Come now, let me admit that I h\u00e1ve looked into it. Is it a crime to be acquainted with one’s own likeness1 and to carry it with one wherever one goes ready to hand within the compass of a small mirror, instead of keeping it hidden away in some one place? Are you ignorant of the fact that there is nothing more pleasing for a man to look upon than his own image? At any rate I know that fathers love those sons most who most resemble themselves, and that public statues are decreed as a reward for merit that the original may gladden his heart by looking on them. What else is the significance of statues and portraits produced by the various arts? You will scarcely maintain the paradox2 that what is worthy3 of admiration4 when produced by art is blameworthy when produced by nature; for nature has an even greater facility and truth than art.
Long labour is expended5 over all the portraits wrought6 by the hand of man, yet they never attain7 to such truth as is revealed by a mirror. Clay is lacking in life, marble in colour, painting in solidity, and all three in motion, which is the most convincing element in a likeness: whereas in a mirror the reflection of the image is marvellous, for it is not only like its original, but moves and follows every nod of the man to whom it belongs; its age always corresponds to that of those who look into the mirror, from their earliest childhood to their expiring age: it puts on all the changes brought by the advance of years, shares all the varying habits of the body, and imitates the shifting expressions of joy and sorrow that may be seen on the face of one and the same man. For all we mould in clay or cast in bronze or carve in stone or tint8 with encaustic pigments9 or colour with paint, in a word, every attempt at artistic10 representation by the hand of man after a brief lapse11 of time loses in truth and becomes motionless and impassive like the face of a corpse12. So far superior to all pictorial13 art in respect of truthful14 representation is that craftsmanly smoothness and productive splendour of the mirror.
1 likeness | |
n.相像,相似(之处) | |
参考例句: |
|
|
2 paradox | |
n.似乎矛盾却正确的说法;自相矛盾的人(物) | |
参考例句: |
|
|
3 worthy | |
adj.(of)值得的,配得上的;有价值的 | |
参考例句: |
|
|
4 admiration | |
n.钦佩,赞美,羡慕 | |
参考例句: |
|
|
5 expended | |
v.花费( expend的过去式和过去分词 );使用(钱等)做某事;用光;耗尽 | |
参考例句: |
|
|
6 wrought | |
v.引起;以…原料制作;运转;adj.制造的 | |
参考例句: |
|
|
7 attain | |
vt.达到,获得,完成 | |
参考例句: |
|
|
8 tint | |
n.淡色,浅色;染发剂;vt.着以淡淡的颜色 | |
参考例句: |
|
|
9 pigments | |
n.(粉状)颜料( pigment的名词复数 );天然色素 | |
参考例句: |
|
|
10 artistic | |
adj.艺术(家)的,美术(家)的;善于艺术创作的 | |
参考例句: |
|
|
11 lapse | |
n.过失,流逝,失效,抛弃信仰,间隔;vi.堕落,停止,失效,流逝;vt.使失效 | |
参考例句: |
|
|
12 corpse | |
n.尸体,死尸 | |
参考例句: |
|
|
13 pictorial | |
adj.绘画的;图片的;n.画报 | |
参考例句: |
|
|
14 truthful | |
adj.真实的,说实话的,诚实的 | |
参考例句: |
|
|
欢迎访问英文小说网 |