Hiro is in his 20-by-30 at the U-Stor-It. He is spending a little time in Reality, as per the suggestion of his partner. The door is open so that ocean breezes and jet exhaust can blow through. All the furniture -- the futons, the cargo1 pallet, the experimental cinderblock furniture -- has been pushed up against the walls. He is holding a one-meter-long piece of heavy rebar with tape wrapped around one end to make a handle. The rebar approximates a katana, but it is very much heavier. He calls it the redneck katana.
He is in the kendo stance, barefoot. He should be wearing voluminous ankle-length culottes and a heavy indigo2 tunic3, which is the traditional uniform, but instead he is wearing jockey shorts. Sweat is running down his smoothly4 muscled cappuccino back and exploring his cleavage. Blisters5 the size of green grapes are forming on the ball of his left foot. Hiro's heart and lungs are well developed, and he has been blessed with unusually quick reflexes, but he is not intrinsically strong, the way his father was. Even if he were intrinsically strong, working with the redneck katana would be very difficult.
He is full of adrenaline, his nerves are shot, and his mind is cluttered6 up with free-floating anxiety-floating around on an ocean of generalized terror.
He is shuffling7 back and forth8 down the thirty-foot axis9 of the room. From time to time he will accelerate, raise the redneck katana up over his head until it is pointed10 backward, then bring it swiftly down, snapping his wrists at the last moment so that it comes to a stop in midair. Then he says, "Next!"
Theoretically. In fact, the redneck katana is difficult to stop once it gets moving. But it's good exercise. His forearms look like bundles of steel cables. Almost. Well, they will soon, anyway.
The Nipponese don't go in for this nonsense about follow through. If you strike a man on the top of his head with a katana and do not make the effort to stop the blade, it will divide his skull11 and probably get hung up in his collarbone or his pelvis, and then you will be out there in the middle of the medieval battlefield with a foot on your late opponent's face, trying to work the blade loose as his best friend comes running up to you with a certain vengeful gleam in his eye. So the plan is to snap the blade to a full stop just after the impact, maybe crease12 his brain-pan an inch or two, then whip it out and look for another samurai, hence: "Next!"
He has been thinking about what happened earlier tonight with Raven13, which pretty much rules out sleep, and this is why he is practicing with the redneck katana at three in the morning.
He knows he was totally unprepared. The spear just came at him. He slapped at it with the blade. He happened to slap it at the right time, and it missed him. But he did this almost absentmindedly.
Maybe that's how great warriors14 do it. Carelessly, not wracking their minds with the consequences.
Maybe he's flattering himself.
1 cargo | |
n.(一只船或一架飞机运载的)货物 | |
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2 indigo | |
n.靛青,靛蓝 | |
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3 tunic | |
n.束腰外衣 | |
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4 smoothly | |
adv.平滑地,顺利地,流利地,流畅地 | |
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5 blisters | |
n.水疱( blister的名词复数 );水肿;气泡 | |
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6 cluttered | |
v.杂物,零乱的东西零乱vt.( clutter的过去式和过去分词 );乱糟糟地堆满,把…弄得很乱;(以…) 塞满… | |
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7 shuffling | |
adj. 慢慢移动的, 滑移的 动词shuffle的现在分词形式 | |
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8 forth | |
adv.向前;向外,往外 | |
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9 axis | |
n.轴,轴线,中心线;坐标轴,基准线 | |
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10 pointed | |
adj.尖的,直截了当的 | |
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11 skull | |
n.头骨;颅骨 | |
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12 crease | |
n.折缝,褶痕,皱褶;v.(使)起皱 | |
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13 raven | |
n.渡鸟,乌鸦;adj.乌亮的 | |
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14 warriors | |
武士,勇士,战士( warrior的名词复数 ) | |
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