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CHAPTER V. A RAINY DAY.
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 When Flemming awoke the next morning he saw the sky dark and lowering. From the mountain tops hung a curtain of mist, whose heavy folds waved to and fro in the valley below. Over all the landscape, the soft, summer rain was falling. No admiring eyes would look up that day at the Staubbach.
 
A rainy day in Switzerland puts a sudden stop to many diversions. The coachman may drive to the tavern1 and then back to the stable; but no farther. The sunburnt guide may sit at the ale-house door, and welcome; and the boatman whistle and curse the clouds, at his own sweet will; but no foot stirs abroad for all that; no traveller moves, if he has time to stay. The rainy daygives him time for reflection. He has leisure now to take cognizance of his impressions, and make up his account with the mountains. He remembers, too, that he has friends at home; and writes up the Journal, neglected for a week or more; and letters neglected longer; or finishes the rough pencil-sketch2, begun yesterday in the open air. On the whole he is not sorry it rains; though disappointed.
 
Flemming was both sorry and disappointed; but he did not on that account fail to go over to the Ashburtons at the appointed hour. He found them sitting in the parlour. The mother was reading, and the daughter retouching a sketch of the Lake of Thun. After the usual salutations, Flemming seated himself near the daughter, and said;
 
"We shall have no Staubbach to-day, I presume; only this Giessbach from the clouds."
 
"Nothing more, I suppose. So we must be content to stay in-doors; and listen to the soundof the eves-dropping rain. It gives me time to finish some of these rough sketches3."
 
"It is a pleasant pastime," said Flemming; "and I perceive you are very skilful4. I am delighted to see, that you can draw a straight line. I never before saw a lady's sketch-book, in which all the towers did not resemble the leaning Tower of Pisa. I always tremble for the little men under them."
 
"How absurd!" exclaimed Mary Ashburton, with a smile that passed through the misty6 air of Flemming's thoughts, like a sunbeam; "For one, I succeed much better in straight lines than in any others. Here I have been trying a half-hour to make this water-wheel round; and round it never will be."
 
"Then let it remain as it is. It looks uncommonly7 picturesque8, and may pass for a new invention."
 
The lady continued to sketch, and Flemming to gaze at her beautiful face; often repeating to himself those lines in Marlow's Faust;
 
"O thou art fairer than the evening air,
 
Clad in the beauty of a thousand stars!"
 
He certainly would have betrayed himself to the maternal9 eye of Mrs. Ashburton, had she not been wholly absorbed in the follies10 of a fashionable novel. Ere long the fair sketcher11 had paused for a moment; and Flemming had taken her sketch-book in his hands and was looking it through from the beginning with ever-increasing delight, half of which he dared not express, though he favored her with some comments and bursts of admiration12.
 
"This is truly a very beautiful sketch of Murten and the battle-field! How quietly the land-scape sleeps there by the lake, after the battle! Did you ever read the ballad13 of Veit Weber, the shoe-maker, on this subject? He says, the routed Burgundians jumped into the lake, and the Swiss Leaguers shot them down like wild ducks among the reeds. He fought in the battle and wrote the ballad afterwards;--
 
'He had himself laid hand on sword,
 
He who this rhyme did write;
 
Till evening mowed14 he with the sword,
 
And sang the song at night.' "
 
"You must give me the whole ballad," said Miss Ashburton; "it will serve to illustrate15 the sketch."
 
"And the sketch to illustrate the ballad. And now we suddenly slide down the Alps into Italy, and are even in Rome, if I mistake not. This is surely a head of Homer?"
 
"Yes," replied the lady, with a little enthusiasm. "Do you not remember the marble bust16 at Rome? When I first beheld17 that bust, it absolutely inspired me with awe18. It is not the face of a man, but of a god!"
 
"And you have done it no injustice19 in your copy," said Flemming, catching20 a new enthusiasm from hers. "With what a classic grace the fillet, passing round the majestic21 forehead, confines his flowing locks, which mingle22 with his beard! The countenance23, too, is calm, majestic, godlike! Even the fixed24 and sightless eyeballs do not mar5 the imageof the seer! Such were the sightless eyes of the blind old man of Chios. They seem to look with mournful solemnity into the mysterious future; and the marble lips to repeat that prophetic passage in the Hymn25 to Apollo; 'Let me also hope to be remembered in ages to come. And when any one, born of the tribes of men, comes hither, a weary traveller, and inquires, who is the sweetest of the Singing Men, that resort to your feasts, and whom you most delight to hear, do you make answer for me. It is the Blind Man, who dwells in Chios; his songs excel all that can ever be sung!' But do you really believe, that this is a portrait of Homer?"
 
"Certainly not! It is only an artist's dream. It was thus, that Homer appeared to him in his visions of the antique world. Every one, you know, forms an image in his fancy of persons and things he has never seen; and the artist reproduces them in marble or on canvass26."
 
"And what is the image in your fancy? Is it like this?"
 
"No; not entirely27. I have drawn28 my impressions from another source. Whenever I think of Homer, which is not often, he walks before me, solemn and serene29, as in the vision of the great Italian; in countenance neither sorrowful nor glad, followed by other bards30, and holding in his right hand a sword!"
 
"That is a finer conception, than even this," said Flemming. "And I perceive from your words, as well as from this book, that you have a true feeling for art, and understand what it is. You have had bright glimpses into the enchanted31 land."
 
"I trust," replied the lady modestly, "that I am not wholly without this feeling. Certainly I have as strong and passionate32 a love of Art as of Nature."
 
"But does it not often offend you to hear people speaking of Art and Nature as opposite and discordant33 things? Surely nothing can be more false. Nature is a revelation of God; Art a revelation of man. Indeed, Art signifies no more than this. Art is Power. That is the original meaning of the word. It is the creative power by which the soul of man makes itself known, through some external manifestation34 or outward sign. As we can always hear the voice of God, walking in the garden, in the cool of the day, or under the star-light, where, to quote one of this poet's verses, 'high prospects35 and the brows of all steep hills and pinnacles36 thrust up themselves for shows';--so, under the twilight37 and the starlight of past ages, do we hear the voice of man, walking amid the works of his hands, and city walls and towers and the spires38 of churches, thrust up themselves for shows."
 
The lady smiled at his warmth; and he continued;
 
"This, however, is but a similitude; and Art and Nature are more nearly allied39 than by similitudes only. Art is the revelation of man; and not merely that, but likewise the revelation of Nature, speaking through man. Art preëxists in Nature, and Nature is reproduced in Art. As vaporsfrom the ocean, floating landward and dissolved in rain, are carried back in rivers to the ocean, so thoughts and the semblances41 of things that fall upon the soul of man in showers, flow out again in living streams of Art, and lose themselves in the great ocean, which is Nature. Art and Nature are not, then, discordant, but ever harmoniously42 working in each other."
 
Enthusiasm begets43 enthusiasm. Flemming spake with such evident interest in the subject, that Miss Ashburton did not fail to manifest some interest in what he said; and, encouraged by this, he proceeded;
 
"Thus in this wondrous44 world wherein we live, which is the World of Nature, man has made unto himself another world hardly less wondrous, which is the World of Art. And it lies infolded and compassed about by the other,
 
'And the clear region where 't was born,
 
Round in itself incloses.'
 
Taking this view of art, I think we understand more easily the skill of the artist, and the differencebetween him and the mere40 amateur. What we call miracles and wonders of art are not so to him who created them. For they were created by the natural movements of his own great soul. Statues, paintings, churches, poems, are but shadows of himself;--shadows in marble, colors, stone, words. He feels and recognises their beauty; but he thought these thoughts and produced these things as easily as inferior minds do thoughts and things inferior. Perhaps more easily. Vague images and shapes of beauty floating through the soul, the semblances of things as yet indefinite or ill-defined, and perfect only when put in art,--this Possible Intellect, as the Scholastic45 Philosophers have termed it,--the artist shares in common with us all. The lovers of art are many. But the Active Intellect, the creative power,--the power to put these shapes and images in art, to imbody the indefinite, and render perfect, is his alone. He shares the gift with few. He knows not even whence nor how this is. He knows only that it is; that God has given him the power, which has been denied to others."
 
"I should have known you were just from Germany," said the lady, with a smile, "even if you had not told me so. You are an enthusiast46 for the Germans. For my part I cannot endure their harsh language."
 
"You would like it better, if you knew it better," answered Flemming. "It is not harsh to me; but homelike, hearty47, and full of feeling, like the sound of happy voices at a fireside, of a winter's night, when the wind blows, and the fire crackles, and hisses48, and snaps. I do indeed love the Germans; the men are so hale and hearty, and the Fräuleins so tender and true!"
 
"I always think of men with pipes and beer, and women with knittingwork."
 
"O, those are English prejudices," exclaimed Flemming. "Nothing can be more--"
 
"And their very literature presents itself to my imagination under the same forms."
 
"I see you have read only English criticisms; and have an idea, that all German books smell, as it were, 'of groceries, of brown papers, filled withgreasy cakes and slices of bacon; and of fryings in frowzy49 back-parlours; and this shuts you out from a glorious world of poetry, romance, and dreams!"
 
Mary Ashburton smiled, and Flemming continued to turn over the leaves of the sketch-book, with an occasional criticism and witticism50. At length he came to a leaf which was written in pencil. People of a lively imagination are generally curious, and always so when a little in love.
 
"Here is a pencil-sketch," said he, with an entreating51 look, "which I would fain examine with the rest."
 
"You may do so, if you wish; but you will find it the poorest sketch in the book. I was trying one day to draw the picture of an artist's life in Rome, as it presented itself to my imagination; and this is the result. Perhaps it may awaken52 some pleasant recollection in your mind."
 
Flemming waited no longer; but read with the eyes of a lover, not of a critic, the following description, which inspired him with a new enthusiasm for Art, and for Mary Ashburton.
 
"I often reflect with delight upon the young artist's life in Rome. A stranger from the cold and gloomy North, he has crossed the Alps, and with the devotion of a pilgrim journeyed to the Eternal City. He dwells perhaps upon the Pincian Hill; and hardly a house there, which is not inhabited by artists from foreign lands. The very room he lives in has been their abode53 from time out of mind. Their names are written all over the walls; perhaps some further record of them left in a rough sketch upon the window-shutter, with an inscription54 and a date. These things consecrate55 the place, in his imagination. Even these names, though unknown to him, are not without associations in his mind.
 
"In that warm latitude56 he rises with the day. The night-vapors are already rolling away over the Campagna sea-ward. As he looks from his window, above and beyond their white folds he recognises the tremulous blue sea at Ostia. Over Soracte rises the sun,--over his own beloved mountain; though no longer worshipped there, asof old. Before him, the antique house, where Raphael lived, casts its long, brown shadow down into the heart of modern Rome. The city lies still asleep and silent. But above its dark roofs, more than two hundred steeples catch the sunshine on their gilded57 weather-cocks. Presently the bells begin to ring, and, as the artist listens to their pleasant chimes, he knows that in each of those churches over the high altar, hangs a painting by some great master's hand, whose beauty comes between him and heaven, so that he cannot pray, but wonder only.
 
"Among these works of art he passes the day; but oftenest in St. Peter's and the Vatican. Up the vast marble stair-case,--through the Corridor Chiaramonti,--through vestibules, galleries, chambers58,--he passes, as in a dream. All are filled with busts60 and statues; or painted in daring frescoes61. What forms of strength and beauty! what glorious creations of the human mind! and in that last chamber59 of all, standing62 alone upon his pedestal, the Apollo found at Actium,--in such a majestic attitude,--with such a noble countenance, life-like, god-like!
 
"Or perhaps he passes into the chambers of the painters; but goes no further than the second. For in the middle of that chamber a large painting stands upon the heavy easel, as if unfinished, though more than three hundred years ago the great artist completed it, and then laid his pencil away forever, leaving this last benediction63 to the world. It is the Transfiguration of Christ by Raphael. A child looks not at the stars with greater wonder, than the artist at this painting. He knows how many studious years are in that picture. He knows the difficult path that leads to perfection, having himself taken some of the first steps.--Thus he recalls the hour, when that broad canvass was first stretched upon its frame, and Raphael stood before it, and laid the first colors upon it, and beheld the figures one by one born into life, and 'looked upon the work of his own hands with a smile, that it should have succeeded so well.' He recalls too, the hour, when, the task accomplished64, the pencil dropped from the master's dying hand, and his eyes closed to open on a more glorious transfiguration, and at length the dead Raphael lay in his own studio, before this wonderful painting, more glorious than any conqueror65 under the banners and armorial hatchments of his funeral!
 
"Think you, that such sights and thoughts as these do not move the heart of a young man and an artist! And when he goes forth66 into the open air, the sun is going down, and the gray ruins of an antique world receive him. From the Palace of the Cæsars he looks down into the Forum67, or towards the Coliseum; or westward68 sees the last sunshine strike the bronze Archangel, which stands upon the Tomb of Adrian. He walks amid a world of Art in ruins. The very street-lamps, that light him homeward, burn before some painted or sculptured image of the Madonna! What wonder is it, if dreams visit him in his sleep,--nay, if his whole life seem to him a dream! What wonder, if, with a feverish69 heart and quick hand, he strive to reproduce those dreams in marble or on canvass."
 
Foolish Paul Flemming! who both admired and praised this little sketch, and yet was too blind to see, that it was written from the heart, and not from the imagination! Foolish Paul Flemming! who thought, that a girl of twenty could write thus, without a reason! Close upon this followed another pencil sketch, which he likewise read, with the lady's permission. It was this.
 
"The whole period of the Middle Ages seems very strange to me. At times I cannot persuade myself that such things could have been, as history tells us; that such a strange world was a part of our world,--that such a strange life was a part of the life, which seems to us who are living it now, so passionless and commonplace. It is only when I stand amid ruined castles, that look at me so mournfully, and behold70 the heavy armour71 of old knights72, hanging upon the wainscot of Gothic chambers; or when I walk amid the aisles73 of some dusky minster, whose walls are narrative74 ofhoar antiquity75, and whose very bells have been baptized, and see the carved oaken stalls in the choir76, where so many generations of monks77 have sat and sung, and the tombs, where now they sleep in silence, to awake no more to their midnight psalms;--it is only at such times, that the history of the Middle Ages is a reality to me, and not a passage in romance.
 
"Likewise the illuminated79 manuscripts of those ages have something of this power of making the dead Past a living Present in my mind. What curious figures are emblazoned on the creaking parchment, making its yellow leaves laugh with gay colors! You seem to come upon them unawares. Their faces have an expression of wonder. They seem all to be just startled from their sleep by the sound you made when you unloosed the brazen80 clasps, and opened the curiously-carved oaken covers, that turn on hinges, like the great gates of a city. To the building of that city some diligent81 monk78 gave the whole of a long life. With what strange denizens82 he peopled it! Adam and Eve standing under a tree, she, with the apple in her hand;--the patriarch Abraham, with a tree growing out of his body, and his descendants sitting owl-like upon its branches;--ladies with flowing locks of gold; knights in armour, with most fantastic, long-toed shoes; jousts83 and tournaments; and Minnesingers, and lovers, whose heads reach to the towers, where their ladies sit;--and all so angular, so simple, so childlike,--all in such simple attitudes, with such great eyes, and holding up such long, lank84 fingers!--These things are characteristic of the Middle Ages, and persuade me of the truth of history."
 
At this moment Berkley entered, with a Swiss cottage, which he had just bought as a present for somebody's child in England; and a cane85 with a chamois-horn on the end of it, which he had just bought for himself. This was the first time, that Flemming had been sorry to see the good-natured man. His presence interrupted the delightful86 conversation he was carrying on "under four eyes," with Mary Ashburton. He reallythought Berkley a bore, and wondered it had never occurred to him before. Mrs. Ashburton, too, must needs lay down her book; and the conversation became general. Strange to say, the Swiss dinner-hour of one o'clock, did not come a moment too soon for Flemming. It did not even occur to him that it was early; for he was seated beside Mary Ashburton, and at dinner one can say so much, without being overheard.

点击收听单词发音收听单词发音  

1 tavern wGpyl     
n.小旅馆,客栈;小酒店
参考例句:
  • There is a tavern at the corner of the street.街道的拐角处有一家酒馆。
  • Philip always went to the tavern,with a sense of pleasure.菲利浦总是心情愉快地来到这家酒菜馆。
2 sketch UEyyG     
n.草图;梗概;素描;v.素描;概述
参考例句:
  • My sister often goes into the country to sketch. 我姐姐常到乡间去写生。
  • I will send you a slight sketch of the house.我将给你寄去房屋的草图。
3 sketches 8d492ee1b1a5d72e6468fd0914f4a701     
n.草图( sketch的名词复数 );素描;速写;梗概
参考例句:
  • The artist is making sketches for his next painting. 画家正为他的下一幅作品画素描。
  • You have to admit that these sketches are true to life. 你得承认这些素描很逼真。 来自《简明英汉词典》
4 skilful 8i2zDY     
(=skillful)adj.灵巧的,熟练的
参考例句:
  • The more you practise,the more skilful you'll become.练习的次数越多,熟练的程度越高。
  • He's not very skilful with his chopsticks.他用筷子不大熟练。
5 mar f7Kzq     
vt.破坏,毁坏,弄糟
参考例句:
  • It was not the custom for elderly people to mar the picnics with their presence.大人们照例不参加这样的野餐以免扫兴。
  • Such a marriage might mar your career.这样的婚姻说不定会毁了你的一生。
6 misty l6mzx     
adj.雾蒙蒙的,有雾的
参考例句:
  • He crossed over to the window to see if it was still misty.他走到窗户那儿,看看是不是还有雾霭。
  • The misty scene had a dreamy quality about it.雾景给人以梦幻般的感觉。
7 uncommonly 9ca651a5ba9c3bff93403147b14d37e2     
adv. 稀罕(极,非常)
参考例句:
  • an uncommonly gifted child 一个天赋异禀的儿童
  • My little Mary was feeling uncommonly empty. 我肚子当时正饿得厉害。
8 picturesque qlSzeJ     
adj.美丽如画的,(语言)生动的,绘声绘色的
参考例句:
  • You can see the picturesque shores beside the river.在河边你可以看到景色如画的两岸。
  • That was a picturesque phrase.那是一个形象化的说法。
9 maternal 57Azi     
adj.母亲的,母亲般的,母系的,母方的
参考例句:
  • He is my maternal uncle.他是我舅舅。
  • The sight of the hopeless little boy aroused her maternal instincts.那个绝望的小男孩的模样唤起了她的母性。
10 follies e0e754f59d4df445818b863ea1aa3eba     
罪恶,时事讽刺剧; 愚蠢,蠢笨,愚蠢的行为、思想或做法( folly的名词复数 )
参考例句:
  • He has given up youthful follies. 他不再做年轻人的荒唐事了。
  • The writings of Swift mocked the follies of his age. 斯威夫特的作品嘲弄了他那个时代的愚人。
11 sketcher cec53f02a427a1bc18e6ceb8563e5414     
n.画略图者,作素描者,舞台布景设计者
参考例句:
  • He was a sketcher and a copper-plate engraver. 他也是杰出的素描家和铜版画家。 来自辞典例句
  • He was a famous sketcher. 他是杰出的素描家。 来自互联网
12 admiration afpyA     
n.钦佩,赞美,羡慕
参考例句:
  • He was lost in admiration of the beauty of the scene.他对风景之美赞不绝口。
  • We have a great admiration for the gold medalists.我们对金牌获得者极为敬佩。
13 ballad zWozz     
n.歌谣,民谣,流行爱情歌曲
参考例句:
  • This poem has the distinctive flavour of a ballad.这首诗有民歌风味。
  • This is a romantic ballad that is pure corn.这是一首极为伤感的浪漫小曲。
14 mowed 19a6e054ba8c2bc553dcc339ac433294     
v.刈,割( mow的过去式和过去分词 )
参考例句:
  • The enemy were mowed down with machine-gun fire. 敌人被机枪的火力扫倒。 来自《现代英汉综合大词典》
  • Men mowed the wide lawns and seeded them. 人们割了大片草地的草,然后在上面播种。 来自辞典例句
15 illustrate IaRxw     
v.举例说明,阐明;图解,加插图
参考例句:
  • The company's bank statements illustrate its success.这家公司的银行报表说明了它的成功。
  • This diagram will illustrate what I mean.这个图表可说明我的意思。
16 bust WszzB     
vt.打破;vi.爆裂;n.半身像;胸部
参考例句:
  • I dropped my camera on the pavement and bust it. 我把照相机掉在人行道上摔坏了。
  • She has worked up a lump of clay into a bust.她把一块黏土精心制作成一个半身像。
17 beheld beheld     
v.看,注视( behold的过去式和过去分词 );瞧;看呀;(叙述中用于引出某人意外的出现)哎哟
参考例句:
  • His eyes had never beheld such opulence. 他从未见过这样的财富。 来自《简明英汉词典》
  • The soul beheld its features in the mirror of the passing moment. 灵魂在逝去的瞬间的镜子中看到了自己的模样。 来自英汉文学 - 红字
18 awe WNqzC     
n.敬畏,惊惧;vt.使敬畏,使惊惧
参考例句:
  • The sight filled us with awe.这景色使我们大为惊叹。
  • The approaching tornado struck awe in our hearts.正在逼近的龙卷风使我们惊恐万分。
19 injustice O45yL     
n.非正义,不公正,不公平,侵犯(别人的)权利
参考例句:
  • They complained of injustice in the way they had been treated.他们抱怨受到不公平的对待。
  • All his life he has been struggling against injustice.他一生都在与不公正现象作斗争。
20 catching cwVztY     
adj.易传染的,有魅力的,迷人的,接住
参考例句:
  • There are those who think eczema is catching.有人就是认为湿疹会传染。
  • Enthusiasm is very catching.热情非常富有感染力。
21 majestic GAZxK     
adj.雄伟的,壮丽的,庄严的,威严的,崇高的
参考例句:
  • In the distance rose the majestic Alps.远处耸立着雄伟的阿尔卑斯山。
  • He looks majestic in uniform.他穿上军装显得很威风。
22 mingle 3Dvx8     
vt.使混合,使相混;vi.混合起来;相交往
参考例句:
  • If we mingle with the crowd,we should not be noticed.如果我们混在人群中,就不会被注意到。
  • Oil will not mingle with water.油和水不相融。
23 countenance iztxc     
n.脸色,面容;面部表情;vt.支持,赞同
参考例句:
  • At the sight of this photograph he changed his countenance.他一看见这张照片脸色就变了。
  • I made a fierce countenance as if I would eat him alive.我脸色恶狠狠地,仿佛要把他活生生地吞下去。
24 fixed JsKzzj     
adj.固定的,不变的,准备好的;(计算机)固定的
参考例句:
  • Have you two fixed on a date for the wedding yet?你们俩选定婚期了吗?
  • Once the aim is fixed,we should not change it arbitrarily.目标一旦确定,我们就不应该随意改变。
25 hymn m4Wyw     
n.赞美诗,圣歌,颂歌
参考例句:
  • They sang a hymn of praise to God.他们唱着圣歌,赞美上帝。
  • The choir has sung only two verses of the last hymn.合唱团只唱了最后一首赞美诗的两个段落。
26 canvass FsHzY     
v.招徕顾客,兜售;游说;详细检查,讨论
参考例句:
  • Mr. Airey Neave volunteered to set up an organisation to canvass votes.艾雷·尼夫先生自告奋勇建立了一个拉票组织。
  • I will canvass the floors before I start painting the walls.开始粉刷墙壁之前,我会详细检查地板。
27 entirely entirely     
ad.全部地,完整地;完全地,彻底地
参考例句:
  • The fire was entirely caused by their neglect of duty. 那场火灾完全是由于他们失职而引起的。
  • His life was entirely given up to the educational work. 他的一生统统献给了教育工作。
28 drawn MuXzIi     
v.拖,拉,拔出;adj.憔悴的,紧张的
参考例句:
  • All the characters in the story are drawn from life.故事中的所有人物都取材于生活。
  • Her gaze was drawn irresistibly to the scene outside.她的目光禁不住被外面的风景所吸引。
29 serene PD2zZ     
adj. 安详的,宁静的,平静的
参考例句:
  • He has entered the serene autumn of his life.他已进入了美好的中年时期。
  • He didn't speak much,he just smiled with that serene smile of his.他话不多,只是脸上露出他招牌式的淡定的微笑。
30 bards 77e8523689645af5df8266d581666aa3     
n.诗人( bard的名词复数 )
参考例句:
  • There were feasts and drinking and singing by the bards. 他们欢宴狂饮,还有吟游诗人的歌唱作伴助兴。 来自英汉非文学 - 历史
  • Round many western islands have I been Which Bards in fealty to Apollo hold. 还有多少西方的海岛,歌都已使它们向阿波罗臣服。 来自英汉 - 翻译样例 - 文学
31 enchanted enchanted     
adj. 被施魔法的,陶醉的,入迷的 动词enchant的过去式和过去分词
参考例句:
  • She was enchanted by the flowers you sent her. 她非常喜欢你送给她的花。
  • He was enchanted by the idea. 他为这个主意而欣喜若狂。
32 passionate rLDxd     
adj.热情的,热烈的,激昂的,易动情的,易怒的,性情暴躁的
参考例句:
  • He is said to be the most passionate man.据说他是最有激情的人。
  • He is very passionate about the project.他对那个项目非常热心。
33 discordant VlRz2     
adj.不调和的
参考例句:
  • Leonato thought they would make a discordant pair.里奥那托认为他们不适宜作夫妻。
  • For when we are deeply mournful discordant above all others is the voice of mirth.因为当我们极度悲伤的时候,欢乐的声音会比其他一切声音都更显得不谐调。
34 manifestation 0RCz6     
n.表现形式;表明;现象
参考例句:
  • Her smile is a manifestation of joy.她的微笑是她快乐的表现。
  • What we call mass is only another manifestation of energy.我们称之为质量的东西只是能量的另一种表现形态。
35 prospects fkVzpY     
n.希望,前途(恒为复数)
参考例句:
  • There is a mood of pessimism in the company about future job prospects. 公司中有一种对工作前景悲观的情绪。
  • They are less sanguine about the company's long-term prospects. 他们对公司的远景不那么乐观。
36 pinnacles a4409b051276579e99d5cb7d58643f4e     
顶峰( pinnacle的名词复数 ); 顶点; 尖顶; 小尖塔
参考例句:
  • What would be the pinnacles of your acting and music? 对你而言什麽代表你的演技和音乐的巅峰?
  • On Skye's Trotternish Peninsula, basalt pinnacles loom over the Sound of Raasay. 在斯开岛的特洛登尼许半岛,玄武岩尖塔俯瞰着拉塞海峡。
37 twilight gKizf     
n.暮光,黄昏;暮年,晚期,衰落时期
参考例句:
  • Twilight merged into darkness.夕阳的光辉融于黑暗中。
  • Twilight was sweet with the smell of lilac and freshly turned earth.薄暮充满紫丁香和新翻耕的泥土的香味。
38 spires 89c7a5b33df162052a427ff0c7ab3cc6     
n.(教堂的) 塔尖,尖顶( spire的名词复数 )
参考例句:
  • Her masts leveled with the spires of churches. 船的桅杆和教堂的塔尖一样高。 来自《简明英汉词典》
  • White church spires lift above green valleys. 教堂的白色尖顶耸立在绿色山谷中。 来自《简明英汉词典》
39 allied iLtys     
adj.协约国的;同盟国的
参考例句:
  • Britain was allied with the United States many times in history.历史上英国曾多次与美国结盟。
  • Allied forces sustained heavy losses in the first few weeks of the campaign.同盟国在最初几周内遭受了巨大的损失。
40 mere rC1xE     
adj.纯粹的;仅仅,只不过
参考例句:
  • That is a mere repetition of what you said before.那不过是重复了你以前讲的话。
  • It's a mere waste of time waiting any longer.再等下去纯粹是浪费时间。
41 semblances e8cd14e31ad1ced34eef0dff25c9c15e     
n.外表,外观(semblance的复数形式)
参考例句:
42 harmoniously 6d3506f359ad591f490ad1ca8a719241     
和谐地,调和地
参考例句:
  • The president and Stevenson had worked harmoniously over the last eighteen months. 在过去一年半里,总统和史蒂文森一起工作是融洽的。
  • China and India cannot really deal with each other harmoniously. 中国和印度这两只猛兽不可能真心实意地和谐相处。
43 begets 900bbe1fb1fde33a940fa4c636f3859f     
v.为…之生父( beget的第三人称单数 );产生,引起
参考例句:
  • It begets at least seven standard type offspring from such matings. 这类交配中生下至少七个标准型后代。 来自辞典例句
  • Violence begets violence until the innocent perish with the guilty. 暴力招致暴力直到这因罪行而无缘无故的毁灭。 来自电影对白
44 wondrous pfIyt     
adj.令人惊奇的,奇妙的;adv.惊人地;异乎寻常地;令人惊叹地
参考例句:
  • The internal structure of the Department is wondrous to behold.看一下国务院的内部结构是很有意思的。
  • We were driven across this wondrous vast land of lakes and forests.我们乘车穿越这片有着湖泊及森林的广袤而神奇的土地。
45 scholastic 3DLzs     
adj.学校的,学院的,学术上的
参考例句:
  • There was a careful avoidance of the sensitive topic in the scholastic circles.学术界小心地避开那个敏感的话题。
  • This would do harm to students' scholastic performance in the long run.这将对学生未来的学习成绩有害。
46 enthusiast pj7zR     
n.热心人,热衷者
参考例句:
  • He is an enthusiast about politics.他是个热衷于政治的人。
  • He was an enthusiast and loved to evoke enthusiasm in others.他是一个激情昂扬的人,也热中于唤起他人心中的激情。
47 hearty Od1zn     
adj.热情友好的;衷心的;尽情的,纵情的
参考例句:
  • After work they made a hearty meal in the worker's canteen.工作完了,他们在工人食堂饱餐了一顿。
  • We accorded him a hearty welcome.我们给他热忱的欢迎。
48 hisses add19f26616fdd1582c885031e8f941d     
嘶嘶声( hiss的名词复数 )
参考例句:
  • The speaker was received with a mixture of applause and hisses. 那演说者同时得到喝彩声和嘘声。
  • A fire hisses if water is thrown on it. 把水浇到火上,火就发出嘶嘶声。
49 frowzy ahfxo     
adj.不整洁的;污秽的
参考例句:
  • The drowsy browser knits its brows to browbeat the frowzy crow.昏昏欲睡的吃草动物皱眉头恐吓邋遢的乌鸦。
  • The frowzy street was disgusting.那条肮脏的街道令人作呕。
50 witticism KIeyn     
n.谐语,妙语
参考例句:
  • He tries to lighten his lectures with an occasional witticism.他有时想用俏皮话使课堂活跃。
  • His witticism was as sharp as a marble.他的打趣话十分枯燥无味。
51 entreating 8c1a0bd5109c6bc77bc8e612f8bff4a0     
恳求,乞求( entreat的现在分词 )
参考例句:
  • We have not bound your feet with our entreating arms. 我们不曾用恳求的手臂来抱住你的双足。
  • The evening has come. Weariness clings round me like the arms of entreating love. 夜来到了,困乏像爱的恳求用双臂围抱住我。
52 awaken byMzdD     
vi.醒,觉醒;vt.唤醒,使觉醒,唤起,激起
参考例句:
  • Old people awaken early in the morning.老年人早晨醒得早。
  • Please awaken me at six.请于六点叫醒我。
53 abode hIby0     
n.住处,住所
参考例句:
  • It was ten months before my father discovered his abode.父亲花了十个月的功夫,才好不容易打听到他的住处。
  • Welcome to our humble abode!欢迎光临寒舍!
54 inscription l4ZyO     
n.(尤指石块上的)刻印文字,铭文,碑文
参考例句:
  • The inscription has worn away and can no longer be read.铭文已磨损,无法辨认了。
  • He chiselled an inscription on the marble.他在大理石上刻碑文。
55 consecrate 6Yzzq     
v.使圣化,奉…为神圣;尊崇;奉献
参考例句:
  • Consecrate your life to the church.把你的生命奉献给教堂吧。
  • The priest promised God he would consecrate his life to helping the poor.牧师对上帝允诺他将献身帮助穷人。
56 latitude i23xV     
n.纬度,行动或言论的自由(范围),(pl.)地区
参考例句:
  • The latitude of the island is 20 degrees south.该岛的纬度是南纬20度。
  • The two cities are at approximately the same latitude.这两个城市差不多位于同一纬度上。
57 gilded UgxxG     
a.镀金的,富有的
参考例句:
  • The golden light gilded the sea. 金色的阳光使大海如金子般闪闪发光。
  • "Friends, they are only gilded disks of lead!" "朋友们,这只不过是些镀金的铅饼! 来自英汉文学 - 败坏赫德莱堡
58 chambers c053984cd45eab1984d2c4776373c4fe     
n.房间( chamber的名词复数 );(议会的)议院;卧室;会议厅
参考例句:
  • The body will be removed into one of the cold storage chambers. 尸体将被移到一个冷冻间里。 来自《简明英汉词典》
  • Mr Chambers's readable book concentrates on the middle passage: the time Ransome spent in Russia. Chambers先生的这本值得一看的书重点在中间:Ransome在俄国的那几年。 来自互联网
59 chamber wnky9     
n.房间,寝室;会议厅;议院;会所
参考例句:
  • For many,the dentist's surgery remains a torture chamber.对许多人来说,牙医的治疗室一直是间受刑室。
  • The chamber was ablaze with light.会议厅里灯火辉煌。
60 busts c82730a2a9e358c892a6a70d6cedc709     
半身雕塑像( bust的名词复数 ); 妇女的胸部; 胸围; 突击搜捕
参考例句:
  • Dey bags swells up and busts. 那奶袋快胀破了。
  • Marble busts all looked like a cemetery. 大理石的半身象,简直就象是坟山。
61 frescoes e7dc820cf295bb1624a80b546e226207     
n.壁画( fresco的名词复数 );温壁画技法,湿壁画
参考例句:
  • The Dunhuang frescoes are gems of ancient Chinese art. 敦煌壁画是我国古代艺术中的瑰宝。 来自《现代汉英综合大词典》
  • The frescoes in these churches are magnificent. 这些教堂里的壁画富丽堂皇。 来自《简明英汉词典》
62 standing 2hCzgo     
n.持续,地位;adj.永久的,不动的,直立的,不流动的
参考例句:
  • After the earthquake only a few houses were left standing.地震过后只有几幢房屋还立着。
  • They're standing out against any change in the law.他们坚决反对对法律做任何修改。
63 benediction 6Q4y0     
n.祝福;恩赐
参考例句:
  • The priest pronounced a benediction over the couple at the end of the marriage ceremony.牧师在婚礼结束时为新婚夫妇祈求上帝赐福。
  • He went abroad with his parents' benediction.他带着父母的祝福出国去了。
64 accomplished UzwztZ     
adj.有才艺的;有造诣的;达到了的
参考例句:
  • Thanks to your help,we accomplished the task ahead of schedule.亏得你们帮忙,我们才提前完成了任务。
  • Removal of excess heat is accomplished by means of a radiator.通过散热器完成多余热量的排出。
65 conqueror PY3yI     
n.征服者,胜利者
参考例句:
  • We shall never yield to a conqueror.我们永远不会向征服者低头。
  • They abandoned the city to the conqueror.他们把那个城市丢弃给征服者。
66 forth Hzdz2     
adv.向前;向外,往外
参考例句:
  • The wind moved the trees gently back and forth.风吹得树轻轻地来回摇晃。
  • He gave forth a series of works in rapid succession.他很快连续发表了一系列的作品。
67 forum cilx0     
n.论坛,讨论会
参考例句:
  • They're holding a forum on new ways of teaching history.他们正在举行历史教学讨论会。
  • The organisation would provide a forum where problems could be discussed.这个组织将提供一个可以讨论问题的平台。
68 westward XIvyz     
n.西方,西部;adj.西方的,向西的;adv.向西
参考例句:
  • We live on the westward slope of the hill.我们住在这座山的西山坡。
  • Explore westward or wherever.向西或到什么别的地方去勘探。
69 feverish gzsye     
adj.发烧的,狂热的,兴奋的
参考例句:
  • He is too feverish to rest.他兴奋得安静不下来。
  • They worked with feverish haste to finish the job.为了完成此事他们以狂热的速度工作着。
70 behold jQKy9     
v.看,注视,看到
参考例句:
  • The industry of these little ants is wonderful to behold.这些小蚂蚁辛勤劳动的样子看上去真令人惊叹。
  • The sunrise at the seaside was quite a sight to behold.海滨日出真是个奇景。
71 armour gySzuh     
(=armor)n.盔甲;装甲部队
参考例句:
  • His body was encased in shining armour.他全身披着明晃晃的甲胄。
  • Bulletproof cars sheathed in armour.防弹车护有装甲。
72 knights 2061bac208c7bdd2665fbf4b7067e468     
骑士; (中古时代的)武士( knight的名词复数 ); 骑士; 爵士; (国际象棋中)马
参考例句:
  • stories of knights and fair maidens 关于骑士和美女的故事
  • He wove a fascinating tale of knights in shining armour. 他编了一个穿着明亮盔甲的骑士的迷人故事。
73 aisles aisles     
n. (席位间的)通道, 侧廊
参考例句:
  • Aisles were added to the original Saxon building in the Norman period. 在诺曼时期,原来的萨克森风格的建筑物都增添了走廊。
  • They walked about the Abbey aisles, and presently sat down. 他们走到大教堂的走廊附近,并且很快就坐了下来。
74 narrative CFmxS     
n.叙述,故事;adj.叙事的,故事体的
参考例句:
  • He was a writer of great narrative power.他是一位颇有记述能力的作家。
  • Neither author was very strong on narrative.两个作者都不是很善于讲故事。
75 antiquity SNuzc     
n.古老;高龄;古物,古迹
参考例句:
  • The museum contains the remains of Chinese antiquity.博物馆藏有中国古代的遗物。
  • There are many legends about the heroes of antiquity.有许多关于古代英雄的传说。
76 choir sX0z5     
n.唱诗班,唱诗班的席位,合唱团,舞蹈团;v.合唱
参考例句:
  • The choir sang the words out with great vigor.合唱团以极大的热情唱出了歌词。
  • The church choir is singing tonight.今晚教堂歌唱队要唱诗。
77 monks 218362e2c5f963a82756748713baf661     
n.修道士,僧侣( monk的名词复数 )
参考例句:
  • The monks lived a very ascetic life. 僧侣过着很清苦的生活。
  • He had been trained rigorously by the monks. 他接受过修道士的严格训练。 来自《简明英汉词典》
78 monk 5EDx8     
n.和尚,僧侣,修道士
参考例句:
  • The man was a monk from Emei Mountain.那人是峨眉山下来的和尚。
  • Buddhist monk sat with folded palms.和尚合掌打坐。
79 illuminated 98b351e9bc282af85e83e767e5ec76b8     
adj.被照明的;受启迪的
参考例句:
  • Floodlights illuminated the stadium. 泛光灯照亮了体育场。
  • the illuminated city at night 夜幕中万家灯火的城市
80 brazen Id1yY     
adj.厚脸皮的,无耻的,坚硬的
参考例句:
  • The brazen woman laughed loudly at the judge who sentenced her.那无耻的女子冲着给她判刑的法官高声大笑。
  • Some people prefer to brazen a thing out rather than admit defeat.有的人不愿承认失败,而是宁肯厚着脸皮干下去。
81 diligent al6ze     
adj.勤勉的,勤奋的
参考例句:
  • He is the more diligent of the two boys.他是这两个男孩中较用功的一个。
  • She is diligent and keeps herself busy all the time.她真勤快,一会儿也不闲着。
82 denizens b504bf59e564ac3f33d0d2f4de63071b     
n.居民,住户( denizen的名词复数 )
参考例句:
  • polar bears, denizens of the frozen north 北极熊,在冰天雪地的北方生活的动物
  • At length these denizens of the swamps disappeared in their turn. 到了后来,连这些沼泽国的居民们也不见了。 来自辞典例句
83 jousts a6200bfa86f7178a1e5289a435ffc59f     
(骑士)骑着马用长矛打斗( joust的名词复数 ); 格斗,竞争
参考例句:
  • The oil company jousts with Esso for lead position in UK sales. 这家石油公司和埃索公司角逐英国市场销量的榜首位置。 来自柯林斯例句
  • There were notable jousts with the Secretary of Commerce. 和商业部长之间明显存在竞争。 来自柯林斯例句
84 lank f9hzd     
adj.瘦削的;稀疏的
参考例句:
  • He rose to lank height and grasped Billy McMahan's hand.他瘦削的身躯站了起来,紧紧地握住比利·麦默恩的手。
  • The old man has lank hair.那位老人头发稀疏
85 cane RsNzT     
n.手杖,细长的茎,藤条;v.以杖击,以藤编制的
参考例句:
  • This sugar cane is quite a sweet and juicy.这甘蔗既甜又多汁。
  • English schoolmasters used to cane the boys as a punishment.英国小学老师过去常用教鞭打男学生作为惩罚。
86 delightful 6xzxT     
adj.令人高兴的,使人快乐的
参考例句:
  • We had a delightful time by the seashore last Sunday.上星期天我们在海滨玩得真痛快。
  • Peter played a delightful melody on his flute.彼得用笛子吹奏了一支欢快的曲子。


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