Star of Holocaust1 returns to Broadway in G.R. Point
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When Michael Moriarty rose to national stardom last year with his chilling portrayal2 of SS Officer Dorf in the NBC miniseries Holocaust, his performance was witnessed by some 120 million Americans. His current vehicle, G.R. Point at the Playhouse Theatre on West 48th Street plays to a maximum audience of 500. Yet, in the lead role of Micah Bradstreet, a wet-behind-the-ears soldier from rural Maine, Moriarty delivers what Clive Barnes of the New York Post has said is "the best performance, so far, of his career."
G.R. Point is a play about the Vietnam War and its effects on those who are forced to partake in it. Set on a strikingly designed stage built to resemble a devastated3 hillside, the play demonstrates how each of the eight characters manages to cope with his predicament in his own way. Its message is summed up in the final words of the drama, spoken to Micah as he departs for the U.S.: he is told to "count the living, not the dead."
"One of the main reasons I wanted to do this play is that it affirms life," says Moriarty, in a dressing4 room interview just before a performance. "It doesn't take any specific political stance, but it doesn't avoid any of the horrors of war. Its only stance is: in the end, what overcomes the situation is love. And love sometimes shows itself in the strangest, most bizarre ways."
He is tall and solidly built, looking somewhat younger than his 38 years, and though his demeanor5 has an edge of shyness to it, Moriarty's penetrating6 eyes reveal that much is going on beneath the surface. Asked about his personal views on Vietnam, the actor replies, "I'm not an intellectual, so I have no specific feelings about it." But his conversation soon reveals him to be a deep thinker and a wit besides, whose remarks are tempered as much by humility7 as by professional instinct.
"Whatever I could say about the war has been better stated by David Berry, the playwright8. I'm able to show my emotional response to the war through Micah Bradstreet. … I'm not trying to influence anyone in any way in particular. I do think the play tells the truth about Vietnam. So the more information people have, the better decisions they can make."
Moriarty's decision to become a dramatic actor can be traced to his undergraduate days at Dartmouth College, when he was overwhelmed by Paul Scofield's performance in Love's Labor9 Lost. Following graduation, he won a Fulbright Scholarship to attend the London Academy of Music and Dramatic Art. In 1974, after years of perfecting his craft in theatres across America, he picked up the first of his two Tony Awards for his performances in Find Your Way Home. Equally skilled at television acting10, he is the recipient11 of two Emmys, including one for Holocaust.
A Detroit native of Scandinavian and Irish ancestry12, Moriarty attends Catholic mass regularly, and finds much inspiration in the Bible, both spiritual and literary. His chief hobby is music: he is a polished singer/pianist/songwriter who frequently performs in the city's leading nightclubs between acting assignments. Asked whether he would consider teaming up with octogenarian blues13 singer Alberta Hunter at the Cookery in Greenwich Village, he replies with a laugh, "That's very heavy company. I'll cook and she'll sing." He usually practices in the morning. "I'll ramble14 over the piano and play some easy music. It's purely15 according to my libido16. You might call it ad libido. Hey, not bad! How's that for an album title?"
Another of his talents is writing plays. Although hesitant to discuss this up-and-coming aspect of his career, Moriarty finally admits that one of his plays was recently read dramatically at the McCarter Theatre in Princeton, New Jersey17, under the direction of Ben Levit. "It was none of my doing. I sat back, and it all happened before my very eyes. I was astonished, and pleased, and proud, and in no great hurry to see it produced except by this director — if he wants to."
Long a devotee of Shakespeare, Moriarty founded his own non-profit
Shakespearean company, Potter's Field, in 1977. He and his group
perform free each Sunday in Central Park near the statue of Sir Walter
Scott, weather permitting.
In response to a question about the West Side, where he has lived for the past five years, Moriarty says that "you can walk one block and encounter everything the world should either be proud of or ashamed of." His favorite local restaurants include Coq du Vin on 8th Avenue and O'Neal's Balloon at 6th Avenue and 57th Street. "Pat O'Neal and I crack jokes about my career as a waiter. I worked at O'Neal's off and on for about four years. I was terrible! They kept me on out of sheer compassion18. I guess I became an endearing lunkhead."
Other goals? "None that I'd care to mention," says Moriarty, smiling softly. "All the other ones are neurotic19, and I don't want to expose them. I've done it too often. In my neuroses, I think, 'Gee20, I'd like to do that or this.' But in my higher self, I have no unfulfilled needs."
点击收听单词发音
1 holocaust | |
n.大破坏;大屠杀 | |
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2 portrayal | |
n.饰演;描画 | |
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3 devastated | |
v.彻底破坏( devastate的过去式和过去分词);摧毁;毁灭;在感情上(精神上、财务上等)压垮adj.毁坏的;极为震惊的 | |
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4 dressing | |
n.(食物)调料;包扎伤口的用品,敷料 | |
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5 demeanor | |
n.行为;风度 | |
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6 penetrating | |
adj.(声音)响亮的,尖锐的adj.(气味)刺激的adj.(思想)敏锐的,有洞察力的 | |
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7 humility | |
n.谦逊,谦恭 | |
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8 playwright | |
n.剧作家,编写剧本的人 | |
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9 labor | |
n.劳动,努力,工作,劳工;分娩;vi.劳动,努力,苦干;vt.详细分析;麻烦 | |
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10 acting | |
n.演戏,行为,假装;adj.代理的,临时的,演出用的 | |
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11 recipient | |
a.接受的,感受性强的 n.接受者,感受者,容器 | |
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12 ancestry | |
n.祖先,家世 | |
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13 blues | |
n.抑郁,沮丧;布鲁斯音乐 | |
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14 ramble | |
v.漫步,漫谈,漫游;n.漫步,闲谈,蔓延 | |
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15 purely | |
adv.纯粹地,完全地 | |
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16 libido | |
n.本能的冲动 | |
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17 jersey | |
n.运动衫 | |
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18 compassion | |
n.同情,怜悯 | |
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19 neurotic | |
adj.神经病的,神经过敏的;n.神经过敏者,神经病患者 | |
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20 gee | |
n.马;int.向右!前进!,惊讶时所发声音;v.向右转 | |
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