The door burst open, and Caterina, ghastly and panting, her eyes distended6 with terror, rushed in, threw her arms round Sir Christopher’s neck, and gasping7 out—‘Anthony ... the Rookery ... dead ... in the Rookery’, fell fainting on the floor.
In a moment Sir Christopher was out of the room, and Mr. Gilfil was bending to raise Caterina in his arms. As he lifted her from the ground he felt something hard and heavy in her pocket. What could it be? The weight of it would be enough to hurt her as she lay. He carried her to the sofa, put his hand in her pocket, and drew forth9 the dagger10.
Maynard shuddered11. Did she mean to kill herself, then, or ... or ... a horrible suspicion forced itself upon him. ‘Dead—in the Rookery.’ He hated himself for the thought that prompted him to draw the dagger from its sheath. No! there was no trace of blood, and he was ready to kiss the good steel for its innocence12. He thrust the weapon into his own pocket; he would restore it as soon as possible to its well-known place in the gallery. Yet, why had Caterina taken this dagger? What was it that had happened in the Rookery? Was it only a delirious13 vision of hers?
He was afraid to ring—afraid to summon any one to Caterina’s assistance. What might she not say when she awoke from this fainting fit? She might be raving14. He could not leave her, and yet he felt as if he were guilty for not following Sir Christopher to see what was the truth. It took but a moment to think and feel all this, but that moment seemed such a long agony to him that he began to reproach himself for letting it pass without seeking some means of reviving Caterina. Happily the decanter of water on Sir Christopher’s table was untouched. He would at least try the effect of throwing that water over her. She might revive without his needing to call any one else. Meanwhile Sir Christopher was hurrying at his utmost speed towards the Rookery; his face, so lately bright and confident, now agitated15 by a vague dread16. The deep alarmed bark of Rupert, who ran by his side, had struck the ear of Mr. Bates, then on his way homeward, as something unwonted, and, hastening in the direction of the sound, he met the Baronet just as he was approaching the entrance of the Rookery. Sir Christopher’s look was enough. Mr. Bates said nothing, but hurried along by his side, while Rupert dashed forward among the dead leaves with his nose to the ground. They had scarcely lost sight of him a minute when a change in the tone of his bark told them that he had found something, and in another instant he was leaping back over one of the large planted mounds17. They turned aside to ascend19 the mound18, Rupert leading them; the tumultuous cawing of the rooks, the very rustling20 of the leaves, as their feet plunged21 among them, falling like an evil omen8 on the Baronet’s ear.
They had reached the summit of the mound, and had begun to descend22. Sir Christopher saw something purple down on the path below among the yellow leaves. Rupert was already beside it, but Sir Christopher could not move faster. A tremor23 had taken hold of the firm limbs. Rupert came back and licked the trembling hand, as if to say ‘Courage!’ and then was down again snuffing the body. Yes, it was a body ... Anthony’s body. There was the white hand with its diamond-ring clutching the dark leaves. His eyes were half open, but did not heed24 the gleam of sunlight that darted25 itself directly on them from between the boughs26.
Still he might only have fainted; it might only be a fit. Sir Christopher knelt down, unfastened the cravat27, unfastened the waistcoat, and laid his hand on the heart. It might be syncope; it might not—it could not be death. No! that thought must be kept far off.
‘Go, Bates, get help; we’ll carry him to your cottage. Send some one to the house to tell Mr. Gilfil and Warren. Bid them send off for Doctor Hart, and break it to my lady and Miss Assher that Anthony is ill.’
Mr. Bates hastened away, and the Baronet was left alone kneeling beside the body. The young and supple28 limbs, the rounded cheeks, the delicate ripe lips, the smooth white hands, were lying cold and rigid29; and the aged30 face was bending over them in silent anguish31; the aged deep-veined hands were seeking with tremulous inquiring touches for some symptom that life was not irrevocably gone.
Rupert was there too, waiting and watching; licking first the dead and then the living hands; then running off on Mr. Bates’s track as if he would follow and hasten his return, but in a moment turning back again, unable to quit the scene of his master’s sorrow.
点击收听单词发音
1 remarkable | |
adj.显著的,异常的,非凡的,值得注意的 | |
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2 swerve | |
v.突然转向,背离;n.转向,弯曲,背离 | |
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3 accomplished | |
adj.有才艺的;有造诣的;达到了的 | |
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4 manor | |
n.庄园,领地 | |
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5 groan | |
vi./n.呻吟,抱怨;(发出)呻吟般的声音 | |
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6 distended | |
v.(使)膨胀,肿胀( distend的过去式和过去分词 ) | |
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7 gasping | |
adj. 气喘的, 痉挛的 动词gasp的现在分词 | |
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8 omen | |
n.征兆,预兆;vt.预示 | |
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9 forth | |
adv.向前;向外,往外 | |
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10 dagger | |
n.匕首,短剑,剑号 | |
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11 shuddered | |
v.战栗( shudder的过去式和过去分词 );发抖;(机器、车辆等)突然震动;颤动 | |
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12 innocence | |
n.无罪;天真;无害 | |
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13 delirious | |
adj.不省人事的,神智昏迷的 | |
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14 raving | |
adj.说胡话的;疯狂的,怒吼的;非常漂亮的;令人醉心[痴心]的v.胡言乱语(rave的现在分词)n.胡话;疯话adv.胡言乱语地;疯狂地 | |
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15 agitated | |
adj.被鼓动的,不安的 | |
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16 dread | |
vt.担忧,忧虑;惧怕,不敢;n.担忧,畏惧 | |
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17 mounds | |
土堆,土丘( mound的名词复数 ); 一大堆 | |
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18 mound | |
n.土墩,堤,小山;v.筑堤,用土堆防卫 | |
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19 ascend | |
vi.渐渐上升,升高;vt.攀登,登上 | |
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20 rustling | |
n. 瑟瑟声,沙沙声 adj. 发沙沙声的 | |
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21 plunged | |
v.颠簸( plunge的过去式和过去分词 );暴跌;骤降;突降 | |
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22 descend | |
vt./vi.传下来,下来,下降 | |
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23 tremor | |
n.震动,颤动,战栗,兴奋,地震 | |
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24 heed | |
v.注意,留意;n.注意,留心 | |
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25 darted | |
v.投掷,投射( dart的过去式和过去分词 );向前冲,飞奔 | |
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26 boughs | |
大树枝( bough的名词复数 ) | |
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27 cravat | |
n.领巾,领结;v.使穿有领结的服装,使结领结 | |
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28 supple | |
adj.柔软的,易弯的,逢迎的,顺从的,灵活的;vt.使柔软,使柔顺,使顺从;vi.变柔软,变柔顺 | |
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29 rigid | |
adj.严格的,死板的;刚硬的,僵硬的 | |
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30 aged | |
adj.年老的,陈年的 | |
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31 anguish | |
n.(尤指心灵上的)极度痛苦,烦恼 | |
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