He went to the railings of the balcony and stared upward. An exclamation1 of surprise at his appearance, and the movements of a number of people came from the great area below.
His first impression was of overwhelming architecture. The place into which he looked was an aisle2 of Titanic3 buildings, curving spaciously4 in either direction. Overhead mighty5 cantilevers6 sprang together across the huge width of the place, and a tracery of translucent7 material shut out the sky. Gigantic globes of cool white light shamed the pale sunbeams that filtered down through the girders and wires. Here and there a gossamer8 suspension bridge dotted with foot passengers flung across the chasm9 and the air was webbed with slender cables. A cliff of edifice10 hung above him, he perceived as he glanced upward, and the opposite facade11 was grey and dim and broken by great archings, circular perforations, balconies, buttresses12, turret13 projections14, myriads15 of vast windows, and an intricate scheme of architectural relief. Athwart these ran inscriptions16 horizontally and obliquely17 in an unfamiliar18 lettering. Here and there close to the roof cables of a peculiar19 stoutness20 were fastened, and drooped21 in a steep curve to circular openings on the opposite side of the space, and even as Graham noted22 these a remote and tiny figure of a man clad in pale blue arrested his attention. This little figure was far overhead across the space beside the higher fastening of one of these festoons, hanging forward from a little ledge23 of masonry24 and handling some well-nigh invisible strings25 dependent from the line. Then suddenly, with a swoop26 that sent Graham's heart into his mouth, this man had rushed down the curve and vanished through a round opening on the hither side of the way. Graham had been looking up as he came out upon the balcony, and the things he saw above and opposed to him had at first seized his attention to the exclusion27 of anything else. Then suddenly he discovered the roadway! It was not a roadway at all, as Graham understood such things, for in the nineteenth century the only roads and streets were beaten tracks of motionless earth, jostling rivulets28 of vehicles between narrow footways. But this roadway was three hundred feet across, and it moved; it moved, all save the middle, the lowest part. For a moment, the motion dazzled his mind. Then he understood. Under the balcony this extraordinary roadway ran swiftly to Graham's right, an endless flow rushing along as fast as a nineteenth century express train, an endless platform of narrow transverse overlapping29 slats with little interspaces that permitted it to follow the curvatures of the street. Upon it were seats, and here and there little kiosks, but they swept by too swiftly for him to see what might be therein. From this nearest and swiftest platform a series of others descended30 to the centre of the space. Each moved to the right, each perceptibly slower than the one above it, but the difference in pace was small enough to permit anyone to step from any platform to the one adjacent, and so walk uninterruptedly from the swiftest to the motionless middle way. Beyond this middle way was another series of endless platforms rushing with varying pace to Graham's left. And seated in crowds upon the two widest and swiftest platforms, or stepping from one to another down the steps, or swarming31 over the central space, was an innumerable and wonderfully diversified32 multitude of people.
"You must not stop here," shouted Howard suddenly at his side. "You must come away at once."
Graham made no answer. He heard without hearing. The platforms ran with a roar and the people were shouting. He perceived women and girls with flowing hair, beautifully robed, with bands crossing between the breasts. These first came out of the confusion. Then he perceived that the dominant33 note in that kaleidoscope of costume was the pale blue that the tailor's boy had worn. He became aware of cries of "The Sleeper34. What has happened to the Sleeper?" and it seemed as though the rushing platforms before him were suddenly spattered with the pale buff of human faces, and then still more thickly. He saw pointing fingers. He perceived that the motionless central area of this huge arcade35 just opposite to the balcony was densely36 crowded with blue-clad people. Some sort of struggle had sprung into life. People seemed to be pushed up the running platforms on either side, and carried away against their will. They would spring off so soon as they were beyond the thick of the confusion, and run back towards the conflict.
"It is the Sleeper. Verily it is the Sleeper," shouted voices. "That is never the Sleeper," shouted others. More and more faces were turned to him. At the intervals38 along this central area Graham noted openings, pits, apparently39 the heads of staircases going down with people ascending40 out of them and descending41 into them. The struggle it seemed centred about the one of these nearest to him. People were running down the moving platforms to this, leaping dexterously42 from platform to platform. The clustering people on the higher platforms seemed to divide their interest between this point and the balcony. A number of sturdy little figures clad in a uniform of bright red, and working methodically together, were employed it seemed in preventing access to this descending staircase. About them a crowd was rapidly accumulating. Their brilliant colour contrasted vividly43 with the whitish-blue of their antagonists44, for the struggle was indisputable.
He saw these things with Howard shouting in his ear and shaking his arm. And then suddenly Howard was gone and he stood alone.
He perceived that the cries of "The Sleeper!" grew in volume, and that the people on the nearer platform were standing45 up. The nearer platform he perceived was empty to the right of him, and far across the space the platform running in the opposite direction was coming crowded and passing away bare. With incredible swiftness a vast crowd had gathered in the central space before his eyes; a dense37 swaying mass of people, and the shouts grew from a fitful crying to a voluminous incessant46 clamour: "The Sleeper! The Sleeper!" and yells and cheers, a waving of garments and cries of "Stop the Ways!" They were also crying another name strange to Graham. It sounded like "Ostrog." The slower platforms were soon thick with active people, running against the movement so as to keep themselves opposite to him.
"Stop the Ways," they cried. Agile47 figures ran up from the centre to the swift road nearest to him, were borne rapidly past him, shouting strange, unintelligible48 things, and ran back obliquely to the central way. One thing he distinguished49: "It is indeed the Sleeper. It is indeed the Sleeper," they testified.
For a space Graham stood motionless. Then he became vividly aware that all this concerned him. He was pleased at his wonderful popularity, he bowed, and, seeking a gesture of longer range, waved his arm. He was astonished at the violence of uproar50 that this provoked. The tumult51 about the descending stairway rose to furious violence. He became aware of crowded balconies, of men sliding along ropes, of men in trapeze-like seats hurling52 athwart the space. He heard voices behind him, a number of people descending the steps through the archway; he suddenly perceived that his guardian53 Howard was back again and gripping his arm painfully, and shouting inaudibly in his ear.
He turned, and Howard's face was white. "Come back," he heard. "They will stop the ways. The whole city will be in confusion."
He perceived a number of men hurrying along the passage of blue pillars behind Howard, the red-haired man, the man with the flaxen beard, a tall man in vivid vermilion, a crowd of others in red carrying staves, and all these people had anxious eager faces.
"Get him away," cried Howard.
"But why?" said Graham. "I don't see--"
"You must come away!" said the man in red in a resolute54 voice. His face and eyes were resolute, too. Graham's glances went from face to face, and he was suddenly aware of that most disagreeable flavour in life, compulsion. Someone gripped his arm....
He was being dragged away. It seemed as though the tumult suddenly became two, as if half the shouts that had come in from this wonderful roadway had sprung into the passages of the great building behind him. Marvelling55 and confused, feeling an impotent desire to resist, Graham was half led, half thrust, along the passage of blue pillars, and suddenly he found himself alone with Howard in a lift and moving swiftly upward.
1 exclamation | |
n.感叹号,惊呼,惊叹词 | |
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2 aisle | |
n.(教堂、教室、戏院等里的)过道,通道 | |
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3 titanic | |
adj.巨人的,庞大的,强大的 | |
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4 spaciously | |
adv.宽敞地;广博地 | |
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5 mighty | |
adj.强有力的;巨大的 | |
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6 cantilevers | |
n.悬臂( cantilever的名词复数 ) | |
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7 translucent | |
adj.半透明的;透明的 | |
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8 gossamer | |
n.薄纱,游丝 | |
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9 chasm | |
n.深坑,断层,裂口,大分岐,利害冲突 | |
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10 edifice | |
n.宏伟的建筑物(如宫殿,教室) | |
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11 facade | |
n.(建筑物的)正面,临街正面;外表 | |
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12 buttresses | |
n.扶壁,扶垛( buttress的名词复数 )v.用扶壁支撑,加固( buttress的第三人称单数 ) | |
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13 turret | |
n.塔楼,角塔 | |
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14 projections | |
预测( projection的名词复数 ); 投影; 投掷; 突起物 | |
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15 myriads | |
n.无数,极大数量( myriad的名词复数 ) | |
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16 inscriptions | |
(作者)题词( inscription的名词复数 ); 献词; 碑文; 证劵持有人的登记 | |
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17 obliquely | |
adv.斜; 倾斜; 间接; 不光明正大 | |
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18 unfamiliar | |
adj.陌生的,不熟悉的 | |
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19 peculiar | |
adj.古怪的,异常的;特殊的,特有的 | |
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20 stoutness | |
坚固,刚毅 | |
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21 drooped | |
弯曲或下垂,发蔫( droop的过去式和过去分词 ) | |
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22 noted | |
adj.著名的,知名的 | |
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23 ledge | |
n.壁架,架状突出物;岩架,岩礁 | |
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24 masonry | |
n.砖土建筑;砖石 | |
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25 strings | |
n.弦 | |
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26 swoop | |
n.俯冲,攫取;v.抓取,突然袭击 | |
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27 exclusion | |
n.拒绝,排除,排斥,远足,远途旅行 | |
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28 rivulets | |
n.小河,小溪( rivulet的名词复数 ) | |
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29 overlapping | |
adj./n.交迭(的) | |
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30 descended | |
a.为...后裔的,出身于...的 | |
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31 swarming | |
密集( swarm的现在分词 ); 云集; 成群地移动; 蜜蜂或其他飞行昆虫成群地飞来飞去 | |
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32 diversified | |
adj.多样化的,多种经营的v.使多样化,多样化( diversify的过去式和过去分词 );进入新的商业领域 | |
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33 dominant | |
adj.支配的,统治的;占优势的;显性的;n.主因,要素,主要的人(或物);显性基因 | |
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34 sleeper | |
n.睡眠者,卧车,卧铺 | |
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35 arcade | |
n.拱廊;(一侧或两侧有商店的)通道 | |
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36 densely | |
ad.密集地;浓厚地 | |
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37 dense | |
a.密集的,稠密的,浓密的;密度大的 | |
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38 intervals | |
n.[军事]间隔( interval的名词复数 );间隔时间;[数学]区间;(戏剧、电影或音乐会的)幕间休息 | |
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39 apparently | |
adv.显然地;表面上,似乎 | |
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40 ascending | |
adj.上升的,向上的 | |
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41 descending | |
n. 下行 adj. 下降的 | |
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42 dexterously | |
adv.巧妙地,敏捷地 | |
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43 vividly | |
adv.清楚地,鲜明地,生动地 | |
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44 antagonists | |
对立[对抗] 者,对手,敌手( antagonist的名词复数 ); 对抗肌; 对抗药 | |
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45 standing | |
n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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46 incessant | |
adj.不停的,连续的 | |
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47 agile | |
adj.敏捷的,灵活的 | |
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48 unintelligible | |
adj.无法了解的,难解的,莫明其妙的 | |
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49 distinguished | |
adj.卓越的,杰出的,著名的 | |
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50 uproar | |
n.骚动,喧嚣,鼎沸 | |
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51 tumult | |
n.喧哗;激动,混乱;吵闹 | |
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52 hurling | |
n.爱尔兰式曲棍球v.猛投,用力掷( hurl的现在分词 );大声叫骂 | |
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53 guardian | |
n.监护人;守卫者,保护者 | |
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54 resolute | |
adj.坚决的,果敢的 | |
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55 marvelling | |
v.惊奇,对…感到惊奇( marvel的现在分词 ) | |
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