Architecture critic for the New York Times
12-3-77
"What is architecture? It's the whole built environment. It's the outside of a building, the inside, the function; it serves social needs, physical needs. … And a building has an obligation to work well with the buildings around it — at least in the city."
The speaker is Paul Goldberger, architecture critic for the New York Times. His immaculate suit and tie, refined manners, dry wit, and somewhat formal way of speaking seem to mark him a Timesman even more than the carefully researched, colorfully written articles that have poured out of his pen in the last four years.
As a critic, Goldberger is accustomed to vocalizing opinions and facts in equal measure. His open-mindedness on architectural styles is demonstrated by his apartment, a lavish1, ultramodernized suite2 of high ceilinged rooms inside one of the oldest buildings on Central Park West. The interview begins with a trick question: "What is the third tallest building in New York?" (Answer: the Empire State Building.) He fields it without cracking a smile.
"I guess the question is, do you consider the World Trade Center two buildings?" he says. "I guess it's like asking whether Grover Cleveland was two presidents or one because he served two non-consecutive terms. … The World Trade Center was not necessary built functionally3 or very pleasing aesthetically4. It was built as a kind of symbol of power by the Port Authority. I'm used to it now; human beings can adapt to anything. I even like going to the restaurant at the top and the restaurant at the bottom. It's the floors in the middle I don't like."
He points to the new Citicorp Center on East 53rd Street as an example of modern architecture at its best, and the mosquelike Cultural Center at Columbus Circle as an example of the opposite. "It's pretty horrible," says the critic, agreeing with a newspaper writer who recently labeled the Cultural Center one of the 12 ugliest buildings in Manhattan. "It's a very silly building; it's so obviously dumb. But it doesn't particularly bother me. It's almost innocent, it's so silly."
Lincoln Center, too, draws his barbs5. "I find it very pretentious6. Rather boring, really. It's a set of imitations of classical themes. The buildings are an unfortunate compromise because the builders were afraid to build something really modern, or to design something that really looked like a classical building. … There's a feeling that they sort of want to be modern and sort of want to be classical and end up being a very unsatisfying compromise."
A New Jersey7 native who developed a passion for architecture in his earliest years, Paul Goldberger attended Yale University and then worked as a general reporter for another newspaper. Several years later he became an editorial assistant for the Times. In 1973 there came an opening for an architectural writer, and because the Times knew of his background, Goldberger was given the first shot at the job. "It was fabulous," he recalls, because it was what I always wanted to do. And it was very much a matter of luck — of being at the right place at the right time." His articles appear most often in the daily Times; Louise Huxtable remains8 the chief architectural writer for the Sunday paper.
Why would a sophisticated Timesman choose the West Side over the East? "There are many more wonderful buildings on the West Side," says Goldberger. Unfortunately not many of the buildings on the West Side have been kept up as well as the East Side. … In terms of apartment house architecture, Central Park West is probably the best street in New York. It has all the grandeur9 and beauty and monumentality of Fifth Avenue and it also has the relaxed atmosphere."
There's not one West Side," he continues. "There's at least 10. Around here is one neighborhood. Riverside Drive is another. Up by Columbia is another. … One of the reasons I like my own neighborhood is because though it is very much West Side, it's handy to the East Side and midtown. I walk through the park all the time."
Any chance that Manhattan's skyscrapers10 will eventually weigh down the island? "No," replies the critic emphatically. "First, the island is very, very solid rock and nothing could cause it to sink. The other factor, especially today, is that buildings are not all that heavy, because they're being built with lighter12 materials and more modern engineering methods. So a huge new building like the Citicorp, which is 900 feet high, is not any heavier than a building 500 feet high built 30 years ago. And since we don't have earthquakes, this is probably the safest environment in the world to build a skyscraper11."
Although studying and writing about architecture is "more than a full-time13 job," Goldberger manages to keep abreast14 of the legal aspects of buildings as well, including tenants15' rights, rent control, zoning laws and redlining. The New York City Landmarks16 Preservation17 Commission is another of his interests. "I think landmarking is crucial to the city," he testifies. "A city exists in time as much as space. It's the mixture of new and old buildings that gives the city life and vitality18."
点击收听单词发音
1 lavish | |
adj.无节制的;浪费的;vt.慷慨地给予,挥霍 | |
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2 suite | |
n.一套(家具);套房;随从人员 | |
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3 functionally | |
adv.机能上地,官能地 | |
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4 aesthetically | |
adv.美地,艺术地 | |
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5 barbs | |
n.(箭头、鱼钩等的)倒钩( barb的名词复数 );带刺的话;毕露的锋芒;钩状毛 | |
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6 pretentious | |
adj.自命不凡的,自负的,炫耀的 | |
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7 jersey | |
n.运动衫 | |
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8 remains | |
n.剩余物,残留物;遗体,遗迹 | |
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9 grandeur | |
n.伟大,崇高,宏伟,庄严,豪华 | |
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10 skyscrapers | |
n.摩天大楼 | |
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11 skyscraper | |
n.摩天大楼 | |
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12 lighter | |
n.打火机,点火器;驳船;v.用驳船运送;light的比较级 | |
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13 full-time | |
adj.满工作日的或工作周的,全时间的 | |
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14 abreast | |
adv.并排地;跟上(时代)的步伐,与…并进地 | |
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15 tenants | |
n.房客( tenant的名词复数 );佃户;占用者;占有者 | |
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16 landmarks | |
n.陆标( landmark的名词复数 );目标;(标志重要阶段的)里程碑 ~ (in sth);有历史意义的建筑物(或遗址) | |
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17 preservation | |
n.保护,维护,保存,保留,保持 | |
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18 vitality | |
n.活力,生命力,效力 | |
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