Actress turns author with No Bed of Roses
12-30-78
The Oscar statuette stands on the end of a shelf about eight feet off the floor, partially1 obscured by a row of books, its gold surface gleaming dully in the subdued2 light of the room. Below, in one of the apartment's four fireplaces, a small log is softly burning. This room, like the rest of the large, immaculate home, is furnished in the style of an early 20th century country manor3. Here, in the heart of the Upper East Side, Joan Fontaine has spent 15 years of an immensely productive life. I take a seat on one side of the fire, and Miss Fontaine faces me from the opposite side of the room, her slender, regal form resting comfortably in an antique chair, to talk about her best-selling autobiography4, No Bed Of Roses (Morrow, $9.95). Published in September, the book has already sold more than 75,000 copies in hardcover.
As the title implies, Miss Fontaine's life has been one long roller coaster ride of triumph and tragedy. During the 1940s she received three Oscar nominations5 for Best Actress in the space of four years, and won the award for Suspicion (1941). She had the joy of raising two children — one of them adopted — but the disappointment of four divorces. Her mother, who died in 1975, was the best friend she has ever known, yet both her father and her stepfather gave her nothing but unhappiness, and she never had a close relationship with her famous older sister, Olivia de Havilland. In fact, the pair have not spoken in years — for reasons clearly explained in Fontaine's book.
A fiercely independent woman who has flown her own airplane and taken part in international ballooning competition, she has suffered through numerous illnesses and injuries that brought her close to permanent disability or death. These are the elements of No Bed Of Roses, a disarmingly frank memoir6 that is frequently unsettling but never boring.
"The fan mail for this book is getting to be enormous," says Fontaine, still radiant at 61. "A lot of people identify with the illnesses, or with trying to bring up children alone. Some people empathize because they had harsh relations with their siblings7. A lot of men have told me they cried at the end, in my epitaph to my mother. And then of course, I have heard from a lot of people who wanted to be actresses, or actors."
Did she write the entire book herself? "Every single word. I wouldn't let them touch one of them. … It's not a sordid8 book; it's not tacky. One reviewer said it was immoral9. I don't think I can figure that out. If you ask me, it's rather religious."
The words come out like perfect silver beads10. She has always been a formidable presence on the screen, and is no less so in person, as she gives her unrestrained opinions on every topic introduced.
Marriage, says Fontaine, is "waiting on — or waiting for somebody." Asked whether she believes two average people can remain happily married for a lifetime, she replies: "It depends how hypocritical they are, and how much lying they want to do. … I think the word 'love' means an entirely11 different thing to a woman than it does to a man."
Her classic movies, including Rebecca, Jane Eyre, Suspicion, and This Above All, are frequently seen on television now, but Fontaine has little respect for television as a medium: "I consider it nothing more than B pictures. I think we took a little more care with B pictures; the actors and actresses got a chance. In a television film, if the actor slips on a word, to hell with it. We'll cut around it."
Earlier this year, Fontaine appeared in the made-for-television movie The Users, starring Jaclyn Smith. She could do many others, but prefers to be choosy. "The quality of the scripts is so poor. I think it's the taste of the times. It's a brutal12 world; it's a vulgar world. … It's quite different from the romance of Jane Eyre. I don't think I could act those roles. I'd rather sit in my library in front of the fire."
In truth, she has little time for sitting around: her acting13 talents are too much in demand, in dinner theatres and in college auditoriums14 around the country. Recently she returned from a three-month working trip. In February she'll be opening in Dallas. "I haven't decided15 on the play yet," she says.
In spite of her words, she somehow comes off as being thoroughly16 charming. A highly sociable17 woman who loves to attend cocktail18 parties and make new acquaintances, Fontaine is also a gourmet19 cook. "At Christmas I cook for about 75 people. No one married can come. I'm thrilled that one of my friends has just gotten divorced. Now she can come." Among the Eastside restaurants that Fontaine visits frequently are 21 and the Four Seasons.
When she has time to herself, Fontaine enjoys reading literature and adapting it for her lectures. "I lecture on many subjects," she says. "I do the entire Jane Eyre — all the roles. It takes about an hour and a half. It's more like a film reading than a lecture. I do one on American poets, and one on Robert and Elizabeth Barrett Browning — all their own words. Then a new one has crept up — if I may say so, by popular demand — called 'The Golden Years.' I tell how to do it — how to make these years the best. I've never felt so happy or so free or so contented20 as I am now." born 10-22-17
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1 partially | |
adv.部分地,从某些方面讲 | |
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2 subdued | |
adj. 屈服的,柔和的,减弱的 动词subdue的过去式和过去分词 | |
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3 manor | |
n.庄园,领地 | |
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4 autobiography | |
n.自传 | |
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5 nominations | |
n.提名,任命( nomination的名词复数 ) | |
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6 memoir | |
n.[pl.]回忆录,自传;记事录 | |
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7 siblings | |
n.兄弟,姐妹( sibling的名词复数 ) | |
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8 sordid | |
adj.肮脏的,不干净的,卑鄙的,暗淡的 | |
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9 immoral | |
adj.不道德的,淫荡的,荒淫的,有伤风化的 | |
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10 beads | |
n.(空心)小珠子( bead的名词复数 );水珠;珠子项链 | |
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11 entirely | |
ad.全部地,完整地;完全地,彻底地 | |
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12 brutal | |
adj.残忍的,野蛮的,不讲理的 | |
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13 acting | |
n.演戏,行为,假装;adj.代理的,临时的,演出用的 | |
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14 auditoriums | |
n.观众席( auditorium的名词复数 );听众席;礼堂;会堂 | |
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15 decided | |
adj.决定了的,坚决的;明显的,明确的 | |
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16 thoroughly | |
adv.完全地,彻底地,十足地 | |
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17 sociable | |
adj.好交际的,友好的,合群的 | |
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18 cocktail | |
n.鸡尾酒;餐前开胃小吃;混合物 | |
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19 gourmet | |
n.食物品尝家;adj.出于美食家之手的 | |
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20 contented | |
adj.满意的,安心的,知足的 | |
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