Mr. Gilfil felt a trembling joy as this change passed over Caterina’s face. He bent4 over her, rubbing her chill hands, and looking at her with tender pity as her dark eyes opened on him wonderingly. He thought there might be some wine in the dining-room close by. He left the room, and Caterina’s eyes turned towards the window—towards Sir Christopher’s chair. There was the link at which the chain of consciousness had snapped, and the events of the morning were beginning to recur5 dimly like a half-remembered dream, when Maynard returned with some wine. He raised her, and she drank it; but still she was silent, seeming lost in the attempt to recover the past, when the door opened, and Mr. Warren appeared with looks that announced terrible tidings. Mr. Gilfil, dreading6 lest he should tell them in Caterina’s presence, hurried towards him with his finger on his lips, and drew him away into the dining-room on the opposite side of the passage.
Caterina, revived by the stimulant7, was now recovering the full consciousness of the scene in the Rookery. Anthony was lying there dead; she had left him to tell Sir Christopher; she must go and see what they were doing with him; perhaps he was not really dead—only in a trance; people did fall into trances sometimes. While Mr. Gilfil was telling Warren how it would be best to break the news to Lady Cheverel and Miss Assher, anxious himself to return to Caterina, the poor child had made her way feebly to the great entrance-door, which stood open. Her strength increased as she moved and breathed the fresh air, and with every increase of strength came increased vividness of emotion, increased yearning8 to be where her thought was—in the Rookery with Anthony. She walked more and more swiftly, and at last, gathering9 the artificial strength of passionate10 excitement, began to run.
But now she heard the tread of heavy steps, and under the yellow shade near the wooden bridge she saw men slowly carrying something. Soon she was face to face with them. Anthony was no longer in the Rookery: they were carrying him stretched on a door, and there behind him was Sir Christopher, with the firmly-set mouth, the deathly paleness, and the concentrated expression of suffering in the eye, which mark the suppressed grief of the strong man. The sight of this face, on which Caterina had never before beheld11 the signs of anguish12, caused a rush of new feeling which for the moment submerged all the rest. She went gently up to him, put her little hand in his, and walked in silence by his side. Sir Christopher could not tell her to leave him, and so she went on with that sad procession to Mr. Bates’s cottage in the Mosslands, and sat there in silence, waiting and watching to know if Anthony were really dead. She had not yet missed the dagger13 from her pocket; she had not yet even thought of it. At the sight of Anthony lying dead, her nature had rebounded14 from its new bias15 of resentment16 and hatred17 to the old sweet habit of love. The earliest and the longest has still the mastery over us; and the only past that linked itself with those glazed18 unconscious eyes, was the past when they beamed on her with tenderness. She forgot the interval19 of wrong and jealousy20 and hatred—all his cruelty, and all her thoughts of revenge—as the exile forgets the stormy passage that lay between home and happiness and the dreary21 land in which he finds himself desolate22.
该作者的其它作品
《弗洛斯河上的磨坊 The Mill on the Floss》
《米德尔马契 Middlemarch》
该作者的其它作品
《弗洛斯河上的磨坊 The Mill on the Floss》
《米德尔马契 Middlemarch》
点击收听单词发音
1 alpine | |
adj.高山的;n.高山植物 | |
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2 twilight | |
n.暮光,黄昏;暮年,晚期,衰落时期 | |
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3 shudder | |
v.战粟,震动,剧烈地摇晃;n.战粟,抖动 | |
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4 bent | |
n.爱好,癖好;adj.弯的;决心的,一心的 | |
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5 recur | |
vi.复发,重现,再发生 | |
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6 dreading | |
v.害怕,恐惧,担心( dread的现在分词 ) | |
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7 stimulant | |
n.刺激物,兴奋剂 | |
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8 yearning | |
a.渴望的;向往的;怀念的 | |
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9 gathering | |
n.集会,聚会,聚集 | |
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10 passionate | |
adj.热情的,热烈的,激昂的,易动情的,易怒的,性情暴躁的 | |
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11 beheld | |
v.看,注视( behold的过去式和过去分词 );瞧;看呀;(叙述中用于引出某人意外的出现)哎哟 | |
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12 anguish | |
n.(尤指心灵上的)极度痛苦,烦恼 | |
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13 dagger | |
n.匕首,短剑,剑号 | |
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14 rebounded | |
弹回( rebound的过去式和过去分词 ); 反弹; 产生反作用; 未能奏效 | |
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15 bias | |
n.偏见,偏心,偏袒;vt.使有偏见 | |
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16 resentment | |
n.怨愤,忿恨 | |
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17 hatred | |
n.憎恶,憎恨,仇恨 | |
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18 glazed | |
adj.光滑的,像玻璃的;上过釉的;呆滞无神的v.装玻璃( glaze的过去式);上釉于,上光;(目光)变得呆滞无神 | |
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19 interval | |
n.间隔,间距;幕间休息,中场休息 | |
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20 jealousy | |
n.妒忌,嫉妒,猜忌 | |
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21 dreary | |
adj.令人沮丧的,沉闷的,单调乏味的 | |
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22 desolate | |
adj.荒凉的,荒芜的;孤独的,凄凉的;v.使荒芜,使孤寂 | |
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