How the abbey of the Thelemites was built and endowed.
For the fabric1 and furniture of the abbey Gargantua caused to be delivered out in ready money seven-and-twenty hundred thousand, eight hundred and one-and-thirty of those golden rams2 of Berry which have a sheep stamped on the one side and a flowered cross on the other; and for every year, until the whole work were completed, he allotted3 threescore nine thousand crowns of the sun, and as many of the seven stars, to be charged all upon the receipt of the custom. For the foundation and maintenance thereof for ever, he settled a perpetual fee-farm-rent of three-and-twenty hundred, three score and nine thousand, five hundred and fourteen rose nobles, exempted4 from all homage5, fealty6, service, or burden whatsoever7, and payable8 every year at the gate of the abbey; and of this by letters patent passed a very good grant. The architecture was in a figure hexagonal, and in such a fashion that in every one of the six corners there was built a great round tower of threescore foot in diameter, and were all of a like form and bigness. Upon the north side ran along the river of Loire, on the bank whereof was situated9 the tower called Arctic. Going towards the east, there was another called Calaer,— the next following Anatole,— the next Mesembrine,— the next Hesperia, and the last Criere. Every tower was distant from other the space of three hundred and twelve paces. The whole edifice10 was everywhere six storeys high, reckoning the cellars underground for one. The second was arched after the fashion of a basket-handle; the rest were ceiled with pure wainscot, flourished with Flanders fretwork, in the form of the foot of a lamp, and covered above with fine slates11, with an endorsement12 of lead, carrying the antique figures of little puppets and animals of all sorts, notably13 well suited to one another, and gilt14, together with the gutters15, which, jutting16 without the walls from betwixt the crossbars in a diagonal figure, painted with gold and azure17, reached to the very ground, where they ended into great conduit-pipes, which carried all away unto the river from under the house.
This same building was a hundred times more sumptuous18 and magnificent than ever was Bonnivet, Chambourg, or Chantilly; for there were in it nine thousand, three hundred and two-and-thirty chambers19, every one whereof had a withdrawing-room, a handsome closet, a wardrobe, an oratory20, and neat passage, leading into a great and spacious21 hall. Between every tower in the midst of the said body of building there was a pair of winding22, such as we now call lantern stairs, whereof the steps were part of porphyry, which is a dark red marble spotted23 with white, part of Numidian stone, which is a kind of yellowishly-streaked marble upon various colours, and part of serpentine24 marble, with light spots on a dark green ground, each of those steps being two-and-twenty foot in length and three fingers thick, and the just number of twelve betwixt every rest, or, as we now term it, landing-place. In every resting-place were two fair antique arches where the light came in: and by those they went into a cabinet, made even with and of the breadth of the said winding, and the reascending above the roofs of the house ended conically in a pavilion. By that vise or winding they entered on every side into a great hall, and from the halls into the chambers. From the Arctic tower unto the Criere were the fair great libraries in Greek, Latin, Hebrew, French, Italian, and Spanish, respectively distributed in their several cantons, according to the diversity of these languages. In the midst there was a wonderful scalier or winding-stair, the entry whereof was without the house, in a vault25 or arch six fathom26 broad. It was made in such symmetry and largeness that six men-at-arms with their lances in their rests might together in a breast ride all up to the very top of all the palace. From the tower Anatole to the Mesembrine were fair spacious galleries, all coloured over and painted with the ancient prowesses, histories, and descriptions of the world. In the midst thereof there was likewise such another ascent27 and gate as we said there was on the river-side. Upon that gate was written in great antique letters that which followeth.
1 fabric | |
n.织物,织品,布;构造,结构,组织 | |
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2 rams | |
n.公羊( ram的名词复数 );(R-)白羊(星)座;夯;攻城槌v.夯实(土等)( ram的第三人称单数 );猛撞;猛压;反复灌输 | |
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3 allotted | |
分配,拨给,摊派( allot的过去式和过去分词 ) | |
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4 exempted | |
使免除[豁免]( exempt的过去式和过去分词 ) | |
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5 homage | |
n.尊敬,敬意,崇敬 | |
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6 fealty | |
n.忠贞,忠节 | |
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7 whatsoever | |
adv.(用于否定句中以加强语气)任何;pron.无论什么 | |
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8 payable | |
adj.可付的,应付的,有利益的 | |
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9 situated | |
adj.坐落在...的,处于某种境地的 | |
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10 edifice | |
n.宏伟的建筑物(如宫殿,教室) | |
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11 slates | |
(旧时学生用以写字的)石板( slate的名词复数 ); 板岩; 石板瓦; 石板色 | |
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12 endorsement | |
n.背书;赞成,认可,担保;签(注),批注 | |
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13 notably | |
adv.值得注意地,显著地,尤其地,特别地 | |
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14 gilt | |
adj.镀金的;n.金边证券 | |
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15 gutters | |
(路边)排水沟( gutter的名词复数 ); 阴沟; (屋顶的)天沟; 贫贱的境地 | |
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16 jutting | |
v.(使)突出( jut的现在分词 );伸出;(从…)突出;高出 | |
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17 azure | |
adj.天蓝色的,蔚蓝色的 | |
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18 sumptuous | |
adj.豪华的,奢侈的,华丽的 | |
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19 chambers | |
n.房间( chamber的名词复数 );(议会的)议院;卧室;会议厅 | |
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20 oratory | |
n.演讲术;词藻华丽的言辞 | |
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21 spacious | |
adj.广阔的,宽敞的 | |
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22 winding | |
n.绕,缠,绕组,线圈 | |
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23 spotted | |
adj.有斑点的,斑纹的,弄污了的 | |
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24 serpentine | |
adj.蜿蜒的,弯曲的 | |
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25 vault | |
n.拱形圆顶,地窖,地下室 | |
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26 fathom | |
v.领悟,彻底了解 | |
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27 ascent | |
n.(声望或地位)提高;上升,升高;登高 | |
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