“Monsieur,” he said to me in French, but with a deplorable accent, “my name is Hermann Schultz; I have come to pass some months in Greece, and I have carried your book with me everywhere.”
This praise penetrated8 my heart with sweet joy; the stranger’s voice seemed more melodious9 than Mozart’s music, and I directed toward his gold glasses a swift look of gratitude10. You would scarcely believe, dear reader, how much we love those who have taken the trouble to decipher our jargon11. As for me, if I have ever sighed to be rich, it is in order to assure an income to all those who have read my works.
I took him by the hand, this excellent young man. I seated him beside me on the garden-bench. He told me that he was a botanist12, that he had a commission from the “Jardin des Plantes” in Hamburg. In order to complete his herbarium he was studying the country, the animals, and the people. His naive13 descriptions, his terse14 but just decisions, recalled to me, a little, the simple old Herodotus. He expressed himself awkwardly, but with a candor15 which inspired confidence; he emphasized his words with the tone of a man entirely16 convinced. He questioned me, if not of every one in Athens, at least of all the principal personages in my book. In the course of the conversation, he made some statements on general subjects, which seemed to me far more reasonable than any which I had advanced. At the end of an hour we had become good friends.
I do not know which of us first spoke17 of brigandage18. People who travel in Italy talk of paintings; those who visit England talk of manufactures; each country has its specialty19.
“My dear sir,” I asked of my guest, “have you met any brigands20? Is it true, as is reported, that there are still bandits in Greece?”
“It is only too true,” he gravely replied. “I was for fifteen days in the hands of the terrible Hadgi-Stavros, nicknamed The King of the Mountains. I speak then from experience. If you have leisure, and a long story will not weary you, I am ready to give you the details of my adventure. You may make of it what you please; a romance, a novel, or perhaps an additional chapter in the little book in which you have written so many curious facts.”
“You are very good,” I replied, “and I am at your disposal. Let us go to my study. It is cooler there than in the garden and yet we can enjoy the odor of the sweet-peas and mignonette.”
He followed me, humming to himself in Greek, a popular song:
“A robber with black eyes descends21 to the plains;
His gun is heard at each step;
He says to the vultures: ‘Do not leave me,
I will serve to you the Pasha of Athens.’”
He seated himself on a divan22, with his legs crossed under him like the Arabian story-tellers, took off his loose paletot, lighted his pipe and began his tale. I seated myself at my desk and took stenographic23 notes as he dictated24.
I have always been without much distrust, especially with those who have complimented me. Sometimes the amiable25 stranger told me such surprising things that I asked myself many times if he was not mocking me. But his manner was so simple, his blue eyes so limpid26, that my suspicions faded away on the instant.
He talked steadily27, until half after noon. He stopped two or three times only long enough to relight his pipe.
He smoked with regular puffs28 like the smoke stack of a steam-engine. Each time I raised my eyes, I beheld29 him, calm, smiling, in the midst of a thick cloud of smoke, like Jupiter in the 5th act of Amphitryon.
We were interrupted by a servant with the announcement that breakfast was served. Hermann seated himself opposite me, and my trifling30 suspicions vanished before his appetite. I said to myself that a good digestion31 rarely accompanies a bad conscience. The young German was too good an eater to be an untruthful narrator, and his veracity32 restored my faith in his veracity. Struck with this idea, I confessed, while offering him some strawberries, that I had, for an instant, doubted him. He replied with an angelic smile.
I passed the entire day with my new friend, and I found that the time did not drag. At five o’clock, he knocked the ashes from his pipe, put on his outer coat, and shaking my hand, said: “Adieu.” I replied: “Au revoir.”
“No,” he said, shaking his head; “I leave to-night at seven o’clock, and I dare not hope ever to see you again.”
“Leave your address. I have not yet renounced33 the pleasure of traveling, and I may, sometime, pass through Hamburg.”
“Unfortunately, I do not know where I shall pitch my tent. Germany is large; I may not remain a citizen of Hamburg.”
“But if I publish your story, at least I ought to send you a copy.”
“Do not take that trouble. As soon as the book is published, it will appear in Leipzig and I will read it. Adieu!”
After his departure, I re-read attentively34 what I had written. I found some remarkable35 details, but nothing which contradicts what I had seen and heard during my stay in Greece.
At the moment of finishing the manuscript, a scruple36 restrained me: What if some errors had crept into Hermann’s statements? In my quality of editor was I not responsible? To publish the story of “The King of the Mountains,” was it not to expose myself to editorial comments and criticisms?
In my perplexity, I thought of making a copy of the original. I sent the first to M. Pseftis. I begged him to point out, candidly37, all the errors, and I promised to print his reply at the end of the volume.
I re-read the copy which I had retained. I changed no word in it. If I made myself the corrector of the young German’s statements, I would become his collaborator38. So I discreetly39 withdrew. It is Hermann who speaks to you.
点击收听单词发音
1 woolen | |
adj.羊毛(制)的;毛纺的 | |
参考例句: |
|
|
2 drooped | |
弯曲或下垂,发蔫( droop的过去式和过去分词 ) | |
参考例句: |
|
|
3 melancholy | |
n.忧郁,愁思;adj.令人感伤(沮丧)的,忧郁的 | |
参考例句: |
|
|
4 flange | |
n.边缘,轮缘,凸缘,法兰 | |
参考例句: |
|
|
5 porcelain | |
n.瓷;adj.瓷的,瓷制的 | |
参考例句: |
|
|
6 bulged | |
凸出( bulge的过去式和过去分词 ); 充满; 塞满(某物) | |
参考例句: |
|
|
7 saluted | |
v.欢迎,致敬( salute的过去式和过去分词 );赞扬,赞颂 | |
参考例句: |
|
|
8 penetrated | |
adj. 击穿的,鞭辟入里的 动词penetrate的过去式和过去分词形式 | |
参考例句: |
|
|
9 melodious | |
adj.旋律美妙的,调子优美的,音乐性的 | |
参考例句: |
|
|
10 gratitude | |
adj.感激,感谢 | |
参考例句: |
|
|
11 jargon | |
n.术语,行话 | |
参考例句: |
|
|
12 botanist | |
n.植物学家 | |
参考例句: |
|
|
13 naive | |
adj.幼稚的,轻信的;天真的 | |
参考例句: |
|
|
14 terse | |
adj.(说话,文笔)精炼的,简明的 | |
参考例句: |
|
|
15 candor | |
n.坦白,率真 | |
参考例句: |
|
|
16 entirely | |
ad.全部地,完整地;完全地,彻底地 | |
参考例句: |
|
|
17 spoke | |
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
参考例句: |
|
|
18 brigandage | |
n.抢劫;盗窃;土匪;强盗 | |
参考例句: |
|
|
19 specialty | |
n.(speciality)特性,特质;专业,专长 | |
参考例句: |
|
|
20 brigands | |
n.土匪,强盗( brigand的名词复数 ) | |
参考例句: |
|
|
21 descends | |
v.下来( descend的第三人称单数 );下去;下降;下斜 | |
参考例句: |
|
|
22 divan | |
n.长沙发;(波斯或其他东方诗人的)诗集 | |
参考例句: |
|
|
23 stenographic | |
adj.速记的,利用速记的 | |
参考例句: |
|
|
24 dictated | |
v.大声讲或读( dictate的过去式和过去分词 );口授;支配;摆布 | |
参考例句: |
|
|
25 amiable | |
adj.和蔼可亲的,友善的,亲切的 | |
参考例句: |
|
|
26 limpid | |
adj.清澈的,透明的 | |
参考例句: |
|
|
27 steadily | |
adv.稳定地;不变地;持续地 | |
参考例句: |
|
|
28 puffs | |
n.吸( puff的名词复数 );(烟斗或香烟的)一吸;一缕(烟、蒸汽等);(呼吸或风的)呼v.使喷出( puff的第三人称单数 );喷着汽(或烟)移动;吹嘘;吹捧 | |
参考例句: |
|
|
29 beheld | |
v.看,注视( behold的过去式和过去分词 );瞧;看呀;(叙述中用于引出某人意外的出现)哎哟 | |
参考例句: |
|
|
30 trifling | |
adj.微不足道的;没什么价值的 | |
参考例句: |
|
|
31 digestion | |
n.消化,吸收 | |
参考例句: |
|
|
32 veracity | |
n.诚实 | |
参考例句: |
|
|
33 renounced | |
v.声明放弃( renounce的过去式和过去分词 );宣布放弃;宣布与…决裂;宣布摒弃 | |
参考例句: |
|
|
34 attentively | |
adv.聚精会神地;周到地;谛;凝神 | |
参考例句: |
|
|
35 remarkable | |
adj.显著的,异常的,非凡的,值得注意的 | |
参考例句: |
|
|
36 scruple | |
n./v.顾忌,迟疑 | |
参考例句: |
|
|
37 candidly | |
adv.坦率地,直率而诚恳地 | |
参考例句: |
|
|
38 collaborator | |
n.合作者,协作者 | |
参考例句: |
|
|
39 discreetly | |
ad.(言行)审慎地,慎重地 | |
参考例句: |
|
|
欢迎访问英文小说网 |