WESTSIDER GEORGE BALANCHINE

WESTSIDER GEORGE BALANCHINE
Artistic¹ director of the New York City Ballet

11-26-77

To some people he is known as the Shakespeare of dance — a title that he probably deserves more than anyone else now living. But to his friends and colleagues, he is simply "Mr. B" — George Balanchine, the ageless Russian-born and trained choreographic genius whose zest² for living is matched only by his humility³ and his sense of humor.

Balanchine has almost single-handedly transplanted ballet to American soil and made it flourish. What's more, he has played the central role in making New York the dance capital of the world, which it undeniably is today for both classical and modern dance.

Now in his 30th consecutive⁴ year as artistic director of the New York City Ballet, Mr. B. shows no signs of slowing down. He continues to direct most of the dances for his 92-member company and to create new choreographic works of daring originality⁵. He continues to teach at the School of American Ballet, which he cofounded in 1934 with Lincoln Kirstein. And Balanchine can still, when he chooses, write out the parts for all the instruments of the orchestra. Yet he thinks of himself more as a craftsman⁶ than a creator, and often compares his work to that of a cook or cabinetmaker — two crafts, by the way, in which he is rather skilled.

I meet George Balanchine backstage at the New York State Theatre during an intermission of one of the season's first ballets. It's not hard to guess which man is Balanchine from a distance because, as usual, he is surrounded by young dancers. When he turns to face me, I see that he is dressed simply but with a touch of European elegance⁷. The man is small of stature⁸ and quite frail⁹ in appearance. His English is strongly accented yet easy to understand. A smile seems to be forever playing on his lips, and when he converses¹⁰ with someone, he gives that person his full, undivided attention.

"Why has dance become so popular in New York?" He gazes at me from the depths of his eyes."I don't know why. People get used to us. It took 30 years to train New York," he says with feeling. "Maybe you can train Los Angeles. You cannot train Boston. You cannot train Philadelphia — there are too many big men with big cigars."

Soon he is improvising¹¹ on the theme. "Certainly New York is representative of America. All America should pay taxes in New York to make it beautiful. Because in Europe, everybody wants to be in New York to show off. … I think that I will suggest to senators and presidents and everybody to pay taxes to New York."

Mr. B, who left his native St. Petersburg in 1924 and spent the next nine years working as a ballet master throughout Europe, was persuaded by the American dance connoisseur¹² Lincoln Kirstein to come to the U.S. in 1933. Since then, Balanchine has toured the world with the New York City Ballet. He finds the home crowd, however, to be the most appreciative¹³.

"We are here 25 weeks," he explains. "It's always packed. In Paris, you cannot last two weeks. In Los Angeles, in London, they do not like the dance so much as here. In San Francisco, there were five people in the audience. We showed them everything. They don't care. They're snobs¹⁴. They only want a name. In New York, it's different. In New York, they like the thing for itself."

Balanchine does not write down his dances. How, then, does he remember such works as Prodigal¹⁵ Son, which he created almost 50 years ago and revived this season for the New York City Ballet? "How do you remember prayers?" he says in response. "You just remember. Like Pepperidge Farm. I know Pepperidge Farm. I remember everything."

He dislikes excessive terminology¹⁶. "I used to be a dance director," he says in mock lament¹⁷. "Now I have become a choreographer¹⁸. Choreographer is the wrong title. Because dance is like poetry, see?"

Prodigal Son, in which the biblical story is danced out dramatically, is an example of a ballet with a plot. But the majority of Balanchine's works are based purely¹⁹ on music and movement. "The literary thing does not always work," he says. "You cannot move. There's very few stories you can do."

Tchaikovsky and Stravinsky are the composers he most likes to use for new dance works. The late Igor Stravinsky, a fellow Russian expatriate who was his longtime friend and collaborator²⁰, once described Balanchine's choreography as "a series of dialogues perfectly²¹ complimentary²² to and coordinated²³ with the dialogues of the music."

In spite of his fondness for Russian composers, Balanchine has no hesitation²⁴ in naming Fred Astaire as his favorite dancer. "No, I don't use his ideas because he's an individual." says Balanchine. "You cannot use his ideas because only he can dance them. There is nobody like that. People are not like that anymore."

A resident of West 67th Street, Balanchine shows even more than his usual exuberance²⁵ when speaking of the West Side. "It's the best side. It's like the Rive Gauche²⁶ (in Paris). We have the best hotels, like the Empire, the best restaurants — Le Poulailler (W. 65th St.) has such good French cooking."

"We have no strikes here, nothing," he continues, grinning widely. "Everybody's very nice, friendly. They help each other. I invite everybody on the East Side to come here. They don't come because they're snobs. The West Side? It's the cleanest side. Also there is no crime here. There's no police here."

died 4-30-83, born 1-22-04.

1 artistic   

adj.艺术(家)的，美术(家)的；善于艺术创作的

参考例句：

• The picture on this screen is a good artistic work.这屏风上的画是件很好的艺术品。
• These artistic handicrafts are very popular with foreign friends.外国朋友很喜欢这些美术工艺品。

2 zest   

n.乐趣；滋味，风味；兴趣

参考例句：

• He dived into his new job with great zest.他充满热情地投入了新的工作。
• He wrote his novel about his trip to Asia with zest.他兴趣浓厚的写了一本关于他亚洲之行的小说。

3 humility   

n.谦逊，谦恭

参考例句：

• Humility often gains more than pride.谦逊往往比骄傲收益更多。
• His voice was still soft and filled with specious humility.他的声音还是那么温和，甚至有点谦卑。

4 consecutive   

adj.连续的，联贯的，始终一贯的

参考例句：

• It has rained for four consecutive days.已连续下了四天雨。
• The policy of our Party is consecutive.我党的政策始终如一。

5 originality   

n.创造力，独创性；新颖

参考例句：

• The name of the game in pop music is originality.流行音乐的本质是独创性。
• He displayed an originality amounting almost to genius.他显示出近乎天才的创造性。

6 craftsman   

n.技工，精于一门工艺的匠人

参考例句：

• A cabinet maker must be a master craftsman.家具木工必须是技艺高超的手艺人。
• The craftsman is working up the mass of clay into a toy figure.艺人把一团泥捏成玩具形状。

7 elegance   

n.优雅；优美，雅致；精致，巧妙

参考例句：

• The furnishings in the room imparted an air of elegance.这个房间的家具带给这房间一种优雅的气氛。
• John has been known for his sartorial elegance.约翰因为衣着讲究而出名。

8 stature   

n.（高度）水平，（高度）境界，身高，身材

参考例句：

• He is five feet five inches in stature.他身高5英尺5英寸。
• The dress models are tall of stature.时装模特儿的身材都较高。

9 frail   

adj.身体虚弱的；易损坏的

参考例句：

• Mrs. Warner is already 96 and too frail to live by herself.华纳太太已经九十六岁了，身体虚弱，不便独居。
• She lay in bed looking particularly frail.她躺在床上，看上去特别虚弱。

10 converses   

v.交谈，谈话( converse的第三人称单数 )

参考例句：

• We now shall derive the converses of these propositions. 现在我们来推导这些命题的逆命题。 来自辞典例句
• No man knows Hell like him who converses most in Heaven. 在天堂里谈话最多的人对地狱最了解。 来自辞典例句

11 improvising   

即兴创作（improvise的现在分词形式）

参考例句：

• I knew he was improvising, an old habit of his. 我知道他是在即兴发挥，这是他的老习惯。
• A few lecturers have been improvising to catch up. 部分讲师被临时抽调以救急。

12 connoisseur   

n.鉴赏家，行家，内行

参考例句：

• Only the real connoisseur could tell the difference between these two wines.只有真正的内行才能指出这两种酒的区别。
• We are looking for a connoisseur of French champagne.我们想找一位法国香槟酒品酒专家。

13 appreciative   

adj.有鉴赏力的，有眼力的；感激的

参考例句：

• She was deeply appreciative of your help.她对你的帮助深表感激。
• We are very appreciative of their support in this respect.我们十分感谢他们在这方面的支持。

14 snobs   

（谄上傲下的）势利小人( snob的名词复数 )； 自高自大者，自命不凡者

参考例句：

• She dislikes snobs intensely. 她极其厌恶势利小人。
• Most of the people who worshipped her, who read every tidbit about her in the gossip press and hung up pictures of her in their rooms, were not social snobs. 崇敬她大多数的人不会放过每一篇报导她的八卦新闻，甚至在他们的房间中悬挂黛妃的画像，这些人并非都是傲慢成性。

15 prodigal   

adj.浪费的，挥霍的，放荡的

参考例句：

• He has been prodigal of the money left by his parents.他已挥霍掉他父母留下的钱。
• The country has been prodigal of its forests.这个国家的森林正受过度的采伐。

16 terminology   

n.术语；专有名词

参考例句：

• He particularly criticized the terminology in the document.他特别批评了文件中使用的术语。
• The article uses rather specialized musical terminology.这篇文章用了相当专业的音乐术语。

17 lament   

n.悲叹，悔恨，恸哭；v.哀悼，悔恨，悲叹

参考例句：

• Her face showed lament.她的脸上露出悲伤的样子。
• We lament the dead.我们哀悼死者。

18 choreographer   

n.编舞者

参考例句：

• She is a leading professional belly dancer, choreographer, and teacher. 她既是杰出的专业肚皮舞演员，也是舞蹈设计者和老师。 来自辞典例句
• It'stands aside, my choreographer of grace, and blesses each finger and toe. 它站在一旁，我优雅的舞蹈指导，并祝福每个指尖与脚尖。 来自互联网

19 purely   

adv.纯粹地，完全地

参考例句：

• I helped him purely and simply out of friendship.我帮他纯粹是出于友情。
• This disproves the theory that children are purely imitative.这证明认为儿童只会单纯地模仿的理论是站不住脚的。

20 collaborator   

n.合作者，协作者

参考例句：

• I need a collaborator to help me. 我需要个人跟我合作，帮我的忙。
• His collaborator, Hooke, was of a different opinion. 他的合作者霍克持有不同的看法。

21 perfectly   

adv.完美地，无可非议地，彻底地

参考例句：

• The witnesses were each perfectly certain of what they said.证人们个个对自己所说的话十分肯定。
• Everything that we're doing is all perfectly above board.我们做的每件事情都是光明正大的。

22 complimentary   

adj.赠送的，免费的，赞美的，恭维的

参考例句：

• She made some highly complimentary remarks about their school.她对他们的学校给予高度的评价。
• The supermarket operates a complimentary shuttle service.这家超市提供免费购物班车。

23 coordinated   

adj.协调的

参考例句：

• The sound has to be coordinated with the picture. 声音必须和画面协调一致。
• The numerous existing statutes are complicated and poorly coordinated. 目前繁多的法令既十分复杂又缺乏快调。 来自英汉非文学 - 环境法 - 环境法

24 hesitation   

n.犹豫，踌躇

参考例句：

• After a long hesitation, he told the truth at last.踌躇了半天，他终于直说了。
• There was a certain hesitation in her manner.她的态度有些犹豫不决。

25 exuberance   

n.丰富；繁荣

参考例句：

• Her burst of exuberance and her brightness overwhelmed me.她勃发的热情和阳光的性格征服了我。
• The sheer exuberance of the sculpture was exhilarating.那尊雕塑表现出的勃勃生机让人振奋。

26 gauche   

adj.笨拙的，粗鲁的

参考例句：

• He now seems gauche and uninteresting.他显得又笨拙又古板。
• She was a rather gauche,provincial creature.她是个非常不善交际、偏狭守旧的人。