The bookseller began by excusing himself for the liberty he had taken.
He explained that the Signorina Fulvia Vivaldi, in whose behalf he came,was in urgent need of aid, and had begged him to wait on the Duke assoon as the court had risen from the play.
"She is in Pianura, then?" Odo exclaimed.
"Since yesterday, your Highness. Three days since she was ordered by thepolice to leave Milan within twenty-four hours, and she came at once toPianura, knowing that my wife and I would gladly receive her. But todaywe learned that the Holy Office was advised of her presence here, and ofthe reason of her banishment1 from Lombardy; and this fresh danger hasforced her to implore2 your Highness's protection."Andreoni went on to explain that the publication of her father's bookwas the immediate3 cause of Fulvia's persecution4. The Origin ofCivilisation, which had been printed some months previously6 inAmsterdam, had stirred Italy more profoundly than any book sinceBeccaria's great work on Crime and Punishment. The author's historicalinvestigations were but a pretext7 for the development of his politicaltheories, which were set forth8 with singular daring and audacity9, andsupported by all the arguments that his long study of the pastcommanded. The temperate10 and judicial11 tone which he had succeeded inpreserving enhanced the effect of his arraignment12 of Church and state,and while his immense erudition commended his work to the learned, itsdirectness of style gave it an immediate popularity with the generalreader. It was an age when every book or pamphlet bearing on the greatquestion of personal liberty was eagerly devoured13 by an insatiablepublic; and a few weeks after Vivaldi's volume had been smuggled14 intoItaly it was the talk of every club and coffee-house from Calabria toPiedmont. The inevitable15 result soon followed. The Holy Office got windof the business, and the book was at once put on the Index. In Naplesand Bologna it was publicly burned, and in Modena a professor of theUniversity who was found to have a copy in his possession was fined andremoved from his chair.
In Milan, where the strong liberal faction16 among the nobility, and thecomparative leniency17 of the Austrian rule, permitted a more unrestraineddiscussion of political questions, the Origin of Civilisation5 wasreceived with open enthusiasm, and the story of the difficulties thatFulvia had encountered in its publication made her the heroine of themoment. She had never concealed18 her devotion to her father's doctrines,and in the first glow of filial pride she may have yielded too openly tothe desire to propagate them. Certain it is that she began to be lookedon as having shared in the writing of the book, or as being at least anactive exponent19 of its principles. Even in Lombardy it was not well tobe too openly associated with the authorship of a condemned20 book; andFulvia was suddenly advised by the police that her presence in Milan wasno longer acceptable to the government.
The news excited great indignation among her friends, and CountCastiglione and several other gentlemen of rank hastened to intervene inher behalf; but the governor declared himself unwilling21 to take issuewith the Holy Office on a doctrinal point, and privately22 added that itwould be well for the Signorina Vivaldi to withdraw from Lombardy beforethe clergy23 brought any direct charge against her. To ignore this hintwould have been to risk not only her own safety but that of thegentlemen who had befriended her; and Fulvia at once set out forPianura, the only place in Italy where she could count on friendship andprotection.
Andreoni and his wife would gladly have given her a home; but onlearning that the Holy Office was on her track, she had refused tocompromise them by remaining under their roof, and had insisted thatAndreoni should wait on the Duke and obtain a safe-conduct for her thatvery night.
Odo listened to this story with an agitation24 compounded of strangelycontradictory sensations. To learn that Fulvia, at the very moment whenhe had pictured her as separated from him by the happiness and securityof her life, was in reality a proscribed25 wanderer with none but himselfto turn to, filled him with a confused sense of happiness; but thediscovery that, in his own dominions26, the political refugee was not safefrom the threats of the Holy Office, excited a different emotion. Allthese considerations, however, were subordinate to the thought that hemust see Fulvia at once. It was impossible to summon her to the palaceat that hour, or even to secure her safety till morning, withoutcompromising Andreoni by calling attention to the fact that a suspectedperson was under his roof; and for a moment Odo was at a loss how todetain her in Pianura without seeming to go counter to her wishes.
Suddenly he remembered that Gamba was fertile in expedients27, and callingin the hunchback, asked what plan he could devise. Gamba, after amoment's reflection, drew a key from his pocket.
"May it please your Highness," he said, "this unlocks the door of thehunting-lodge28 at Pontesordo. The place has been deserted29 these manyyears, because of its bad name, and I have more than once found it aconvenient shelter when I had reasons for wishing to be private. At thisseason there is no fear of poison from the marshes31, and if your Highnessdesires I will see that the lady finds her way there before sunrise."The sun had hardly risen the next morning when the Duke himself setforth. He rode alone, dressed like one of his own esquires, and gave theword unremarked to the sleepy sentinel at the gate. As it closed behindhim and he set out down the long road that led to the chase, it seemedto him that the morning solitude32 was thronged33 with spectral34 memories.
Melancholy and fanciful they flitted before him, now in the guise35 ofCerveno and Momola, now of Maria Clementina and himself. Every detail ofthe scene was interwoven with the fibres of early association, from thefar off years when, as a lonely child on the farm at Pontesordo, he hadgazed across the marsh30 at the mysterious woodlands of the chase, to thelater day when, in the deserted hunting-lodge, the Duchess had flung herwhip at the face in the Venice mirror.
He pressed forward impatiently, and presently the lodge rose before himin its grassy36 solitude. The level sunbeams had not yet penetrated37 thesurrounding palisade of boughs38, and the house lay in a chill twilightthat seemed an emanation from its mouldering39 walls. As Odo approached,Gamba appeared from the shadow and took his horse; and the next momenthe had pushed open the door, and stood in Fulvia's presence.
She was seated at the farther end of the room, and as she rose to meethim it chanced that her head, enveloped40 in its black travelling-hood,was relieved for a moment against the tarnished41 background of the brokenmirror. The impression struck a chill to his heart; but it was replacedby a glow of boyish happiness as their eyes met and he felt her hands inhis.
For a moment all his thoughts were lost in the mere42 sense of hernearness. She seemed simply an enveloping43 atmosphere in which he drewfresh breath; but gradually her outline emerged from this haze44 offeeling, and he found himself looking at her with the wondering gaze ofa stranger. She had been a girl of sixteen when they first met. Twelveyears had passed since then, and she was now a woman of twenty-eight,belonging to a race in which beauty ripens45 early and as soon declines.
But some happy property of nature--whether the rare mould of herfeatures or the gift of the spirit that informed them--had held herloveliness intact, preserving the clear lines of youth after its bloomwas gone, and making her seem like a lover's memory of herself. So sheappeared at first, a bright imponderable presence gliding46 toward him outof the past; but as her hands lay in his the warm current of life wasrenewed between them, and the woman dispossessed the shade.
1 banishment | |
n.放逐,驱逐 | |
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2 implore | |
vt.乞求,恳求,哀求 | |
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3 immediate | |
adj.立即的;直接的,最接近的;紧靠的 | |
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4 persecution | |
n. 迫害,烦扰 | |
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5 civilisation | |
n.文明,文化,开化,教化 | |
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6 previously | |
adv.以前,先前(地) | |
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7 pretext | |
n.借口,托词 | |
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8 forth | |
adv.向前;向外,往外 | |
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9 audacity | |
n.大胆,卤莽,无礼 | |
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10 temperate | |
adj.温和的,温带的,自我克制的,不过分的 | |
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11 judicial | |
adj.司法的,法庭的,审判的,明断的,公正的 | |
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12 arraignment | |
n.提问,传讯,责难 | |
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13 devoured | |
吞没( devour的过去式和过去分词 ); 耗尽; 津津有味地看; 狼吞虎咽地吃光 | |
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14 smuggled | |
水货 | |
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15 inevitable | |
adj.不可避免的,必然发生的 | |
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16 faction | |
n.宗派,小集团;派别;派系斗争 | |
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17 leniency | |
n.宽大(不严厉) | |
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18 concealed | |
a.隐藏的,隐蔽的 | |
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19 exponent | |
n.倡导者,拥护者;代表人物;指数,幂 | |
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20 condemned | |
adj. 被责难的, 被宣告有罪的 动词condemn的过去式和过去分词 | |
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21 unwilling | |
adj.不情愿的 | |
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22 privately | |
adv.以私人的身份,悄悄地,私下地 | |
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23 clergy | |
n.[总称]牧师,神职人员 | |
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24 agitation | |
n.搅动;搅拌;鼓动,煽动 | |
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25 proscribed | |
v.正式宣布(某事物)有危险或被禁止( proscribe的过去式和过去分词 ) | |
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26 dominions | |
统治权( dominion的名词复数 ); 领土; 疆土; 版图 | |
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27 expedients | |
n.应急有效的,权宜之计的( expedient的名词复数 ) | |
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28 lodge | |
v.临时住宿,寄宿,寄存,容纳;n.传达室,小旅馆 | |
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29 deserted | |
adj.荒芜的,荒废的,无人的,被遗弃的 | |
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30 marsh | |
n.沼泽,湿地 | |
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31 marshes | |
n.沼泽,湿地( marsh的名词复数 ) | |
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32 solitude | |
n. 孤独; 独居,荒僻之地,幽静的地方 | |
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33 thronged | |
v.成群,挤满( throng的过去式和过去分词 ) | |
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34 spectral | |
adj.幽灵的,鬼魂的 | |
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35 guise | |
n.外表,伪装的姿态 | |
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36 grassy | |
adj.盖满草的;长满草的 | |
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37 penetrated | |
adj. 击穿的,鞭辟入里的 动词penetrate的过去式和过去分词形式 | |
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38 boughs | |
大树枝( bough的名词复数 ) | |
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39 mouldering | |
v.腐朽( moulder的现在分词 );腐烂,崩塌 | |
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40 enveloped | |
v.包围,笼罩,包住( envelop的过去式和过去分词 ) | |
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41 tarnished | |
(通常指金属)(使)失去光泽,(使)变灰暗( tarnish的过去式和过去分词 ); 玷污,败坏 | |
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42 mere | |
adj.纯粹的;仅仅,只不过 | |
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43 enveloping | |
v.包围,笼罩,包住( envelop的现在分词 ) | |
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44 haze | |
n.霾,烟雾;懵懂,迷糊;vi.(over)变模糊 | |
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45 ripens | |
v.成熟,使熟( ripen的第三人称单数 ) | |
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46 gliding | |
v. 滑翔 adj. 滑动的 | |
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