Richard Mayhew walked down the underground platform. It was a District Line station: the sign said BLACKFRIARS. The platform was empty. Somewhere in the distance an Underground train roared and rattled1, driving a ghost-wind along the platform, which scattered2 a copy of the tabloid3 _Sun_ into its component4 pages, four-color breasts and black-and-white invective5 scurrying6 and tumbling off the platform and down onto the rails.
Richard walked the length of the platform. Then he sat down on a bench and waited for something to happen.
Nothing happened.
He rubbed his head and felt slightly sick. There were footsteps on the platform, near him, and he looked up to see a prim7 little girl walking past him, hand in hand with a woman who looked like a larger, older version of the girl. They glanced at him and then, rather obviously, looked away. "Don't get too near to him, Melanie," advised the woman, in a very audible whisper.
Melanie looked at Richard, staring in the way children stare, without embarrassment8 or self consciousness. Then she looked back at her mother. "Why do people like that stay alive?" she asked, curiously9.
"Not enough guts10 to end it all," explained her mother.
Melanie risked another glance at Richard. "Pathetic," she said. Their feet pattered away down the platform, and soon they were gone. He wondered if he had imagined it. He tried to remember why he was standing11 on this platform. Was he waiting for a Tube train? Where was he going? He knew the answer was somewhere in his head, somewhere close at hand, but he could not touch it, could not bring it back from the lost places. He sat there, alone and wondering. Was he dreaming? With his hands he felt the hard red plastic seat beneath him, stamped the platform with mud-encrusted shoes (where had the mud come from?), touched his face . . . No. This was no dream. Wherever he was, was real. He felt odd: detached, and depressed12, and horribly, strangely saddened. Someone sat down next to him. Richard did not look up, did not turn his head.
"Hello," said a familiar voice. "How are you, Dick? You all right?"
Richard looked up. He felt his face creasing13 into a smile, hope hitting him like a blow to the chest.
"Gary?" he asked, scared. Then, "You can see me?"
Gary grinned. "You always were a kidder," he said. "Funny man, funny."
Gary was wearing a suit and tie. He was cleanshaven, and had not a hair out of place. Richard realized what he must look like: muddy, unshaven, rumpled14 . . . "Gary? I . . . listen, I know what I must look like. I can explain." He thought for a moment. "No . . . I can't. Not really."
"It's okay," said Gary reassuringly15. His voice was soothing16, sane17. "Not sure how to tell you this. Bit awkward." He paused. "Look," he explained. "I'm not really here."
"Yes, you are," said Richard. Gary shook his head, sympathetically. "No," he said. "I'm not. I'm you. Talking to yourself."
Richard wondered vaguely18 if this was one of Gary's jokes. "Maybe this will help," said Gary. He raised his hands to his face, pushed at it, molded, shaped. His face oozed19 like warm Silly Putty.
"Is that better?" said the person who had been Gary, in a voice that was jarringly familiar. Richard knew the new face: he had shaved it most weekday mornings since he had left school; he had brushed its teeth, combed its hair, and, on occasion, wished it looked more like Tom Cruise's, or John Lennon's, or anyone else's, really. It was, of course, his face. "You're sitting on Blackfriars Station at rush hour," said the other Richard, casually20. "You're talking to yourself. And you know what they say about people who talk to themselves. It's just that you're starting to edge a little closer to sanity21, now."
The damp, muddy Richard stared into the face of the clean, well-dressed Richard, and he said, "I don't know who you are or what you're trying to do. But you aren't even very convincing: you don't really look like me." He was lying, and he knew it.
His other self smiled encouragingly, and shook his head. "I'm you, Richard," he said. "I'm whatever's left of your sanity . . . "
It was not the embarrassing echo of his voice he heard on answering machines, on tapes and home videos, that horrid22 parody23 of a voice that passed for his: the man spoke24 with Richard's true voice, the voice he heard in his head when he spoke, resonant25 and real.
"Concentrate!" shouted the man with Richard's face. "Look at this place, try to see the people, try to see the truth . . . you're already the closest to reality that you've been in a week . . . "
"This is bullshit," said Richard, flatly, desperately26. He shook his head, denying everything his other self was saying, but, still, he looked at the platform, wondering what it was he was meant to be seeing. Then something flickered28, at the corner of his vision; he followed it with his head, but it was gone.
"Look," whispered his double. "See."
"See what?" He was standing on an empty, dimly lit station platform, a lonely mausoleum of a place. And then . . .
The noise and the light struck him like a bottle across the face: he was standing on Blackfriars Station, in the middle of the rush hour. People bustled29 by him: a riot of noise and light, of shoving, moving humanity. There was an Underground train waiting at the platform, and, reflected in its window, Richard could see himself. He looked _crazy;_ he had a week's growth of beard; food was crusted around his mouth; one eye had recently been blackened, and a boil, an angry red carbuncle, was coming up on the side of his nose; he was filthy30, covered in a black, encrusted dirt which filled his pores and lived under his fingernails; his eyes were red and bleary, his hair was matted and snarled31. He was a crazy homeless person, standing on a platform of a busy Underground station, in the heart of the rush hour. Richard buried his face deep in his hands. When he raised his face, the other people were gone. The platform was dark again, and he was alone. He sat down on a bench and closed his eyes. A hand found his hand, held it for some moments, and then squeezed it. A woman's hand: he could smell a familiar perfume.
The other Richard sat on his left, and now Jessica sat on his right, holding his hand in hers, looking at him compassionately32. He had never seen that expression on her face before.
"Jess?" he said.
Jessica shook her head. She let go of his hand. "I'm afraid not," she said. "I'm still you. But you have to listen, darling. You're the closest to reality you've been--"
"You people keep saying, the closest to reality, the closest to sanity, I don't know what you . . . " He paused. Something came back to him, then. He looked at the other version of himself, at the woman he had loved. "Is this part of the ordeal33?" he demanded.
"Ordeal?" asked Jessica. She exchanged a concerned glance with the-other-Richard-who-wasn't-him.
"Yes. Ordeal. With the Black Friars who live under London," Richard said. As he said it, it became more real, "There's a key I have to get for this angel called Islington. If I get him the key, he'll send me home again . . . " His mouth dried up, and he could talk no longer.
"Listen to yourself," said the other Richard, gently. "Can't you tell how ridiculous all this sounds?" Jessica looked as if she were trying not to cry. Her eyes glistened34. "You're not going through an ordeal, Richard. You--you had some kind of nervous breakdown35. A couple of weeks ago. I think you just cracked up. I broke off our engagement--you'd been acting36 so strangely, it was like you were a different person, I--I couldn't cope . . . Then you vanished . . . " The tears began to run down her cheeks, and she stopped talking to blow her nose on a tissue.
The other Richard began to speak. "I wandered, alone and crazy, through the streets of London, sleeping under bridges, eating food from garbage cans. Shivering and lost and alone. Muttering to myself, talking to people who weren't there . . . "
"I'm so sorry, Richard," said Jessica. She was crying, now, her face contorted and unattractive. Her mascara was beginning to run, and her nose was red. He had never seen her hurting before, and he realized how much he wanted to take her pain away. Richard reached out for her, to try to hold her, to comfort and reassure37 her, but the world slid and twisted and changed . . .
Someone stumbled into him, cursed and walked away. Richard was lying prone38 on the platform, in the rush-hour glare. The side of his face was sticky and cold. He pulled his head up off the ground. He had been lying in a pool of his own vomit39. At least, he hoped it was his own. Passersby40 stared at him with revulsion, or, after one flick27 of the eyes, did not look at him again.
He wiped at his face with his hands and tried to get up, but he could no longer remember how. Richard began to whimper. He shut his eyes tightly, and he kept them shut. When he opened them, thirty seconds, or an hour, or a day later, the platform was in semidarkness. He climbed to his feet. There was nobody there. "Hello?" he called. "Help me. Please."
Gary was sitting on the bench, watching him. "What, you still need someone to tell you what to do?" Gary got up and walked over to where Richard was standing. "Richard," he said, urgently. "I'm you. The only advice I can give you is what you're telling yourself. Only, maybe you're too scared to listen."
"You aren't me," said Richard, but he no longer believed it.
"Touch me," said Gary.
Richard reached a hand out: his hand pushed into Gary's face, squashing and distorting it, as if it were pushing into warm bubble gum. Richard felt nothing in the air around his hand. He pulled his fingers out of Gary's face.
"See?" said Gary. "I'm not here. All there is, is you, walking up and down the platform, talking to yourself, trying to get up the courage to . . . "
Richard had not meant to say anything; but his mouth moved and he heard his voice saying, "Trying to get up the courage to do what?"
A deep voice came over the loudspeaker, and echoed, distorted, down the platform. _"London Transport would like to apologize for the delay. This is due to an incident at Blackfriars Station."_ "To do that," said Gary, inclining his head. "Become an incident at Blackfriars Station. To end it all. Your life's a joyless, loveless, empty sham41. You've got no friends--"
"I've got you," whispered Richard. Gary appraised42 Richard with frank eyes.
"I think you're an asshole," he said, honestly. "A complete joke."
"I've got Door, and Hunter, and Anaesthesia."
Gary smiled. There was real pity in the smile, and it hurt Richard more than hatred43 or enmity could ever have done. "More imaginary 'friends? We all used to laugh at you round the office for those trolls. Remember them? On your desk." He laughed. Richard started to laugh, too. It was all too horrible: there was nothing else to do but laugh. After some time he stopped laughing. Gary put his hand into his pocket and produced a small plastic troll. It had frizzy purple hair, and it had once sat on the top of Richard's computer screen. "Here," said Gary. He tossed the troll to Richard. Richard tried to catch it; he reached out his hands, but it fell through them as if they were not there. He went down onto his hands and knees on the empty platform, fumbling44 for the troll. It seemed to him, then, as if it were the only fragment he had of his real life: that if he could only get the troll back, perhaps he could get everything back . . .
_Flash._
It was rush hour again. A train disgorged hundreds of people onto the platform, and hundreds of others tried to get on, and Richard was down on his hands and knees, being kicked and buffeted45 by the commuters. Somebody stepped on his fingers, hard. He screamed shrilly46, and stuck his fingers into his mouth, instinctively47, like a burned child; they tasted disgusting. He did not care: he could see the troll at the platform's edge, now only ten feet away, and he crawled, slowly, on all fours, through the crowd, across the platform. People swore at him; they got in his way; they buffeted him. He had never imagined that ten feet could be such a long distance to travel.
Richard heard a high-pitched voice giggling48, as he crawled, and he wondered who it could belong to. It was a disturbing giggle49, nasty and strange. He wondered what manner of crazy person could giggle like that. He swallowed, and the giggling stopped, and then he knew.
He was almost at the edge of the platform. An elderly woman stepped onto the train, and as she did so, her foot knocked the purple-haired troll down into the darkness, down into the gap between the train and the platform. "No," said Richard. He was still laughing, an awkward, wheezing50 laugh, but tears stung his eyes and spilled down his cheeks. He rubbed his eyes with his hands, making them sting even more.
_Flash._
The platform was deserted51 and dark again. He climbed to his feet and walked, unsteadily, the last few feet, to the edge of the platform. He could see it there, down on the tracks, by the third rail: a small splash of purple, his troll. He looked ahead of him: there were enormous posters stuck to the wall on the other side of the tracks. The posters advertised credit cards and sports shoes and holidays in Cyprus. As he looked the words on the posters twisted and mutated.
New messages:
END IT ALL was one of them.
PUT YOURSELF OUT OF YOUR MISERY52.
BE A MAN--DO YOURSELF IN.
HAVE A FATAL ACCIDENT TODAY.
He nodded. He was talking to himself. The posters did not really say that. Yes, he was talking to himself; and it was time that he listened. He could hear the rattling53 of a train, not far away, coming toward the station. Richard clenched54 his teeth, and swayed back and forth55, as if he were still being buffeted by commuters, although he was alone on the platform.
The train was coming toward him; its headlights shining out from the tunnel like the eyes of a monstrous56 dragon in a childhood nightmare. And he understood then just how little effort it would take to make the pain stop--to take all the pain he ever had had, all the pain he ever would have, and make it all go away for ever and ever. He pushed his hands deep into his pockets, and took a deep breath. It would be so easy. A moment of pain, and then it would all be over and done . . .
There was something in his pocket. He felt it with his fingers: something smooth and hard and roughly spherical57. He pulled it out of his pocket, and examined it: a quartz58 bead59. He remembered picking it up, then. He had been on the far side of Night's Bridge. The bead had been part of Anaesthesia's necklace.
And from somewhere, in his head or out of it, he thought he heard the rat-girl say, "Richard. Hold on." He did not know if there was anyone helping60 him at that moment. He suspected that he was, truly, talking to himself. That this was the real him speaking, and he was, finally, listening.
He nodded and put the bead back into his pocket. And he stood on the platform and waited for the train to come in. It arrived at the platform, slowed, came to a full stop.
The train doors hissed61 open. The carriage was filled with every manner and kind of people, all of whom were, unmistakably, quite dead. There were fresh corpses63, with ragged64 cuts in their throats or bullet holes in their temples. There were old, desiccated bodies. There were strap-hanging cadavers65, covered with cobwebs, and cancerous things lolling in their seats. Each corpse62 seemed, as much as one could tell, to have died by its own hand. Some were male, and some were female. Richard thought he had seen some of those faces, pinned to a long wall; but he could no longer remember where he had seen them, could not remember when. The carriage smelled like a morgue might at the end of a long, hot summer during the course of which the refrigeration equipment had failed for good.
Richard had no idea who he was, anymore; no idea what was or what was not true; nor whether he was brave or cowardly, mad or sane, but he knew the next thing he had to do. He stepped onto the train, and all the lights went out.
The bolts were drawn66 back. Two loud bangs echoed through the room. The door to the tiny shrine67 was pushed open, letting in lamplight from the hall outside.
It was a small room with a high arched ceiling. A silver key hung from a thread, attached to the highest point of the ceiling. The wind caused by the opening of the door made the key swing back and forth, and then spin slowly, first one way, and then the other. The abbot held Brother Fuliginous's arm, and the two men walked into the shrine, side by side. Then the abbot let go of the brother's arm, and said, "Take the body, Brother Fuliginous."
"But. But Father . . . "
"What is it?"
Brother Fuliginous went down on one knee. The abbot could hear fingers against cloth and skin. "He's not dead."
The abbot sighed. It was an evil thing to think, he knew, but he honestly felt it was so much kinder if they died outright68. This was so much worse. "One of those, eh?" he said. "Ah well, we will look after the poor creature until it passes on to its ultimate reward. Lead it to the infirmary."
And a weak voice said, quietly, but firmly, "I am not a poor creature." The abbot heard someone stand up; heard Brother Fuliginous's sharp intake69 of breath. "I . . . I think I got through it," said Richard Mayhew's voice, suddenly uncertain. "Unless this is more of the ordeal."
"No, my son," said the abbot. There was something in his voice that might have been awe70, and might have been regret.
There was silence. "I . . . I think I will have that cup of tea now, if you don't mind," said Richard.
"Of course," said the abbot. "This way." Richard stared at the old man. The glaucous eyes gazed out at nothing at all. He seemed pleased that Richard was alive, but . . .
"Excuse me?" said Brother Fuliginous, respectfully, to Richard, breaking his train of thought. "Don't forget your key."
"Oh. Yes. Thanks." He had forgotten about the key. He reached out and closed his hand upon the cold silver key, rotating slowly on its thread. He rugged71, and the thread snapped easily.
Richard opened his hand, and the key stared up at him from his palm. "By my crooked72 teeth," asked Richard, remembering, "who am I?"
He put it into his pocket, next to the small quartz bead, and together they left that place.
The fog had begun to thin. Hunter was pleased. She was confident now that, should it become necessary, she could get the Lady Door away from the friars entirely73 unharmed and get herself away with only minor74 flesh wounds.
There was a flurry of movement on the far side of the bridge. "Something's happening," said Hunter to Door, under her breath. "Get ready to make a run for it."
The friars drew back. Richard Mayhew, the Upworlder, came toward them through the fog, walking beside the abbot. Richard looked different, somehow . . . Hunter scrutinized75 him, trying to work out what had changed. His center of balance had moved lower, become more centered. No . . . it was more than that. He looked less boyish. He looked as if he had begun to grow up.
"Still alive then?" said Hunter. He nodded; put his hand into his pocket, and pulled out a silver key. He tossed it to Door, who caught it, then flung herself at him, wrapping her arms around him, squeezing him as tightly as she could.
Then Door let go of Richard and ran to the abbot. "I can't tell you how much this means to us," she said to him.
He smiled, weakly but graciously. "May the Temple and the Arch be with you all, on your journey through the Underside," he said.
Door curtseyed, and then, clutching the key tightly in her hand, she went back to Richard, and to Hunter. The three travelers walked down the bridge, and away. The friars stood on the bridge until they were out of sight, lost in the old fog of the world beneath the world.
"We have lost the key," said the abbot to himself, as much as to any of them. "God help us all."
收听单词发音 |
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rattled
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| 慌乱的，恼火的 | |
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scattered
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| adj.分散的，稀疏的；散步的；疏疏落落的 | |
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tabloid
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| adj.轰动性的，庸俗的；n.小报，文摘 | |
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component
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| n.组成部分，成分，元件；adj.组成的，合成的 | |
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invective
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| n.痛骂，恶意抨击 | |
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scurrying
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| v.急匆匆地走( scurry的现在分词 ) | |
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prim
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| adj.拘泥形式的，一本正经的；n.循规蹈矩，整洁；adv.循规蹈矩地，整洁地 | |
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embarrassment
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| n.尴尬；使人为难的人(事物)；障碍；窘迫 | |
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curiously
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| adv.有求知欲地；好问地；奇特地 | |
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guts
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| v.狼吞虎咽，贪婪地吃，飞碟游戏（比赛双方每组5人，相距15码，互相掷接飞碟）；毁坏（建筑物等）的内部( gut的第三人称单数 )；取出…的内脏n.勇气( gut的名词复数 )；内脏；消化道的下段；肠 | |
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standing
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| n.持续，地位；adj.永久的，不动的，直立的，不流动的 | |
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depressed
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| adj.沮丧的，抑郁的，不景气的，萧条的 | |
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creasing
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| （使…）起折痕，弄皱( crease的现在分词 )； （皮肤）皱起，使起皱纹； 挑檐 | |
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rumpled
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| v.弄皱，使凌乱( rumple的过去式和过去分词 ) | |
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reassuringly
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| ad.安心，可靠 | |
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soothing
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| adj.慰藉的；使人宽心的；镇静的 | |
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sane
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| adj.心智健全的，神志清醒的，明智的，稳健的 | |
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vaguely
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| adv.含糊地，暖昧地 | |
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oozed
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| v.（浓液等）慢慢地冒出，渗出( ooze的过去式和过去分词 )；使（液体）缓缓流出；（浓液）渗出，慢慢流出 | |
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casually
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| adv.漠不关心地，无动于衷地，不负责任地 | |
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sanity
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| n.心智健全，神智正常，判断正确 | |
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horrid
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| adj.可怕的；令人惊恐的；恐怖的；极讨厌的 | |
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parody
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| n.打油诗文，诙谐的改编诗文，拙劣的模仿；v.拙劣模仿，作模仿诗文 | |
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spoke
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| n.（车轮的）辐条；轮辐；破坏某人的计划；阻挠某人的行动 v.讲，谈（speak的过去式）；说；演说；从某种观点来说 | |
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resonant
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| adj.(声音)洪亮的，共鸣的 | |
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desperately
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| adv.极度渴望地，绝望地，孤注一掷地 | |
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flick
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| n.快速的轻打，轻打声，弹开；v.轻弹，轻轻拂去，忽然摇动 | |
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flickered
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| （通常指灯光）闪烁，摇曳( flicker的过去式和过去分词 ) | |
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bustled
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| 闹哄哄地忙乱，奔忙( bustle的过去式和过去分词 )； 催促 | |
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filthy
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| adj.卑劣的；恶劣的，肮脏的 | |
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snarled
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| v.（指狗）吠，嗥叫， （人）咆哮( snarl的过去式和过去分词 )；咆哮着说，厉声地说 | |
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compassionately
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| adv.表示怜悯地，有同情心地 | |
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ordeal
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| n.苦难经历，（尤指对品格、耐力的）严峻考验 | |
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glistened
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| v.湿物闪耀，闪亮( glisten的过去式和过去分词 ) | |
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breakdown
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| n.垮，衰竭；损坏，故障，倒塌 | |
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acting
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| n.演戏，行为，假装；adj.代理的，临时的，演出用的 | |
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reassure
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| v.使放心，使消除疑虑 | |
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prone
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| adj.(to)易于…的，很可能…的；俯卧的 | |
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vomit
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| v.呕吐，作呕；n.呕吐物，吐出物 | |
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passersby
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| n. 过路人(行人,经过者) | |
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sham
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| n./adj.假冒(的)，虚伪(的) | |
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appraised
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| v.估价( appraise的过去式和过去分词 )；估计；估量；评价 | |
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hatred
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| n.憎恶，憎恨，仇恨 | |
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fumbling
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| n. 摸索,漏接 v. 摸索,摸弄,笨拙的处理 | |
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buffeted
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| 反复敲打( buffet的过去式和过去分词 )； 连续猛击； 打来打去； 推来搡去 | |
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shrilly
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| 尖声的； 光亮的，耀眼的 | |
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instinctively
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| adv.本能地 | |
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giggling
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| v.咯咯地笑( giggle的现在分词 ) | |
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giggle
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| n.痴笑，咯咯地笑；v.咯咯地笑着说 | |
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wheezing
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| v.喘息，发出呼哧呼哧的喘息声( wheeze的现在分词 )；哮鸣 | |
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deserted
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| adj.荒芜的，荒废的，无人的，被遗弃的 | |
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misery
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| n.痛苦，苦恼，苦难；悲惨的境遇，贫苦 | |
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rattling
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| adj. 格格作响的, 活泼的, 很好的 adv. 极其, 很, 非常 动词rattle的现在分词 | |
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clenched
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| v.紧握，抓紧，咬紧( clench的过去式和过去分词 ) | |
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forth
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| adv.向前；向外，往外 | |
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monstrous
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| adj.巨大的；恐怖的；可耻的，丢脸的 | |
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spherical
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| adj.球形的；球面的 | |
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quartz
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| n.石英 | |
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bead
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| n.念珠；(pl.)珠子项链；水珠 | |
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helping
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| n.食物的一份&adj.帮助人的，辅助的 | |
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hissed
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| 发嘶嘶声( hiss的过去式和过去分词 )； 发嘘声表示反对 | |
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corpse
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| n.尸体，死尸 | |
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corpses
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| n.死尸，尸体( corpse的名词复数 ) | |
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ragged
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| adj.衣衫褴褛的，粗糙的，刺耳的 | |
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cadavers
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| n.尸体( cadaver的名词复数 ) | |
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drawn
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| v.拖，拉，拔出；adj.憔悴的，紧张的 | |
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shrine
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| n.圣地，神龛，庙；v.将...置于神龛内，把...奉为神圣 | |
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outright
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| adv.坦率地；彻底地；立即；adj.无疑的；彻底的 | |
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intake
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| n.吸入，纳入；进气口，入口 | |
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awe
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| n.敬畏，惊惧；vt.使敬畏，使惊惧 | |
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rugged
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| adj.高低不平的，粗糙的，粗壮的，强健的 | |
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crooked
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| adj.弯曲的；不诚实的，狡猾的，不正当的 | |
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entirely
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| ad.全部地，完整地；完全地，彻底地 | |
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minor
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| adj.较小(少)的，较次要的；n.辅修学科；vi.辅修 | |
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scrutinized
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| v.仔细检查，详审( scrutinize的过去式和过去分词 ) | |
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