Soames had travelled little. Aged1 nineteen he had made the ‘petty tour’ with his father, mother, and Winifred — Brussels, the Rhine, Switzerland, and home by way of Paris. Aged twenty-seven, just when he began to take interest in pictures, he had spent five hot weeks in Italy, looking into the Renaissance3 — not so much in it as he had been led to expect — and a fortnight in Paris on his way back, looking into himself, as became a Forsyte surrounded by people so strongly self-centred and ‘foreign’ as the French. His knowledge of their language being derived4 from his public school, he did not understand them when they spoke5. Silence he had found better for all parties; one did not make a fool of oneself. He had disliked the look of the men’s clothes, the closed-in cabs, the theatres which looked like bee-hives, the Galleries which smelled of beeswax. He was too cautious and too shy to explore that side of Paris supposed by Forsytes to constitute its attraction under the rose; and as for a collector’s bargain — not one to be had! As Nicholas might have put it — they were a grasping lot. He had come back uneasy, saying Paris was overrated.
When, therefore, in June of 1900 he went to Paris, it was but his third attempt on the centre of civilisation6. This time, however, the mountain was going to Mahomet; for he felt by now more deeply civilised than Paris, and perhaps he really was. Moreover, he had a definite objective. This was no mere7 genuflexion to a shrine8 of taste and immorality9, but the prosecution10 of his own legitimate11 affairs. He went, indeed, because things were getting past a joke. The watch went on and on, and — nothing — nothing! Jolyon had never returned to Paris, and no one else was ‘suspect!’ Busy with new and very confidential12 matters, Soames was realising more than ever how essential reputation is to a solicitor13. But at night and in his leisure moments he was ravaged14 by the thought that time was always flying and money flowing in, and his own future as much ‘in irons’ as ever. Since Mafeking night he had become aware that a ‘young fool of a doctor’ was hanging round Annette. Twice he had come across him — a cheerful young fool, not more than thirty.
Nothing annoyed Soames so much as cheerfulness — an indecent, extravagant15 sort of quality, which had no relation to facts. The mixture of his desires and hopes was, in a word, becoming torture; and lately the thought had come to him that perhaps Irene knew she was being shadowed: It was this which finally decided16 him to go and see for himself; to go and once more try to break down her repugnance17, her refusal to make her own and his path comparatively smooth once more. If he failed again — well, he would see what she did with herself, anyway!
He went to an hotel in the Rue18 Caumartin, highly recommended to Forsytes, where practically nobody spoke French. He had formed no plan. He did not want to startle her; yet must contrive19 that she had no chance to evade20 him by flight. And next morning he set out in bright weather.
Paris had an air of gaiety, a sparkle over its star-shape which almost annoyed Soames. He stepped gravely, his nose lifted a little sideways in real curiosity. He desired now to understand things French. Was not Annette French? There was much to be got out of his visit, if he could only get it. In this laudable mood and the Place de la Concorde he was nearly run down three times. He came on the ‘Cours la Reine,’ where Irene’s hotel was situated21, almost too suddenly, for he had not yet fixed22 on his procedure. Crossing over to the river side, he noted23 the building, white and cheerful-looking, with green sunblinds, seen through a screen of plane-tree leaves. And, conscious that it would be far better to meet her casually24 in some open place than to risk a call, he sat down on a bench whence he could watch the entrance. It was not quite eleven o’clock, and improbable that she had yet gone out. Some pigeons were strutting25 and preening26 their feathers in the pools of sunlight between the shadows of the plane-trees. A workman in a blue blouse passed, and threw them crumbs27 from the paper which contained his dinner. A ‘bonne’ coiffed with ribbon shepherded two little girls with pig-tails and frilled drawers. A cab meandered28 by, whose cocher wore a blue coat and a black-glazed hat. To Soames a kind of affectation seemed to cling about it all, a sort of picturesqueness29 which was out of date. A theatrical30 people, the French! He lit one of his rare cigarettes, with a sense of injury that Fate should be casting his life into outlandish waters. He shouldn’t wonder if Irene quite enjoyed this foreign life; she had never been properly English — even to look at! And he began considering which of those windows could be hers under the green sunblinds. How could he word what he had come to say so that it might pierce the defence of her proud obstinacy31? He threw the fag-end of his cigarette at a pigeon, with the thought: ‘I can’t stay here for ever twiddling my thumbs. Better give it up and call on her in the late afternoon.’ But he still sat on, heard twelve strike, and then half-past. ‘I’ll wait till one,’ he thought, ‘while I’m about it.’ But just then he started up, and shrinkingly sat down again. A woman had come out in a cream-coloured frock, and was moving away under a fawn-coloured parasol. Irene herself! He waited till she was too far away to recognise him, then set out after her. She was strolling as though she had no particular objective; moving, if he remembered rightly, toward the Bois de Boulogne. For half an hour at least he kept his distance on the far side of the way till she had passed into the Bois itself. Was she going to meet someone after all? Some confounded Frenchman — one of those ‘Bel Ami’ chaps, perhaps, who had nothing to do but hang about women — for he had read that book with difficulty and a sort of disgusted fascination32. He followed doggedly33 along a shady alley34, losing sight of her now and then when the path curved. And it came back to him how, long ago, one night in Hyde Park he had slid and sneaked35 from tree to tree, from seat to seat, hunting blindly, ridiculously, in burning jealousy36 for her and young Bosinney. The path bent37 sharply, and, hurrying, he came on her sitting in front of a small fountain — a little green-bronze Niobe veiled in hair to her slender hips38, gazing at the pool she had wept: He came on her so suddenly that he was past before he could turn and take off his hat. She did not start up. She had always had great self-command — it was one of the things he most admired in her, one of his greatest grievances39 against her, because he had never been able to tell what she was thinking. Had she realised that he was following? Her self-possession made him angry; and, disdaining40 to explain his presence, he pointed41 to the mournful little Niobe, and said:
“That’s rather a good thing.”
He could see, then, that she was struggling to preserve her composure.
“I didn’t want to startle you; is this one of your haunts?”
“Yes.”
“A little lonely.” As he spoke, a lady, strolling by, paused to look at the fountain and passed on.
Irene’s eyes followed her.
“No,” she said, prodding42 the ground with her parasol, “never lonely. One has always one’s shadow.”
Soames understood; and, looking at her hard, he exclaimed:
“Well, it’s your own fault. You can be free of it at any moment. Irene, come back to me, and be free.”
Irene laughed.
“Don’t!” cried Soames, stamping his foot; “it’s inhuman43. Listen! Is there any condition I can make which will bring you back to me? If I promise you a separate house — and just a visit now and then?”
Irene rose, something wild suddenly in her face and figure.
“None! None! None! You may hunt me to the grave. I will not come.”
Outraged44 and on edge, Soames recoiled45.
“Don’t make a scene!” he said sharply. And they both stood motionless, staring at the little Niobe, whose greenish flesh the sunlight was burnishing46.
“That’s your last word, then,” muttered Soames, clenching47 his hands; “you condemn48 us both.”
Irene bent her head. “I can’t come back. Good-bye!”
A feeling of monstrous49 injustice50 flared51 up in Soames.
“Stop!” he said, “and listen to me a moment. You gave me a sacred vow52 — you came to me without a penny. You had all I could give you. You broke that vow without cause, you made me a by-word; you refused me a child; you’ve left me in prison; you — you still move me so that I want you — I want you. Well, what do you think of yourself?”
Irene turned, her face was deadly pale, her eyes burning dark.
“God made me as I am,” she said; “wicked if you like — but not so wicked that I’ll give myself again to a man I hate.”
The sunlight gleamed on her hair as she moved away, and seemed to lay a caress53 all down her clinging cream-coloured frock.
Soames could neither speak nor move. That word ‘hate’— so extreme, so primitive54 — made all the Forsyte in him tremble. With a deep imprecation he strode away from where she had vanished, and ran almost into the arms of the lady sauntering back — the fool, the shadowing fool!
He was soon dripping with perspiration55, in the depths of the Bois.
‘Well,’ he thought, ‘I need have no consideration for her now; she has not a grain of it for me. I’ll show her this very day that she’s my wife still.’
But on the way home to his hotel, he was forced to the conclusion that he did not know what he meant. One could not make scenes in public, and short of scenes in public what was there he could do? He almost cursed his own thin-skinnedness. She might deserve no consideration; but he — alas56! deserved some at his own hands. And sitting lunchless in the hall of his hotel, with tourists passing every moment, Baedeker in hand, he was visited by black dejection. In irons! His whole life, with every natural instinct and every decent yearning57 gagged and fettered58, and all because Fate had driven him seventeen years ago to set his heart upon this woman — so utterly59, that even now he had no real heart to set on any other! Cursed was the day he had met her, and his eyes for seeing in her anything but the cruel Venus she was! And yet, still seeing her with the sunlight on the clinging China crepe of her gown, he uttered a little groan60, so that a tourist who was passing, thought: ‘Man in pain! Let’s see! what did I have for lunch?’
Later, in front of a cafe near the Opera, over a glass of cold tea with lemon and a straw in it, he took the malicious61 resolution to go and dine at her hotel. If she were there, he would speak to her; if she were not, he would leave a note. He dressed carefully, and wrote as follows:
“Your idyll with that fellow Jolyon Forsyte is known to me at all events. If you pursue it, understand that I will leave no stone unturned to make things unbearable62 for him. ‘S. F.’”
He sealed this note but did not address it, refusing to write the maiden63 name which she had impudently64 resumed, or to put the word Forsyte on the envelope lest she should tear it up unread. Then he went out, and made his way through the glowing streets, abandoned to evening pleasure-seekers. Entering her hotel, he took his seat in a far corner of the dining-room whence he could see all entrances and exits. She was not there. He ate little, quickly, watchfully65. She did not come. He lingered in the lounge over his coffee, drank two liqueurs of brandy. But still she did not come. He went over to the keyboard and examined the names. Number twelve, on the first floor! And he determined66 to take the note up himself. He mounted red-carpeted stairs, past a little salon67; eight-ten-twelve! Should he knock, push the note under, or. . . .? He looked furtively68 round and turned the handle. The door opened, but into a little space leading to another door; he knocked on that — no answer. The door was locked. It fitted very closely to the floor; the note would not go under. He thrust it back into his pocket, and stood a moment listening. He felt somehow certain that she was not there. And suddenly he came away, passing the little salon down the stairs. He stopped at the bureau and said:
“Will you kindly69 see that Mrs. Heron has this note?”
“Madame Heron left to-day, Monsieur — suddenly, about three o’clock. There was illness in her family.”
Soames compressed his lips. “Oh!” he said; “do you know her address?”
“Non, Monsieur. England, I think.”
Soames put the note back into his pocket and went out. He hailed an open horse-cab which was passing.
“Drive me anywhere!”
The man, who, obviously, did not understand, smiled, and waved his whip. And Soames was borne along in that little yellow-wheeled Victoria all over star-shaped Paris, with here and there a pause, and the question, “C’est par2 ici, Monsieur?” “No, go on,” till the man gave it up in despair, and the yellow-wheeled chariot continued to roll between the tall, flat-fronted shuttered houses and plane-tree avenues — a little Flying Dutchman of a cab.
‘Like my life,’ thought Soames, ‘without object, on and on!’
1 aged | |
adj.年老的,陈年的 | |
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2 par | |
n.标准,票面价值,平均数量;adj.票面的,平常的,标准的 | |
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3 renaissance | |
n.复活,复兴,文艺复兴 | |
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4 derived | |
vi.起源;由来;衍生;导出v.得到( derive的过去式和过去分词 );(从…中)得到获得;源于;(从…中)提取 | |
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5 spoke | |
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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6 civilisation | |
n.文明,文化,开化,教化 | |
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7 mere | |
adj.纯粹的;仅仅,只不过 | |
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8 shrine | |
n.圣地,神龛,庙;v.将...置于神龛内,把...奉为神圣 | |
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9 immorality | |
n. 不道德, 无道义 | |
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10 prosecution | |
n.起诉,告发,检举,执行,经营 | |
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11 legitimate | |
adj.合法的,合理的,合乎逻辑的;v.使合法 | |
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12 confidential | |
adj.秘(机)密的,表示信任的,担任机密工作的 | |
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13 solicitor | |
n.初级律师,事务律师 | |
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14 ravaged | |
毁坏( ravage的过去式和过去分词 ); 蹂躏; 劫掠; 抢劫 | |
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15 extravagant | |
adj.奢侈的;过分的;(言行等)放肆的 | |
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16 decided | |
adj.决定了的,坚决的;明显的,明确的 | |
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17 repugnance | |
n.嫌恶 | |
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18 rue | |
n.懊悔,芸香,后悔;v.后悔,悲伤,懊悔 | |
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19 contrive | |
vt.谋划,策划;设法做到;设计,想出 | |
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20 evade | |
vt.逃避,回避;避开,躲避 | |
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21 situated | |
adj.坐落在...的,处于某种境地的 | |
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22 fixed | |
adj.固定的,不变的,准备好的;(计算机)固定的 | |
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23 noted | |
adj.著名的,知名的 | |
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24 casually | |
adv.漠不关心地,无动于衷地,不负责任地 | |
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25 strutting | |
加固,支撑物 | |
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26 preening | |
v.(鸟)用嘴整理(羽毛)( preen的现在分词 ) | |
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27 crumbs | |
int. (表示惊讶)哎呀 n. 碎屑 名词crumb的复数形式 | |
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28 meandered | |
(指溪流、河流等)蜿蜒而流( meander的过去式和过去分词 ) | |
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29 picturesqueness | |
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30 theatrical | |
adj.剧场的,演戏的;做戏似的,做作的 | |
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31 obstinacy | |
n.顽固;(病痛等)难治 | |
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32 fascination | |
n.令人着迷的事物,魅力,迷恋 | |
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33 doggedly | |
adv.顽强地,固执地 | |
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34 alley | |
n.小巷,胡同;小径,小路 | |
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35 sneaked | |
v.潜行( sneak的过去式和过去分词 );偷偷溜走;(儿童向成人)打小报告;告状 | |
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36 jealousy | |
n.妒忌,嫉妒,猜忌 | |
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37 bent | |
n.爱好,癖好;adj.弯的;决心的,一心的 | |
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38 hips | |
abbr.high impact polystyrene 高冲击强度聚苯乙烯,耐冲性聚苯乙烯n.臀部( hip的名词复数 );[建筑学]屋脊;臀围(尺寸);臀部…的 | |
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39 grievances | |
n.委屈( grievance的名词复数 );苦衷;不满;牢骚 | |
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40 disdaining | |
鄙视( disdain的现在分词 ); 不屑于做,不愿意做 | |
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41 pointed | |
adj.尖的,直截了当的 | |
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42 prodding | |
v.刺,戳( prod的现在分词 );刺激;促使;(用手指或尖物)戳 | |
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43 inhuman | |
adj.残忍的,不人道的,无人性的 | |
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44 outraged | |
a.震惊的,义愤填膺的 | |
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45 recoiled | |
v.畏缩( recoil的过去式和过去分词 );退缩;报应;返回 | |
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46 burnishing | |
n.磨光,抛光,擦亮v.擦亮(金属等),磨光( burnish的现在分词 );被擦亮,磨光 | |
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47 clenching | |
v.紧握,抓紧,咬紧( clench的现在分词 ) | |
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48 condemn | |
vt.谴责,指责;宣判(罪犯),判刑 | |
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49 monstrous | |
adj.巨大的;恐怖的;可耻的,丢脸的 | |
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50 injustice | |
n.非正义,不公正,不公平,侵犯(别人的)权利 | |
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51 Flared | |
adj. 端部张开的, 爆发的, 加宽的, 漏斗式的 动词flare的过去式和过去分词 | |
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52 vow | |
n.誓(言),誓约;v.起誓,立誓 | |
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53 caress | |
vt./n.爱抚,抚摸 | |
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54 primitive | |
adj.原始的;简单的;n.原(始)人,原始事物 | |
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55 perspiration | |
n.汗水;出汗 | |
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56 alas | |
int.唉(表示悲伤、忧愁、恐惧等) | |
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57 yearning | |
a.渴望的;向往的;怀念的 | |
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58 fettered | |
v.给…上脚镣,束缚( fetter的过去式和过去分词 ) | |
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59 utterly | |
adv.完全地,绝对地 | |
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60 groan | |
vi./n.呻吟,抱怨;(发出)呻吟般的声音 | |
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61 malicious | |
adj.有恶意的,心怀恶意的 | |
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62 unbearable | |
adj.不能容忍的;忍受不住的 | |
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63 maiden | |
n.少女,处女;adj.未婚的,纯洁的,无经验的 | |
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64 impudently | |
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65 watchfully | |
警惕地,留心地 | |
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66 determined | |
adj.坚定的;有决心的 | |
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67 salon | |
n.[法]沙龙;客厅;营业性的高级服务室 | |
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68 furtively | |
adv. 偷偷地, 暗中地 | |
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69 kindly | |
adj.和蔼的,温和的,爽快的;adv.温和地,亲切地 | |
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