Her friendship with Lou Chada had first opened his eyes to the perils4 which beset5 the road of least resistance. Sir Noel Rourke was an Anglo-Indian, and his prejudice against the Eurasian was one not lightly to be surmounted6. Not all the polish which English culture had given to this child of a mixed union could blind Sir Noel to the yellow streak7. Courted though Chada was by some of the best people, Sir Noel remained cold.
The long, magnetic eyes, the handsome, clear-cut features, above all, that slow and alluring8 smile, appealed to the husband of the wilful9 Pat rather as evidences of Oriental, half-effeminate devilry than as passports to decent society. Oxford10 had veneered him, but scratch the veneer11 and one found the sandal-wood of the East, perfumed, seductive, appealing, but something to be shunned12 as brittle13 and untrustworthy.
Yet he hesitated, seeking to be true to his convictions. Knowing what he knew already, and what he suspected, it is certain that, could he have viewed Lou Chada through the eyes of Chief Inspector14 Kerry, the affair must have terminated otherwise. But Sir Noel did not know what Kerry knew. And the pleasure-seeking Lady Rourke, with her hair of spun15 gold and her provoking smile, found Lou Chada dangerously fascinating; almost she was infatuated—she who had known so much admiration16.
Of those joys for which thousands of her plainer sisters yearn17 and starve to the end of their days she had experienced a surfeit18. Always she sought for novelty, for new adventures. She was confident of herself, but yet—and here lay the delicious thrill—not wholly confident. Many times she had promised to visit the house of Lou Chada's father—a mystery palace cunningly painted, a perfumed page from the Arabian poets dropped amid the interesting squalor of Limehouse.
Perhaps she had never intended to go. Who knows? But on the night when she came within the ken19 of Chief Inspector Kerry, Lou Chada had urged her to do so in his poetically20 passionate21 fashion, and, wanting to go, she had asked herself: “Am I strong enough? Dare I?”
They had dined, danced, and she had smoked one of the scented22 cigarettes which he alone seemed to be able to procure23, and which, on their arrival from the East, were contained in queer little polished wooden boxes.
Then had come an unfamiliar24 nausea25 and dizziness, an uncomfortable recognition of the fact that she was making a fool of herself, and finally a semi-darkness through which familiar faces loomed26 up and were quickly lost again. There was the soft, musical voice of Lou Chada reassuring27 her, a sense of chill, of helplessness, and then for a while an interval28 which afterward29 she found herself unable to bridge.
Knowledge of verity30 came at last, and Lady Pat raised herself from the divan31 upon which she had been lying, and, her slender hands clutching the cushions, stared about her with eyes which ever grew wider.
She was in a long, rather lofty room, which was lighted by three silver lanterns swung from the ceiling. The place, without containing much furniture, was a riot of garish32, barbaric colour. There were deep divans33 cushioned in amber34 and blood-red. Upon the floor lay Persian carpets and skins of beasts. Cunning niches35 there were, half concealing36 and half revealing long-necked Chinese jars; and odd little carven tables bore strangely fashioned vessels37 of silver. There was a cabinet of ebony inlaid with jade38, there were black tapestries39 figured with dragons of green and gold. Curtains she saw of peacock-blue; and in a tall, narrow recess40, dominating the room, squatted41 a great golden Buddha42.
But, above all, this room was silent, most oppressively silent.
Lady Pat started to her feet. The whole perfumed place seemed to be swimming around her. Reclosing her eyes, she fought down her weakness. The truth, the truth respecting Lou Chada and herself, had uprisen starkly44 before her. By her own folly45—and she could find no tiny excuse—she had placed herself in the power of a man whom, instinctively46, deep within her soul, she had always known to be utterly47 unscrupulous.
How cleverly he had concealed48 the wild animal which dwelt beneath that suave49, polished exterior50! Yet how ill he had concealed it! For intuitively she had always recognized its presence, but had deliberately51 closed her eyes, finding a joy in the secret knowledge of danger. Now at last he had discarded pretense52.
The cigarette which he had offered her at the club had been drugged. She was in Limehouse, at the mercy of a man in whose veins53 ran the blood of ancestors to whom women had been chattels54. Too well she recognized that his passion must have driven him insane, as he must know at what cost he took such liberties with one who could not lightly be so treated. But these reflections afforded poor consolation55. It was not of the penalties that Lou Chada must suffer for this infringement56 of Western codes, but of the price that she must pay for her folly, of which Pat was thinking.
There was a nauseating57 taste upon her palate. She remembered having noticed it faintly while she was smoking the cigarette; indeed, she had commented upon it at the time.
She merely echoed what many a man had said before her. She wondered at herself, and in doing so but wondered at the mystery of womanhood.
Clarity was returning. The room no longer swam around her. She crossed in the direction of a garish curtain, which instinctively she divined to mask a door. Dragging it aside, she tried the handle, but the door was locked. A second door she found, and this also proved to be locked.
There was one tall window, also covered by ornate draperies, but it was shuttered, and the shutters59 had locks. Another small window she discovered, glazed60 with amber glass, but set so high in the wall as to be inaccessible61.
“My God!” she whispered. “My God! Give me strength—give me courage.”
For a long time she remained there, listening for any sound which should disperse64 the silence. She thought of her husband, of the sweet security of her home, of the things which she had forfeited65 because of this mad quest of adventure. And presently a key grated in a lock.
Lady Pat started to her feet with a wild, swift action which must have reminded a beholder66 of a startled gazelle. The drapery masking the door which she had first investigated was drawn67 aside. A man entered and dropped the curtain behind him.
Exactly what she had expected she could not have defined, but the presence of this perfect stranger was a complete surprise. The man, who wore embroidered68 slippers69 and a sort of long blue robe, stood there regarding her with an expression which, even in her frantic70 condition, she found to be puzzling. He had long, untidy gray hair brushed back from his low brow; eyes strangely like the eyes of Lou Chada, except that they were more heavy-lidded; but his skin was as yellow as a guinea, and his gaunt, cleanshaven face was the face of an Oriental.
The slender hands, too, which he held clasped before him, were yellow, and possessed a curiously71 arresting quality. Pat imagined them clasped about her white throat, and her very soul seemed to shrink from the man who stood there looking at her with those long, magnetic, inscrutable eyes.
She wondered why she was surprised, and suddenly realized that it was because of the expression in his eyes, for it was an expression of cold anger. Then the intruder spoke72.
“Who are you?” he demanded, speaking with an accent which was unfamiliar to her, but in a voice which was not unlike the voice of Lou Chada. “Who brought you here?”
This was so wholly unexpected that for a moment she found herself unable to reply, but finally:
“How dare you!” she cried, her native courage reasserting itself. “I have been drugged and brought to this place. You shall pay for it. How dare you!”
“Ah!” The long, dark eyes regarded her unmovingly. “But who are you?”
“You are Lady Rourke?” the man repeated. “Before you speak of regrets, answer the question which I have asked: Who brought you here?”
“Lou Chada.”
“Ah!” There was no alteration74 of pose, no change of expression, but slightly the intonation75 had varied76.
“I don't know who you are, but I demand to be released from this place instantly.”
“You shall be released,” he replied, “but not instantly. I will see the one who brought you here. He may not be entirely78 to blame. Before you leave we shall understand one another.”
Tone and glance were coldly angry. Then, before the frightened woman could say another word, the man in the blue robe robe withdrew, the curtain was dropped again, and she heard the grating of a key in the lock. She ran to the door, beating upon it with her clenched hands.
“Let me go!” she cried, half hysterically79. “Let me go! You shall pay for this! Oh, you shall pay for this!”
No one answered, and, turning, she leaned back against the curtain, breathing heavily and fighting for composure, for strength.
点击收听单词发音
1 moot | |
v.提出;adj.未决议的;n.大会;辩论会 | |
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2 condemnation | |
n.谴责; 定罪 | |
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3 possessed | |
adj.疯狂的;拥有的,占有的 | |
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4 perils | |
极大危险( peril的名词复数 ); 危险的事(或环境) | |
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5 beset | |
v.镶嵌;困扰,包围 | |
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6 surmounted | |
战胜( surmount的过去式和过去分词 ); 克服(困难); 居于…之上; 在…顶上 | |
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7 streak | |
n.条理,斑纹,倾向,少许,痕迹;v.加条纹,变成条纹,奔驰,快速移动 | |
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8 alluring | |
adj.吸引人的,迷人的 | |
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9 wilful | |
adj.任性的,故意的 | |
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10 Oxford | |
n.牛津(英国城市) | |
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11 veneer | |
n.(墙上的)饰面,虚饰 | |
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12 shunned | |
v.避开,回避,避免( shun的过去式和过去分词 ) | |
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13 brittle | |
adj.易碎的;脆弱的;冷淡的;(声音)尖利的 | |
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14 inspector | |
n.检查员,监察员,视察员 | |
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15 spun | |
v.纺,杜撰,急转身 | |
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16 admiration | |
n.钦佩,赞美,羡慕 | |
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17 yearn | |
v.想念;怀念;渴望 | |
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18 surfeit | |
v.使饮食过度;n.(食物)过量,过度 | |
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19 ken | |
n.视野,知识领域 | |
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20 poetically | |
adv.有诗意地,用韵文 | |
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21 passionate | |
adj.热情的,热烈的,激昂的,易动情的,易怒的,性情暴躁的 | |
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22 scented | |
adj.有香味的;洒香水的;有气味的v.嗅到(scent的过去分词) | |
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23 procure | |
vt.获得,取得,促成;vi.拉皮条 | |
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24 unfamiliar | |
adj.陌生的,不熟悉的 | |
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25 nausea | |
n.作呕,恶心;极端的憎恶(或厌恶) | |
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26 loomed | |
v.隐约出现,阴森地逼近( loom的过去式和过去分词 );隐约出现,阴森地逼近 | |
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27 reassuring | |
a.使人消除恐惧和疑虑的,使人放心的 | |
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28 interval | |
n.间隔,间距;幕间休息,中场休息 | |
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29 afterward | |
adv.后来;以后 | |
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30 verity | |
n.真实性 | |
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31 divan | |
n.长沙发;(波斯或其他东方诗人的)诗集 | |
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32 garish | |
adj.华丽而俗气的,华而不实的 | |
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33 divans | |
n.(可作床用的)矮沙发( divan的名词复数 );(波斯或其他东方诗人的)诗集 | |
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34 amber | |
n.琥珀;琥珀色;adj.琥珀制的 | |
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35 niches | |
壁龛( niche的名词复数 ); 合适的位置[工作等]; (产品的)商机; 生态位(一个生物所占据的生境的最小单位) | |
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36 concealing | |
v.隐藏,隐瞒,遮住( conceal的现在分词 ) | |
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37 vessels | |
n.血管( vessel的名词复数 );船;容器;(具有特殊品质或接受特殊品质的)人 | |
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38 jade | |
n.玉石;碧玉;翡翠 | |
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39 tapestries | |
n.挂毯( tapestry的名词复数 );绣帷,织锦v.用挂毯(或绣帷)装饰( tapestry的第三人称单数 ) | |
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40 recess | |
n.短期休息,壁凹(墙上装架子,柜子等凹处) | |
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41 squatted | |
v.像动物一样蹲下( squat的过去式和过去分词 );非法擅自占用(土地或房屋);为获得其所有权;而占用某片公共用地。 | |
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42 Buddha | |
n.佛;佛像;佛陀 | |
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43 laden | |
adj.装满了的;充满了的;负了重担的;苦恼的 | |
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44 starkly | |
adj. 变硬了的,完全的 adv. 完全,实在,简直 | |
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45 folly | |
n.愚笨,愚蠢,蠢事,蠢行,傻话 | |
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46 instinctively | |
adv.本能地 | |
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47 utterly | |
adv.完全地,绝对地 | |
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48 concealed | |
a.隐藏的,隐蔽的 | |
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49 suave | |
adj.温和的;柔和的;文雅的 | |
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50 exterior | |
adj.外部的,外在的;表面的 | |
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51 deliberately | |
adv.审慎地;蓄意地;故意地 | |
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52 pretense | |
n.矫饰,做作,借口 | |
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53 veins | |
n.纹理;矿脉( vein的名词复数 );静脉;叶脉;纹理 | |
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54 chattels | |
n.动产,奴隶( chattel的名词复数 ) | |
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55 consolation | |
n.安慰,慰问 | |
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56 infringement | |
n.违反;侵权 | |
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57 nauseating | |
adj.令人恶心的,使人厌恶的v.使恶心,作呕( nauseate的现在分词 ) | |
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58 clenched | |
v.紧握,抓紧,咬紧( clench的过去式和过去分词 ) | |
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59 shutters | |
百叶窗( shutter的名词复数 ); (照相机的)快门 | |
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60 glazed | |
adj.光滑的,像玻璃的;上过釉的;呆滞无神的v.装玻璃( glaze的过去式);上釉于,上光;(目光)变得呆滞无神 | |
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61 inaccessible | |
adj.达不到的,难接近的 | |
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62 dread | |
vt.担忧,忧虑;惧怕,不敢;n.担忧,畏惧 | |
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63 assailed | |
v.攻击( assail的过去式和过去分词 );困扰;质问;毅然应对 | |
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64 disperse | |
vi.使分散;使消失;vt.分散;驱散 | |
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65 forfeited | |
(因违反协议、犯规、受罚等)丧失,失去( forfeit的过去式和过去分词 ) | |
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66 beholder | |
n.观看者,旁观者 | |
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67 drawn | |
v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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68 embroidered | |
adj.绣花的 | |
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69 slippers | |
n. 拖鞋 | |
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70 frantic | |
adj.狂乱的,错乱的,激昂的 | |
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71 curiously | |
adv.有求知欲地;好问地;奇特地 | |
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72 spoke | |
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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73 outrage | |
n.暴行,侮辱,愤怒;vt.凌辱,激怒 | |
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74 alteration | |
n.变更,改变;蚀变 | |
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75 intonation | |
n.语调,声调;发声 | |
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76 varied | |
adj.多样的,多变化的 | |
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77 standing | |
n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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78 entirely | |
ad.全部地,完整地;完全地,彻底地 | |
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79 hysterically | |
ad. 歇斯底里地 | |
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