INTRODUCTION

The interviews for this book were conducted from May 1977 to December 1979. They appeared as cover stories for the __TV Shopper__, a free weekly paper that was distributed to homes and businesses in New York City. Founded by Bruce Logan in the mid-1970s as the __West Side TV Shopper__, it consisted of TV listings, advertisements, and two full-page stories per issue. One was a "friendly" restaurant review of an advertiser; the other was a profile of a prominent resident of the Upper West Side of Manhattan. The honoree's face appeared on the cover, framed by a TV screen.

The formula was successful enough so that in 1978, Bruce began publishing the __East Side TV Shopper__ as well. My job was to track down the biggest names I could find for both papers, interview them, and write a 900-word story. Most interviewees were in the arts and entertainment industry — actors, singers, dancers, writers, musicians, news broadcasters and radio personalities². Bruce quickly recruited me to write the restaurant reviews as well. During my two and a half years at the paper, I wrote about 210 interviews. These are my 100 favorites of the ones that survive.

These stories represent my first professional work as a journalist. I arrived in New York City in November 1976 at age 26, hungry for an opportunity to write full-time³ after spending six years practicing my craft at college and community newspapers in New England. I had just started to sell a few stories in Maine, but realized I would have to move to a big city if I was serious about switching careers from social worker to journalist.

My gigs as an unpaid⁴ writer for small local papers included a music column for the __East Boston Community News__ and a theater column for the Wise Guide in Portland, Maine. I had learned the two most important rules of journalism⁵ — get your facts straight and meet your deadlines. I had taught myself Pitman's shorthand and could take notes at 100 words a minute. So I felt ready to make the leap if someone gave me a chance.

Full of hope, I quit my job in rural Maine as a senior citizens' aide, drove to New York, sold my car, moved into an Upper West Side apartment with two aspiring⁶ opera singers, and began to look for work.

One aspect of the New York personality, I soon observed, was that the great often mingled⁷ freely with the ordinary. At the Alpen Pantry Cafe in Lincoln Center, where I worked briefly⁸, David Hartman, host of Good Morning America, came in for his coffee every morning and waited in line like everyone else. John Lennon was said to walk his Westside neighborhood alone, and largely undisturbed.

The other side of the New York mentality⁹ was shown by nightclubs surrounded by velvet¹⁰ ropes, where uniformed doormen stood guard like army sentries¹¹. Disdaining¹² the riffraff, they picked out certain attractive individuals milling outside and beckoned¹³ them to cut through the crowd, pay their admission and enter. The appearance of status counted for much, and many people who lived on 58th Street, one block from Central Park, got their mail through the back entrance so they could claim the higher class address of Central Park West.

In early 1977 my shorthand skills got me a part-time job at the home of Linda Grover, a scriptwriter for the TV soap opera The Doctors. On the day I met her, she dictated¹⁴ a half-hour script to me, winging it while glancing at an outline. My trial of fire was to transcribe¹⁵ it, type it up that night and turn it in the next morning for revisions. I got little sleep, but completed the job. After that I became her secretary.

Linda's soap work was unsteady, and to supplement her income she wrote all the cover stories for TV Shopper. After I'd been helping¹⁶ her for a few months, she accepted a full-time job as headwriter for a new soap. I had told her of my ambition and shown her some of my writing, so she recommended me to Bruce as her replacement¹⁷.

For my first assignment, Bruce sent me to interview Delores Hall, star of a Broadway musical with an all-black cast, Your Arms Too Short to Box With God. I went to the theater, watched the show, then met Delores backstage. The first question I asked her was: "Is that your real hair?" She smiled good-naturedly at my lack of diplomacy¹⁸ and didn't answer, but made me feel completely at ease. She led me outside the theater, and without embarrassment¹⁹, asked me to hail the taxi for us. Then she directed the driver to a favorite soul food restaurant, where she stuffed herself while I conducted the interview. She was as gracious in my company as she had been on the stage while bowing to a standing²⁰ ovation²¹. Later, her role in the show won her the Tony Award for Best Featured Actress in a Musical.

After completing my Delores Hall story, I was kept constantly busy at the TV Shopper for as long as I stayed in New York. At first Bruce gave me all the leads, many of whom were people who had requested to be on the cover. But soon I was after bigger game, and began to systematically²² hunt down people whom I had grown up admiring. I scanned People magazine each week to find out which celebrities²³ were New Yorkers. When I landed an important interview, I often visited the New York Public Library of Performing Arts in Lincoln Center to study the clipping files and prepare my questions.

A few interviewees were distant and arrogant²⁴, making it clear that they wouldn't be wasting their time with me if not for the insistence²⁵ of their agent. A cover story in the TV Shopper could possibly extend a Broadway run for a few days or sell another $10,000 worth of tickets to the ballet or opera. But the vast majority of my interview subjects were friendly, respectful, and even a little flattered by the thought of being on the cover. In general, the biggest people were most likely to be unpretentious and generous of spirit.

It was thrilling experience to meet and interview the people who had been my idols²⁶ only a few years before. When we were alone together in a room, I felt that — if only for that brief period — I were the equal of someone who had achieved greatness. I had grown up reading Superman comics, and one day it flashed on me: this is Metropolis²⁷ and I'm Clark Kent!

My subjects probably found me somewhat of a rube. I didn't dress well, I had little knowledge of New York, I asked some very simplistic questions, and until 1979 I didn't use a tape recorder. So perhaps some of the stars were put off their guard and revealed more of themselves than they would have to a more professional interviewer. I was struck by how single-minded they were for success. Probing their brains was like getting a second college education. Their main message was: Don't waste your life and don't do anything just for money.

Of course, many people declined my request for an interview. Among
those I fished for, but failed to reel in, were Richard Chamberlain, Isaac
Bashevis Singer, Bob Keeshan (Captain Kangaroo), Rex Reed, Halston,
Carrie Fisher, Russell Baker²⁸, Ted¹ Sorensen, Joseph Heller, Margaret
Meade, Helen Gurley Brown and Ira Gershwin. Then there were the
Eastsiders and Westsiders too famous to even approach, such as Woody
Allen, Bob Hope and Mikhail Baryshnikov.

The person who did more than anyone else to secure first-rank interviews for me was Anna Sosenko, a woman in her late 60s who owned an autograph collectors' shop on West 62th Street filled with elegantly framed letters, manuscripts and autographed photos of some of the greatest names in the history of entertainment. Despite her treasures, she always talked with one hand over her mouth to hide the fact that she had practically no teeth.

For 23 years Anna had managed the career of cabaret superstar
Hildegarde Sell, and had penned Hildegarde's theme song, "Darling, Je
Vous Aime Beaucoup." Anna was still a formidable figure in showbiz;
every year she produced a spectacular fund-raising all-star show in a
Broadway theater that paid tribute to Broadway legends. Her 1979 show,
which I attended, included live performances by Julie Andrews, Agnes
DeMille, Placido Domingo, Alfred Drake, Tovah Feldshuh, Hermione
Gingold and Rex Harrison.

I met Anna through her friendship with Bruce Logan, and she became my
direct link to many stars of the older generation, including Douglas
Fairbanks Jr., Lillian Gish, Ann Miller²⁹, Maureen O'Sullivan and Sammy
Cahn. One phone call from Anna was enough to get me an appointment.

The TV Shopper interviews and restaurant reviews — a total of four stories per week — became my whole life, and I had little time for friendships, hobbies or anything else. By late 1979, I realized that New York City wasn't my natural element. It was too dog-eat-dog, too overwhelming, too impersonal³⁰. I had grown dissatisfied with working for the TV Shopper, and felt that I had squeezed the juice from the orange; I had interviewed everyone I wanted to meet who was willing to sit down with me. After interviewing my fifth or sixth broadcaster or dancer, things began to feel repetitive. I pondered what Tom Smothers³¹ had told me when I'd asked why the Smothers Brothers had split up as an act: "First you just do it, then you do it for fun, then you do it seriously, and then you're done."

About this time I got an invitation from a friend in the San Francisco Bay
Area to move out West and give it a try. I told Bruce I was quitting.
When I gave the news to Anna, she said: "You might never come back."
She was right.

In my last couple of months as a New Yorker, I did as many interviews as I could fit it. I left for Maine on Christmas Eve of 1979, taking all my TV Shopper stories with me, and flew to San Francisco on New Year's Day of 1980. Using my notes, I wrote up my final interviews during my early months on the West Coast, which accounts for some of the 1980 publication dates. Other stories dated 1980 were published first in 1979, then reused; I have no record of their original dates.

When my parents moved in 1988, they threw away my entire TV Shopper archive. Fortunately, Bruce Logan had saved copies of most of the stories, and at my request, he photocopied³² them and sent them to in 1990. About 10 stories were missing from his collection, and therefore cannot be included here. Among the lost interviews I remember are Soupy Sales, Dave Marash, Gael Greene, Janis Ian, Joe Franklin and Barnard Hughes.

After 9/11, I began thinking a lot about New York, and started rereading some of my old stories. My eye caught this statement by Paul Goldberger, then the architecture critic for the New York Times: "This is probably the safest environment in the world to build a skyscraper³³." I realized that the New York of today is quite differently from that of the late 1970s, and thought that a collection of my interviews might be of interest to a new generation of readers.

In the summer of 2005 I finished retyping, correcting, and fact-checking the 100 stories. Three of my interviews — Isaac Asimov, Alan Lomax and Tom Wolfe — were originally published in two different versions, one for the TV Shopper and a longer one for the Westsider, a weekly community newspaper. I have included both versions here. Also, my interview with Leonard Maltin was not a cover story, but a half-page "Westside profile." It appears here because of Maltin's huge future success as a writer, editor and TV personality.

In the course of my research, I uncovered a lot of information about what happened to my interviewees after 1980. Many have died, some have grown in fame, and some have virtually disappeared from public records. In a future edition of this book, I hope to include that information in a postscript³⁴ at the end of each story. In the meantime, I invite readers to send me any information they have about these personalities by emailing me at [email protected].

Max Millard
San Francisco, California
November 2005

1 ted   

vt.翻晒，撒，撒开

参考例句：

• The invaders gut ted the village.侵略者把村中财物洗劫一空。
• She often teds the corn when it's sunny.天好的时候她就翻晒玉米。

2 personalities   

n. 诽谤，（对某人容貌、性格等所进行的）人身攻击； 人身攻击；人格, 个性, 名人( personality的名词复数 )

参考例句：

• There seemed to be a degree of personalities in her remarks.她话里有些人身攻击的成分。
• Personalities are not in good taste in general conversation.在一般的谈话中诽谤他人是不高尚的。

3 full-time   

adj.满工作日的或工作周的，全时间的

参考例句：

• A full-time job may be too much for her.全天工作她恐怕吃不消。
• I don't know how she copes with looking after her family and doing a full-time job.既要照顾家庭又要全天工作，我不知道她是如何对付的。

4 unpaid   

adj.未付款的，无报酬的

参考例句：

• Doctors work excessive unpaid overtime.医生过度加班却无报酬。
• He's doing a month's unpaid work experience with an engineering firm.他正在一家工程公司无偿工作一个月以获得工作经验。

5 journalism   

n.新闻工作，报业

参考例句：

• He's a teacher but he does some journalism on the side.他是教师，可还兼职做一些新闻工作。
• He had an aptitude for journalism.他有从事新闻工作的才能。

6 aspiring   

adj.有志气的；有抱负的；高耸的v.渴望；追求

参考例句：

• Aspiring musicians need hours of practice every day. 想当音乐家就要每天练许多小时。
• He came from an aspiring working-class background. 他出身于有抱负的工人阶级家庭。 来自辞典例句

7 mingled   

混合，混入( mingle的过去式和过去分词 )； 混进，与…交往[联系]

参考例句：

• The sounds of laughter and singing mingled in the evening air. 笑声和歌声交织在夜空中。
• The man and the woman mingled as everyone started to relax. 当大家开始放松的时候，这一男一女就开始交往了。

8 briefly   

adv.简单地，简短地

参考例句：

• I want to touch briefly on another aspect of the problem.我想简单地谈一下这个问题的另一方面。
• He was kidnapped and briefly detained by a terrorist group.他被一个恐怖组织绑架并短暂拘禁。

9 mentality   

n.心理，思想，脑力

参考例句：

• He has many years'experience of the criminal mentality.他研究犯罪心理有多年经验。
• Running a business requires a very different mentality from being a salaried employee.经营企业所要求具备的心态和上班族的心态截然不同。

10 velvet   

n.丝绒，天鹅绒；adj.丝绒制的，柔软的

参考例句：

• This material feels like velvet.这料子摸起来像丝绒。
• The new settlers wore the finest silk and velvet clothing.新来的移民穿着最华丽的丝绸和天鹅绒衣服。

11 sentries   

哨兵，步兵( sentry的名词复数 )

参考例句：

• We posted sentries at the gates of the camp. 我们在军营的大门口布置哨兵。
• We were guarded by sentries against surprise attack. 我们由哨兵守卫，以免遭受突袭。

12 disdaining   

鄙视( disdain的现在分词 )； 不屑于做，不愿意做

参考例句：

13 beckoned   

v.（用头或手的动作）示意，召唤( beckon的过去式和过去分词 )

参考例句：

• He beckoned to the waiter to bring the bill. 他招手示意服务生把账单送过来。
• The seated figure in the corner beckoned me over. 那个坐在角落里的人向我招手让我过去。 来自《简明英汉词典》

14 dictated   

v.大声讲或读( dictate的过去式和过去分词 )；口授；支配；摆布

参考例句：

• He dictated a letter to his secretary. 他向秘书口授信稿。
• No person of a strong character likes to be dictated to. 没有一个个性强的人愿受人使唤。 来自《简明英汉词典》

15 transcribe   

v.抄写，誉写；改编(乐曲)；复制，转录

参考例句：

• We need volunteers to transcribe this manuscript.我们需要自愿者来抄写这个文稿。
• I am able to take dictation in English and transcribe them rapidly into Chinese.我会英文记录，还能立即将其改写成中文。

16 helping   

n.食物的一份&adj.帮助人的，辅助的

参考例句：

• The poor children regularly pony up for a second helping of my hamburger. 那些可怜的孩子们总是要求我把我的汉堡包再给他们一份。
• By doing this, they may at times be helping to restore competition. 这样一来, 他在某些时候,有助于竞争的加强。

17 replacement   

n.取代，替换，交换；替代品，代用品

参考例句：

• We are hard put to find a replacement for our assistant.我们很难找到一个人来代替我们的助手。
• They put all the students through the replacement examination.他们让所有的学生参加分班考试。

18 diplomacy   

n.外交；外交手腕，交际手腕

参考例句：

• The talks have now gone into a stage of quiet diplomacy.会谈现在已经进入了“温和外交”阶段。
• This was done through the skill in diplomacy. 这是通过外交手腕才做到的。

19 embarrassment   

n.尴尬；使人为难的人(事物)；障碍；窘迫

参考例句：

• She could have died away with embarrassment.她窘迫得要死。
• Coughing at a concert can be a real embarrassment.在音乐会上咳嗽真会使人难堪。

20 standing   

n.持续，地位；adj.永久的，不动的，直立的，不流动的

参考例句：

• After the earthquake only a few houses were left standing.地震过后只有几幢房屋还立着。
• They're standing out against any change in the law.他们坚决反对对法律做任何修改。

21 ovation   

n.欢呼，热烈欢迎，热烈鼓掌

参考例句：

• The hero received a great ovation from the crowd. 那位英雄受到人群的热烈欢迎。
• The show won a standing ovation. 这场演出赢得全场起立鼓掌。

22 systematically   

adv.有系统地

参考例句：

• This government has systematically run down public services since it took office.这一屆政府自上台以来系统地削减了公共服务。
• The rainforest is being systematically destroyed.雨林正被系统地毀灭。

23 celebrities   

n.（尤指娱乐界的）名人( celebrity的名词复数 )；名流；名声；名誉

参考例句：

• He only invited A-list celebrities to his parties. 他只邀请头等名流参加他的聚会。
• a TV chat show full of B-list celebrities 由众多二流人物参加的电视访谈节目

24 arrogant   

adj.傲慢的，自大的

参考例句：

• You've got to get rid of your arrogant ways.你这骄傲劲儿得好好改改。
• People are waking up that he is arrogant.人们开始认识到他很傲慢。

25 insistence   

n.坚持；强调；坚决主张

参考例句：

• They were united in their insistence that she should go to college.他们一致坚持她应上大学。
• His insistence upon strict obedience is correct.他坚持绝对服从是对的。

26 idols   

偶像( idol的名词复数 )； 受崇拜的人或物； 受到热爱和崇拜的人或物； 神像

参考例句：

• The genii will give evidence against those who have worshipped idols. 魔怪将提供证据来反对那些崇拜偶像的人。 来自英汉非文学 - 文明史
• Teenagers are very sequacious and they often emulate the behavior of their idols. 青少年非常盲从，经常模仿他们的偶像的行为。

27 metropolis   

n.首府；大城市

参考例句：

• Shanghai is a metropolis in China.上海是中国的大都市。
• He was dazzled by the gaiety and splendour of the metropolis.大都市的花花世界使他感到眼花缭乱。

28 baker   

n.面包师

参考例句：

• The baker bakes his bread in the bakery.面包师在面包房内烤面包。
• The baker frosted the cake with a mixture of sugar and whites of eggs.面包师在蛋糕上撒了一层白糖和蛋清的混合料。

29 miller   

n.磨坊主

参考例句：

• Every miller draws water to his own mill.磨坊主都往自己磨里注水。
• The skilful miller killed millions of lions with his ski.技术娴熟的磨坊主用雪橇杀死了上百万头狮子。

30 impersonal   

adj.无个人感情的，与个人无关的，非人称的

参考例句：

• Even his children found him strangely distant and impersonal.他的孩子们也认为他跟其他人很疏远，没有人情味。
• His manner seemed rather stiff and impersonal.他的态度似乎很生硬冷淡。

31 smothers   

（使）窒息， （使）透不过气( smother的第三人称单数 )； 覆盖； 忍住； 抑制

参考例句：

• Mary smothers her children with too much love. 玛丽溺爱自己的孩子。
• He smothers his hair with grease, eg hair-oil. 他用发腊擦头发。

32 photocopied   

v.影印，照相复制（photocopy的过去式与过去分词形式）

参考例句：

• If neatly done, this field map can be photocopied and serve as a permanent map. 假如能精致地完成，这张野外图可以照象复制并作为永久性的地图。 来自辞典例句
• She photocopied the town plan. 她复印了一份城市规划图。 来自互联网

33 skyscraper   

n.摩天大楼

参考例句：

• The skyscraper towers into the clouds.那幢摩天大楼高耸入云。
• The skyscraper was wrapped in fog.摩天楼为雾所笼罩。

34 postscript   

n.附言，又及；(正文后的)补充说明

参考例句：

• There was the usual romantic postscript at the end of his letter.他的信末又是一贯的浪漫附言。
• She mentioned in a postscript to her letter that the parcel had arrived.她在信末附笔中说包裹已寄到。