Sometimes, when he observed a friend noticing with admiration7, perhaps with astonishment8, the splendor9 or finish of his equipments, he would say: “The world think I had a large fortune with Madame Phoebus. I had nothing. I understand that a fortune, and no inconsiderable one, would have been given had I chosen to ask for it. But I did not choose to ask for it. I made Madame Phoebus my wife because she was the finest specimen10 of the Aryan race that I was acquainted with, and I would have no considerations mixed up with the high motive11 that influenced me. My father-in-law Cantacuzene, whether from a feeling of gratitude12 or remorse13, is always making us magnificent presents. I like to receive magnificent presents, but also to make them; and I presented him with a picture which is the gem14 of his gallery, and which, if he ever part with it, will in another generation be contended for by kings and peoples.
“On her last birthday we breakfasted with my father-in-law Cantacuzene, and Madame Phoebus found in her napkin a check for five thousand pounds. I expended15 it immediately in jewels for her personal use; for I wished my father-in-law to understand that there are other princely families in the world besides the Cantacuzenes.”
A friend once ventured inquiringly to suggest whether his way of life might not be conducive16 to envy, and so disturb that serenity17 of sentiment necessary to the complete life of an artist. But Mr. Phoebus would not for a moment admit the soundness of the objection. “No,” he said, “envy is a purely18 intellectual process. Splendor never excites it; a man of splendor is looked upon always with favor—his appearance exhilarates the heart of man. He is always popular. People wish to dine with him, to borrow his money, but they do not envy him. If you want to know what envy is, you should live among artists. You should hear me lecture at the Academy. I have sometimes suddenly turned round and caught countenances19 like that of the man who was waiting at the corner of the street for Benvenuto Cellini, in order to assassinate20 the great Florentine.”
It was impossible for Lothair in his present condition to have fallen upon a more suitable companion than Mr. Phoebus. It is not merely change of scene and air that we sometimes want, but a revolution in the atmosphere of thought and feeling in which we live and breathe. Besides his great intelligence and fancy, and his peculiar21 views on art and man and affairs in general, which always interested their hearer, and sometimes convinced, there was a general vivacity22 in Mr. Phoebus and a vigorous sense of life, which were inspiriting to his companions. When there was any thing to be done, great or small, Mr. Phoebus liked to do it; and this, as he averred23, from a sense of duty, since, if any thing is to be done, it should be done in the best manner, and no one could do it so well as Mr. Phoebus. He always acted as if he had been created to be the oracle24 and model of the human race, but the oracle was never pompous25 or solemn, and the model was always beaming with good-nature and high spirits.
Mr. Phoebus liked Lothair. He liked youth, and good-looking youth; and youth that was intelligent and engaging and well-mannered. He also liked old men. But, between fifty and seventy, he saw little to approve of in the dark sex. They had lost their good looks if they ever had any, their wits were on the wane26, and they were invariably selfish. When they attained27 second childhood, the charm often returned. Age was frequently beautiful, wisdom appeared like an aftermath, and the heart which seemed dry and deadened suddenly put forth28 shoots of sympathy.
Mr. Phoebus postponed29 his voyage in order that Lothair might make his preparations to become his guest in his island. “I cannot take you to a banker,” said Mr. Phoebus, “for I have none; but I wish you would share my purse. Nothing will ever induce me to use what they call paper money. It is the worst thing that what they call civilization has produced; neither hue30 nor shape, and yet a substitute for the richest color, and, where the arts flourish, the finest forms.”
The telegraph which brought an order to the bankers at Malta to give an unlimited31 credit to Lothair, rendered it unnecessary for our friend to share what Mr. Phoebus called his purse, and yet he was glad to have the opportunity of seeing it, as Mr. Phoebus one morning opened a chest in his cabin and produced several velvet32 bags, one full of pearls, another of rubies33, others of Venetian sequins, Napoleons, and golden piastres. “I like to look at them,” said Mr. Phoebus, “and find life more intense when they are about my person. But bank-notes, so cold and thin—they give me an ague.”
Madame Phoebus and her sister Euphrosyne welcomed Lothair in maritime34 costumes which were absolutely bewitching; wondrous35 jackets with loops of pearls, girdles defended by dirks with handles of turquoises36, and tilted37 hats that; while they screened their long eyelashes from the sun, crowned the longer braids of their never-ending hair. Mr. Phoebus gave banquets every day on board his yacht, attended by the chief personages of the island, and the most agreeable officers of the garrison38. They dined upon deck, and it delighted him, with a surface of sang-froid, to produce a repast which both in its material and its treatment was equal to the refined festivals of Paris. Sometimes they had a dance; sometimes in his barge39, rowed by a crew in Venetian dresses, his guests glided40 on the tranquil41 waters, under a starry42 sky, and listened to the exquisite43 melodies of their hostess and her sister.
At length the day of departure arrived. It was bright, with a breeze favorable to the sail and opportune44 for the occasion. For all the officers of the garrison, and all beautiful Valetta itself, seemed present in their yachts and barges45 to pay their last tribute of admiration to the enchanting46 sisters and the all-accomplished owner of the Pan. Placed on the galley47 of his yacht, Mr. Phoebus surveyed the brilliant and animated48 scene with delight. “This is the way to conduct life,” he said. “If, fortunately for them, I could have passed another month among these people, I could have developed a feeling equal to the old regattas of the Venetians.”
The gean isle49 occupied by Mr. Phoebus was of no inconsiderable dimensions. A chain of mountains of white marble intersected it, covered with forests of oak, though in parts precipitous and bare. The lowlands, while they produced some good crops of grain, and even cotton and silk, were chiefly clothed with fruit-trees—orange and lemon, and the fig50, the olive, and the vine. Sometimes the land was uncultivated, and was principally covered with myrtles, of large size, and oleanders, and arbutus, and thorny51 brooms. Here game abounded52, while from the mountain-forests the wolf sometimes descended53, and spoiled and scared the islanders.
On the sea-shore, yet not too near the wave, and on a sylvan54 declivity55, was along, pavilion-looking building, painted in white and arabesque56. It was backed by the forest, which had a park-like character from its partial clearance57, and which, after a convenient slip of even land, ascended58 the steeper country and took the form of wooded hills, backed in due time by still sylvan yet loftier elevations59, and sometimes a glittering peak.
“Welcome, my friend!” said Mr. Phoebus to Lothair. “Welcome to an Aryan clime, an Aryan landscape, and an Aryan race! It will do you good after your Semitic hallucinations.”
点击收听单词发音
1 fully | |
adv.完全地,全部地,彻底地;充分地 | |
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2 disapproved | |
v.不赞成( disapprove的过去式和过去分词 ) | |
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3 sordid | |
adj.肮脏的,不干净的,卑鄙的,暗淡的 | |
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4 odious | |
adj.可憎的,讨厌的 | |
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5 permanently | |
adv.永恒地,永久地,固定不变地 | |
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6 graceful | |
adj.优美的,优雅的;得体的 | |
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7 admiration | |
n.钦佩,赞美,羡慕 | |
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8 astonishment | |
n.惊奇,惊异 | |
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9 splendor | |
n.光彩;壮丽,华丽;显赫,辉煌 | |
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10 specimen | |
n.样本,标本 | |
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11 motive | |
n.动机,目的;adv.发动的,运动的 | |
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12 gratitude | |
adj.感激,感谢 | |
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13 remorse | |
n.痛恨,悔恨,自责 | |
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14 gem | |
n.宝石,珠宝;受爱戴的人 [同]jewel | |
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15 expended | |
v.花费( expend的过去式和过去分词 );使用(钱等)做某事;用光;耗尽 | |
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16 conducive | |
adj.有益的,有助的 | |
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17 serenity | |
n.宁静,沉着,晴朗 | |
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18 purely | |
adv.纯粹地,完全地 | |
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19 countenances | |
n.面容( countenance的名词复数 );表情;镇静;道义支持 | |
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20 assassinate | |
vt.暗杀,行刺,中伤 | |
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21 peculiar | |
adj.古怪的,异常的;特殊的,特有的 | |
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22 vivacity | |
n.快活,活泼,精神充沛 | |
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23 averred | |
v.断言( aver的过去式和过去分词 );证实;证明…属实;作为事实提出 | |
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24 oracle | |
n.神谕,神谕处,预言 | |
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25 pompous | |
adj.傲慢的,自大的;夸大的;豪华的 | |
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26 wane | |
n.衰微,亏缺,变弱;v.变小,亏缺,呈下弦 | |
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27 attained | |
(通常经过努力)实现( attain的过去式和过去分词 ); 达到; 获得; 达到(某年龄、水平、状况) | |
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28 forth | |
adv.向前;向外,往外 | |
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29 postponed | |
vt.& vi.延期,缓办,(使)延迟vt.把…放在次要地位;[语]把…放在后面(或句尾)vi.(疟疾等)延缓发作(或复发) | |
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30 hue | |
n.色度;色调;样子 | |
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31 unlimited | |
adj.无限的,不受控制的,无条件的 | |
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32 velvet | |
n.丝绒,天鹅绒;adj.丝绒制的,柔软的 | |
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33 rubies | |
红宝石( ruby的名词复数 ); 红宝石色,深红色 | |
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34 maritime | |
adj.海的,海事的,航海的,近海的,沿海的 | |
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35 wondrous | |
adj.令人惊奇的,奇妙的;adv.惊人地;异乎寻常地;令人惊叹地 | |
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36 turquoises | |
n.绿松石( turquoise的名词复数 );青绿色 | |
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37 tilted | |
v. 倾斜的 | |
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38 garrison | |
n.卫戍部队;驻地,卫戍区;vt.派(兵)驻防 | |
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39 barge | |
n.平底载货船,驳船 | |
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40 glided | |
v.滑动( glide的过去式和过去分词 );掠过;(鸟或飞机 ) 滑翔 | |
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41 tranquil | |
adj. 安静的, 宁静的, 稳定的, 不变的 | |
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42 starry | |
adj.星光照耀的, 闪亮的 | |
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43 exquisite | |
adj.精美的;敏锐的;剧烈的,感觉强烈的 | |
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44 opportune | |
adj.合适的,适当的 | |
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45 barges | |
驳船( barge的名词复数 ) | |
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46 enchanting | |
a.讨人喜欢的 | |
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47 galley | |
n.(飞机或船上的)厨房单层甲板大帆船;军舰舰长用的大划艇; | |
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48 animated | |
adj.生气勃勃的,活跃的,愉快的 | |
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49 isle | |
n.小岛,岛 | |
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50 fig | |
n.无花果(树) | |
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51 thorny | |
adj.多刺的,棘手的 | |
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52 abounded | |
v.大量存在,充满,富于( abound的过去式和过去分词 ) | |
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53 descended | |
a.为...后裔的,出身于...的 | |
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54 sylvan | |
adj.森林的 | |
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55 declivity | |
n.下坡,倾斜面 | |
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56 arabesque | |
n.阿拉伯式花饰;adj.阿拉伯式图案的 | |
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57 clearance | |
n.净空;许可(证);清算;清除,清理 | |
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58 ascended | |
v.上升,攀登( ascend的过去式和过去分词 ) | |
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59 elevations | |
(水平或数量)提高( elevation的名词复数 ); 高地; 海拔; 提升 | |
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