the most limited conception. But his love of ringing deeds wokethe chivalrous12 strain in Odo, and his vague celebration of Liberty, thatunknown goddess to whom altars were everywhere building, chimed with theother's scorn of oppression and injustice13. So far, it is true, theircompanionship had been mainly one of pleasure; but the temper of bothgave their follies that provisional character which saves them fromvulgarity.
Odo, who had slept late on the morning after his friend's return, waswaked by the pompous14 mouthing of certain lines just then on every lip inItaly:--Meet was it that, its ancient seats forsaking,An Empire should set forth15 with dauntless sail,And braving tempests and the deep's betrayal,Break down the barriers of inviolate16 worlds--That Cortez and Pizarro should esteemThe blood of man a trivial sacrificeWhen, flinging down from their ancestral thronesIncas and Mexicans of royal line,They wrecked17 two kingdoms to refresh thy palate--They were the verses in which the abate18 Parini, in his satire19 of TheMorning, apostrophizes the cup of chocolate which the lacquey presentsto his master. Cantapresto had in fact just entered with a cup of thisbeverage, and Alfieri, who stood at his friend's bedside with unpowderedlocks and a fashionable undress of Parisian cut, snatching the tray fromthe soprano's hands presented it to Odo in an attitude of mockservility.
The young man sprang up laughing. It was the fashion to applaud Parini'sverse in the circles at which his satire was aimed, and none recited hismock heroics with greater zest20 than the young gentlemen whose fopperieshe ridiculed21. Odo's toilet was indeed a rite22 almost as elaborate as thatof Parini's hero; and this accomplished23, he was on his way to fulfil thevery duty the poet most unsparingly derides24: the morning visit of thecicisbeo to his lady; but meanwhile he liked to show himself above thefollies of his class by joining in the laugh against them. When heissued from the powder-room in his gold-laced uniform, with scentedgloves and carefully-adjusted queue, he presented the image of a younggentleman so clearly equal to the most flattering emergencies thatAlfieri broke into a smile of half-ironical approval. "I see, my dearcavaliere, that it were idle to invite you to try one of the new Arabs Ihave brought with me from Spain, since it is plain other duties engageyou; but I come to lay claim to your evening."Odo hesitated. "The Queen holds a circle this evening," he said.
"And her lady-in-waiting is in attendance?" returned Alfieri. "And thelady-in-waiting's gentleman-in-waiting also?"Odo made an impatient movement. "What inducements do you offer?" said hecarelessly.
Alfieri stepped close and tapped him on the sleeve. "Meet me at teno'clock at the turn of the lane behind the Corpus Domini. Wear a cloakand a mask, and leave this gentleman at home with a flask25 of Asti." Heglanced at Cantapresto.
Odo hesitated a moment. He knew well enough where such midnight turningsled, and across the vision evoked26 by his friend's words a girl's faceflitted suddenly.
"Is that all?" he said with a shrug27. "You find me, I fear, in no humourfor such exploits."Alfieri smiled. "And if I say that I have promised to bring you?""Promised--?""To one as chary28 of exacting29 such pledges as I of giving them. If I saythat you stake your life on the adventure, and that the stake is not toogreat for the reward--?"His sallow face had reddened with excitement, and Odo's foreheadreflected the flush. Was it possible--? But the thought set him tinglingwith disgust.
"Why, you say little," he cried lightly, "at the rate at which I valuemy life."Alfieri turned on him. "If your life is worthless; make it worthsomething!" he exclaimed. "I offer you the opportunity tonight.""What opportunity?""The sight of a face that men have laid down their lives to see."Odo laughed and buckled30 on his sword. "If you answer for the risk, Iagree to take it," said he. "At ten o'clock then, behind the CorpusDomini."If the ladies whom gallant31 gentlemen delight to serve could guess whatsecret touchstones of worth these same gentlemen sometimes carry intothe adored presence, many a handsome head would be carried with lessassurance, and many a fond exaction32 less confidently imposed. If, forinstance, the Countess Clarice di Tournanches, whose high-coloured imagereflected itself so complacently33 in her Venetian toilet-glass, couldhave known that the Cavaliere Odo Valsecca's devoted34 glance saw herthrough the medium of a countenance35 compared to which her own revealedthe most unexpected shortcomings, she might have received him with lessairy petulance36 of manner. But how could so accomplished a mistress doubtthe permanence of her rule? The Countess Clarice, in singling out youngOdo Valsecca (to the despair of a score of more experienced cavaliers)had done him an honour that she could no more imagine his resigning thanan adventurer a throne to which he is unexpectedly raised. She was afinished example of the pretty woman who views the universe as plannedfor her convenience. What could go wrong in a world where noble ladieslived in palaces hung with tapestry37 and damask, with powdered lacqueysto wait on them, a turbaned blackamoor to tend their parrots andmonkeys, a coronet-coach at the door to carry them to mass or theridotto, and a handsome cicisbeo to display on the promenade38? Everythinghad combined to strengthen the Countess Clarice's faith in the existingorder of things. Her husband, Count Roberto di Tournanches, was one ofthe King's equerries and distinguished39 for his brilliant career as anofficer of the Piedmontese army--a man marked for the highest favours ina society where military influences were paramount40. Passing at sixteenfrom an aristocratic convent to the dreary41 magnificence of the PalazzoTournanches, Clarice had found herself a lady-in-waiting at the dullestcourt in Europe and the wife of an army officer engrossed42 in hisprofession, and pledged by etiquette43 to the service of another lady. OdoValsecca represented her escape from this bondage--the dash of romanceand folly44 in a life of elegant formalities; and the Countess, who wouldnot have sacrificed to him one of her rights as a court-lady or a nobildonna of the Golden Book, regarded him as the reward which Providenceaccords to a well-regulated conduct.
Her room, when Odo entered it on taking leave of Alfieri, was crowded,as usual at that hour, with the hangers-on of the noble lady's lever:
the abatino in lace ruffles45, handing about his latest rhymed acrostic,the jeweller displaying a set of enamelled buckles46 newly imported fromParis, and the black-breeched doctor with white bands who concoctedremedies for the Countess's vapours and megrims. These personages,grouped about the toilet-table where the Countess sat under the hands ofa Parisian hairdresser, were picturesquely47 relieved against the stuccopanelling and narrow mirrors of the apartment, with its windows lookingon a garden set with mossy statues. To Odo, however, the scene suggestedthe most tedious part of his day's routine. The compliments to beexchanged, the silly verses to be praised, the gewgaws from Paris to beadmired, were all contrasted in his mind with the vision of that otherlife which had come to him on the hillside of the Superga. On this moodthe Countess Clarice's sarcasms48 fell without effect. To be pouted49 atbecause he had failed to attend the promenade of the Valentino was toOdo but a convenient pretext50 for excusing himself from the Queen'scircle that evening. He had engaged with little ardour to join Alfieriin what he guessed to be a sufficiently51 commonplace adventure; but as helistened to the Countess's chatter52 about the last minuet-step, and therelative merits of sanspareil water and oil-of-lilies, of gloves fromBlois and Vendome, his impatience53 hailed any alternative as a release.
Meanwhile, however, long hours of servitude intervened. The lady'stoilet completed, to the adjusting of the last patch, he must attend herto dinner, where, placed at her side, he was awarded the honour ofcarving the roast; must sit through two hours of biribi in company withthe abatino, the doctor, and half-a-dozen parasites54 of the noble table;and for two hours more must ride in her gilt55 coach up and down thepromenade of the Valentino.
Escaping from this ceremonial, with the consciousness that it must berepeated on the morrow, Odo was seized with that longing56 for freedomthat makes the first street-corner an invitation to flight. How heenvied Alfieri, whose travelling-carriage stood at the beck of suchmoods! Odo's scant57 means forbade evasion58, even had his military dutiesnot kept him in Turin. He felt himself no more than a puppet dancing tothe tune59 of Parini's satire, a puny60 doll condemned61, as the strings62 ofcustom pulled, to feign63 the gestures of immortal64 passions.
1 infusion | |
n.灌输 | |
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2 meteoric | |
adj.流星的,转瞬即逝的,突然的 | |
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3 elicit | |
v.引出,抽出,引起 | |
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4 distractions | |
n.使人分心的事[人]( distraction的名词复数 );娱乐,消遣;心烦意乱;精神错乱 | |
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5 clandestine | |
adj.秘密的,暗中从事的 | |
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6 counterfeits | |
v.仿制,造假( counterfeit的第三人称单数 ) | |
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7 follies | |
罪恶,时事讽刺剧; 愚蠢,蠢笨,愚蠢的行为、思想或做法( folly的名词复数 ) | |
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8 provincial | |
adj.省的,地方的;n.外省人,乡下人 | |
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9 grievances | |
n.委屈( grievance的名词复数 );苦衷;不满;牢骚 | |
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10 mere | |
adj.纯粹的;仅仅,只不过 | |
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11 torpor | |
n.迟钝;麻木;(动物的)冬眠 | |
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12 chivalrous | |
adj.武士精神的;对女人彬彬有礼的 | |
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13 injustice | |
n.非正义,不公正,不公平,侵犯(别人的)权利 | |
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14 pompous | |
adj.傲慢的,自大的;夸大的;豪华的 | |
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15 forth | |
adv.向前;向外,往外 | |
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16 inviolate | |
adj.未亵渎的,未受侵犯的 | |
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17 wrecked | |
adj.失事的,遇难的 | |
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18 abate | |
vi.(风势,疼痛等)减弱,减轻,减退 | |
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19 satire | |
n.讽刺,讽刺文学,讽刺作品 | |
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20 zest | |
n.乐趣;滋味,风味;兴趣 | |
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21 ridiculed | |
v.嘲笑,嘲弄,奚落( ridicule的过去式和过去分词 ) | |
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22 rite | |
n.典礼,惯例,习俗 | |
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23 accomplished | |
adj.有才艺的;有造诣的;达到了的 | |
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24 derides | |
v.取笑,嘲笑( deride的第三人称单数 ) | |
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25 flask | |
n.瓶,火药筒,砂箱 | |
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26 evoked | |
[医]诱发的 | |
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27 shrug | |
v.耸肩(表示怀疑、冷漠、不知等) | |
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28 chary | |
adj.谨慎的,细心的 | |
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29 exacting | |
adj.苛求的,要求严格的 | |
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30 buckled | |
a. 有带扣的 | |
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31 gallant | |
adj.英勇的,豪侠的;(向女人)献殷勤的 | |
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32 exaction | |
n.强求,强征;杂税 | |
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33 complacently | |
adv. 满足地, 自满地, 沾沾自喜地 | |
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34 devoted | |
adj.忠诚的,忠实的,热心的,献身于...的 | |
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35 countenance | |
n.脸色,面容;面部表情;vt.支持,赞同 | |
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36 petulance | |
n.发脾气,生气,易怒,暴躁,性急 | |
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37 tapestry | |
n.挂毯,丰富多采的画面 | |
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38 promenade | |
n./v.散步 | |
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39 distinguished | |
adj.卓越的,杰出的,著名的 | |
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40 paramount | |
a.最重要的,最高权力的 | |
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41 dreary | |
adj.令人沮丧的,沉闷的,单调乏味的 | |
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42 engrossed | |
adj.全神贯注的 | |
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43 etiquette | |
n.礼仪,礼节;规矩 | |
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44 folly | |
n.愚笨,愚蠢,蠢事,蠢行,傻话 | |
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45 ruffles | |
褶裥花边( ruffle的名词复数 ) | |
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46 buckles | |
搭扣,扣环( buckle的名词复数 ) | |
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47 picturesquely | |
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48 sarcasms | |
n.讥讽,讽刺,挖苦( sarcasm的名词复数 ) | |
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49 pouted | |
v.撅(嘴)( pout的过去式和过去分词 ) | |
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50 pretext | |
n.借口,托词 | |
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51 sufficiently | |
adv.足够地,充分地 | |
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52 chatter | |
vi./n.喋喋不休;短促尖叫;(牙齿)打战 | |
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53 impatience | |
n.不耐烦,急躁 | |
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54 parasites | |
寄生物( parasite的名词复数 ); 靠他人为生的人; 诸虫 | |
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55 gilt | |
adj.镀金的;n.金边证券 | |
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56 longing | |
n.(for)渴望 | |
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57 scant | |
adj.不充分的,不足的;v.减缩,限制,忽略 | |
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58 evasion | |
n.逃避,偷漏(税) | |
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59 tune | |
n.调子;和谐,协调;v.调音,调节,调整 | |
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60 puny | |
adj.微不足道的,弱小的 | |
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61 condemned | |
adj. 被责难的, 被宣告有罪的 动词condemn的过去式和过去分词 | |
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62 strings | |
n.弦 | |
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63 feign | |
vt.假装,佯作 | |
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64 immortal | |
adj.不朽的;永生的,不死的;神的 | |
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