That night in New Orleans a half-dozen FBI agents circulated through the crowd that had turned out for Daniel and Charles’s early performance. Howl was located in the warehouse1 district, off Julia Street. Usually it featured musical acts, and, even tonight, zydeco and the blues2 reverberated3 from the mortar4 and redbrick walls. A few tourists tried to bring ‘to-geaux’ cups from Bourbon Street into Howl. They were denied admission/or life. The used Cressidas and Colts and a few sports-utility vehicles in the parking lot were a tip-off to the presence ofTulane and Loyola college students packed inside. Smoke lay thick over the noisy and restless crowd. Several in the audience looked under-age and the club had been cited for serving minors5. The owners found it easier to buy off the New Orleans police than to effectively regulate the club. Suddenly, everything went quiet. A single voice punctuated6 the silence, ‘Holy shit! Look at this.’
A male tiger had walked out onto the stage, which was covered in layers of black velvet7.
There was no leash8 on the cat. No trainer or handler was anywhere in sight. The usually raucous9 audience remained silent. The big cat lazily raised his head and roared. A girl in a hot pink tank top screamed in the pit seating area. The cat roared again. A second white tiger walked out and stood beside the first. It glared down at the crowd. The pit audience was situated10 directly in front of the stage. Men and women seated there scrambled11 away, grabbing their beer bottles.
Another unmistakable tiger roar now came from the back of the club, behind the audience. Everyone froze. How many cats were on the loose? Where were they? The crowd was silent now. What the hell was going on?
The blinding lights onstage made peripheral12 space a dark void. Any retreat to either side of the room was suddenly a gamble. There was a shift of the stage lights - left to right then right to left. The lights were powerful, almost blinding. They created the visual illusion that the entire stage had moved.
The crowd’s gasp13 was audible. Panic was in the air.
The tigers were gone!
Two magicians in shimmering14 black-and-gold lame15 suits now stood at the center of the stage where the tigers had been just a heartbeat ago. They were both smiling; they almost seemed to be laughing at the jittery16 audience.
The taller of the two, Daniel, finally spoke17. ‘You have nothing to fear. We’re Daniel and Charles, and we’re the best you will ever see! That is a promise I plan to keep. Let the magic begin!’ The crowd inside Howl began to clap and cheer, and then to howl. There were two shows that night. Each was scheduled to last an hour and a half. Kyle Craig was inside the club with the FBI agents. More agents were posted outside on the street. Daniel and Charles concentrated on several trunks which they called ‘Homage to Houdini’. They also performed Carl Hertz’s ‘Merry Widow7. The audience response to the shows was highly favorable. Nearly everybody left the club in awe18 - vowing19 to come again, to tell friends to come. Apparently20, it happened everywhere that Daniel and Charles played, coast to coast.
Now came the real work for the FBI. After the second show, Daniel and Charles were whisked away to a silver limousine21 idling in a sealed-off alley22 at the stage door. There was a lot of noise and confusion backstage. Daniel and Charles were screaming at one another. Once the silver limousine exited the alley, a team of FBI cars followed it through the usual crowds in downtown New Orleans, then out toward Lake Pontchartrain. Kyle Craig was in radio contact for the entire trip.
The limo pulled up in front of an antebellum mansion23 where a private party was in full rage. Loud rock-and-roll music, Dr John, blared across spacious24 lawns marked by two- and three-hundredyear-old oaks. Partygoers had spilled onto the lawns that sloped down to the dark, glimmering25 water of the lake. The limo driver got out and opened one of the back doors with a theatrical26 flourish. As several FBI agents watched in disbelief, two white tigers jumped out.
Daniel and Charles were not in the limousine. The magicians had disappeared.
1 warehouse | |
n.仓库;vt.存入仓库 | |
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2 blues | |
n.抑郁,沮丧;布鲁斯音乐 | |
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3 reverberated | |
回响,回荡( reverberate的过去式和过去分词 ); 使反响,使回荡,使反射 | |
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4 mortar | |
n.灰浆,灰泥;迫击炮;v.把…用灰浆涂接合 | |
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5 minors | |
n.未成年人( minor的名词复数 );副修科目;小公司;[逻辑学]小前提v.[主美国英语]副修,选修,兼修( minor的第三人称单数 ) | |
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6 punctuated | |
v.(在文字中)加标点符号,加标点( punctuate的过去式和过去分词 );不时打断某事物 | |
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7 velvet | |
n.丝绒,天鹅绒;adj.丝绒制的,柔软的 | |
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8 leash | |
n.牵狗的皮带,束缚;v.用皮带系住 | |
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9 raucous | |
adj.(声音)沙哑的,粗糙的 | |
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10 situated | |
adj.坐落在...的,处于某种境地的 | |
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11 scrambled | |
v.快速爬行( scramble的过去式和过去分词 );攀登;争夺;(军事飞机)紧急起飞 | |
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12 peripheral | |
adj.周边的,外围的 | |
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13 gasp | |
n.喘息,气喘;v.喘息;气吁吁他说 | |
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14 shimmering | |
v.闪闪发光,发微光( shimmer的现在分词 ) | |
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15 lame | |
adj.跛的,(辩解、论据等)无说服力的 | |
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16 jittery | |
adj. 神经过敏的, 战战兢兢的 | |
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17 spoke | |
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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18 awe | |
n.敬畏,惊惧;vt.使敬畏,使惊惧 | |
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19 vowing | |
起誓,发誓(vow的现在分词形式) | |
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20 apparently | |
adv.显然地;表面上,似乎 | |
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21 limousine | |
n.豪华轿车 | |
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22 alley | |
n.小巷,胡同;小径,小路 | |
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23 mansion | |
n.大厦,大楼;宅第 | |
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24 spacious | |
adj.广阔的,宽敞的 | |
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25 glimmering | |
n.微光,隐约的一瞥adj.薄弱地发光的v.发闪光,发微光( glimmer的现在分词 ) | |
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26 theatrical | |
adj.剧场的,演戏的;做戏似的,做作的 | |
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